SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Alien Bill"/1) | (@(roleclean,performerclean) "Alien Bill")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 831 matches on Event Comments, 105 matches on Performance Comments, 53 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Rich's Company. Post Boy, 30 May-1 June 1700: The Opera of the Prophetess, being this day Commanded to be Acted, for the Entertainment of the two Alcaids, the Envoys from the Emperor of Morocco. [When this play was revived at lif on 3 Dec. 1715, but Rich's Company, the bill was headed: Not Acted these Sixteen Years.

Performances

Mainpiece Title: The Prophetess

Event Comment: An order of the Court of Common Council for London forbids any performances of plays or interludes at Bartholomew Fair. See a broadside in the British Museum [1851 b. 25 (25)], reported by Alfred Jackson, Review of English Studies, XIV (1938), 55. Flying Post, 22-25 June 1700: The Right Honourable the Lord Mayor and Court of Alderman have ordered that no Play-house Bills be affix'd on any Post, &c. in this City; and the like Orders are resolved on in Westminster

Performances

Event Comment: Betterton's Company. London Post, 28 June-1 July 1700: Yesterday the Play called the Tempest was acted at the Old Play-house; and that called Love for Love at the new, both for the benefit of the poor English Slaves, &c. and I am told, that the sum arising thereby, amounted to about 250 #. It being put on the Playhouse Bills on Friday last, That each Company were to Act that day, and the whole Profits to go to'ards the Redemption of the English now in Slavery at Machanisso in Barbary, we are credibly informed, That, pursuant thereunto, the Treasurers of the Theatre Royal in Drury Lane, did on Saturday last pay into the hands of the Churchwardens of St.@Martin's the sum of 20 #. out of the Receipts of the Play acted by that Company, towards the Relief of those our Natives from Slavery, which good example 'tis hoped, may move others to be speedy and generous in their Charity for the same purpose. What the other Company gave I do not yet hear

Performances

Mainpiece Title: Love For Love

Event Comment: Post Boy, 5-7 Dec.: The Actors of the Theatre Royal, finding the Inconveniency to the Gentry of Playing so late at night, are resolved to continue, beginning their Plays at the Hour of Five every Day, as exprest in their Bills

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Particularly a Sonata for a Flute and a Violin-Signior Gasperini, Mr Paisable; And likewise a Sonata for two Flutes-Mr Paisable, Mr Banister; the whole being entirely New. Margaretta Gallia mention'd in my former Bills, has since got a Cold, and is very much indispos'd, therefore will not venture to Sing; but in her room Several Pieces of the late Mr Henry Purcell-Mrs Lindsey, Mrs Hudson, Mr Hughes, Mr Laroone

Performance Comment: Margaretta Gallia mention'd in my former Bills, has since got a Cold, and is very much indispos'd, therefore will not venture to Sing; but in her room Several Pieces of the late Mr Henry Purcell-Mrs Lindsey, Mrs Hudson, Mr Hughes, Mr Laroone.
Event Comment: Written by these Famous Authors, Mr Beaumont and Fletcher. And particular Care is taken that every thing mention'd in the Bills shall exactly be perform'd

Performances

Mainpiece Title: The Maid In The Mill

Song: Scotch Song Song in Praise of a Highland Laird-; other Scotch Songs-

Dance: Grand Dance of the Laird and his Highland Attendance-; Other Scotch dances-

Performances

Mainpiece Title: Entertainments

Performance Comment: Several Entertainments which will be express'd at large upon the Bills, especially one very surprizing, that the whole World never yet produc'd the like, viz-; He speaks an Epilogue upon an Elephant between Nine and Ten Foot high, arriv'd from Guinea, led upon the Stage by six Blacks-.

Performances

Mainpiece Title: Entertainments

Performance Comment: Some new and surprising Entertainments, to be expressed in the bills.
Event Comment: At the Desire of several Persons of Quality. All Sung after the Italian manner. [in Post Boy, 13-15 Nov., a notice states: "Whereas the Names of Mrs Margarita del'Epine and Mrs Tofts, are mention'd in the Bills for the Opera of Camilla, as if they were to perform the parts of Prenesto and Camilla...That the Publick may not be impos'd upon, This is to give Notice, that the same is done without their Consent; and that they do not intend to perform; there being no Articles of Agreement between them and the Managers...who have of late declin'd coming to any with them."

Performances

Mainpiece Title: Camilla

Dance: Between the Acts:

Performances

Mainpiece Title: The Rehearsal

Song:

Dance: . To be expressed in the Bills

Performance Comment: To be expressed in the Bills.

