SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Alexander the Great"/1) | (@(roleclean,performerclean) "Alexander the Great")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1491 matches on Event Comments, 565 matches on Performance Title, 313 matches on Performance Comments, 35 matches on Author, and 1 matches on Roles/Actors.

Performances

Mainpiece Title: Alexander The Great

Cast
Role: Alexander Actor: Kemble
Role: Thessalus Actor: Maddocks

Afterpiece Title: No Song No Supper

Song: As17951123

Performances

Mainpiece Title: Alexander The Great

Cast
Role: Alexander Actor: Kemble
Role: Thessalus Actor: Maddocks

Afterpiece Title: The Son-in-Law

Performance Comment: As17951202, but Man of the House-_; Idle-_; Mum-_; John-_; Lilly-_; Dolce-_.
Cast
Role: Man of the House Actor: Maddocks

Song: As17951123, but Grand Chorus of Priests Youths Virgins-_Cooke, _Danby, _Evans, _Fisher, Master _Welsh, Master _DeCamp, Master _Gregson, Miss _Chatterley, Miss _Wentworth, Mrs _Butler

Performances

Mainpiece Title: Alexander The Great

Cast
Role: Alexander Actor: Kemble
Role: Thessalus Actor: Maddocks

Afterpiece Title: The Romp

Song: As17951204

Performances

Mainpiece Title: Alexander The Great

Cast
Role: Alexander Actor: Kemble
Role: Thessalus Actor: Maddocks

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Song: As17951204

Performances

Mainpiece Title: Alexander The Great

Cast
Role: Alexander Actor: Kemble
Role: Thessalus Actor: Maddocks

Afterpiece Title: The Pannel

Song: As17951204

Performances

Mainpiece Title: Alexander The Great

Cast
Role: Alexander Actor: Kemble
Role: Thessalus Actor: Maddocks

Afterpiece Title: The Doctor and the Apothecary

Cast
Role: Theresa Actor: Mrs Booth.

Song: As17951204

Performances

Mainpiece Title: Alexander The Great

Cast
Role: Alexander Actor: Kemble
Role: Thessalus Actor: Maddocks

Afterpiece Title: The Doctor and the Apothecary

Cast
Role: Theresa Actor: Mrs Booth.

Song: As17951204

Performances

Mainpiece Title: Alexander The Great

Cast
Role: Alexander Actor: Kemble
Role: Thessalus Actor: Maddocks

Afterpiece Title: Harlequin Captive

Cast
Role: unassigned Actor: _Wathen, _Russell, _Benson
Role: Sailor Actor: Fairbrother

Song: As17951204

Event Comment: Benefit for Palmer. Tickets delivered for The Country Girl will be admitted. [Afterpiece in place of The Sultan, advertised on playbill of 11 Apr.] Oracle, 4 Apr.: Tickets to be had of Palmer, No. 12, New Lisle-street, Leicester Fields. Receipts: #346 11s. (158.3.0; 49.11.6; 4.2.6; tickets: 134.14.0). (charge: #241 16s. 6d.)

Performances

Mainpiece Title: Alexander The Great

Performance Comment: As17951123, but Lysimachus-Whitfield; Perdiccas-Benson; Eumenes-Phillimore; Sysigambis-Mrs Maddocks; Slave-_. [The parts are assigned in the playbill.]The parts are assigned in the playbill.]
Cast
Role: Alexander Actor: Kemble
Role: Thessalus Actor: Maddocks

Afterpiece Title: The Spoil'd Child

Song: As17951204

Entertainment: End: Monologue. Collins'Ode on the Passions-Palmer

Performance Comment: Collins'Ode on the Passions-Palmer.
Cast
Role: 'Ode on the Passions Actor: Palmer.

