SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Alexander the Great"/1) | (@(roleclean,performerclean) "Alexander the Great")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1491 matches on Event Comments, 565 matches on Performance Title, 313 matches on Performance Comments, 35 matches on Author, and 1 matches on Roles/Actors.
Event Comment: Not Acted these Seven Years. Written by Ben Johnson. Daily Advertiser, 1 Nov.: On Saturday Night a great Number of Wax Candles were lighted in the Windows of Mr Cibber's, Mr Booth's, and Mr Wilks's Houses...on account of his Majesty's Birthday

Performances

Mainpiece Title: Bartholomew Fair

Performance Comment: Cokes-Cibber Jr; Waspe-Johnson; Busy-Griffin; Overdo-Shepard; Quarlous-W. Mills; Winwife-Watson; Littlewit-Oates; Edgeworth-A. Hallam; Jordan-R. Wetherilt; Nightingale-Stoppelaer; Goody Trash-Wright; Mrs Grace-Mrs Butler; Mrs Overdo-Mrs Shireburn; Mrs Littlewit-Miss Raftor; Purecraft-Mrs Wetherilt; Ursula-Harper.
Cast
Role: Jordan Actor: R. Wetherilt
Role: Purecraft Actor: Mrs Wetherilt

Afterpiece Title: Cephalus and Procris

Event Comment: DDaily Journal, 14 Jan.: We hear...that...The Modish Couple, which met with great Opposition the two first Nights, but was acted the third with Success, before one of the finest Assemblies of Persons of Quality that has been seen, was last Night again so interrupted, that the Players could not perform but were forced to dismiss the Audience.' The violent Treatment which this Piece has met with, is supposedles those People who made it their Business to raise Disturbances at every new Performance that comes on the Stage. [For another account, see Egmont, Diary, I, 216.

Performances

Mainpiece Title: The Modish Couple

Event Comment: At the Particular Desire of several Persons of Quality. Daily Advertiser, 9 Feb.: Last Monday Night Mr Alderman Parsons made a Grand Entertainment at his House in St. Katherine's, whereat were present a great Number of Persons of Quality and Distinction, and last Night oblig'd them with a Play [at gf]

Performances

Mainpiece Title: The Committee

Afterpiece Title: Father Girard the Sorcerer

Event Comment: Benefit J. L'Estrange Jr. At the Great Room at the Three Tuns and Bull-Head, Cheapside. 7 p.m. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Music: With a Solo on the Bassoon and Bass Violin, and some Pieces on the small Flute-an eminent Master

Event Comment: Benefit John Christian Schickhard, lately arrived from Germany. In the Great Room at the Three Tuns and Bull-Head. 7 p.m. 5s

Performances

Mainpiece Title: Concert

Event Comment: Benefit Poitier, Petit-Maitre. At the Desire of several Ladies of Quality. Tickets at Poitier's, at Mr Rainaud's, Great Suffolk Street. Receipts: money #64 6s.; tickets: #77 8s

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: See17320124, but Othello-Quin; Iago-Ryan; Cassio-Walker; Desdemona-Mrs Younger.
Cast
Role: Othello Actor: Quin

Dance: I: Pastoral-Vallois, lately arrived from the Opera at Paris, the first Time of his dancing in England; a Scholar to M Marcelle; II: Wooden Shoe Dance-Poitier; Serious Dance-Poitier, Mrs Laguerre; III: Sicilian Dance-Glover, Mrs Pelling; (at Desire) Two Pierrots-Poitier, Pelling; IV: Highlander and his Mistress-Salle, Mrs Laguerre; V: A new Peasant Dance-Poitier, Mrs Laguerre

Music: Grand Concert of Water Musick by Mr Randal [Handel?]-; [in which Poitier will beat the Kettle@Drums-Poitier

Performance Comment: =]-; [in which Poitier will beat the Kettle@Drums-Poitier.
Event Comment: See Egmont, Diary, I, 257. Daily Advertiser, 18 April: Last Night there was a Rehearsal of...Flavius...at which were present a great Number of the Nobility

Performances

Mainpiece Title: Flavius

Event Comment: An Oratorio in English. Formerly Compos'd by Mr Handel, and now revised by him, with several Additions, and to be performed by a great Number of the best Voices and Instruments. N.B. There will be no Action on the Stage. but the House will be fitted up in a decent Manner for the Audience. The Musick to be disposed after the maner of the Coronation Service. [Their Majesties, Prince, Princess Royal and Amelia present. See also Egmont, Diary, I, 266, and Dean, Handel's Dramatic Oratorios, pp. 205-97.

