Event Comment: Benefit for Mad Auretti. Pit and Boxes together & Amphitheatre on stage. Tickets and Places to be had of Mad Auretti at her house in Leicester Fields; and at the Stage Door of the Theatre. Receipts: #220 (Cross)

Event Comment: Benefit for Mad Auretti. Pit and Boxes laid together. Tickets of Mad Auretti at second House on the left hand, the Corner of Panton Street, Leicester Square, and of Hobson at the Stage Door. Tickets deliver'd out for 23 March will be taken. Receipts: #230 (Cross)

Event Comment: Benefit for Mlle Auretti. Last time of performing mainpiece this season. Part of Pit rail'd into the Boxes. Amphitheatre on Stage. [Ladies send servants by 3 o'clock.] Tickets of Mad Auretti, at her house in Leicester Fields, and at the Stage Door. Receipts: #190 (Cross)

Event Comment: New Dresses and Decorations for the Dances (General Advertiser). Dances-Mons Devisse (from Paris), Auretti; Dances lik'd (Cross). Receipts: #100 (Cross)

Event Comment: For Mad Auretti (Cross). In order to accomodate the Quality and Gentry with places, the Pit and Boxes will be laid together, and the Stage will be formed into an Amphitheatre for the conveniency of Ladies and Gentlemen. Ladies are desired to send servants by 3 o'clock. Receipts: #240 (Cross)

Event Comment: [Benefit for Auretti">Mr Mathews & $Jan: Auretti. Ye provok'd Husband? was play'd Palmer being ill (Cross). No Building on Stage. [The bills, all printed before the last minute change, list The Non Juror. Probably announcement was unnecessary, as audience came mainly to enjoy the dances this night.] Receipts: #100 (Cross)

Event Comment: By His Majesty's Command. Benefit for Mlle Auretti. King an Princess Emilia [attended] (Cross). Tickets and places to be had of Mlle Auretti at the second house on the left hand, the Corner Panton St., in Leicester Fields, and of Hobson at the stage door. [Pit and boxes laid together and Amphitheatre on stage, as on 10 March.] Paid salary list #203 7s. (Treasurer's Book). Receipts: #280 (Cross); charges, #63 (Treasurer's Book)

Event Comment: DDevisse, Auretti, Ferrere Danc'd (Cross). Receipts: #60 (Cross)

Event Comment: The United Company. The date of the first performance is not precisely known, but a broadside copy of the Epilogue, in the Bodleian Library, has a licensing date of 20 Aug. 1685, a MS date of 24 Aug. 1685. The play was licensed on 11 Sept. 1685. These dates suggest a premiere in mid-to late-August 1685. For Anne Bracegirdle as Clita and speaker of the Epilogue, see Lucyle Hook, Anne Bracegirdle's First Appearance, Theatre Notebook, XIII (1959), 135. The Prologue and Epilogue, separately printed, are reprinted in Wiley, Rare Prologues and Epilogues, pp. 239-41. The broadside Prologue has a more detailed heading than that in the edition of 1686: Prologue To A Commonwealth of Women, Spoke by Mr Haynes, Habited like a Whig, Captain of the Scyth-men in the West, a Scythe in his Hand. Two songs, set by Samuel Ackroyde, are in The Theater of Musick, The Third Book, 1686

Event Comment: [By Theophilus Cibber.] Alter'd from Shakespear. Containing the Marriages of King Edward the Fourth , and young Prince Edward , with Lady Gray , and Lady Anne . The Distresses of Queen Margaret . The Deposing King Henry the Sixth . The Battles Fought at St. Albans, Wakefield, Mortimer's-Cross, and Tewkesbury. The Deaths of Lord Clifford of Cumberland , and his Son, the Duke of York , his Steward. And many other True Historical Passages

