SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Alexander the Great"/1) | (@(roleclean,performerclean) "Alexander the Great")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1491 matches on Event Comments, 565 matches on Performance Title, 313 matches on Performance Comments, 35 matches on Author, and 1 matches on Roles/Actors.
Event Comment: Benefit for Author of Zingis. Damon and Phillida was altered into a Comic opera of two acts, and new musick with the addition of some new songs and choruses--the Musick composed by Mr Dibdin,--went off very dull, and some hisses--the muscik not vastly liked (Hopkins Diary). New Overture. Both Zingis and Damon and Phillida published at 1s. 6d. and 1s

Performances

Mainpiece Title: Zingis

Related Works
Related Work: Zingis Author(s): Alexander Dow

Afterpiece Title: Damon and Phillida

Performances

Mainpiece Title: Zingis

Related Works
Related Work: Zingis Author(s): Alexander Dow

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Zingis

Related Works
Related Work: Zingis Author(s): Alexander Dow

Afterpiece Title: The Padlock

Event Comment: Benefit for the Author of Zingis. The Hypocrite published at 1s. 6d

Performances

Mainpiece Title: Zingis

Related Works
Related Work: Zingis Author(s): Alexander Dow

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Zingis

Related Works
Related Work: Zingis Author(s): Alexander Dow

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Zingis

Related Works
Related Work: Zingis Author(s): Alexander Dow

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Zingis

Related Works
Related Work: Zingis Author(s): Alexander Dow

Afterpiece Title: High Life below Stairs

Cast
Role: Young Lovel Actor: Cautherly

Dance: -D-Dagueville, Sga Vidini. [See17681210.

Event Comment: [N.B. The Cross Diary lists Wit's Last Stake as afterpiece, but playbill seems to be correct in listing The Padlock.

Performances

Mainpiece Title: Zingis

Related Works
Related Work: Zingis Author(s): Alexander Dow

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Zingis

Related Works
Related Work: Zingis Author(s): Alexander Dow

Afterpiece Title: The Padlock

Event Comment: Mr Daigueville, late Ballet-Master, and First Dancer, at Drury Lane Playhouse begs leave to acquaint the Nobility and Gentry, that he continues to teach the Minuet, Louvre, Cotillions, Allemande, Minuet Dauphine, Country Dances, &c. at his house in King-Square Court, Dean St. Soho. Receipts: #251 14s. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Related Works
Related Work: Sethona Author(s): Alexander Dow

Afterpiece Title: The Note of Hand

Cast
Role: Rivers Actor: Cautherly

Performances

Mainpiece Title: Sethona

Related Works
Related Work: Sethona Author(s): Alexander Dow

Afterpiece Title: The Note of Hand

Cast
Role: Rivers Actor: Cautherly

Dance: After the Epilogue: By Desire, The Irish Fair, as17730918

Event Comment: For the Author 2nd night. That Mrs Barry may have sufficient respit, tomorrow The Chances. Receipts: #181 1s. Charges: #73 10s. Profit to Author: #107 11s. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Related Works
Related Work: Sethona Author(s): Alexander Dow

Afterpiece Title: Neck or Nothing

Performances

Mainpiece Title: Sethona

Related Works
Related Work: Sethona Author(s): Alexander Dow

Afterpiece Title: The Citizen

Event Comment: Last time but one of performing the New Tragedy before the Benefits. Rec'd stopages #4 12s. 6d. Paid 4 days salary list #348 14s. 6d.; Mr King's extra salary #2. Receipts: #216 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Related Works
Related Work: Sethona Author(s): Alexander Dow

Afterpiece Title: The Note of Hand

Cast
Role: Rivers Actor: Cautherly
Event Comment: For the Author of Sethona 3rd night (Treasurer's Book). ["This play may be properly styled a faggot of utter improbabilities, connected by a band of the strongest Northern fustian. Overawed by Scottish influence, Mr Garrick prevailed on himself to receive it. But though his theatre was apparently full several times during its nine nights' run, it brought so little cash into the treasury, that he would not have lamented its earlier condemnation. It expired on his premises, but hardly left enough behind it to defray expenses of its funeral."--Biographia Dramatica. A glance at the box receipts from the Treasurer's Book hardly bears out the Biographia Dramatica statement as to its financial failure.] Paid half years Poor's rate for St Martin's to Xmas last #32 8s. (Treasurer's Book). [The author's profit was reduced by #10 10s. on 26 March when it was found he had not been charged for use of a new farce.] Receipts: #194 19s. Charges: #73 10s. Profit to Author: #121 9s. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Related Works
Related Work: Sethona Author(s): Alexander Dow

