SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Antient and Hon Society of Free and Accepted Masons"/1) | (@(roleclean,performerclean) "Antient and Hon Society of Free and Accepted Masons")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 391 matches on Event Comments, 151 matches on Performance Title, 82 matches on Performance Comments, 18 matches on Author, and 1 matches on Roles/Actors.
Event Comment: Benefit for Aickin. The Tragedy of All for Love, which was to have been performed this evening, is oblig'd to be changed, on account of the indisposition of Mrs Barry and Miss Younge; therefore Mr Aickin humbly hopes that his friends will accept of the Tempest in its stead. Tickets deliver'd for All for Love will be taken. Paid extra flute and hautboy 10s. (Treasurer's Book). Aickin did not act (Winston MS 10). [This month published The Sentimental Spouter; or, Young Actor's Companion. The whole comprising the essence of theatrical delivery, and the beauties of dramatic poetry. Price 1s. 6d. Printed for Wheble (Gentleman's Magazine Register).] Receipts: #123 14s. 6d. Charges: #74 14s. Profit to F. Aickin: #49 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Palmer; Ferdinand (With songs)-Vernon; Stephano-King; Trincalo-Baddeley; Caliban-Ackman; Ceres-Mrs Wrighten; Ariel (With songs)-Mrs Scott; Miranda (With song)-Mrs Smith; Hymen-Fawcett; Gonzalo-J. Aickin; Alonzo-Bransby; Sebastian-Keen; Francisco-Griffith; Boatswain-Wright; Master of Ship-Wrighten; With a Grand Dance of Fantastic Spirits-; The Other Dances-Giorgi, Mrs Sutton.

Afterpiece Title: The Elopement

Event Comment: Miss Younge being ill Mrs Lessingham was borrow'd from Covent Garden to play Imogen (Hopkins Diary). Benefit for Dibdin. Paid extra bassoons & flute 3 nights in Christmas Tale (7th March incl.) #7 4s.; Tallow chandler's 7th Bill #20 13s. Heroine of the Cave Music Bill #2 3s. 9d.; Ditto Prompter's Bill #1 5s.; Housekeeper's Bill #3 6s. 5d. Properties #1 2s. 8d.; St George's Hospital subs. 1 year #10 10s.; Mr J. French's draft #23 19s. 9d.; Mr Everard's Note to Egerton #5 3s. 4d.; Chorus 2 nights (this incl.) #3 11s. (Treasurer's Book). The Comedy of Twelfth Night, which was to have been performed this Evening, is oblig'd to be changed, on account of the Indisposition of Miss Younge; Therefore Mr Dibdin humbly hopes that his friends will accept of Cymbeline in its stead. Tickets deliver'd for Twelfth Night will be taken. Receipts: #184 9s. Charges #68 15s. 6d. Profit to Dibdin: #115 14s. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Deserter

Dance: III: The Mountaineers, as17730930

Event Comment: Paid 4 day's salary list at #94 11s. 6d. per diem #378 7s. 4d.; J. French on acct #5 5s. (Treasurer's Book). [From the Westminster Magazine, March, p. 125: "A disturbance on account of Mrs Yates having left the theatre without speaking the Epilogue to Braganza. The House was clamorous and would not give up their right. Mr Vernon endeavoured to appease their fury, by declaring that Mrs Yates being taken with a hoarseness, had left the theatre,' but this excuse the Audience would not accept. Mr Vernon withdrew, and after a short time returned assuring the House that he had sent to Mr Garrick (who was confined to his room with a fit of the stone) but who had directed the messenger immediately to fetch Mrs Yates, and that her husband was then in the theatre. He was directly called for, and instantly came on the stage to know the pleasure of the Audience. They told him bluntly they did not want to see him, but to hear his wife, whose obstinacy and pride had betrayed her into the present insult. He in vain tried to assure them, that his wife's conduct proceeded from a very contrary cause from that which they alledged; and the cause was real illness. As the clamor was universal, Mr Yates quitted the stage; and at length, an hour and a half being spent in tumult, the overture was suffered, and the farce went on, but not in silence." See note, 9 March.] Receipts: #201 19s. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Cast
Role: Ferdinand Actor: Norris