Performances

Mainpiece Title: Alexander The Great

Cast
Role: Alexander Actor: Holman
Role: Thessalus Actor: Klanert

Song: II: Grand Triumphal Entry and Vocal Parts Entry of Alexander into Babylon, as17990409

Performances

Mainpiece Title: Love In A Tub (the Comic Part)

Afterpiece Title: Alexander the Great (an Opera)

Song: A Dialogue (after the Italian Manner)-two Boys , one of which never appear'd on the Stage before

Dance: As17150404

Event Comment: Betterton's Company. The date of the first performance is not certain, but contemporary sources refer to the fact that William Smith, who died in the last week of December, fell ill on the fourth day of its run; hence, it probably was first presented in mid-December. One song, O take him gently from the pile, set by John Eccles and sung by Mrs Bracegirdle, is in Deliciae Musicae, The Fourth Book, 1696. Downes, Roscius Anglicanus, p. 44: The Grand Cyrus, wrote by Mr Banks; it was a good Play; but Mr Smith, having a long part in it, fell Sick upon the Fourth Day and Dy'd, upon that it lay by, and ne'er have bin Acted since. Gildon, English Dramatick Poets, p. 6: Tho' this Play had been formerly refus'd the Action, yet it held up its Head about Six Days together, and has been since Acted several Times. A Comparison Between the Two Stages: Sullen, p. 16: Banks's, which the Players damn'd and wou'd not Act of a great while, but at length it was acted, and damn'd then in manner and form

Performances

Mainpiece Title: Cyrus The Great; Or, The Tragedy Of Love

Performance Comment: Edition of 1696: Prologue to Her Royal Highness-; Cyrus the Great-Betterton; Cyaxares-Smith; Hystaspes-Kynaston; Craesus-Bowman; Abradatas-Hudson; Artabasus-Thurmond; Thoiyris-Mrs Bowtell; Panthea-Mrs Barry; Lausaria-Mrs Bracegirdle; Epilogue-the Boy, Girl by way of Dialogue.
Event Comment: By Command of Their Majesties. Tickets and places to be taken of Mr Johnston at the Stage Door of the Theatre at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Five o'clock. To begin at Half past Six. Theatrical Review (London, 1772), appendix, pp. 207-8: The Oratorios performed at this House were conducted by Messrs. Stanley and Smith, for their own emolument; the Managers of the theatre having had no Share of the profit arising from these performances, nor any advantage, except a premium for the use of the house. Mr Stanley's musical abilities are well known. Mr Smith, was, if we are not mistaken, a pupil of the celebrated Mr Handel's; and, we believe, that Gentleman left Mr Smith the greatest part of his music, if not his whole library; so that Mr Smith may with great propriety claim the right of succeeding Mr Handel in the exhibition and conduct of his Oratorios, which he has undertaken (in conjunction with Mr Stanley) every since Mr Handel's death. Their band was composed of some of the most capital performers in this kingdom, and was led by Mr Ximenes. The vocal performers (exclusive of Chorus singers) were Mr Norris, well known to all lovers of Music, for his taste and delicacy of execution. Mr Parry (a Bass voice) from the Cathedral Church of Salisbury. This gentleman, though very young, has an extensive compass, and a great power of voice, and acquits himself with considerable reputation. Mrs Weichsel and Mrs Scott, of whom it would be superfluous and unnecessary to say anything, since their abilities are generally known. And lastly Signora Grassi, a performer of great merit. Theatrical Review, 6 March: This is Mr Dryden's celebrated Ode on St Cecelia's Day, and not an Oratorio, but performed as such...It contains many beauties and such as are worthy of Mr Handel's genius...Being much shorter than the usual length of oratorios, Mr Handel's celebrated Coronation Anthems were added in order to make the evening's entertainment of a proper length. Also a Solo on the Violincello by Mr Janson...lately arrived from Paris, said to have been a pupil of Mr Duport's but, though his taste and excution is very astonishing, we cannot give him the preference of his master. [See 13 April 1773.Charge seems to have been #28 per night plus expenses for oil, candles &c.

Performances

Mainpiece Title: Alexander's Feast, With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)

Event Comment: [Text by Rolli. Music by Handel.] At 7 p.m. Daily Journal, 7 May: On Thursday Night, Signiora Faustina, the famous Roman Songstress, performed his Majesty, their Royal Highnesses, and great Numbers of the Nobility and Quality, in...Alexander...with great Applause

Performances

Mainpiece Title: Alexander

Related Works
Related Work: Three Hours after Marriage Author(s): Alexander Pope
Related Work: The Count of Burgundy Author(s): Alexander Pope
Related Work: Lupone; or, The Inquisitor Author(s): Alexander Gordon
Related Work: Telemachus Author(s): Alexander Scarlatti
Related Work: Sethona Author(s): Alexander Dow
Related Work: Zingis Author(s): Alexander Dow

Performances

Mainpiece Title: Alexander's Feast 0; Redemption 0; L'allegro Ed Il Pensieroso 0

Performance Comment: As17920302but Organ-Greatorex , As17920229.

