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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Antoine de Feriol comte de Pont de Veyle"/1) | (@(roleclean,performerclean) "Antoine de Feriol comte de Pont de Veyle")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1617 results for: Keyword - Antoine de Feriol comte de Pont-de-Veyle
We found 994 matches on Performance Title, 432 matches on Performance Comments, 168 matches on Author, 168 matches on Event Comments, and 0 matches on Roles/Actors.

1126
01 March 1788 @ Covent Garden

Event Comment: Afterpiece [1st time; F 2, by John O'Keeffe, based on Les Intrigants; ou, Assaut de Fourberies, by Antoine Jean Bourlin, dit Dumaniant. Prologue probably by the author.]. Receipts: #269 8s. 6d. (264.10.0; 4.18.6)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Tantara Rara, Rogues All

Dance: End: New Divertisement-[see17880124]

1127
26 September 1794 @ Covent Garden

Performances

Mainpiece Title: The Travellers In Switzerland

Performance Comment: Daniel-Quick; Dorimond-Johnstone; Mr Sidney-Munden; Robin-Bernard; Comte Friponi-Fawcett; Fishermen-Townsend, Richardson, Linton; Sir Leinster M'Laughlin-Rock; Swiss Burgher-Thompson; Freebooters-Street, Rees, Abbot; Dalton-Incledon; Nerinda-Mrs Martyr; Miss Somerville-Miss Poole; Julia-Mrs Clendining; Shepherdess-Miss Hopkins; Margery-Mrs Henley; Lady Philippa Sidney-Mrs Mattocks.
Cast
Role: Comte Friponi Actor: Fawcett

Afterpiece Title: Modern Antiques; or, The Merry Mourners

Dance: Mainpiece to conclude with: The Savoyard-Byrn, Mlle St.Amand, Mme Rossi

1128
26 June 1790 @ Haymarket Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Try Again

Performance Comment: Principal Characters by Bannister Jun., Ryder, Burton, Barrett, Ledger, Lyons, Abbott, Aickin, Mrs Taylor, Mrs Edwards, Mrs Brooks. Cast from text (G. G. J. and J. Robinson, 1790): La@fourbe-Bannister Jun.; Sidney-Ryder; Antoine-Burton; Picard-Barrett; Postillions-Ledger, Abbott; Postman-Lyons; Du@chesne-Aickin; Lauretta-Mrs Taylor; Marinette-Mrs Edwards; Rosalie-Mrs Brooks.
Cast
Role: Antoine Actor: Burton

Dance: III: Hornpipe (in Character)-Byrn

1129
09 February 1797 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; CO 2, by Prince Hoare, based partly on Le Comte D'Albert et sa Suite, by Michael Jean Sedaine. Larpent MS 1153; not published; synopsis of plot in Monthly Visitor, Feb. 1797, p. 164]: The Musick partly new and partly selected [by Michael Kelly; overture by Stanislas Champein (BUC 567)]. Books of the Songs to be had in the Theatre. Receipts: #321 14s. (184.18.6; 134.14.6; 2.1.0)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: A Friend in Need

Song: Afterpiece: Chorus-Welsh, Maddocks, Gregson, Wentworth, Atkins, Meyers, Annereau, Bardoleau, Walker, Willoughby, Ms Butler, Ms Roffey, Ms Granger, Ms Jackson, Ms Maddocks, Ms Menage, Ms Wentworth, Ms Benson

1130
22 May 1787 @ Covent Garden

Event Comment: Artaxerxes [announced on playbill of 21 May] is obliged to be deferred on account of the Indisposition of a principal Performer. Afterpiece [1st time; C 3, by Elizabeth Inchbald. Prologue by Henry Sampson Woodfall, Jun. (see text)]: Taken from the celebrated piece called Guerre Ouverte; ou, Ruse Contre Ruse [by Antoine Jean Bourlin, dit Dumaniant]. Public Advertiser, 1 Dec. 1787: This Day is published The Midnight Hour (1s. 6d.). Receipts: #74 5s. (70.2; 4.3)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Midnight Hour

1131
05 May 1790 @ Covent Garden

Event Comment: Benefit for Miss Brunton. 1st piece [1st time; T 3, by Mariana Starke, based on La Veuve du Malabar, by Antoine Marin LeMierre. Prologue by William Thomas Fitzgerald. Epilogue by Richard John Hughes Starke (see text)]: With new Scenes and Dresses. And a Procession representing the Ceremonies attending the Sacrifice of an Indian Woman on the Funeral Pile of her deceased Hqsband. 2nd piece: Not acted these 18 years [acted 4 May 1776. Miss E. Brunton was from the Norwich theatre]. Morning Chronicle, 1 Feb. 1791: This Day is published The Widow of Malabar (1s. 6d.). Public Advertiser, 21 Apr.: Tickets to be had of Miss Brunton, No. 35, Gerrard-street, Soho. [The mainpiece is sometimes stated to have been 1st acted at Mrs Crespigny's private@theatre@in@Camberwell, 1790, but "'The Widow of Malabar' was not first produced at Mrs Crespigny's Theatre. The Tragedy performed there is called 'The British Orphan' (also by Mariana Starke)" (Gazetteer, 24 Jan. 1791).] Receipts: #338 13s. (208.7; 2.8; tickets: 127.18)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: The Man of Quality