Afterpiece Title: The Rival Candidates

Event Comment: Mainpiece: Never Performed There. On account of the Additional Airs, contracted into 3 Acts. [Public Advertiser, 30 Dec., notes that the principal omission was the conspiracy of Alonzo, Antonio, &c., and that the Masque in Act IV was removed to the concluding scene of the play.] With New Dresses, Scenery and Decorations. The Music by Purcell, John Christopher? Smith, Dr Arne and Fisher. [In afterpiece the playbill retains Delpini as Pierrot, but "[Hull] made an apology for the illness of Delpini, telling the audience that the Signor had hurt himself so much the preceding evening in performing the part of Pierrot that he could not come out of his room; the managers therefore hoped that the audience would accept of Wewitzer in the character" (Morning Chronicle, 28 Dec.). The playbill also adds Wewitzer as the Gardener; this part was perhaps omitted.] Paid Enderby, Oil Merchant, #258 17s. Receipts: #245 18s. (244.15; 1.3)

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Hull; Ferdinand-Mattocks; Stephano-Wilson; Trincalo-Quick; Caliban-Dunstall; Gonzalo-Fearon; Alonzo-L'Estrange; Sebastian-Robson; Antonio-Booth; Master-Thompson; Boatswain-Bates; Miranda-Miss Brown; Juno-Miss Dayes; Ceres-Miss Valois; Ariel-Mrs Farrell.
Cast
Role: Ferdinand Actor: Mattocks
Role: Miranda Actor: Miss Brown

Afterpiece Title: Harlequins Frolicks

Cast
Role: Prometheus Actor: Mahon

Dance: In: Aldridge, Miss Valois, others [the dance was composed by Aldridge (Morning Chronicle, 26 Nov. 1779), and danced, as here assigned, in all subsequent performances]; In afterpiece: as17761226

Performance Comment: 1779), and danced, as here assigned, in all subsequent performances]; In afterpiece: as17761226.
Event Comment: Mainpiece: Not acted these 12 years. [The playbill retains Wilson as Maclaymore, but "At the close of the Play Hull came forward and made an Apology for Wilson's not playing Maclaymore...on Account of his being taken suddenly ill with an Ague, and begged their Acceptance of Fearon in the Part, which was accepted with that good Nature which distinguishes a British Audience" (Morning Chronicle, 24 Oct.).] Receipts: #100 15s. 6d. (100.11.0; 0.4.6)

Performances

Mainpiece Title: The Provokd Wife

Performance Comment: Sir John Brute-Macklin; Heartfree-Bensley (of dl); Col. Bully (with a song)-Mattocks; Razor-Quick; Justice-Thompson; Taylor-Jones; Lord Rake-Mahon; Constant-Wroughton; Lady Fanciful-Mrs Mattocks; Belinda-Miss Leeson; Mademoiselle-Mrs Lessingham; Lady Brute-Mrs Bulkley.
Cast
Role: Heartfree Actor: Bensley
Role: Lord Rake Actor: Mahon

Afterpiece Title: The Reprisal

Cast
Role: Oclabber Actor: Mahon

Dance: As17771016

Event Comment: "As soon as the Play was over at Covent Garden Theatre yesterday evening, Reinhold walked forward and told the audience that 'It would be esteemed a particular mark of their Kindness and Favour if they would accept Miss Cranfield's performance of Colombine, Miss Brown having been taken extremely ill"' (Morning Chronicle, 11 Jan.). Receipts: #195 2s. (193.6; 1.16)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Harlequin Every where

Event Comment: [In the 1st ballet the playbill lists Mme Rossi, but she did not dance. As the 2nd ballet the playbill announces Il Ratto delle Sabine, but Mme Rossi was ill, which "rendered a verbal apology unavoidable. 'Mme Rossi was in hopes that her wish to court your favour would enable her to overcome her illness, but it has been as sudden as it is now alarming. She has just been let blood. The manager therefore intreats your indulgence, and that you will accept of Apelles and Campaspe instead of the Grand Ballet, which cannot possibly be performed.' . . . Henry performed the part of Alexander with the greatest propriety" (Public Advertiser, 19 Dec.).]

