SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Alien Bill"/1) | (@(roleclean,performerclean) "Alien Bill")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 831 matches on Event Comments, 105 matches on Performance Comments, 53 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Jane Shore

Performance Comment: (Daily Post missing), but advance bill in Daily Advertiser, 7 April, lists: Hastings-W. Mills; Dumont-Bridgwater; Gloster-Cibber Jr; Bellmour-A. Hallam; Jane Shore-Mrs Butler; Alicia-Mrs Charke.

Afterpiece Title: The Mock Doctor

Performance Comment: See17330326 but Advance bill lists: Doctor-Cibber Jr; Dorcas-Miss Raftor; Charlotte-Mrs Butler.

Performances

Mainpiece Title: The Man Of Mode

Performance Comment: See17330123, but (Daily Post missing), but advance bill in Daily Advertiser, 14 April, lists: Sir Fopling-Cibber; Dorimant-W. Mills; Loveit-Mrs Heron; Harriet-Mrs Horton; Belinda-Miss Raftor.

Afterpiece Title: The Mock Doctor

Dance: II: The Flight-Essex, Miss Robinson; IV: Spanish Dance-Lally; V: Les Bergeries-Essex, Haughton, Miss Robinson

Ballet: End Afterpiece: The Grand Dance to The Country Revels. Colin-Essex; Phoebe-Mrs Booth; Peasants-Lally Jr, Tench, Davenport; Peasant Women-Miss Mann, Mrs D'Lorme, Miss Price; Yeomen and Wives-Lally, Haughton, Mrs Walter, Miss Mears

Performances

Mainpiece Title: The Miser

Performance Comment: Daily Post missing, but advance bill in Guildhall Library, London, lists: As17330217 (in edition), but James-Miller; Decoy-_; Furnish-_; Sparkle-_; Sattin-_; List-_; Cha. Bubbleboy-_; Lawyer-_.

Afterpiece Title: The Harlot's Progress

Event Comment: Benefit: The Deceas'd Author's Friend or The Author [the bills vary]. A new Tragedy. [By William Bond. For a discussion of the play, see a letter from Hill to Victor, in Victor, History of the Theatres, II, 196-97. Hill states that the youth who speaks the Prologue is Harvey, a young man of eighteen or nineteen.

Performances

Mainpiece Title: The Tuscan Treaty; Or, Tarquin's Overthrow

Afterpiece Title: The Stage-Mutineers

Dance: As17330814

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Performance Comment: Daily Post missing, but advance bill in Daily Post, 27 Sept., lists: Fryar-Giffard; Gomez-Norris, both from GF; Torrismond-Marshall; Bertran-Roberts; Alphonso-Corey; Raymond-Hewitt; Pedro-Stoppelaer; Lorenzo-Bridgwater; Queen-Mrs Horton; Elvira-Mrs Ware, who never appeared upon this stage before. hathi.

Afterpiece Title: The Devil to Pay

Song: By Miss Raftor

Event Comment: Daily Advertiser, 29 April: [See 22 April] They are this Evening to Act the Fatal Extravagance, and the Devil to Pay, as may be seen by their Bills, which I observe they have printed on blue Paper, on purpose to be more conspicuous. I am well assur'd if the curious Part of the Town were once to see them perform, they would need no other Invitation to frequent their House, but to be advertis'd of the Plays, and Days, on which they were to Act

Performances

Mainpiece Title: The Fatal Extravagance

Afterpiece Title: The Devil to Pay

Event Comment: Benefit Allen, Treasurer. Tickets for Russell also taken. At 7 P.M. [This is one of the rare occasions when the play is billed with this title.]

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Mock Doctor

Dance: II: A new Dance by Davenport and Miss Brett. V: Les Bergeres by Davenport and Miss Brett

Song: I: Was ever Nymph like Rosamond by Miss Jones. IV: 'Tis Joy to wound a hover (from Rosamond) by Miss Jones

Event Comment: Mainpiece: Written by Shakespear. London Daily Post and General Advertiser, 12 Dec: Whereas, on Saturday last, the Audience . . . was greatly incens'd at their Disappointment in Mr Poitier and Madem Roland's not Dancing, as their Names were in the Bills for the Day; and Mr Quin, seeing no way to appease the Resentment then shewn, but by relating the real Messages sent from the Theatre, to know the Reasons why they did not come to perform, and the Answers return'd: And whereas there were two Advertisements in the Daily Post of Tuesday last, insinuating that Mr Quin had with Malice falsely accus'd the said Mr Poitier and Madem Roland, I therefore think it (in Justice to Mr Quin) incumbent on me to assure the Publick, that Mr Quin has conducted himself in this Point towards the Abovemention'd with the strictest regard to Truth and Justice; and as Mr Quin has acted in this Affair in my Behalf, I think myself oblig'd to return him Thanks for so doing. Charles Fletewood

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Intriguing Chambermaid

Dance: By Poitier and Mlle Roland

Event Comment: Benefit Machen. [For an essay on the bill proposing regulation of the stage, see Prompter, 21 March.]

