SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Alexander Dow"/1) | (@(roleclean,performerclean) "Alexander Dow")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 402 matches on Performance Title, 209 matches on Performance Comments, 96 matches on Event Comments, 35 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Musick

Performance Comment: Part I. Overture. Della Caduta de Giganti by Gluck-;Airs: Care Paiple in La Caduti de Giganti-Jozzi; San Prigioniero in Il Trionfo della Continenza-Signora Pompeati; Bella consola-Ciacchi; Men Tedela by Handel-Monticelli; La Sortemia Tiranna in Il Trionfo-Signora Imer; Part II. Concerto-Weideman; Airs:Return O God of Hosts, Samson-Signora Frasi; Il Cormeo by Handel-Monticelli; Pensa che il Cielo trema in La Caduta-Ciacchi; Mai l'Amorio verace (La Caduta)-Signora Imer; Concerto-Carbonell; Air:O da Pastor Lampugani-Monticelli; Part III. Concerto-Miller; Airs: Per Pieta in Il Trionfo-Jozzi; Volgo Dubbiosa in La Caduta-Signora Pompeati; The Prince unable to conceal his Pain, Alexander's Feast-Signora Frasi; Duetto in Il Trionfo-Mosticelli, Signora Imer; A Grand Concerto of Mr Handel's-.

Performances

Mainpiece Title: Antigone

Performance Comment: Antigono-Ciacchi; Berenice-Sga Imer; Demetrius-Monticelli; Ismene-Sga Pompeati; Alexander-Jozzi; Clearchus-Sga Frasi (Larpent).
Cast
Role: Alexander Actor: Jozzi
Event Comment: The tragedy of the Revenge is in rehearsal at Covent Garden in which the part of Zanga will be attempted by the Gentleman who appeared in the character of Osman in Zara, will be performed someday this week, as are also the plays of King Lear and Alexander the Great, revis'd and alter'd in which the parts of Lear and Alexander will be played by Barry

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Contrivances

Dance: As17551114

Performances

Mainpiece Title: The Rival Queens

Performance Comment: As17571220, but Alexander-Ross.
Cast
Role: Alexander Actor: Ross.

Afterpiece Title: The Knights

Dance: SSicilian Peasants, as17571217

Performances

Mainpiece Title: The Royal Shepherd

Performance Comment: Principals by Vernon, Champnes, Mas. Raworth, Miss Young, Miss Wright, Miss Williams, Mrs Dorman, Sga Cremonini. Alexander-Champnes; Amintas-Vernon; Eliza-Signora Cremonini; Thamiris-Miss Young; Camilla-Miss Wright; Agenor-Mrs Dorman (Edition of 1764).
Cast
Role: Alexander Actor: Champnes

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

Performances

Mainpiece Title: Antigonus

Performance Comment: Demetrius-Manzoli; Alexander-Tenducci; Antigonus-Ciprandi; Clearcus-Micheli; Berenice-Signora Scotti; Ismene-Signora Cremonini; Eudice-Miss Young.
Cast
Role: Alexander Actor: Tenducci

Dance: As17650105

Performances

Mainpiece Title: The Rival Queens

Performance Comment: As17670323 but Alexander-Ross; Hephestion-R. Smith.

Afterpiece Title: The Dragon of Wantly

Dance: III: A New Tambourine(by Desire)-Mas. Blurton, as17670427 End: Double Hornpipe, as17670427

Ballet: End: The Wapping Landlady. As17670427

Performances

Mainpiece Title: Amintas

Performance Comment: Amintas-Tenducci; Alexander-Reinhold; Agenor-Mattocks; Thamitis-a young Lady, Scholar of Tenducci, her first appearance; Eliza-Mrs Mattocks.
Cast
Role: Alexander Actor: Reinhold

Music: I: Concerto on Hautboy-Fishar; II: Sonata on Violincello-Duport; First Violin, a Concerto-Barthelemon

Performances

Mainpiece Title: Oroonoko

Performance Comment: Aboan-Palmer; Governor-Usher; Stanmore-Davies; Hotman-Hurst; Blandford-Jefferson; Capt. Driver-Bransby; Imoinda-Miss Younge; Oroonoko-the Young Gentleman who Performed Alexander; Planters-Wright, Griffiths, Carpenter, Blanchard, Mrs Bradshaw; Slaves-Keen, Wheeler, Wrighten, Norris; I: a Dance of Slaves-Atkins, Como, Giorgi.