Performances

Mainpiece Title: Il Convito

Related Works
Related Work: Il Convito Author(s): Antonio AndreiFerdinando Bertoni

Dance: End of Act I New Divertisement, probably as17821119; End of Open Apelles and Campaspe, probably as17821102, but added: Henry

Event Comment: Grimaldi being extremely ill, and it being uncertain when he may be able to perform, Wright has undertaken to supply his Character of the Clown, and Hamoir that of the Old Harlequin, and hope the Public will accept them with their usual kind Indulgence. In afterpiece: Repulse of the Spaniards, as 7 Jan. Receipts: #219 16s. (213/17; 5/4; tickets not come in: 0/15)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Harlequin Junior

Event Comment: [In mainpiece the playbill retains Kemble as Hamlet, but for his "indisposition an apology was made, and the audience requested to accept of Wroughton in his place--a request...no sooner asked than had" (World, 4 Dec.).] The Country Girl and Richard Coeur de Lion [both advertised on playbill of 1 Dec.] are obliged to be deferred, on Account of the Indisposition of a principal Performer. Receipts: #105 19s. 6d. (83.2.0; 21.7.6; 1.10.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Harlequins Invasion

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Cast
Role: Dorothy Actor: Mrs Bland
Role: Grandmother Actor: Mrs Booth.
Event Comment: It having appeared to be the Sense of a considerable Part of the Audience on Monday Night that the One Shilling Gallery should be restored, the Proprietor has already given Directions that their Wishes may be obeyed with all possible Expedition. With respect to the other Point, upon which some difference of Opinion still continued throughout the Performance, it is necessary to declare, that without absolute Ruin to the Property, this Theatre cannot be opened at lower Prices of Admission. The Proprietor therefore relies with Confidence on the Justice and Protection of the Public should any Attempt be made again to interrupt the Performance upon this Ground. [The new Upper, or One-Shilling, Gallery was constructed within two weeks, and opened on 1 Oct. The audience accepted The argument for the necessity of raising the prices of admission, which, as they now stood, remained in effect for the remainder of the century. 2nd piece in place of The Suspicious Husband, advertised on playbill of 17 Sept.] Receipts: none listed

Performances

Mainpiece Title: A New Occasional Prelude

Related Works
Related Work: A New Occasional Prelude Author(s): Richard Cumberland

Afterpiece Title: The Duenna

Performance Comment: Ferdinand-Johnstone; Isaac-Quick; Don Jerome-Wilson; Anthonio-Marshall; Father Paul-Darley; Lopez-Farley; Carlos-Incledon; The Duenna-Mrs Webb; Louisa (1st Time)-Mrs Blanchard; Clara (1st time)-Miss Broadhurst.
Cast
Role: Ferdinand Actor: Johnstone
Role: Anthonio Actor: Marshall

Afterpiece Title: Modern Antiques or The Merry Mourners

Event Comment: [In mainpiece the playbill assigns Polonius to Wilson, but "Previous to the play an apology was made by Farren, for the absence of Wilson [see 2 Nov.], and requesting the Audience to accept of Munden in Polonius, which they chearfully assented to, and his performance justified their opinion" (Thespian Magazine, Dec. 1792, p. 153). "Hamlet is perfectly within the scope of [Holman's] powers; but his performance last night did not exhibit one discriminate feature of the character. He 'out Heroded Herod' throughout, with more than his usual perseverance. The praise of the evening rests with Munden, who laudably endeavoured to rescue Polonius from the buffoonery which has hitherto disgraced him" (Morning Herald, 6 Nov.). Afterpiece in place of Oscar and Malvina, advertised on playbill of 3 Nov.] Receipts: #319 2s