Performances

Mainpiece Title: The Anatomist

Afterpiece Title: The Walking Statue

Afterpiece Title: A Bickerstaff's Burying

Dance: Six Entertainments of Dances-. The Particulars of which are express'd in the Great Bills

Performance Comment: The Particulars of which are express'd in the Great Bills.
Event Comment: Colman's Opera Register: March 24 they gave out in ye printed Bills they would revive ye Opera Rinaldo, but by some accident it was put off, & no Opera perform'd this Day

Performances

Mainpiece Title: Rinaldo

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Performance Comment: cnl, but property bills dated 11 and 20 Nov. (in Folger Library) imply: Prospero-Mills; Dorinda-Mrs Santlow.
Event Comment: He gives his humble Duty to the Quality and Service to his Friends and Acquaintances, hoping they will grace his first Night, at 6 p.m. 1s. N.B. All this is perform'd by Mr Anthony Aston, his Wife and Son of 10 Years only, and will continue Nightly, Bills being stuck up of the whole Entertainment, which varies each Night

Performances

Mainpiece Title: Tony Aston's Medley

Entertainment: 1: A new Prologue-; 2: Riot and Arabella-; 3: Woodcock Squib and Hillaria-; 4: Serjeant Kite and Mob-; 5: Ben and Miss Prue-; 6: Fondlewife and Laetitia-; 7: Teague-; 8: Jerry Blackacre and Widow-; 9: Drunken Man-; 10: A new Epilogue-; With Dances, new Comical Songs-

Event Comment: Macbeth with cast as 27 Nov. 1718 was advertised in the Daily Courant, but Rich's Register lists The Mourning Bride. On 14 Jan. The Mourning Bride is advertised with the heading: Acted but twice these Two Years, suggesting either that it was not given on 13 Jan. or that the bill, already made up, was not changed for the printer, an unlikely event

Performances

Mainpiece Title: Macbeth or The Mourning Bride

Event Comment: At the Desire of several Persons of Quality. Written by the famous Molliere. Daily Courant, 2 May: Monsieur deGrimbergue, Director of the French Comedians, hereby gives Notice, that he is extreamly sorry he could not give on Friday last all the Entertainment he had promised in his Publick Bills, by reason that Signora Violenta unluckily fell sick that very day; and Mons Dangeville refused to Dance, being puft up by the Applause he had the good Fortune to meet with; fancying he hath a Right to do so whenever he pleases

Performances

Mainpiece Title: Le Bourgeois Gentilhomme

Entertainment: The Great Turkish Ceremony-; Dancing-Danjeville; Tumbling-; particularly a lame tumbler (who never performed before in England); The Flourishing of the Colors-Signora Violenta

Event Comment: [R+Rich's Register, probably by confusion with the bill for 1 Jan. 1728, lists Virtue Betrayed, with the Coronation Scenev, for this day.

Performances

Mainpiece Title: Cato

Event Comment: Benefit Mrs Younger. [There is some confusion concerning this performance. Daily Journal advertises The Fortune Hunters for its second performance, but Rich's Register gives The Beggar's Opera, 33d time; this numbering is recongnized in the bills by 16 March.] Receipts: money #35 2s.; tickets #115 17s. Probable attendance: boxes, 41 by money and 247 by tickets; stage, 12 by money; pit, 59 by money and 203 by tickets; slips, 6 by money; first gallery, 66 by money and 203 by tickets; second gallery, 74 by money. Tickets for Volpone will be taken

Performances

Mainpiece Title: The Beggar's Opera

Event Comment: [The Bill calls this the 33d performance; Rich's Register labels it the 34th. See 11 March.] Receipts: #183 3s. Probable attendance: boxes, 246 paid and 5 orders; stage, 73 paid; pit, 292 paid and 4 orders; slips, 65 paid; first gallery, 435 paid and 2 orders; second gallery, 192 paid. Daily Journal, 12 March: N.B. During the Course of the Benefits, this Opera will be performed every Tuesday and Saturday

Performances

Mainpiece Title: The Beggar's Opera

Performances

Mainpiece Title: The Metamorphosis; Or, The Old Lover Outwitted

Afterpiece Title: The Craftsman; or, The Weekly Journalist

Performance Comment: No cast in bill or edition of 1728, but second edition of 1729 lists: Sir Whimsical Watchit-Giffard; D'Anvers-Adams; Mactawdry-Williams; Trap-Symonds; Lookout-Hill; Widow Speedy-Mrs Elsam; Melissa-Mrs Purden; Betty-Mrs Gill; Prologue-; Epilogue-Symonds.

Dance: Cleveland, Turner, Mrs Anderson, Mrs Turner

Event Comment: Announced in bill of 24 June but not later

Performances

Mainpiece Title: The Beggar's Opera

Event Comment: Benefit Smith. [The bill contains a summary of the plot, and adds: Plays are like Mirror, made for Men to see How bad they are; how good they ought to be. Cowly.

Performances

Mainpiece Title: Aesop

Dance:

Event Comment: The 1731 edition of The Grub Street Opera lists a cast for it, but there are no known bills which made certain that it was actually performed

Performances

Event Comment: In Daily Advertiser (but not Daily Post) the bill is headed: By Authority

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Lovers Opera

Dance: As17311104

Event Comment: At the Desire of several Persons of Quality. [See Deutsch, Handel, p. 287, for a discussion as to whether Handel's music was a part of this program; there is no evidence for it in the bill in the Daily Post.

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Lottery