Afterpiece Title: The Note of Hand

Cast
Role: Rivers Actor: Cautherly
Event Comment: The United Company. The date of the first performance is not certain, but it was very likely this day. Writing on 12 May 1688, Peregrine Bertie states that it had been acted nine days successively. If the ninth performance fell on Friday 12 May, the premiere probably occurred on Wednesday 3 May. The Prologue and Epilogue, printed separately, are reprinted in Wiley, Rare Prologues and Epilogues, pp. 261-63. Downes (Roscius Anglicanus, p. 41): This Play by its Excellent Acting, being often Honour's with the presence of Chancellor Jeffereies, and other great Persons had an Uninterrupted run of 13 Days together. Note, The Poet receided for his third Day in the House in Drury Lane at single Prizes 130 l. which was the greatest Receipt they ever had at that House at single Prizes. Dedication, Edition of 1688: This, I must confess, made me hope for success upon the Stage, which it met with, but so great, as was above my expectation (in this Age which has run mad after Farces) no Comedy, for these many years, having fill'd the Theatre so long together: And I had the great Honour to find so many Friends, that the House was never so full since it was built, as upon the third day of this Play; and vast numbers went away, that could not be admitted. For Leigh as Belfond Sr, see Cibber, Apology, ed. Lowe, I, 147-48; and for Underhill as Lolpoop, I, 154-55. For further comment upon the play, see 12 May 1688

Performances

Mainpiece Title: The Squire Of Alsatia

Performance Comment: Edition of 1688: Prologue to the Squire of Alsatia-Mr Mountfort; Sir William Belfond-Leigh; Sir Edward Belfond-Griffin; Belfond Sr-Jevon; Belfond Jr-Mountfort; Freeman-Bowman; Cheatly-Samford; Shamwell-Powel Jun; Captain Hackum-Bright; Scrapeall-Freeman; Attorney-Powell Sr; Lolpoop-Underhill; Termagant-Alexander [Verbruggen?]; Teresia-Mrs Knight; Isabella-Mrs Mountford; Ruth-Mrs Cory; Lucia-Mrs Bracegirdle; Mrs Termagant-Mrs Bowtell; Epilogue-Mrs Mountfort.
Event Comment: A New English Opera. The Music Compos'd by Mr Rush. Signora Cremonini, Clementini, made her first appearance on this Stage in the Character of Eliza. Sings very well, very Graceful Deportm[en]t & is a great Support to the Opera. many of the Songs were Encor'd. Some few Hisses. but upon the whole, was pretty well receiv'd (Hopkins). Books of the Opera to be sold at the Theatre. A new English Opera, the Royal Shepherd-the Musick composed by Mr Rush.-Siga Cremonini made her first appearance,--sings ver fine,--very graceful deportment, and is a great support to the Opera.--Some hisses--Many of the songs encored. Upon the whole was well liked...On this occasion the Stage was cut near two feet and a half to enlarge the orchestra, to make it contain the additional performers who belong to the Opera House, on whose account the Opera cannot be performed Tuesdays and Saturdays (Hopkins Diary-MacMillan)

Performances

Mainpiece Title: The Royal Shepherd

Performance Comment: Principals by Vernon, Champnes, Mas. Raworth, Miss Young, Miss Wright, Miss Williams, Mrs Dorman, Sga Cremonini. Alexander-Champnes; Amintas-Vernon; Eliza-Signora Cremonini; Thamiris-Miss Young; Camilla-Miss Wright; Agenor-Mrs Dorman (Edition of 1764).
Cast
Role: Alexander Actor: Champnes

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

Performance Comment: Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker.
Event Comment: The United Company. The date of the first performance is not certain, but it lies between Saturday 9 and Saturday 16 April. Luttrell, A Brief Relation (II, 413) stated on 9 April that the Queen had prohibited its being acted; on 16 April (II, 422) he reports that it has been acted. Luttrell, A Brief Relation, II, 422, 16 April: Mr Dryden s play has been acted with applause, the reflecting passages upon this government being left out. The Gentleman's Journal, May 1692 (licensed 14 May): I told you in my last, that none could then tell when Mr Dryden's Cleomenes would appear; since that time, the Innocence and Merit of the Play have rais'd it several eminent Advocates, who have prevailed to have it Acted, and you need not doubt but it has been with great applause. Preface, Edition of 1692: Mrs Barry, always Excellent, has, in this tragedy, excell'd Herself, and gain'd a Reputation beyond any Woman whom I have ever seen on the Theatre. [See also Cibber, Apology, I, 160, for a discussion of Mrs Barry in Cleomenes.] A song, No, no, poor suffering heart no change endeavour, the music by Henry Purcell, is in Comes Amoris, The Fourth Book, 1693, and also, with the notice that it was sung by Mrs Butler, in Joyful Cuckoldom, ca. 1695. See also Purcell's Works, Purcell Society, XVI (1906), xviii-xix; Epistolary Essay to Mr Dryden upon his Cleomenes, in Gentleman's Journal, May 1692, pp. 17-21. When the play was revived at Drury Lane, 8 Aug. 1721, the bill bore the heading: Not Acted these Twenty-Five Years

