SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Alexander the Great"/1) | (@(roleclean,performerclean) "Alexander the Great")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1491 matches on Event Comments, 565 matches on Performance Title, 313 matches on Performance Comments, 35 matches on Author, and 1 matches on Roles/Actors.

Performances

Mainpiece Title: Alexanders Feast

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture. 'Twas at the royal. Happy pair. Timotheus plac'd. The song began. The list'ning croud. With ravish'd ears. The praise of Bacchus. Bacchus ever fair. Bacchus' blessings. Sooth'd with the sound. He chose a mournful. He sung Darius. With downcast looks. Behold Darius. The mighty master. Softly sweet, accompanied on the violoncello by C. Ashley. War, be sung. The many rend. The prince unable. PART II. Now strikes the golden. Break his bands. Hark, hark! Revenge, revenge. Behold a ghastly band. Give the vengeance. Thais led the way. The Princes applaud. Thus long ago. At last divine Cecilia. Your voices tune. Let's imitate her notes. Let old Timotheus. PART III. A GRAND MISCELLANEOUS ACT. Overture and March (SCIPIO). He measureth the waters and He layeth the beams by Bartleman (REDEMPTION). O let eternal Honors and From mighty Kings by Miss Parke (JUDAS MACCABAEUS). Softly rise O southern breeze by Incledon; Ye Southern breezes by Chorus (SOLOMON, by Boyce). Bravura Song by Mme Mara. The Lord shall reign by Chorus; And Miriam and Sing ye to the Lord by Mme Mara; The horse and his Rider by Double Chorus (ISRAEL IN EGYPT). To conclude with God save Great George our King and Rule Britannia .

Music: End of Part I Giardini's Sixth Concerto on the Violin by G. Ashley

Performances

Afterpiece Title: Alexanders Feast 3

Performance Comment: Overture and March [Scipio]-; Great Jehovah-Miss Poole (Israel in Egypt); Then round about-Chorus (Samson); He was despised-Sga Galli (The Messiah); Pleasure my former ways-Braham (Time and Truth); Let the bright Seraphim-Mme Mara; Let their celestial concerts-Chorus (Samson).

Music: Preceding II: concerto for two violins and violoncello obligato- , as originally composed for this Ode by Handel, and performed under his Direction in the year 1736; End II: concerto on the Grand Piano Forte-Dussek

Performances

Mainpiece Title: Alexander Balus

Performance Comment: Parts were: Alexander Balus (King of Syria)-; Ptolomee (King of Egypt)-; Jonathan (Chief of the Jews)-; Cleopatra (Daughter of Ptolomee)-; Aspasia (her friend and companion)-; Chorus of Israelites-; +Chorus of Asiatics-. Alexander Balus-Signora Galli (mezzo-soprano); Ptolomee-Reinhold (bass); Jonathan-Lowe (tenor); Cleopatra-Signora Cassarini (soprano); Aspasia-Signora Sibilla (soprano) (+Deutsch, Handel, p. 648, from word book).
Event Comment: By Command of Their Majesties. This day publish'd Price 1s. Alexander's Feast; or, The Power of Music; written by Dryden. To which is added the Coronation Anthem as performed this evening at Covent Garden. Set by Mr Handel. This Day publish'd Price 5s. sewed. A Treatise on the Art of Dancing, by Giovanni Andrea Gallini, Director of the Dances at the Royal Theatre in the Haymarket

Performances

Mainpiece Title: Alexanders Feast

Music: As17620226; Handel's Coronation Anthem-

Event Comment: By Command of their Majesties

Performances

Mainpiece Title: Alexander Balus Judas Maccabeus

Performance Comment: As17730226 Parts were: Alexander Balus (King of Syria); Ptolomee (King of Egypt); Jonathan (Chief of the Jews); Cleopatra (Ptolomee's daughter); Aspasia (her Friend and Companion); Chorus of Israelites; Chorus of Asiatics.