Event Comment: Full Prices. There will not be room behind the Scenes for more than the persons acting in the coronation, [Others] cannot possibly be admitted. The coronation of their Majesties was followed by a stage representation of it at both houses...Garrick knew that Rich would spare no expense in the presentation of his show; he knew too that he had a taste in the ordering, dressing, and setting out these pompous processions, superior to his own; he therefore was contented with the old dresses which had been occasionally used from 1721-1761. This show he repeated for near forty nights successively, sometimes at the end of a play, and at other times after a farce. The exhibition was the meanest, and the most unworthy of a theatre, I ever saw. The stage was...opened into Drury Lane; and a new and unexpected sight surprised the audience, of a real bonfire, and the populace huzzaing and drinking porter to the health of Queen Anne Bullen. The Stage in the meantime, amidst the parading of Dukes, duchesses, archbishops, peeresses, heralds &c. was covered with a thick fog from the smoke of the fire, which served to hide the tawdry dresses of the processionalists. During this idle piece of mockery, the actors, being exposed to the suffocations of smoke, and the raw air from the open street, were seized with colds, rheumatisms, and swelled faces. At length the indignation of the audience delivered the comedians from this wretched badge of nightly slavery, which gained nothing to the managers but disgrace and empty benches. Tired with the repeated insult of a show which had nothing to support it but gilt copper and old rags, they fairly drove the exhibitors of it from the stage by hooting and hissing, to the great joy of the whole theatre....Rich...fully satisfied [the publick's] warmest imaginations (Davies, Life of Garrick, I, 365 ff.)

Event Comment: Benefit for Dibdin. In Act IV of mainpiece the Procession from the Abbey at the Coronation of Anne Bullenv. Paid John Doe for sticking Black Bills #6 3s. Receipts: none listed (charge: #84)

Event Comment: In Act IV of mainpiece the Procession from the Abbeyv at the Coronation of Anne Bullenv. [Abergavenny is not listed in playbill, but is referred to in review of the performance in Morning Chronicle, 28 Oct.

Event Comment: In Act I of mainpiece the Banquetv; In Act IV the Procession from the Abbeyv at the Coronation of Anne Bullenv; To conclude with the Ceremonial of a Royal Christeningv. The Music and a Chorus composed by Shield. Receipts: #180 6s. 6d. (179.2.6; 1.4.0)

Event Comment: Mainpiece: Not acted these 2 years. With the Procession from the Abbey at the Coronation of Anne Bullen. Receipts: #207 2s. (204/14; 2/8)

Event Comment: Mainpiece: With the Procession from the Abbey at the Coronation of Anne Bullen. Afterpiece: To end with a Representation of the Lord Mayor's Show on the Water. After which will be an Historical Procession of the Several Companies, with their respective Pageants, and the Chief Magistrates belonging to the City of London, from its Foundation. Books of the Songs, with an Explanation of the Procession, to be had at the Theatre. Receipts: #198 8s. 6d. (195/9/0; 2/19/6)

Event Comment: Benefit for Clarke. Mainpiece: With the Procession from the Abbey at the Coronation of Anne Bullen

Event Comment: Benefit for Mrs Pope. Mainpiece: In Act I Banquetv. [In Act IV] the Procession from the Abbeyv, at the Coronation of Anne Bullen . To conclude with the Ceremonial of a Royal Christeningv. Public Advertiser, 9 Mar.: Tickets to be had of Mrs Pope at her house in Half-moon-street, Piccadilly. Receipts: #289 8s. (202.6; 2.1; tickets: 85.1)

Event Comment: Mainpiece: In Act I The Banquetv. [In Act IV] the Procession from the Abbeyv at the Coronation of Anne Bullenv. To conclude with the Ceremonial of a Royal Christeningv. Receipts: #145 13s. 6d. (143.15.0; 1.18.6)

Event Comment: [In mainpiece the playbill retains Miss Brunton as Lady Anne, but she "who attended, and was dressed for her character...was suddenly taken ill...The part was read by Mrs Rock" (Public Advertiser, 24 Oct.).] Receipts: #197 1s. (195.15; 1.6)