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Covent Garden Tragedy

Dance: By Le Sac, from DL

Song: By E. Roberts, from DL

Event Comment: Benefit Johnson. [For a discussion of the impending bill to restrain the playhouses, see Prompter, 27 March.]

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: An Old Man Taught Wisdom

Dance: Amorous Swain and Rival Nympbs by Lalauze, Mrs Walter, Miss Mann. Russian Sailor by Denoyer, &c. French Peasant by Nivelon

Event Comment: As 28 Feb. [For a discussion of the proposed bill to restrain the theatres and the petitions submitted concerning it, see the Journal of the House of Commons, XXII, April 1735, 444-81. See also a discussion of plays in Prompter, 1 April and 4 April, and a discussion of the drama in Universal Spectator, 5 April.]

Performances

Mainpiece Title: David

Event Comment: The Tragedy of Zara, Made English [by Aaron Hill]. Applauded Thirty-Six Nights running at Paris. The Characters, by a Sett of Gentlemen and Gentlewomen, who never acted before. None will be admitted but by Tickets into the Room that Night, which (by Reason of the Smallness of the Place) will be all commodiously made into Boxes, for the easy Reception of those many Great Personages, who have read and perus'd this Play with Approbation, and desir'd a long Time to see it acted; and charitably agreed to favour and encourage this Design, for the Benefit of [Mr William Bond, the Proprietor], who brings it on at a great Expence (tho' all that act in it, are so good to appear Gratis for him) who has lain ill of the Gout, and Rheumatism, upwards of Four Years. [This bill, in the London Daily Post and General Advertiser, differs considerably in phraseology, though not in basic fact, from that in the Daily Advertiser.]

Performances

Mainpiece Title: Zara

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Duke-Raftor; Leon-Este; Cacafogo-Turbutt; Captain-Oates; Juan-Cross; Sanchio-Leigh; Alonzo-Woodburn; Estifania-Miss Oates; Margarita-Mrs Pritchard; Altea-Mrs Beckham; Clara-Miss Dancy; Visiting Lady-Mrs Davenport; Old Woman-Jones; Maid-Wright (this cast in the bills, 9 June, only) .

Afterpiece Title: The School Boy

Music: III: Preamble on Kettle Drums by Poitier. IV. The Cuckow (by VivaldI) by Master Oates

Dance: I: A new Peasant Dance by Master Oates, Miss Oates Jr. II: Serious Dance by Mlle Roland. V: Harlequin and Harlequine by Poitier and Mlle Roland

Song: End of Afterpiece: Mock Italian Song by Roberts

Event Comment: Benefit a Gentleman in Distress. [Advertised in London DaIly Post and General Advertiser, 22 Dec, not later: With other Entertainments, as will be express'd in the Day's Bills.]

Performances

Mainpiece Title: The Stratagem

Event Comment: Benefit Dan French of Hampstead. [The bill has a long song about the performance, written presumably by Dan French. For a full account of the expenses of this performance, see BM Add MSS 32, 251, p. 308.]

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Flora

Song: English Roast Beef by Leveridge. Mock Italian Song by E. Roberts

Event Comment: Benefit Paget and Jarvis, Housekeeper. Receipts: money #12 19s. 6d.; tickets #138 17s. [In an advance bill in The Craftsman, 15 May, Paget states that he has been so dim-sighted that he does not distinguish individuals on the street or at the table and begs their indulgence.]

Performances

Mainpiece Title: Cato

Afterpiece Title: The Intriguing Chambermaid

Music: End Afterpiece: Handel's Water Musick, in which Benj. Baker will beat the Kettle Drums

Dance: I: Comic Dance by Nivelon and his Scholar. II: Wooden Shoe Dance by Livier. III: Tambourine by Glover and Miss Rogers. IV: Harlequine by Mlle De L'Isle. V: Two Pierrots by Nivelon and Lalauze

Song: I: Mock Italian Song by E. Roberts. IV: By Mrs Wright

Event Comment: A New Comedy. [By Mrs E. Cooper. Apparently not printed. The characters named in the bill are: Lord Belamour, Sir Roger Wrangle, Sir Charles Cumberland, Froward, Wary, Young Wrangle, Peinter, Snare, Lady Cumberland, Felicia, Ready. See also a puff by Mrs Cooper in Daily Advertiser, 17 May.]