Performances

Mainpiece Title: Cleomenes The Spartan Heroe

Performance Comment: Edition of 1692: Prologue-Mr Mountfort; Cleomenes-Betterton; Cleonidas-Lee; Ptolomy-Alexander [Verbruggen]; Sosybius-Sandford; Cleanthes-Mountford; Pantheus-Kynaston; Coenus-Hudson; Cratisiclea-Mrs Betterton; Cleora-Mrs Bracegirdle; Cassandra-Mrs Barry; Epilogue-Mrs Bracegirdle.
Cast
Role: Ptolomy Actor: Alexander
Role: Cleanthes Actor: Mountford
Role: Pantheus Actor: Kynaston
Event Comment: The United Company. The date of the first performance is not known. The January issue of the Gentleman's Journal, wnich did not appear until some time in February, stated: Mr Congreve...hath written a Comedy, which will be acted in a little time, and is to be call'd, The Old Batchelor (p. 28). The Gentleman's Journal, February 1692@3 (issued in March 1693): The success of Mr Congreve's Old Batchelor has been so extraordinary, that I can tell you nothing new of that Comedy; you have doubtless read it before this, since it has been already printed thrice. And indeed the Wit which is diffus'd through it, makes it lose but few of those Charms in the Perusal, which yield such pleasure in the Representation. Mr Congreve will in some time give us another play; you may judge by this how acceptable it will be (p. 61). In addition, a reference in the Epilogue indicates that it was produced during Lent, ano since the third edition was advertized in the London Gazette, No. 2856, 23-27 March 1693, early March seems the most likely date for the premiere. According to The Female Wits (ca. 1696), The Old Batchelor was acted fourteen days successively. John Barnard of Yale University states that Narcissus Luttrell's copy of The Old Batchelor in the Newberry Library bears the notation: "10d Mar. 16 1692@3." BM Add. Mss. 4221 (341) Memoirs Relating to Mr Congreve Written by Mr Thomas Southern (in Macdonald, Bibliography of Dryden, p. 54n): When he began his Play the Old Batchelor haveing little Acquaintance with the traders in that way, his Cozens recommended him to a friend of theirs, who was very usefull to him in the whole course of his play, he engag'd Mr Dryden in its favour, who upon reading it sayd he never saw such a first play in his life, but the Author not being acquainted with the stage or the town, it woud be pity to have it miscarry for want of a little Assistance: the stuff was rich indeed, it wanted only the fashionable cutt of the town. To help that Mr Dryden, Mr Arthur Manwayring, and Mr Southern red it with great care, and Mr Dryden putt it in the order it was playd, Mr Southerne obtained of Mr Thos. Davenant who then governd the Playhouse, that Mr Congreve should have the privilege of the Playhouse half a year before his play was playd, wh. I never knew allowd any one before. The music for the play was composed by Henry Purcell. See Purcell's Works, Purcell Society, XXI (1917), iii-v

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Edition of 1693: Prologue intended for the Old Batchelor [sent to the Author, by an unknown Hand-; Prologue-Mrs Bracegirdle; Epilogue-Mrs Barry; Heartwell-Betterton; Bellmour-Powel; Vainlove-Williams; Sharper-Alexander [Verbruggen]; Sir Joseph-Bowen; Bluff-Hains; Fondlewife-Dogget; Servant-Underhill; Araminta-Mrs Bracegirdle; Belinda-Mrs Mountfort; Laetitia-Mrs Barry; Sylvia-Mrs Bowman; Lucy-Mrs Leigh.
Cast
Role: Sharper Actor: Alexander
Event Comment: The tragedy of the Revenge is in rehearsal at Covent Garden in which the part of Zanga will be attempted by the Gentleman who appeared in the character of Osman in Zara, will be performed someday this week, as are also the plays of King Lear and Alexander the Great, revis'd and alter'd in which the parts of Lear and Alexander will be played by Barry

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Barry; Macduff-Ryan; King-Gibson; Malcolm-Anderson; Donalbain-Bennet; Seyton-Redman; Seyward-White; Doctor-Wignell; Fleance-Miss Mullart; Banquo-Sparks; Lenox-Ridout; Hecate-Arthur; 1st Murderer-Bencraft; 2nd Murderer-Marten; Witches-Collins, Dunstall, Cushing; Lady Macduff-Mrs Barrington; Lady Macbeth-Mrs Woffington; With the original music. Vocal parts-Lowe, Howard, Legg, Baker, Roberts, Mrs Lampe, Mrs Chambers, Miss Young, Mrs Vincent. With Dances and Decorations incident to the Play.