Performances

Mainpiece Title: Esther

Performance Comment: Edition of 1731 lists: Ahasuerus-Senesino; Haman-Montagnana; Habdonah-Lowe; Esther-Signora Strada; Mordecai-Signora Bertolli; Israelite Woman-Mrs Davis; Israelites-Mrs Turner Robinson, Signora Bertolli, Lowe.
Cast
Role: Esther Actor: Signora Strada
Event Comment: Benefit Mrs Stevens. Second Piece: a New Pantonimical Something. Third Piece: The Practice of a new Serious Scene to be Introduc'd. Shewing the various and hazardous Adventures he met with to get his Wife Joan; particularly, his last memorable Battle and Victory over a great and monstrous Pig, by which she was to be devour'd chain'd to a Rock. 7 p.m

Performances

Mainpiece Title: The Author's Farce

Afterpiece Title: Monstrum Horrendum; or, The Practice of a Modern Comic Entertainment

Performance Comment: Harlequin-Mons Quelqu'n, being the first Time of his Appearing and the last he will appear on any Stage; Colombine-Miss Price.

Afterpiece Title: Punchanello's Encounter with the Pig

Performance Comment: With a New Prologue after the Italian Manner-.

Dance: DDutch Skipper-Davenport, Miss Price

Event Comment: At the Great Booth on Windmill-Hill. By a Select Company of Comedians. During the Holidays. From 10 a.m. to 9 p.m

Performances

Mainpiece Title: Damon And Phillida

Dance: HHarlequin and Country Man-; Harlequin Turn'd Into a Dog-; Drunken Man-Taylor

Song: Rural Dialogue-a Little Boy, Girl

Event Comment: At the Great Theatrical Booth in the Cherry-Tree Garden near the Mote. Mainpiece: With the Original Songs. At Noon daily

Performances

Mainpiece Title: The Mock Doctor

Afterpiece Title: The Metamorphoses of Harlequin

Event Comment: At the particular Desire of several Persons of Quality. For the Benefit of the Famous Signora Violante, who is just arriv'd with a new extraordinary fine Company....After the Irish Manner, Which was perform'd 96 Times in Dublin with great Applause. Boxes 5s. Pit 3s. Gallery 2s. [For performances at the Fairs in September, see season of 1731-1732.

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-the celebrated Miss Woffington; Peachum-Morrice; Lockit-Daly; Filch-Roan; Mat-Dease; Polly-Miss Jenny Jones; Mrs Peachum-Miss Woffington; Lucy-Miss Corbally; Diana-Miss Woffington.

Dance: HHarlequin-Master LaFevre, Miss Violante; Louvre in Boys Cloaths-Miss Violante; Two Pierrots-Lalauze, Tobin

Event Comment: At the Request of several Persons of Quality. [Admission as 6 Sept.

Performances

Mainpiece Title: The Jealous Husband Outwitted

Entertainment: Several new and surprizing Performances, never perform'd by any one besides herself, on the Strait Rope [the famous-Signora Violante [[1] She Dances a Minuet as Neatly as a Dancing Master on a Floor. [2] She Dances with a Board, ten Foot in length, loose upon the Rope. [3] She Dances with two Boys fastned to her feet; which Occasions great Mirth. [4] She Dances with two heavy Men ty'd to her Feet. [5] She Performs the Exercise of the Colours. After this surprising Performance, Miss Violante will Dance a Louvre in Boys Cloaths

Performance Comment: [2] She Dances with a Board, ten Foot in length, loose upon the Rope. [3] She Dances with two Boys fastned to her feet; which Occasions great Mirth. [4] She Dances with two heavy Men ty'd to her Feet. [5] She Performs the Exercise of the Colours. After this surprising Performance, Miss Violante will Dance a Louvre in Boys Cloaths.

