SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ann Williams"/1) | (@(roleclean,performerclean) "Ann Williams")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11031 matches on Author, 1837 matches on Performance Comments, 454 matches on Event Comments, 56 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Runaway

Cast
Role: First Hunter Actor: Bannister
Related Works
Related Work: The Runaway Author(s): Hannah Cowley

Afterpiece Title: The Deserter

Cast
Role: Russet Actor: Bannister

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Syrens

Dance: End: The Italian Gamesters-the Zuchellis. [Query: Gardeners or the dance called simply The Gamesters? See17751011.

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Cross Purposes

Dance: End Opera: The Pilgrim, as17750927

Performances

Mainpiece Title: Medea

Afterpiece Title: The Deserter

Cast
Role: Russet Actor: Bannister

Dance: End: The Grand Garland Dance-, as17760302 but Sga _Pacini

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Catherine and Petruchio

Dance: End Opera: The Merry Sailors-Aldridge. [See17741020.

Performances

Mainpiece Title: All For Love

Related Works
Related Work: Loves Contrivance, or, Le Medecin malgre Lui Author(s): Susanna Centlivre

Afterpiece Title: High Life below Stairs

Dance: End: The Grand Garland Dance, as17760311

Event Comment: Benefit for Woodward. Mainpiece: By Particular Desire. Afterpiece : A New Farce [by Joseph Reed] from a Story in Gil Blas, never perform'd (Larpent MS 409). Tickets deliver'd for the Double Gallant will be taken. [The Westminster Magazine for March lists Alguazil-Thompson; Alphonso-Lewis; Inis-$Mrs Willems, tells the story for the play, and concludes: "The story is professedly taken from Gil Blas, and although we cannot pay the Dramatist any great compliment either on his diction, the management of his fable, the sublimity of his allusions, or in a word, on the excellence of his tout ensemble; it would be unjust were we not to say, that the farce provok'd most hearty peals of laughter; it may therefore serve as well as any other such Bartholomew-fair-like droll for a heel-piece to the performance on a benefit night."

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Imposters or A Cure for Credulity

Dance: I: A New Hornpipe-Miss Besford; End Comedy: Mirth and Jollity, as17760102

Performances

Mainpiece Title: King Lear

Afterpiece Title: Catherine and Petruchio

Dance: End: The Italian Gamesters, as17760305

Event Comment: Benefit for Reddish. Mainpiece: Not acted in 4 years. [See 22 Dec. 1772.] Monimia by Mrs Canning very So, so. The Farce much hiss'd it was badly performed (Hopkins Diary). Rec'd Mrs Groath's one years rent to Xmas last #3. Paid Salary list #416 4s. 4d.; Johnston's Music Bills #24 2s. (Treasurer's Book). [The Westminster Magazine concluded with respect to the afterpiece: "This little drama met with rather an unfavourable reception. It would be breaking a butterfly on the wheel, were we to enter into strict examination of it; and as it was a mere benefit-night performance, it would be going out of our way to dwell much on its defects; suffice it therefore that although we so far join with the audience in condemnation of it, that we allow it wanted terseness of dialogue, brilliancy of wit, and strength of fable, yet we protest we have seen worse singing pieces received with applause. Jerry Jingle had same humor, and the music had great prettiness about it."] Receipts: #140. Charges: #67 14s. Profits to Reddish: #72 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Orphan Or The Unhappy Marriage

Performance Comment: Castalio-Reddish; Chamont-Smith; Polydore-Brereton; Chaplain-Usher; Page-Mas. Pulley; Servt-Everard; Acasto-Packer; Monimia-A Lady [Mrs Canning] first appearance this season; Ernesto-Wrighten; Serina-Miss Platt; Florella-Mrs Johnston; before the play A New Occasional Address to the Public-Reddish.