Afterpiece Title: The Election

Afterpiece Title: The Elopement

Cast
Role: Widow Actor: Mrs Greville.

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Life and Death of Tom Thumb the Great

Entertainment: Monologues.Preceding: Prologue to Barbarossa in the character of a Country Boy, containing an account of his Journey to London, his different Services there, first in the City, next with a Lord, then with a Lady, and last of all with a starved Poet-Master Russell; End I: a Scene from Lethe: Fine Gentleman-Master Russell; End II: an Harangue in a Tubafter the manner of the celebrated George Alexander Stevens-Master Russell; End: The Drunken Buck-Raymond

Performance Comment: Preceding: Prologue to Barbarossa in the character of a Country Boy, containing an account of his Journey to London, his different Services there, first in the City, next with a Lord, then with a Lady, and last of all with a starved Poet-Master Russell; End I: a Scene from Lethe: Fine Gentleman-Master Russell; End II: an Harangue in a Tubafter the manner of the celebrated George Alexander Stevens-Master Russell; End: The Drunken Buck-Raymond.

Performances

Mainpiece Title: A Jubilee In Commemoration Of Handel

Performance Comment: Overture from Samson. Scene I. Collins's Ode on the Passions read by Whitfield. In which will be introduced: From the dread scene (from Judas Maccabaeus) by Mrs Kennedy and Mrs Bannister; The smiling dawn (from Jephtha) by Johnstone; Revenge! Timotheus (from Alexander's Feast) by Reinhold; Mirth, admit me of thy crew (from L'Allegro il Penseroso) by Mrs Kennedy; As when the Dove (from Acis and Galatea) by Mrs Bannister. To conclude with the Chorus From Harmony (from Dryden's Ode). Scene II. The Pantheon. To Song and Dance (from Samson) by Chorus; Let's imitate her Notes above (from Alexander's Feast) by Mrs Martyr and Mrs Kennedy. The Muse Euterpe-Mrs Bates .

Afterpiece Title: The Duenna

Cast
Role: Widow Wadman Actor: Miss Platt

Afterpiece Title: Rose and Colin

Dance: 1st piece to conclude with a Grand Ballet by Harris, Byrn, Miss Besford, Mrs Goodwin, &c

Performances

Mainpiece Title: Redemption (selected From The Great And Favourite Works Of Handel That Were Performed At His Commemorations In Westminster Abbey And At The Pantheon [on 26 And 27 May 1784])

