SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Alien Bill"/1) | (@(roleclean,performerclean) "Alien Bill")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 831 matches on Event Comments, 105 matches on Performance Comments, 53 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Tempest

Afterpiece Title: High Life Below Stairs

Performance Comment: As17600930, but short bill only listing Tom-Watkins.

Song: The Mimic Comic Opera Song-Mrs Clive By Particular Desire, and for the last time this season

Event Comment: [The Winston entry appears to be an insert accompanied by the following note: N.B. by the Bills it appears there was no performance on Thurs. Mr Woodrg Bills say on Fri King Lear. J. W."] No Performance. Thanksgiving (Cross Diary)

Performances

Mainpiece Title: King Lear

Afterpiece Title: Polly Honeycomb (Winston MS 9)

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant at the Stage Door of the Theatre. No money to be return'd after the curtain is drawn up. To begin at 6 o'clock. No persons to be admitted behind Scenes. [Customary notice on each bill. Only significant differences will be noted hereafter. Special notice appeared on all Bills this season from 19 Sept.-19 Nov. 1763]: Whereas many Complaints have been made of Interruptions, in the performances at this theatre, occasion'd, by the Admission of Persons behind the Scenes; in Order to prevent the Like for the Future, it is humbly hop'd, no Nobleman or Gentleman, will insist on a Privilege so displeasing to the AUDIENCE in General; whose APPROBATION it is the DUTY, as well as the INTEREST, of the Managers, to endeavour, on all Occasions, to deserve

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Devil to Pay

Event Comment: This night a new Occasional Interlude call'd Hymen was introduc'd between the Acts; but not put in the Bills (Hopkins). [For cast, see 21 Jan.] An occasional Interlude on the Marriage of Princess Augusta to Prince of Brunswick call'd Hymen (Cross Diary). This night a new occasional Interlude called Hymen, but not in the bills. Hymen was written by Mr Allen (Hopkins Diary-MacMillan). [The Larpent MS 217 lists four characters and a Chorus: Hymen, Cupid, Venus, Mars, Chorus. The words of the Songs by Cupid, Hymen and Venus were published in the Public Advertiser, 23 Jan.] Receipts: #122 5s. (MacMillan)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Rites of Hecate

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Englishman in Paris

Performance Comment: As17650920, but short bill listing Buck-Woodward; Sir John Buck-Gibson; Lucinda-Miss Macklin.

Dance: II: Rural Love, as17651115

Event Comment: TThe Country Girl published at 1s. 6d. Paid B. Johnsons Head a bill #1 3s. 9d.; Paid Lawrence and Keel paper bill #7 2s. 6d. (Treasuerer's Book). Receipts: #134 7s. (Treasurer's Book)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Queen Mab

Dance: II: A Pamtomime Dance The Italian Bakers, as17661011

Event Comment: Mainpiece: By Desire. Afterpiece: A New Musical Entertainment in 2 acts, words imitated from Rousseau, with his original Musick (Burney). Books of the entertainment at the Theatre, published for 1s. Paid Mr Chitty his coal bill #91 13s. and Mr Johnston's bill for guilt leather #24 19s. 6d. (Treasurer's Book). [Advertisement to 2nd Edition, 1766: Upon rehearsing the music it has been thought necessary to retrench the Second Act for fear of satiety: for though the Airs and Dances after the reconciliation of Celia and Phoebe are by no means inferior to the rest in point of composition; yet as no other business remained to be done after that circumstance but that of mere festivity, the Editor, with some reluctance, submitted to the omission of such airs as are printed with inverted commas; which, however, are all publish'd with the music by Mr Bremner in the Strand."] Receipts: #150 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Cunning Man

Event Comment: Paid bill for Tow #1 (Treasurer's Book). [This bill amounted to #4 10s. for the season and will not be mentioned further.] Receipts: #247 15s. (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Virgin Unmasked