Music: I: Concerto on Organ-Stanley

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Rival Queens or Death of Alexander the Little

Performance Comment: Alexander-Dyer; Clytus-Dunstall; Lysimachus-Davis; Roxana-Wignell; Statira-Shuter; Hephestion-R. Smith; Cassander-Perry; Perdiccas-Holtom; Aristander-Gardner; Parisatis-Mas. Morgan; Sysigambis-Lewis.
Cast
Role: Alexander Actor: Dyer

Dance: II: Blind Man's Buff, as17641003

Performances

Mainpiece Title: The Catch Club i

Performance Comment: . The Sons of Anacreon]. President-Palmer; Vocal Parts-Bannister, Bannister Jun., Davies, Moss, Mathews, Chapman, Master Braham, Edwin; In which The Anacreontic Song-Bannister; Old [recte Poor] Thomas Day-Edwin, Bannister, Davies; The Wolf-Bannister; Moderation and Alteration-Edwin; Bonny Christ Church Bells, Hark the Lark, [Sing] Old Rose and Burn the Bellows-.

Afterpiece Title: Gretna Green

Afterpiece Title: Look before You Leap

Afterpiece Title: The Village Lawyer

Entertainment: Monologue End 1st piece: George Alexander Stevens's Original Lecture on Heads (Head of Alexander the Great, Head of a Cherokee Chief, Head of a Quack-Doctor, Cuckold's Head, Nobody's Head, The laughing and crying Philosophers' Heads, Head of Flattery, A fine Lady's Head, Head of an Old Maid, Cleopatra's Head, Plain Moll's Head, Head of a Married Lady)-Palmer

Event Comment: Benefit for Younger. Tickets deliver'd by Miss Helme will be taken. Tomorrow (the Eight Time) the New Comedy She Stoops to Conquor, with (for the last time this season) The Golden Pippin. Charges #71 16s. 6d.; Profit to Younger #74 13s., plus #65 19s. from tickets (Box 116; Pit 149; Gallery 146) (Account Book). Receipts: #146 9s. 6d

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Cast
Role: Alexander Actor: Smith
Role: Thessalus Actor: R. Smith

Afterpiece Title: Harlequin Sorcerer

Dance: End: The Merry Sailors, as17721012

Event Comment: Benefit for Whitfield and Mrs Pitt. [2nd piece in place of The Ephesian Matron, announced on playbill of 12 May.] Public Advertiser, 2 May: Tickets to be had of Whitfield, No. 14, Crown-court, Bow-street, Covent Garden. Receipts: #144 15s. [51.14; tickets: 93.1) [charge: #74 7s.)

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Cast
Role: Alexander Actor: Wroughton
Role: Thessalus Actor: Thompson

Afterpiece Title: True Blue

Cast
Role: The Apprentice Actor: Lewis

Afterpiece Title: The Commissary

Cast
Role: The Commissary Actor: Quick

Dance: End 2nd piece: The Poney Races, as17780421

Song: As17780511

Event Comment: Benefit for the New General Lying-in-Hospital, in Store-street, Tottenham-Court-Road. Tickets delivered for Venice Preserv'd will be taken. Receipts: #149 1s. 6d. (66.4.6; tickets: 82.17.0) (charge: #115)

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Cast
Role: Alexander Actor: Wroughton
Role: Thessalus Actor: Thompson

Afterpiece Title: True Blue

Cast
Role: The Apprentice Actor: Lewis

Afterpiece Title: Comus

Cast
Role: Brothers Actor: Whitfield, Robson
Role: The Lady Actor: Mrs Jackson
Related Works
Related Work: Comus Author(s): George Colman, the elder
Event Comment: The King's Company. This performance is known from a document in The Theatrical Inquisitor and Monthly Mirror, July 1816, p. 26, and in Fitzgerald, A New History, I, 145. This document lists the receipts and attendance: The King's box, #1 10s., possibly six persons; Mr Hayles' boxes, #2 16s., possibly 14 persons; Mr Mohun's boxes, #3 16s., possibly 19 persons; Mr Yate's boxes, #1 15s. 6d., possibly 9 persons; James' boxes, #2 4s., possibly 11 persons. Mr Kent's pit, 112 persons; and Mr Britan's pit, 79 persons; a total of 191 persons paying #23 17s. 6d. Mr Bracy's gallery, 100 persons; Mr Johnson's gallery, 44 persons; a total of 144 persons, paying #10 16s. Upper Gallery, 119 persons, paying #5 19s. Mrs Kempton (upper gallery?), 5s. The house rent is listed as #5 14s. The attendance appears to total at least 513 persons. Compare these data with those for 12 Dec. 1677