Dance: t the Desire of several Gentlemen and Ladies, the White Joke-will be danced by an Old Woman, with Pierrot in the Basket; Pierrot-Lalauze; Old Woman-Tobin

Event Comment: Benefit the Famous Signiora Violante. At the Request of several Persons of Quality. At the Great Assembly Room at Richmond Wells. 3s. 6 p.m

Performances

Mainpiece Title: The Beggar's Opera

Entertainment: As at hay, 11 Sept. Signora Violante; Harlequin-Master LaFevre, Miss Violante; Louvre in Boys' Clothes-Miss Violante; Two Pierrots-Lalauze, Tobin

Performance Comment: Signora Violante; Harlequin-Master LaFevre, Miss Violante; Louvre in Boys' Clothes-Miss Violante; Two Pierrots-Lalauze, Tobin.
Event Comment: Benefit Charles, the Merry Trumpeter of Oxford. At Lee's Great Booth on the Bowling Green. ...and tis well if it takes If not, the Trumpet breaks; And they that are my Friends, that come to see my Play, If it happens to rain, shall have a Coach to carry 'em away

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Performance Comment: Persons from the Theatres but the principal Part to be perform'd by Charles the Merry Trumpeter, that is to take the Money.

Dance: HHarlequin and a Countryman-; Countryman-Charles

Event Comment: DDaily Advertiser, 1 Nov.: A Rehearsal...before a very numerous Audience of the Nobility and Gentry; who were pleased to express a very great Satisfaction from the Performance, and no less Applause of the Performers

Performances

Mainpiece Title: Cato

Event Comment: DDaily Post, 15 Nov.: The Musick (see by Mr Lampe) gave great Satisfaction to the Audience....Miss Cecilia Young was paricularly admired

Performances

Mainpiece Title: Britannia

Event Comment: A New English Opera. [Text by Thomas Lediard.] Set to Musick after the Italian Manner by Mr John Frederick Lampe. The Scenes and Cloaths are entirely New. With the Representation of a Transparent Theatre. Curiously Illuminated, and adorn'd with a great Number of Emblems, Mottos, Devices, and Inscriptions; and embellish'd with Machines, in a Manner entirely new. N.B. The Illuminations and other Preparations for this Opera are such, that no Person whatever can be admitted to the Stage. Pit and Boxes put together at 6s. Gallery 3s. 6 p.m. [For a discussion of Lediard and this work, see a series of articles by Ifan Kyrle Fletcher, Sybil Rosenfeld, and Richard Southern in Theatre Notebook, II (1948), 42-54.

Performances

Mainpiece Title: Britannia

Event Comment: Formerly Compos'd by Mr Handel, and now again Revis'd by him. With several Additions, to be perform'd by a great Number of the best Voices and Instruments. There will be no Action on the Stage, but the Scenes will represent (in a Picturesque Manner) a Rural Prospect, with Rocks, Groves, Fountains, and Grottos, amongst which will be disposed a Chorus of Nymphs and Shepherds. The Habits and every other Decoration suited to the Subject. [Prince of Wales and Princess Royal present. See letter from Hill to Handel, in Hill, Works, I, 174-75, and in Deutsch, Handel, p. 299.

Performances

Mainpiece Title: Acis And Galatea

Event Comment: [The opening of Covent Garden Theatre.] Written by the late Mr Congreve. The Cloaths, Scenes, and Decorations entirely New. And, on Account of the great Demand for Places, the Pit and Boxes, by Desire, will be laid together at 5s. Gallery 2s. Upper Gallery 1s. And to prevent the Scenes being crowded, the Stage Half a Guinea. All Persons who want Places are desir'd to send to the Stage Door (the Passage from Bow-street leading to it), where Attendance will be given, and Places kept for the following Nights as usual. Receipts: #115

Performances

Mainpiece Title: The Way Of The World

Event Comment: Benefit the Author. On Account of the great Demand for Places, the Pit and Boxes will be laid together at 5s. each