Afterpiece Title: Alexander's Feast 1

Performance Comment: 'Twas at the royal feast-Harrison; Happy happy pair-Harrison, Chorus; Timotheus placed on high-Harrison; The song began from Jove-Mrs Second; The list'ning croud-Chorus; With ravish'd ears-Mrs Second; The praise of Bacchus-Harrison; Bacchus ever fair and young-Bartleman; Bacchus' blessings-Chorus; Sooth'd with the sound-Harrison; He chose a mournful muse, He sung Darius-Mrs Billington; With downcast looks the joyless victor sat, Behold Darius great and good-Chorus; The mighty master, Softly sweet in Lydian measure-Mrs Billington; War he sung-Mrs Second; The many rend the skies-Chorus; The prince unable-Mrs Billington; The many rend the skies [repeated]-Chorus.

Afterpiece Title: Alexander's Feast 2

Performance Comment: Now strike the golden lyre-Harrison; Break his bands of sleep asunder-Chorus; Hark hark the horrid sound-Harrison; Revenge revenge Timotheus cries, Behold a ghastly band-Bartleman; Give the vengeance due, The princes applaud-; Thais led the way-Mrs Billington; The princes applaud [repeated]-Chorus; Thus long ago-Harrison; At last divine Cecilia came-Chorus; Your voices tune-Mrs Billington; Let's imitate her notes above-Harrison, Bartleman; Let old Timotheus-Chorus.

Afterpiece Title: Grand Miscellaneous Act

Performance Comment: Overture-(Berenice, Handel); The Mansion of Peace-Harrison (Webbe); Mad Bess-Mrs Billington (Purcell); The mighty power-Chorus (Athalia, Handel); Se constanta per timore-Mrs Second (Caruso); Together let us range-Mrs Billington, Harrison (Boyce); Shall I in Mamre's-Bartleman (Joshua, Handel); Bravura song-Mrs Billington (Sacchini); Gloria Patri-Chorus.
Event Comment: Paid Housekeeper's Bill #6 7s. 2d. (Treasurer's Book). [The Public Advertiser carried a two-column account of Sethona, telling the story of the play act by act. It concluded: Such is the Story of this new Tragedy which was received with universal Applause by a crowded and brilliant Audience and seems to bid fair to become a Stock Play. The Parts were judiciously cast, and the Performers did great Justice to their respective Characters. Perhaps Mrs Barry never appeared in a greater or more amiable Point of View than on Saturday Night. In short her Performance beggared Description; and it is impossible to form an adequate Idea of her Merit in Sethona without seeing her. Mr Barry was also very great in the Old Hermit, and exhibited as pathetic and as chaste a piece of acting as we remember to have seen. The Dresses, Decorations and Scenery of this Play are much superior to those of any modern Tragedy; they do ample Justice to the Author, and likewise do Honour to the Taste and Spirit of the Manager, who seems to have spared no Expence to furnish a splendid and rational Entertainment. The Scene of the Temple of Osiris, and the View of the Egyptian Catacombsv were particularly admired, and are worthy of the Brush of Mr Loutherbourg. The Prologue is a very classical Performance, and was well delivered by Mr Reddish, notwithstanding the noise and the frequent Interruption usual on these occasions. The Epilogue in the character of an Egyptian Fortune Teller was admirably spoken by Mrs Barry, and had an amazing effect. It contains some excellent Strokes of Satire on the Times and a rich vein of Humour which is finely sustained throughout. From several Circumstances we should suppose this Epilogue to be the Production of our English Roscius and it seems to be one of his best."] Receipts: #226 15s. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Related Works
Related Work: Sethona Author(s): Alexander Dow