Performances

Mainpiece Title: The Rival Queens Or Alexander The Great

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Event Comment: Benefit Mrs Lee. At the Desire of several Persons of Quality. [In Daily Courant, 29 May, the admission had been advertised as boxes 6s., pit 4s., gallery 2s. 6d., but on 31 May Daily Courant stated that "all seal'd Tickets that have been dispos'd of by Mrs Lee" at these rates "shall be accounted for" at 5s., 3s., 2s.

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Song: Singing In Italian the Famous-Signiora Maria Margarita Gallia , lately arriv'd from Italy, who has never yet Sung in England; the Musick which accompanies her Singing is compos'd by Signior Joseph Saggion-

Dance: The Wedding Dance, compos'd by Monsieur L'Abbe,-Monsieur L'Abbe, Mrs Elford

Performances

Mainpiece Title: The Rival Queens With The Death Of Alexander The Great

Song: As17051215, for Signiora Louvicini's second appearance

Performances

Mainpiece Title: The Rival Queens With The Death Of Alexander The Great

Event Comment: At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Rival Queens With The Death Of Alexander The Great

Performances

Mainpiece Title: The Rival Queens With The Death Of Alexander The Great

Performances

Mainpiece Title: The Rival Queens With The Death Of Alexander The Great

Dance: Thurmond Jr

Performances

Mainpiece Title: Tartuffe Or The Hypocrite

Related Works
Related Work: Tartuffe; or, The French Puritan Author(s): Matthew Medbourne

Afterpiece Title: The Rival Queens or The Comical Humours of Alexander the Great

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Afterpiece Title: The Necromancer

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Afterpiece Title: The Rape of Proserpine

Related Works
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald
Event Comment: Alexander the Great? [announced on playbill of 4 Nov.] is obliged to be deferred. [The playbill lists Mrs Yates as Lady Townly, but see following note. Miss Younge's name appears in all subsequent playbills, except on 19 Dec.] Alexander was advertised for this Night, but Lacy being hoarse, who was to have played Alexander, it was obliged to be deferred, and this Play substituted. It was between eleven and twelve o'clock at (Night) before we got it settled. Mr. Sheridan ordered me not to send to Mrs. Yates about (it) till the Morning. About eight o'clock I sent her Notice that the Provoked Husband was to be performed at Night. A little after nine, she sent Word by her Niece that she was never so ill treated in her life, that she was never before asked to play on the fifth of November [which day was traditionally set aside for the acting of Tamerlane], that she would not play Lady Townly that Night, nor would she play any more; and if she had an Inclination to play, she had no Cloaths ready to play it in; and sent back the Part of Semiramis in a new Tragedy that was preparing [see 16 Nov., 14 Dec.]. I got Miss Younge to do Lady Townly, and an Apology was made by Packer that Mrs Yates having refused this Morning to do Lady Townly, Miss Younge at a Minutes' Notice undertook to do it. Miss Younge was much applauded and Yates had a few hisses (Hopkins Diary). Receipts: #179 11s. 6d

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: Lord Townly-Smith; Sir Francis Wronghead-Yates; Manly-Packer; John Moody-Moody; Squire Richard-Burton; Count Basset-Dodd; Lady Grace-Miss Sherry; Lady Wronghead-Mrs Hopkins; Miss Jenny-Mrs Davies; Mrs Motherly-Mrs Cross; Trusty-Mrs Johnston; Myrtilla-Miss Platt; Lady Townly-Miss Younge.
Cast
Role: Mrs Motherly Actor: Mrs Cross
Event Comment: Benefit for Signora Galli. Composed by Handel. Signora Galli will sing the Part of Alexander, with all the original songs of Senesino. [As Senesino created this role in 1726, the piece performed tonight may be Handel's, not Lampugnani's; see kings, 15 Nov. 1743 and Deutsch, Handel, p. 647.