Event Comment: Paid B. Johnson's Head a bill #2 18s. 6d.; Paid Mr Johnston's bill for gilt leather #23 7s. 11d. (Treasurer's Book). Receipts: #204 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Event Comment: For the author. No Prologue or Epilogue. Paid Reynolds (oyl) bill #48 11s.; Powney (stationers) #8 17s. 5d.; Inns of Court their Christmas box #3 1s. 6d.; Mr Bibb (sword cutler) 3 bills #13 1s.; Vaughan (Haberdasher) #21 7s.; Mrs Amy Vaughan #1 11s. 6d. (Treasurer's Book). [This day at Noon will be publish'd. Price 2s. The Kellyad, or a critical examen into the merits of Thespis. By Louis Stamma. Who steals my purse..." Also publish'd this day The Anti-Thespis; or, a vindication of the principal performers belonging to Drury Lane Theater, from the false criticisms, illiberal abuse, and gross misrepresentations of the Author of Thespis. Players are the abstracts and brief chronicles of the times..."] Receipts: #73 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Musical Lady

Event Comment: CCymon deferred on account of Mrs Baddeley's indisposition. Receiv'd from Condell, 2nd payment for Fruit Office #20. Paid Barrow & Co. Oil Bill #51 14s. 6d. and Nichol's bill for line #1 6s.; Chorus singers 2 nights #5 1s. (Treasurer's Book). Receipts: #97 5s. (Treasurer's Book)

Performances

Mainpiece Title: King John

Afterpiece Title: The Cunning Man

Event Comment: Paid Mr Carter (scowerer) 2 bills #15 19s. 6d. Printer's bill 2 weeks #17 4s. 6d.; Chorus 2 nights #4 11s. Rec'd stopages 16s. 6d. (Treasurer's Book). Receipts: #262 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Cunning Man

Event Comment: Benefit for Havard. House charges #74 10s. [Profit to Havard #131 13s.] Paid Medlam (smith's) bill #79 13s.; printer's bill #8 12s.; 5 Trumpets, 2 Flutes #1 15s.; Chorus singers #2 5s. 6d. (Treasurer's Book). Receipts: #216 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: High Life Below Stairs

Dance: End: A Comic Dance-Duquesney, Mrs King, as17670302

Event Comment: Benefit for Hopkins (prompter) and Mrs Hopkins. Charges #64 17s. [Profit to the Hopkins family #30 19s. plus Tickets.] Tickets delivered by Philips will be taken. Paid B. Johnson's Head bill #1 2s. 3d.; Paid Mr J. Johnston, by order #21; Rec'd Mr Pope's rent 1 year at #30 minus King's Tax of #3 8s.: Total #26 12s. receiv'd. Paid Mr Pope's bill #13 9s. 6d. (Treasurer's Book). Before 4 dined behind St Clements, and went to ye First Gallery to see the Distressed Mother....We had the Capricious Lovers, Lisetta by Mrs Clive, who took off the ridiculous sing-song at ye Opera House charmingly (Neville MS Diary). Receipts: #95 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Distressed Mother

Afterpiece Title: The Capricious Lovers

Dance: IV: The Irish Lilt, as17670430 End: Linco's Travels, by Particular Desire-King as17670406

Event Comment: By His Majesty's Company. At the Theatre Royal in the Haymarket [repeated in all bills] will be performed, by particular Desire, a Comedy...Places to be taken of Mr Jewel, at the Theatre. 7 p.m. [Repeated in the bills.] The house has been altered, as there was formerly but one gallery. [Miss Ogilvie was the young gentlewoman.] Went at 5:30 (before ye doors were open) to Foote's new Theatre in ye Haymarket which was open for ye first time tonight, and is very neatly fitted up. Got a good place in ye Pit...a very humorous Prologue in Prose by J. Palmer as Snarl a writer of Political Letters for the newspapers. Weston as Laconic a newspaper poet--Foote as Manager and Scaffold ye Builder (ye real one of ye house as some said)...in Smirk (Foote) took off Langford to a hair, not forgetting his son's affair with Dr Chauncey. Shift and ye Epilogue as Dr Squintum by Bannister, who took off Holland, Dodd, Moody, and Champneys surprisingly well...The house pretty full. York there awhile (Neville MS Diary)

Performances

Mainpiece Title: The Minor

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: Countess Of Salisbury

Afterpiece Title: Miss in Her Teens

Performance Comment: Fribble-Shuter. Short bill as17670708 .