Performance Comment: Vocal Parts as17860303but Negus in place of Carter. 1st Violin by Shaw. Morning Chronicle, 16 Mar., lists the selections as follows: Overture to Occasional Oratorio. Oh! First Created Beam (Samson) Nasce al bosco (Eatius [i.e. Ezio]). When his loud voice by Chorus (Jephtha) Lord, what is man (Semele). How excellent by Chorus (Saul). Dite che fa (Tolomeo). Would custom bid (Susanna). Jehovah is my Shield (Occasional Oratorio). Blest be the man by Chorus (Joseph). He gave them hail-stones by Chorus; The Lord is a man of war; The Horse and his rider by Chorus (Israel in Egypt). Ye sons of Israel by Chorus; Oh had I Jubal's lyre [by Miss George (Public Advertiser, 16 Mar.)] Joshua). Angels ever bright and fair [by Mrs Forster (Public Advertiser, 31 Mar.)] (Theodora). Jehovah crowned by Chorus (Esther). Welcome, mighty King; In sweetest harmony both by Chorus (Saul). Their bodies are buried in peace (Funeral Anthem). Dead March (Saul). Rendi il serene (Sosarme). Gird on thy sword by Chorus (Saul). The sword that is drawn (Occasional Oratorio). God save the King by Chorus (Coronation Anthems). Verdi prati (Alcina). Here beneath a shady wood (Alexander Balus). He was eyes unto the blind (Siroe). Hosannah by Chorus (Athalia). Nel riposo (Deidamia). He sitteth at the right hand of God by Chorus. Dove sei [by Miss George (Public Advertiser, 16 Mar.)] (Rodelinda). Gloria Patri by Chorus . The Lord is a man of war; The Horse and his rider by Chorus (Israel in Egypt). Ye sons of Israel by Chorus; Oh had I Jubal's lyre [by Miss George (Public Advertiser, 16 Mar.)] Joshua). Angels ever bright and fair [by Mrs Forster (Public Advertiser, 31 Mar.)] (Theodora). Jehovah crowned by Chorus (Esther). Welcome, mighty King; In sweetest harmony both by Chorus (Saul). Their bodies are buried in peace (Funeral Anthem). Dead March (Saul). Rendi il serene (Sosarme). Gird on thy sword by Chorus (Saul). The sword that is drawn (Occasional Oratorio). God save the King by Chorus (Coronation Anthems). Verdi prati (Alcina). Here beneath a shady wood (Alexander Balus). He was eyes unto the blind (Siroe). Hosannah by Chorus (Athalia). Nel riposo (Deidamia). He sitteth at the right hand of God by Chorus. Dove sei [by Miss George (Public Advertiser, 16 Mar.)] (Rodelinda). Gloria Patri by Chorus .

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 1

Performance Comment: Fourth Hautboy Concerto-; Here amid the shady Woods-Miss Mahon (Alexander Balus); For unto us a Child is born-Chorus (The Messiah); Arm arm ye Brave-Sale; We come in bright Array-Chorus (Judas Maccabaeus); Heart the seat of soft Desire-Sga Storace (Acis and Galatea); No more of Ammon's God-Chorus (Jephtha); Brethren farewell, Then when the Sun-Harrison (Samson); The Mighty Power-Chorus (Athalia).

Afterpiece Title: Grand Selection 2

Performance Comment: Overture-(Berenice); Happy Pair-Harrison, Chorus (Alexander's Feast); Great Jehovah's awful Word-Miss Cantelo (Israel in Egypt); Lift up your Heads-Chorus (The Messiah); The morning Lark-Miss Mahon (Semele); He rebuked the Red Sea-Chorus (Israel in Egypt); Rendi il Sereno al Ciglio-Harrison (Sosarme); See the conqu'ring Hero comes-Chorus (Judas Maccabaeus); The Prince Unable-Sga Storace (Alexander's Feast); Immortal Lord of Earth and Skies-Chorus (Deborah).

Afterpiece Title: Grand Selection 3

Music: As17890306

Performances

Mainpiece Title: A Grand Selection 0[from The Works Of handel; Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: PART I. Overture (Samson)-; Awake the trumpet's lofty sound-Chorus [Samson]; Nasce al Bosco-Reinhold [Ezio]; Ye men of Gaza-Mrs Crouch [Samson]; He chose a mournful muse-; He sung Darius great and good-Sga Storace [Alexander's Feast]; With down@cast looks-; Behold! Darius great and good-Chorus [Alexander's Feast]; Concerto hautboy-W. Parke; Verdi Prati-Sga Storace [Alcina]; He gave them hail@stones-Chorus [Israel in Egypt].Israel in Egypt].
Cast
Role: With down@cast looks Actor:

Afterpiece Title: Grand Selection 2

Performance Comment: PART II. Ye sons of Israel-Chorus [Joshua]; The Prince unable-Sga Storace [Alexander's Feast]; Concerto violin-Master Bridgtower[, Son of the African Prince; Pleasure my former ways resigning-Cizo [Time and Truth]; For unto us a Child is born-Chorus [The Messiah]; O! had I Jubal's lyre-Miss Romanzini [Joshua]; Softly sweet in Lydian measure-Mrs Crouch; accompanied on the violoncello-Mason; The many rend the skies-Chorus [Alexander's Feast].Alexander's Feast].