Afterpiece Title: The Contrivances

Dance: As17551114

Event Comment: Benefit for Mrs Kennedy. Public Advertiser, 26 Apr.: Tickets to be had of Mrs Kennedy at her house in Great Queen-street. [The Jubilee anticipated the official Handel Commemoration held at Westminster Abbey on 26 May.] Receipts: #320 9s. 6d. (213/4/6; tickets: 107/5/0) (charge: #105)

Performances

Mainpiece Title: A Jubilee In Commemoration Of Handel

Performance Comment: Overture from Samson. Scene I. Collins's Ode on the Passions read by Whitfield. In which will be introduced: From the dread scene (from Judas Maccabaeus) by Mrs Kennedy and Mrs Bannister; The smiling dawn (from Jephtha) by Johnstone; Revenge! Timotheus (from Alexander's Feast) by Reinhold; Mirth, admit me of thy crew (from L'Allegro il Penseroso) by Mrs Kennedy; As when the Dove (from Acis and Galatea) by Mrs Bannister. To conclude with the Chorus From Harmony (from Dryden's Ode). Scene II. The Pantheon. To Song and Dance (from Samson) by Chorus; Let's imitate her Notes above (from Alexander's Feast) by Mrs Martyr and Mrs Kennedy. The Muse Euterpe-Mrs Bates .
Cast
Role: . The Muse Euterpe Actor: Mrs Bates

Afterpiece Title: The Duenna

Cast
Role: The Devil Actor: Bannister

Afterpiece Title: Rose and Colin

Dance: 1st piece to conclude with a Grand Ballet by Harris, Byrn, Miss Besford, Mrs Goodwin, &c

Event Comment: Charge [for rental of theatre] #50

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 1

Performance Comment: Fourth Hautboy Concerto-; Here amid the shady Woods-Miss Mahon (Alexander Balus); For unto us a Child is born-Chorus (The Messiah); Arm arm ye Brave-Sale; We come in bright Array-Chorus (Judas Maccabaeus); Heart the seat of soft Desire-Sga Storace (Acis and Galatea); No more of Ammon's God-Chorus (Jephtha); Brethren farewell, Then when the Sun-Harrison (Samson); The Mighty Power-Chorus (Athalia).

Afterpiece Title: Grand Selection 2

Performance Comment: Overture-(Berenice); Happy Pair-Harrison, Chorus (Alexander's Feast); Great Jehovah's awful Word-Miss Cantelo (Israel in Egypt); Lift up your Heads-Chorus (The Messiah); The morning Lark-Miss Mahon (Semele); He rebuked the Red Sea-Chorus (Israel in Egypt); Rendi il Sereno al Ciglio-Harrison (Sosarme); See the conqu'ring Hero comes-Chorus (Judas Maccabaeus); The Prince Unable-Sga Storace (Alexander's Feast); Immortal Lord of Earth and Skies-Chorus (Deborah).

Afterpiece Title: Grand Selection 3

Performance Comment: O the Pleasures-Chorus (Acis and Galatea); Come ye smiling Hours-Miss Cantelo (Nabal); How excellent-Chorus (Saul); Pleasure my former Ways resigning-Harrison (Time and Truth); He smote all the First Born-Chorus (Israel in Egypt); Joys in gentle Strains-Miss Cantelo, Harrison (Athalia); Grateful Hearts enjoy the Blessing-Sga Storace (Nabal); Hallelujah!-Grand Chorus (The Messiah); God save Great George our King-.

Music: As17890306

Event Comment: John Dryden to Sir George Etherege, 16 Feb. 1686@7: The Coffee-house stands certainly where it did, & angry men meet in the square sometimes, as Abercomy, & Goodman lately did, where they say Alexander the Great was wounded in the arme (The Letters of John Dryden, ed. Ward, p. 27). See 27 Oct. 1686

Performances

Event Comment: Written by the famous Mr Lee, Author of Alexander the Great

Performances

Mainpiece Title: Mithridates King Of Pontus

Event Comment: Paid Chorus 2 nights (this incl.) #3 111s. (Treasurer's Book). Benefit for Jefferson. Tickets deliver'd for Alexander The Great will be taken. Receipts: #125 10s. 6d. Charges: #67 3s. 6d. Profits to Jefferson: #58 7s. (Treasurer's Book)

Performances

Mainpiece Title: The Rehearsal

Performance Comment: As17740314 but Others-_Weston, _Kear, Courtney, +Burton.
Cast
Role: Others Actor:
Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Afterpiece Title: Harlequins Invasion

Song: (by Desire) O What a Charming thing's a Battle-Mr Bannister