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Hartford Bridge

Event Comment: [In mainpiece the playbill retains Miss Pope as Mrs Larron, but "previous to the play, an apology was made by Palmer for the absence of Miss Pope, who by indisposition was prevented from performing, and requested the audience to accept of Mrs Edwards in the part of Mrs Larron, who, it must be confessed, showed no want of spirit in her performance" (Thespian Magazine, Jan. 1793, p. 169).] Receipts: #195 0s. 6d. (143.16.0; 48.14.0; 2.10.6)

Performances

Mainpiece Title: At Kings The Fugitive

Afterpiece Title: The Prisoner

Cast
Role: Nina Actor: Mrs Bland
Event Comment: [In mainpiece the playbill retains Quick, but "an apology was made for the non-appearance of Quick, stating his being violently indisposed, and entreating the audience to accept of Fawcett...[who] made a very respectable substitute" (Thespian Magazine, Mar. 1793, p. 221).] Receipts: #315 4s

Performances

Mainpiece Title: Columbus

Afterpiece Title: Harlequins Museum

Event Comment: Under the Patronage of H. R. H. the Prince of Wales, H. R. H. the Duke of York, and H. R. H. the Duke of Clarence. Benefit for a Fund for the Relief of the Wounded Seamen, and also for the Widows and Orphans of the Brave Men who fell in the late Glorious Action, under Admiral Lord Viscount Duncan [see 16 Oct.]. The Tickets for the Boxes are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangement of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Guildford, The Earl of Thanet, The Right Honorable the Lord Mayor [Brook Watson], Mr Alderman Combe, M. P., Mr Alderman Skinner, John Julius Angerstein, Esq. Tickets and Places for the Boxes not disposed of by the Committee to be had of Fosbrook at the Box Office, Little Russell-Street, and at the Bar of Lloyds Coffee House. Ladies and Gentlemen having Privilege of the Theatre are requested by the Stewards to waive the use of it for this Evening. [Address by Richard Cumberland (European Magazine, Nov. 1797, p. 339). True Briton. 23 Nov. 1797, prints a letter from the Chairman of Committee of Subscribers to the performers of the theatre, thanking them for not "accepting the usual emolument on the night of performance."] Receipts: #631 8s. (357.17.6; 57.4.6; 1.11.0; money extra left at the doors: 2.14.6; tickets: 212.0.6) (charge: #161 0s. 6d.)

Performances

Mainpiece Title: The Will

Cast
Role: Mandeville Actor: Wroughton
Role: Albina Mandeville Actor: Mrs Jordan

Afterpiece Title: The Prize

Entertainment: Monologue.As17971016; An Occasional Address-Wroughton

Event Comment: This performance is known by the Prologue and Epilogue printed in Thomas Jordan's A Nursery of Novelities or Variety of Poetry. The Prologue is dated 24 June 1660, but as this date falls on Sunday, the performance has been entered as Saturday 23 June 1660, for in this same work (p. 19) Jordan mentions: A Speech by way of Epilogue to those that would rise out of the Pit at the Red Bull in the last Scene, and disturb the conclusion by going on the Stage, June 23d 1660. [The Prologue and Epilogue have been reprinted in the Shakespeare Society Papers, IV (1849), 140-42, and in Sprague, Beaumont and Fletcher on the Restoration Stage, pp. 9-10. See also the list at the beginning of the season 1659-1660.

Performances

Mainpiece Title: The Tamer Tamed

Event Comment: According to A Calendar of the Middle Temple Records, ed. Hopwood (p. 168) the charges came to #11 and the receipt was signed by Will Burgon. The Diary and Will of Elias Ashmole: This day was kept solemnly at the Middle Temple and after the auncient manner. The Lord Chancellor, Judges and Sergeants that were of the Society dined in the Hall, after dinner they had a play, viz. Witt without Money [ed. R. T. Gunter, 1927, p. 76]. Ashmole lists the performance for 1 Nov. 1660, but the records of the Middle Temple point to 2 Nov. 1660 as the proper date

Performances

Mainpiece Title: Wit Without Money

Event Comment: Elizabeth Bodvile, ca. July 1661: One Monday I was at the new apprer [opera] (Camden Society, 1878, XXII, 21). The Duke's Company