Afterpiece Title: Valentines Day

Dance: II: The Grand Garland Dance, as17760311

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Man of Quality

Dance: End: The Grand Garland Dance, as17760311 but Sga Pacini

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: II: A Minuet-Dagueville, Miss Macklin; III: The Pilgrim-Harris, Miss Mathews, as17750927; IV: Rural Merriment, as17751220

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Loves Metamorphoses

Dance: End: A Comic Dance-the two Miss Stagledoirs, scholars to M. LaRiviere

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Spleen

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Afterpiece Title: Catherine and Petruchio

Entertainment: Interlude.End: True Blue, as17760409 but Mrs _Willems; The Dance, as17760409

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Afterpiece Title: Catherine and Petruchio

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Elopement

Dance: II: (By Particular Desire) the Louvre, Minuet-Froment, Mrs Sutton, his scholar; V: The Grand Provencalle-Slingsby, Mrs Sutton

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Irish Widow

Performance Comment: Thomas(to be imitated after the manner of Weston)-A Young Gentleman, first appearance on any stage; Whittle-Wilson; Kecksey-Lee Lewes; Sir Patrick-Mahon; Bates-Fearon; Nephew-Young; Widow Brady (with an Epilogue Song)-Mrs Lessingham.

Monologue: Interlude. Taken from The Register Office. End of Play, By Particular Desire and for that night only. The New Character-Mrs Gardener , her first appearance here these 2 years; Melpomene-Miss Francis

Entertainment: After Interlude: Epilogue-Lee Lewes in the character of Harlequin (Written by late Dr Goldsmith) which will conclude with an escape thro' the Tub, as in the Pantomime of Mother Shipton

Dance: End Epilogue: The Merry Sailors, as17760314

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Rival Candidates

Cast
Role: First Gardner Actor: Bannister

Dance: III: The Sailors Revels, as17751220

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: A Peep behind the Curtain

Dance: V: A Grand Chaconne-Como, Sga Crespi

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Midas

Dance: I: Rural Merriment, as17751220

Song: IV: At the Request of many Friends, Kate of Aberdeen-DuBellamy

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Afterpiece Title: The Deserter

Cast
Role: Russet Actor: Bannister

Dance: V: Comic Dance, as17760415

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Rival Candidates

Cast
Role: First Gardner Actor: Bannister

Dance: II: The Grand Garland Dance, as17760410

Event Comment: The People flock'd about the doors by Two o'clock. there never was a greater Overflow-Mr G. was never happier in Lear -the Applause was beyond description 3 or 4 loud Claps Succeeding one another at all his exits and many Cry'd out Garrick for Ever &c., &c. House (Hopkins Diary). [Kemble's note differs slightly.] Paid Mr Short, Chorus Singer #1 10s. (Treasurer's Book). Hannah More wrote to Mrs Gwatkin: The eagerness of the people to see Garrick is beyond anything you can have an idea of. You will see half a dozen duchesses and countesses a night in the upper boxes: for the fear of not seeing him at all, has humbled those who used to go, not for the purpose of seeing but being seen; and they now courtsy to the ground for the worst places in the house" (Hampden, Journal). [Letter to David Garrick, Esq on his appearance in Lear last night 13 May: The correspondent who signs himself Stock Fish and who claims to have been one of the survivors of the Black Hole of Calcutta, and who took a young lady from the country to see Garrick's last performance, blames him for endangering the lives of his majesties subjects for not providing proper bars, lanes, and queue lines to handle the crowds: "I went with intention to get into the Pit as the most eligible Part of the House (for your Boxes are always engag'd) and we got to the Door in Vinegaryard about five o'clock. Here the Passage to the first Door was too full for me to entertain any Hopes of getting in that Way, we therefore made for Catharine-street but the Multitudes of People waiting for the Opening of the Gallery-doors, rendered it impossible for us to get along through the Court; we therefore made a Circuit, and at length arrived opposite the Door in Catharine-street, where it was with Difficulty we could keep our Stands on a Foot Pavement....You will be absolutely inexcusable, if after this Warning you neglect to adopt some Method for the Security of the Lives of his Majesties Subjects on similar Occasions.--What think you of the following Scheme, viz. To keep the outer Doors next the Street shut, till the inner ones are opened ; and then, by a Proper bar, to prevent more than one at a Time entering, who shall there pay Entrance-money, and receive the Tickets of Admission through the inner Doors' (Public Advertiser 18 May).] Receipts: #308 1s. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Spleen

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Rival Candidates

Cast
Role: First Gardner Actor: Bannister

Dance: V: The Sailors Revels, as17751220

Performances

Mainpiece Title: She Would And She Would Not

Afterpiece Title: The Deserter

Cast
Role: Russet Actor: Bannister

Dance: End of Play: A Hornpipe-Walker