Afterpiece Title: The Two Misers

Song: In: Bannister, Johnstone, Darley, Duffey, Mrs Mountain, Miss Stuart, Miss Rowson, Mrs Martyr; The Music by Stevens-

Entertainment: Monologue. Preceding 2nd piece: Occasional Address-Miss Brunton

1132
11 May 1791 @ Drury Lane Theatre

Event Comment: Benefit for Whitfield. Afterpiece [1st time; F 2] Translated from the French [La Nuit aux Aventures; on, Les Deux Morts Vivants, by Antoine Jean Bourlin, dit Dumaniant] by Mrs Inchbald, the Author of I'll Tell You What, Such Things Are, A Simple Story, &c. [Larpent MS 900; not published. In 1797 altered by J. C. Cross as An Escape into Prison. "In January 1788 Mrs Inchbald was translating an unnamed French play, acted three years later as The Hue and Cry" (James Boaden, Memoirs of Mrs Inchbald, 1833, I, 255-56). "Mrs Inchbald is now adapting La Nuit aux Aventures, by Dumaniant" (World, 26 Jan. 1788). In the text of Dumaniant's play the dramatis personae is the same as that in the Larpent MS. Author of Prologue unknown.] Morning Chronicle, 30 Apr.: Tickets to be had of Whitfield, No. 19, Great Piazza, Covent-Garden. Receipts: #263 13s. (68.19.0; 31.7.6; 3.13.6; tickets: 159.13.0) (charge: #116 4s. 4d.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Hue and Cry

1133
30 December 1734 @ Covent Garden

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Rape of Proserpine: With the Birth and Adventures of Harlequin

1134
24 October 1733 @ Drury Lane Theatre

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Harlot's Progress; or, The Ridotto Al' Fresco

1135
13 February 1735 @ Covent Garden

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Afterpiece Title: Perseus and Andromeda; or, The Cheats of Harlequin

1136
09 May 1735 @ Haymarket Theatre

Performances

Mainpiece Title: George Dandin; Or, The Wanton Wife

Afterpiece Title: Le Cocu Imaginaire

Dance:

1137
29 April 1749 @ Haymarket Theatre

Performances

Mainpiece Title: L'opera Du Gueux

1138
26 May 1791 @ King's Theatre

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End III: an entire new Ballet (composed by Vestris Jun.) Les Folies d'Espagne- see17910610; (for that night only) Pas de Trois-Vestris Jun., Mlle Hilligsberg, Mlle Mozon; Pas Seul-Juber (principal dancer from France); a Pas de Deux-Juber, Mlle Mozon; conclude with Minuet de la Cour-as17910505Vestris Sen

Ballet: End I: L'Amadriade. As17910517

1139
23 July 1796 @ Haymarket Theatre

Performances

Mainpiece Title: The Quaker

Afterpiece Title: Don Pedro

1140
09 February 1798 @ Covent Garden

Performances

Mainpiece Title: England Preserv'd

Afterpiece Title: The Poor Sailor; or, Little Bob and Little Ben

Dance: In afterpiece: Triple Hornpipe-Blurton, Mrs Watts, Mlle St.Amand

Song: End: Interlude of Songs, Glees, and Chorusses: With a jolly full Bottle, Great Britain still her Charter boasts, The Wooden Walls, Queen Betty was a famous Queen, To arms to arms-Incledon, Johnstone, Townsend, Linton, Gray, Street, Lee, Curties, Blurton, Wilde

Entertainment: Monologues. Preceding: An Occasional Prologue-Holman; Preceding singing: An Address to the Audience (instead of Epilogue)-Pope

1141
14 December 1717 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Mangora, King Of The Timbusians

1142
23 August 1733 @ Bartholomew Fair

Performances

Mainpiece Title: Tamerlane The Great; With The Fall Of Bajazet, Emperor Of The Turks

Afterpiece Title: The Miser

Afterpiece Title: The Ridotto Al' Fresco

1143
04 September 1733 @ Bartholomew Fair

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Comical Humours of Sir John Falstaff, Justice Shallow, Ancient Pistol, and Others

Afterpiece Title: The Ridotto Al' Fresco

Dance: End I Second Piece: Black Joke-Smith, Miss Brett; II: Comic Dance-Mrs Booth

1144
01 April 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: Cg The Busy Body

Afterpiece Title: Apollo and Daphne

1145
17 October 1735 @ Covent Garden

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Apollo and Daphne; or, The Burgo-Master Trick'd

1146
01 January 1736 @ Covent Garden

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Apollo and Daphne

Dance: French Peasant by Lalauze and Mlle D'Hervigni

1147
28 October 1741 @ Goodman's Fields

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Contrivances

1148
05 May 1743 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: The School Boy

Dance: LLes Boufons du Cour, as17430305 Characters of Dancing, as17421025; Dutch Skipper, as17421025

1149
25 March 1746 @ King's Theatre

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Musick

1150
03 February 1747 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: Miss in Her Teens