Performances

Mainpiece Title: The Siege Of Rhodes Part I

Event Comment: W. S. Clark (Works of Orrery, 1, 40-41) believes that this is Thomas Middleton's play, not one by Orrery. Henry Savile to George Savile: I am come newly from my Lord of Orrery's new play called The Widow, whose character you will receive from better hands. I will only say that one part of it is the humour of a man that has great need to go to the close stool, where there are such indecent postures as would never be suffered upon any stage but ours, which has quite turn'd the stomach of so squeamish a man as I am, that am used to see nothing upon a theatre that might not appear in the ruelle of a fine lady (Savile Correspondence, ed. W. D. Cooper, Camden Society, LXXI [1858], 4)

Performances

Mainpiece Title: The Widow

Related Works
Related Work: The Widow of Delphi; or, The Descent of the Deities Author(s): Richard Cumberland
Event Comment: A quarrel occurred at the King's Theatre on this day (apparently) between Ravenscroft and Sir George Hewitt. See Letters Adressed from London to Sir Joseph Williamson, Camden Society, VIII (1874), 87

Performances

Event Comment: On this date, James Vernon, writing to Sir Joseph Williamson, reported: Senior Scaramouchio and his band have begged his Majesty's leave to returne, theire affaires requiring their presence att home (Letters to Sir Joseph Williamson at Cologne, Camden Society, I, 179)

Performances

Event Comment: The Duke's Company. This performance is known from a disturbance which occurred on this day; Langbaine states that the play was Macbeth. John Verney to Sir Ralph Verney, 30 Aug. 1675: On Saturday last, at the Duke's playhouse, Sir Tho. Armstrong killed Mr Scrope....Their quarrel is said to [be] about Mrs Uphill, the player, who came into the house maskt, and Scrope would have entertained discourse with her, which Sir T. Armstrong would not suffer, so a ring was made wherein they fought (HMC Verney MSS., 7th Report, 1879, p. 465). See also The Hatton Correspondence, Camden Society, XXII (1878), 121

Performances

Mainpiece Title: Macbeth

Event Comment: G. Lady Chaworth to Lord Roos, 2 Nov. 1676: I have not yet seen Mr Pack, being att Lord Major's show when hee was heere....The pageants were but three and worse then others formerly, but the King, Queen, Duke and Duchess finer in both clothes, liveries, coaches and traine then ever, to the honour of the Citty (HMC, 12th Report, Part V, Rutland Papers, II, 31)

Performances

Mainpiece Title: Londons Triumphs

Performance Comment: : Express'd in sundry Representations, Pageants and Shows, performed on Monday Octob. 30, 1676, at the Inauguration and Instalment of the Right Honourable Sir ThomasDavies, Kt, Lord Mayor of the City of London. Containing a true Description of the several Scenes and Habits of the Representers, with the Speeches Spoken on each Pageant. All the Charge and Expences of the Industrious Designs, being the sole Undertakings of the Ancient and Right Worshipful Society of Drapers. Being the Second Year without Intermission. Devised and Composed by Tho. Jordan.

Performances

Mainpiece Title: Londons Triumphs

Performance Comment: Illustrated with many Magnificent Structures and Pageants. On which are orderly expressed Several Stately Representations of Poetical Deities, sitting and standing in great spdendor on several Scenes in proper Shapes. With Pertinent Speeches, Jocular Songs (sung by the City Musick), and Pastoral Dancing. Performed October 29, 1677, for the Celebration, Solemnity and Inauguration of the Right Honourable Sir Francis Chaplin, Knight, Lord Mayor of the City of London. At the Charge and Expences of the Industrious Designs, being the sole Undertaking of the Ancient and Right Worshipful Society of Clothworkers. Designed and Composed by Tho. Jordan.
Event Comment: Sir Charles Lyttleton, 10 Nov. 1677: [The Princess of Orange] is gone to ye play to-night in these and all ye Duchesses jewells (Hatton Correspondence, Camden Society, 1878, XXII, 155). The Prince and Princess had been married on 4 Nov. 1677

Performances