Afterpiece Title: The Note of Hand

Cast
Role: Rivers Actor: Cautherly
Event Comment: N.B. That the Ladies and Gentlemen may not be detained at the Theatre while Tickets are given them, they are desir'd to send for them to Mr Arne's House in Craven Buildings near Drury Lane, Number 17, or to Mr Bradshaw, Box-Keeper, at the Kings Arms in Great Russel St., where tickets may be had, and places taken. Boxes 6s. Pit 4s. First Gallery 2s. 6d. Upper Gallery 1s. 6d. Ladies are desir'd to send their servants to keep places by Four o'clock. NB: Mr Arne humbly hopes the Town will not be offended at this small advance of Prices, being at an extraordinary expence for copying all the Music, building the stage, additional instrumental performers, chorus singers, and erecting an Organ. [The attendance apparently was heavy. See note to repeated performance on 19 March.] Mainpiece: Written by Dryden and set to Music by Handel

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: The Judgment of Paris

Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber
Event Comment: By Desire and Consent of Frederic Handel, Esq. Afterpiece: Musick composed by his Majesty the King of Prussia. Pit half a Guinea. Gallery 5s. 6 p.m. At the Great Room, Dean St., Soho

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: Charlottenburg Festegiante

Event Comment: Mainpiece: [a tragedy by Alexander Dow]: Never acted before. New Scenes, Dresses and Decorations. This Play was receiv'd with very great Applause Mrs Barry Play'd finely & the Scenes were applauded (Hopkins Diary). Rec'd Stopages #4 12s. 6d. Paid 4 days salary list #348 14s. 8d. Mr King's extra salary #2 (Treasurer's Book). Receipts: #238 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Related Works
Related Work: Sethona Author(s): Alexander Dow

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: Alexander's Feast

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture. 'Twas at the royal. Happy pair. Timotheus plac'd. The song began. The list'ning croud. With ravish'd ears. The praise of Bacchus. Bacchus ever fair. Bacchus' blessings. Sooth'd with the sound. He chose a mournful. He sung Darius. With downcast looks. Behold Darius. The mighty master. Softly sweet, accompanied on the violoncello by C. Ashley. War, be sung. The many rend. The prince unable. PART II. Now strikes the golden. Break his bands. Hark, hark! Revenge, revenge. Behold a ghastly band. Give the vengeance. Thais led the way. The Princes applaud. Thus long ago. At last divine Cecilia. Your voices tune. Let's imitate her notes. Let old Timotheus. PART III. A GRAND MISCELLANEOUS ACT. Overture and March (SCIPIO). He measureth the waters and He layeth the beams by Bartleman (REDEMPTION). O let eternal Honors and From mighty Kings by Miss Parke (JUDAS MACCABAEUS). Softly rise O southern breeze by Incledon; Ye Southern breezes by Chorus (SOLOMON, by Boyce). Bravura Song by Mme Mara. The Lord shall reign by Chorus; And Miriam and Sing ye to the Lord by Mme Mara; The horse and his Rider by Double Chorus (ISRAEL IN EGYPT). To conclude with God save Great George our King and Rule Britannia .

Music: End of Part I Giardini's Sixth Concerto on the Violin by G. Ashley

Performances

Afterpiece Title: Alexander's Feast 3

Performance Comment: Overture and March [Scipio]-; Great Jehovah-Miss Poole (Israel in Egypt); Then round about-Chorus (Samson); He was despised-Sga Galli (The Messiah); Pleasure my former ways-Braham (Time and Truth); Let the bright Seraphim-Mme Mara; Let their celestial concerts-Chorus (Samson).

Music: Preceding II: concerto for two violins and violoncello obligato- , as originally composed for this Ode by Handel, and performed under his Direction in the year 1736; End II: concerto on the Grand Piano Forte-Dussek