Performances

Mainpiece Title: The Decoy

Event Comment: Whereas Thomas Arne, Jun. Proprietor of English Operas [at lif], has new set to Musick, after the Italian Manner, the Opera of Rosamond, Written by the late Mr Addison, Which is now in Rehearsal....This is to give Notice, that he...hoping to receive Encouragement from the Town, will (notwithstanding his Expences are considerably greater than any of the other English Theatres) Entertain the Town at the following Prices (viz) Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. 6d. And that he will give a private Rehearsal of the said Opera, to such Friends as shall oblige him with a Subscription...at One Guinea, to be paid on Receipt of a Ticket, which will admit the Bearer into the Boxes five Nights

Performances

Event Comment: By Command of Her Royal Highness, the Princess Royal. Benefit Mills. Daily Post, 5 March: Colley Cibber...is so ill of a Cold he is not able to Act. Daily Advertiser, 7 March: On Monday Night last a great Disorder happen'd amongst the Footmen at [dl], occasion'd by one of the Orange Women, who meeting with some Affront, as she was passing from the Theatre to the Coffeehouse, drew out her Penknife, and stabb'd a Chairman and two Gentlemen's Servants therewith, before it could be wrench'd from her, and then took Sanctuary in the Coffee-house; but the same was immediately beset, and the People refusing either to produce the Woman, or acquaint the Footmen who she was, they forc'd themselves into the Room, broke all the Glasses and China

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: Denoyer, Mrs Booth, Essex, Miss Robinson, Haughton, Mrs Walter

Event Comment: At Mr Dorey's Boarding School at Great Chelsea...the celebrated French Tragedy...written by the famous Mons de Voltaire

Performances

Mainpiece Title: Zaire

Event Comment: In a letter to the Daily Post. 4 June, the Patentees of Drury Lane-Mary Wilks, John Ellys, Hester Booth, and John Highmore-stated the cast of the Patentees. The gist of their statement is: (1) They operate under a Patent commencing 1 Sept. 1732 which, by Deaths and Legal Assignments, is the property of the four, with Highmore possessing one half, at an expence of #6,000 and upwards. (2) Several of the Players have threatened to desert the service of the Patentees and have contracted with some of the Trustees (the Sharers) to secure possession of the Theatre. (3) Drury Lane is let upon lease from the Duke of Bedford, granted to Thomas Kynaston and Francis Stanhope, Trustees for the Sharers (commonly called Renters) of Drury Lane at the rent of #50 annually upon a Fine of 1,000 guineas paid for the renewal of the lease. (4) The Players, under the Patentees, have acted at Drury Lane for twenty-one years without any interruption form the Trustees upon the sole contract that the Patentees pay the Trustees #3 12s. each acting night, besides the Liberty of seeing Plays. (5) At the beginning of this Season the manager's office received a letter from a few of the Renters demanding an Advance of Rent. Highmore, being new, was concerned, and asked the managers to take care of the matter; and thereafter the signers (the Patentees) had heard of no further discontent among the Renters. (6) To defend themselves against stories of hardship or complaint by the actors, the Patentees point out that the following weekly salaries had been paid: Colley Cibber #12 12s.; Theophilus Cibber #5; Mills Sr, #1 daily for 200 days certain, and a benefit, clear of all charges; Mills Jr #3; Johnson #5; Miller #5; Harper #4; Griffin #4; Shepard #3; Hallam, for himself and his father, the latter of little or no service, #3; Mrs Heron #5; Mrs Butler #3. For these charges and others, the Patentees stand a daily expence of #49 when the theatre is open. (7) Further, the Patentees paid Cibber Jr his wife's whole salary without her being able to act the greater part of the winter, #9 weekly for the two; Mills Jr, in the same circumstances with his wife, #5 10s. weekly for the two; Miller a salary (amounting to #40) for eight weeks before he acted, and a gratuity of ten guineas; Griffin a present of ten guineas; Harper a present, amount not specified; Mrs Heron an increase form 40s. to #5 weekly, although she refused afterward to play several parts assigned her and acted but seldom

Performances