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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Antoine de Feriol comte de Pont de Veyle"/1) | (@(roleclean,performerclean) "Antoine de Feriol comte de Pont de Veyle")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1618 results for: Keyword - Antoine de Feriol comte de Pont-de-Veyle
We found 994 matches on Performance Title, 432 matches on Performance Comments, 169 matches on Author, 168 matches on Event Comments, and 0 matches on Roles/Actors.

26
16 March 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990202

27
02 April 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990330

28
23 April 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990418

29
30 April 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990330

30
02 July 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: End I: La Double Epreuve, as17990617 End Opera: La Fille Mal Gardee, as17990418

31
23 July 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990617

32
30 July 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990617

33
18 March 1800 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Performance Comment: [Principal Characters by Viganoni, Rovedino, Benelli, Mme Banti. Cast from libretto (Da Ponte [1800]: Don Pietro-Viganoni; Rodrigo-Rovedino; Alfonso-Benelli; Fernando-DeGiovanni; Ines-Mme Banti; La Regina-Sga Pastorelli.

Dance: As18000304

34
25 March 1800 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As18000322

35
05 April 1800 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As18000322

36
15 March 1788 @ King's Theatre

Performances

Mainpiece Title: La Cameriera Astuta

Dance: End Opera: Euthyme et Eucharis, as17880313End I: New Dance, as17880308Pas de Bernois, as17880308_Didelot, Coulon; +Pas de Trois, as17880308a Pas Seul-Chevalier; Pas de Deux, as17880308Pas Seul, as17880308Pas de Russe, as17880308Hornpipe, as17880308Pas de Cinq, as17880308Pas de Sept, as17880308General Dance, as17880308

37
29 January 1719 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Pierot Maitre Valet Et Lopera De Campagne Ou La Critique De Lopera De Paris

Entertainment: Vaulting, Tumbling-

38
19 February 1722 @ Haymarket Theatre

Performances

Mainpiece Title: Arlequin Cartouche

Afterpiece Title: LEte des Coquettes et les Vendangers de Suresne

Dance: Mademoiselle Voirinville

39
21 June 1783 @ King's Theatre

Performances

Mainpiece Title: Lavaro

Dance: End of Act I Il Riposo del Campo, as17830603 with Pas de Deux, as17830603 and Pas de Basque, as17830111; End of Act II Le Tuteur Trompe, as17830506

40
09 December 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Sampson Judge Of Israel

Afterpiece Title: Le Francois a Londres

Dance:

41
26 March 1735 @ Haymarket Theatre

Performances

Mainpiece Title: Letourdy

Afterpiece Title: Arlequin Sauvage

Music: Several Concertoes, particularly a Grand Concerto with French Horns and Trumpets; and another with one French Horn, the French Horn part by Mr Charles

42
30 August 1777 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber Or The Fruitless Precaution

Afterpiece Title: Thomasand Sally

Dance: End: Dance-. [This was included in all subsequent performances.

43
14 December 1784 @ Covent Garden

Performances

Mainpiece Title: The Follies Of A Day Or The Marriage Of Figaro

Afterpiece Title: The Citizen

44
11 December 1798 @ Covent Garden

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide or The Victim of Constancy

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

45
07 February 1778 @ King's Theatre

Performances

Mainpiece Title: Erifile

Dance: End I: La Polonaise Favourite, as17780131; End II: Les Bohemiens, as17771216; End Opera: Divertisement-Mons and Mlle Banti, Vallouy@le@cadet, Mlle Baccelli

Song: In II: Air-Sga Danzi; accompanied on the Hautboy-LeBrun. [This was sung, as here assigned, in all subsequent performances.

46
14 November 1782 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821102, but Sga Crespi in place of Sga Sala, and added: Passacaille, as17821109; End of Opera Apelles and Campaspe, as17821102, but added: Sga Crespi

47
25 July 1785 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Follies Of A Day Or The Marriage Of Figaro

Afterpiece Title: The Poor Soldier

Afterpiece Title: Harlequin Skeleton

48
24 April 1787 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Nina

Afterpiece Title: The Intriguing Chambermaid

Song: Between acts 1st piece: an entire new song, The Nymph's Refusal-Mrs Martyr

49
22 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: The Catch Club i

Afterpiece Title: Gretna Green

Afterpiece Title: Look before You Leap

Afterpiece Title: The Village Lawyer

Entertainment: Monologue End 1st piece: George Alexander Stevens's Original Lecture on Heads (Head of Alexander the Great, Head of a Cherokee Chief, Head of a Quack-Doctor, Cuckold's Head, Nobody's Head, The laughing and crying Philosophers' Heads, Head of Flattery, A fine Lady's Head, Head of an Old Maid, Cleopatra's Head, Plain Moll's Head, Head of a Married Lady)-Palmer

50
20 April 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: False Appearances

Afterpiece Title: Miss in her Teens

Song: V: song in character-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.