Performances

Mainpiece Title: The Nobleman; Or, Family Quarrel

Event Comment: DDaily Advertiser, 19 Feb.: To the Author, &c. Sir, In a late Paragraph in one of your Papers [4 Feb.] it was insinuated, that there was a Design on foot for erecting a New Theatre, which by some Wise Heads was suppos'd to come from a certain Manager, in order to revive the Playhouse Bill this Session of Parliament; I think it proper therefore, in Justice to the Gentleman levell'd at, to inform the Publick, that it is actually intended for a Company of Comedians every Day expected here, late Servants to their Majesties Kouli Kan and Theodore, who in the mean time will entertain the Town in the true Eastern manner, at the New Theatre in the Hay-Market, with a celebrated Piece call'd A Rehearsal of Kings. I am, Sir, Yours, &c. Agent for the Company

Performances

Event Comment: Never Acted before. [Author not known. Apparently not published.] By a Company of Comedians dropt from the Clouds, late Servants to their thrice-renown'd Majesties, Kouly Kan and Theodore. With new Scenes, Habits, and proper Decorations. Boxes 5s. Pit 3s. Gallery 2s. 1st N.B. To prevent the Imposition of Box-Keepers, Gentlemen and Ladies are humbly desir'd to take Tickets at the Office, or to send for them at the Theatre, where Attendance will be given every Day, and Places may be taken. 2d N.B. The Company will endeavour to entertain the Town the remaining part of the Season. [In advance bill in Daily Advertiser, 23 Feb.: 2d N.B. Considering the extraordinary Expence that must necessarily attend equipping so many Monarchs of different Nations, the Proprietor hopes the Town will not take Umbrage at the Prices being rais'd. 3rd. N.B. The Proprietor begs leave to enter his Caveat against all (what Names soever distinguish'd) who may hire, or be hir'd, to do the Drudgery of Hissing, Catcalling, &c. and entreats the Town would discourage, as much as in them lies, a Practice at once so scandalous and prejudicial to Author, Player, and every Fair Theatre Adventure.

Performances

Mainpiece Title: A Rehearsal Of Kings; Or, The Projecting Gingerbread Baker; With The Unheard Of Catastrophe Of Macplunderkan, King Of Roguomania And The Ignoble Fall Of Baron Tromperland, King Of Clouts

Event Comment: EEgmont, Diary, II, 390: To the Haymarket Playhouse, where a farce was acted called Eurydice First Hiss'd?, an allegory on the loss of the Excise Bill. The whole was a satire on Sir Robert Walpole, and I observed that when any strong passages fell, the Prince, who was there, clapped, especially when in favour of liberty. [The Princess of Wales was also present.

Performances

Mainpiece Title: The Historical Register

Afterpiece Title: Eurydice Hiss'd

Event Comment: Benefit Penkethman. At the Desire of several Persons of Distinction. [This bill from London Daily Post and General Advertiser, 16 May.

Performances

Mainpiece Title: The Wife's Relief

Afterpiece Title: The Lovers Opera

Song: II: A Purcell Dialogue-Masters Hamilton; III: The Early Horn Salutes the Morn-Miss Jones

Dance: V: Clown-Vallois

Event Comment: At 7 p.m. [The Duke and the Princesses present.] Daily Post, 2 June: The same day [1 June] the Bill relating to common Players of Interludes pass'd the Hon. House of Commons

Performances

Mainpiece Title: Dido

Event Comment: For discussion of the Licensing Act, see Craftsman, 4 June, and Common Sense, 4 June. London Evening Post, 4 June: We hear that by the Bill now in the House of Peers against Players of Interludes, &c. all Copies of Plays, Farces, or any Thing wrote in the Dramatick Way, are to lie fourteen Days before his Grace the Lord Chamberlain of his Majesty's Household for the Time being, for his Grace's Perusal and Approbation, before they shall be exhibited on the Stage

Performances

Event Comment: Benefit Haughton. [The London Daily Post and General Advertiser, 3 May, is missing; this bill is from London Daily Post and General Advertiser, 30 April.

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Cobler's Opera

Dance: Glover, Lalauze, Villeneuve, Mlle Roland

Event Comment: The bill was inserted in London Daily Post and General Advertiser, 4 June, but not repeated on 5 June

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Royal Chace