Performances

Mainpiece Title: Alexander Balus

Performance Comment: Parts were: Alexander Balus (King of Syria)-; Ptolomee (King of Egypt)-; Jonathan (Chief of the Jews)-; Cleopatra (Daughter of Ptolomee)-; Aspasia (her friend and companion)-; Chorus of Israelites-; +Chorus of Asiatics-. Alexander Balus-Signora Galli (mezzo-soprano); Ptolomee-Reinhold (bass); Jonathan-Lowe (tenor); Cleopatra-Signora Cassarini (soprano); Aspasia-Signora Sibilla (soprano) (+Deutsch, Handel, p. 648, from word book).
Event Comment: Not Acted these Eight Years [see 24 April 1741]. Benefit Cibber, Jr. Tickets and places of Hobson at the Stage door. Tickets ddliver'd out for All's Well at Covent Garden theatre will be taken to the above mentioned play this night. [Mrs Clive's Prologue recommended the cause of Liberty to the Ladies of Great Britain. Cibber had pleaded in his advance advertisement on 5 April in the General Advertiser.] As I have in justice to my creditors assigned over so much of my salary as reduces the remainder to a very small pittance, I very much depend on the encouragement and indulgence of the town at my Benefit. [On the day of the benefit he inserted in the General Advertiser a long, double column address to the Publick puffing his Benefit, and scotching a rumor industriously and invidiously spread that he came to Drury Lane only to impede Mrs Cibber in her performance there. In this he washes in public the linen of his domestic affairs at some length, professing his virtue, forbearance, and generosity, and Mrs Cibber's unfairness and ingratitude, citing her salary as about #700 per year, not a penny of which would she afford for his relief from creditors, or to bail him out of the Fleet prison where he languished six months. He alleges that she was instrumental in forming a cartel between the rival theatrical managers with precluded his employment by either house, and that she refused to act a benefit for him when he was in debtor's prison.

Performances

Mainpiece Title: The Lady's Last Stake; Or, The Wife's Resentment

Afterpiece Title: Three Hours after Marriage

Related Works
Related Work: Three Hours after Marriage Author(s): Alexander Pope

Song: I: Cantata-Lowe; III: Scotch Dialogue, as17460310 V: My Faith and Truth, as17460104

Dance: IV: Italian Peasants, as17460206; III: Scotch Dialogue, as17460310

Event Comment: This tragedy was wrote by Mr Dow,--went off but So, so.--some hisses thro' the play, and at the end also when given out.--The scenery and dresses was very fine, was well adapted, and had applause.--Miss Younge played very bad, and much disliked--Mr Holland and Mr Aickin played well (Hopkins Diary). New Scenes, Dresses, and Decorations. [The Prologue is Larpent MS 289. It follows in content the suggestions of the Prologue to the Orphan of China ten seasons earlier:@"Too much the Greek and Roman chiefs engage@The Muse's care--they languish on our stage;@The modern bard struck with the vast applause@Of ancient masters, like the painter draws@From models only.--Can such copies charm@The Heart, or like the glow of Nature warm?@To fill the scene, tonight our author brings@Originals at least, --Warriours and Kings,@Heroes who like their Gems, unpolish'd shine,@The mighty fathers of the Tartar line,@Greater than those whom classic pages boast,@If those are greatest who have conquored most."@ An account of the plot of the mainpiece is in Lloyd's Evening Post, 16-19 Dec. Concludes: The play is said to have been written by Mr Dow, who lately favored the public with an accurate History of the Hindoos. The decorations and dresses were very magnificent. The performers who were the most distinguished by the audience were Mr Holland, Miss Younge, Mr Aickin, and Mr Jefferson. Mr Holland spoke the Prologue and Mrs Abington the Epilogue the latter of which furnished infinite entertainment, from the spirit and humour of that admirable actress. A Two column resume of the play appears in the Public Advertiser, 19 Dec.

Performances

Mainpiece Title: Zingis

Related Works
Related Work: Zingis Author(s): Alexander Dow

Afterpiece Title: The Absent Man

Cast
Role: Welldon Actor: Cautherly
Event Comment: By Command of Their Majesties. This day publish'd Price 1s. Alexander's Feast; or, The Power of Music; written by Dryden. To which is added the Coronation Anthem as performed this evening at Covent Garden. Set by Mr Handel. This Day publish'd Price 5s. sewed. A Treatise on the Art of Dancing, by Giovanni Andrea Gallini, Director of the Dances at the Royal Theatre in the Haymarket

Performances

Mainpiece Title: Alexander's Feast

Music: As17620226; Handel's Coronation Anthem-