Performances

Mainpiece Title: Roxana

Performance Comment: Alexander-Signora Galli.
Cast
Role: Alexander Actor: Signora Galli.

Performances

Mainpiece Title: Redemption selected From The Great And Favourite Works Of Handel That Were Performed At His Commemorations In Westminster Abbey And At The Pantheon on 26 And 27 May 1784

Performance Comment: Vocal Parts as17860303but Negus in place of Carter. 1st Violin by Shaw. Morning Chronicle, 16 Mar., lists the selections as follows: Overture to Occasional Oratorio. Oh! First Created Beam (Samson) Nasce al bosco (Eatius [i.e. Ezio]). When his loud voice by Chorus (Jephtha) Lord, what is man (Semele). How excellent by Chorus (Saul). Dite che fa (Tolomeo). Would custom bid (Susanna). Jehovah is my Shield (Occasional Oratorio). Blest be the man by Chorus (Joseph). He gave them hail-stones by Chorus; The Lord is a man of war; The Horse and his rider by Chorus (Israel in Egypt). Ye sons of Israel by Chorus; Oh had I Jubal's lyre [by Miss George (Public Advertiser, 16 Mar.)] Joshua). Angels ever bright and fair [by Mrs Forster (Public Advertiser, 31 Mar.)] (Theodora). Jehovah crowned by Chorus (Esther). Welcome, mighty King; In sweetest harmony both by Chorus (Saul). Their bodies are buried in peace (Funeral Anthem). Dead March (Saul). Rendi il serene (Sosarme). Gird on thy sword by Chorus (Saul). The sword that is drawn (Occasional Oratorio). God save the King by Chorus (Coronation Anthems). Verdi prati (Alcina). Here beneath a shady wood (Alexander Balus). He was eyes unto the blind (Siroe). Hosannah by Chorus (Athalia). Nel riposo (Deidamia). He sitteth at the right hand of God by Chorus. Dove sei [by Miss George (Public Advertiser, 16 Mar.)] (Rodelinda). Gloria Patri by Chorus . The Lord is a man of war; The Horse and his rider by Chorus (Israel in Egypt). Ye sons of Israel by Chorus; Oh had I Jubal's lyre [by Miss George (Public Advertiser, 16 Mar.)] Joshua). Angels ever bright and fair [by Mrs Forster (Public Advertiser, 31 Mar.)] (Theodora). Jehovah crowned by Chorus (Esther). Welcome, mighty King; In sweetest harmony both by Chorus (Saul). Their bodies are buried in peace (Funeral Anthem). Dead March (Saul). Rendi il serene (Sosarme). Gird on thy sword by Chorus (Saul). The sword that is drawn (Occasional Oratorio). God save the King by Chorus (Coronation Anthems). Verdi prati (Alcina). Here beneath a shady wood (Alexander Balus). He was eyes unto the blind (Siroe). Hosannah by Chorus (Athalia). Nel riposo (Deidamia). He sitteth at the right hand of God by Chorus. Dove sei [by Miss George (Public Advertiser, 16 Mar.)] (Rodelinda). Gloria Patri by Chorus .
Event Comment: Written by the late Mr Dryden. Set to Musick by Mr Handel. Pit and Boxes half a Guinea. Galleries 4s. and 2s. 6d. London Daily Post and General Advertiser, 20 Feb.: Last Night his Royal Highness the Duke, and her Royal Highness the Princess Amelia were at. . . Mr Dryden's Ode, set to Musick by Mr Handel. Never was upon the like Occasion so numerous and splendid an Audience at any Theatre in London, there being at least 1300 Persons present; and it is judg'd that the Receipt of the House could not amount to less than 450l. It met with general Applause, tho attended with the Inconvenience of having the Performers placed at too great a distance from the Audience, which we hear will be rectified the next Time of Performance. [Egmont also present.]

Performances

Mainpiece Title: The Feast Of Alexander