Dance: Miss Froment

Performances

Mainpiece Title: The Patron

Afterpiece Title: The Mayor of Garratt

Performance Comment: Major Sturgeon-Foote. Short bill, see17670617 .

Dance: Miss Froment

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The School Boy

Performance Comment: School@Boy-Weston; Rakish-Shuter. Short bill, see17670807 .

Dance: End: Miss Froment

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: A Duke and no Duke

Performance Comment: Trappolin-Shuter. Short bill. See17670722 .

Dance: End: Miss Froment

Event Comment: Mainpiece: A Comedy [by Wm Kenrick] never perform'd before. The characters New Dress'd. [Theatrical Monitor, No VIII (16 Dec. 1767) approved the mainpiece--"engages the mind, affects the passions, totally divested of indecency"--but thought Garrick's art of "puffing" was evident in his note at foot of playbills, "Those Ladies and Gentlemen, who have taken places for this day, are desired to send their servants by one o'clock, in order to ascertain the same, otherwise they cannot be secured," since the house, except the first night, had not been half full. N.B. This note appeared in an Advance Bill, but did not appear in the Bill of the Day.

Performances

Mainpiece Title: The Widow'd Wife

Afterpiece Title: The Old Maid

Event Comment: Afterpiece: Not performed these ten years. [See 12 Jan. 1758.] Paid Sarah Griffith a Bill for Green Wreaths 16s. Paid Mrs Paddick a Bill for cleaning Feathers #1 (Account Book). Receipts: #198 15s. (Account Book)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Orpheus and Eurydice, with the Metamorphoses of Harlequin

Event Comment: HHopkins Diary: This morning a printed paper was handed about requesting the lovers of theatrical Performances to meet this evening at the theatre to insist upon the doors not being opened till five o'clock.--As soon as the curtain was up, they called for Mr Garrick, and would not suffer the play to begin. Mr King went on and told the audience, "that he was desired by the managers to tell them the doors for the future should not be opened till Five," A great Clap,--He added, "that the managers was always willing to oblige the publick in everything that was in their power; but they thought that on very full nights it would be attended with some inconvenience." They would not hear of any alteration,--he then told them, "the doors should always for the future be opened at five, unless the public applyed to have it altered." All then was quiet and the play began. Mr Weston, whose name was in the Bills for Jerry, was taken suddenly ill, and Mr W. Palmer went on for it without an apology.--called out, "Mr Holland, what is the reason we have not Mr Weston according to your publication in the Bills?" They then were told he was taken suddenly ill--"then pray make an apology for him" they said.--Another gentleman called out "Don't answer him, Mr Holland, you do him too much honor by deigning to answer him."--then all was quiet, and the play went on

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Padlock

Event Comment: [This is the first playbill to assign parts to actors in The Brothers, or to suggest parts in the Spanish Lady.] Receipts: #185 3s. 6d

Performances

Mainpiece Title: The Brothers

Performance Comment: As17700116, but Lucy-Mrs Gardner; Sophia-Mrs Mattocks, first time. [The bill corresponds with listing for 2 Dec. 1769.]The bill corresponds with listing for 2 Dec. 1769.]

Afterpiece Title: The Spanish Lady

Dance: End: The Whim, as17691123

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Harlequin's Jubilee

Performance Comment: The Characters-Woodward, Miles, King, Morris, Cushing, Wignell, Quick, Saunders, Holtom, Barnshaw, Hamilton, Mrs Pitt, Miss Helme, Mrs Dyer, Miss D. Twist; The Vocal parts-DuBellamy, Master Leoni, Mrs Baker; [The Dances-Fishar, Sga Manesiere. [See Bill for 1 Oct. 1770 for first listing of parts.]See Bill for 1 Oct. 1770 for first listing of parts.]

Performances

Mainpiece Title: Amphitryon

Performance Comment: As17700112, Gripus-Waldron; Dances-restored to bill.
Cast
Role: Dances Actor: restored to bill.

Afterpiece Title: The Jubilee