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: A Grand Selection 0 From The Works Of Handel

Afterpiece Title: Grand Selection 2

Performance Comment: Part II Ye sons of Israel-Chorus (Joshua); Tear such as tender Fathers shed-Bellamy (Deborah); O had I Jubal's Lyre-Miss Broadhurst (Joshua); There beneath a lowly shade-Dignum (Alexander Balus); Concerto Violin-Master Clement (1st appearance at this theatre); +Fallen is the Foe-Chorus (Judas Maccabaeus); Why does the God of Israel sleep?-Spence (Samson); O Liberty!-Miss Cecilia Davies (Judas Maccabaeus); accompanied violoncello-Mason; The many rend the skies-Chorus (Alexander's Feast).

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: Acis And Galatea 0; Redemption 0

Afterpiece Title: Acis and Galatea 1

Afterpiece Title: Acis and Galatea 2

Afterpiece Title: A Miscellaneous Act

Performance Comment: Sono imbrogliato gia-Morelli (Paisiello); Fallen is the foe-Chorus (Judas Maccabaeus); Let the bright Seraphim-Miss Barclay (Samson); Concerto violin-Master Bridgetower; Awake! Awake! Aeolian lyre-Reinhold (Alexander's Feast, by Dr Arnold); O Liberty-Miss Hagley; accompanied on the violoncello-Mason (Judas Maccabaeus); Gird on thy sword-Chorus (Saul); Shall I in Mamre's fertile plain-Morelli, Chorus (Joshua); Sin not O King-Mrs Bland (Saul); The many rend the skies-Chorus (Alexander's Feast, by Handel); What tho' I trace-Mrs Crouch (Solomon); Coronation Anthem-Chorus.

Music: End I: concerto on the hautboy-[J.] Parke

Performances

Mainpiece Title: The Siege Of Berwick

Performance Comment: Principal Characters by Holman, Middleton, Harley, Macready, Powel, Thompson, Evatt, Abbot, Blurton, Pope//Mrs Fawcett, Mrs Pope. [Cast from text Q. Robson, 1794): Valentine-Holman; Archibald-Middleton; Anselm-Harley; Donaldson-Macready; Sir Alexander Seaton-Pope//Juliana-Mrs Fawcett; Ethelberta-Mrs Pope. Powel, Thompson, Evatt, Abbot, Blurton are unassigned.] Prologue spoken by Harley. Epilogue spoken by Mrs Pope . Prologue spoken by Harley. Epilogue spoken by Mrs Pope .

Afterpiece Title: ANNETTE AND LUBIN

Afterpiece Title: THE SCHOOL FOR ARROGANCE

Performances

Mainpiece Title: A Grand Selection Of Music Chiefly From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940319eader as17940312ART I. Overture (ESTHER). He smote all the first born by Chorus (ISRAEL IN EGYPT). Sin not O King! by Mrs Bland (SAUL). Call forth thy powers by Kelly (JUDAS MACCABAEUS). Fix'd in his everlasting seat by Chorus (SAMSON). What though I trace by Mrs Crouch (SOLOMON). Pleasure my by Harrison (TIME AND TRUTH). Fall'n is the foe by Chorus (JUDAS MACCABAEUS). Praise the Lord by Sga Storace (ESTHER). Lord in thee by Kelly and Chorus (TE DEUM). PART II. When the ear heard [singer not listed] (FUNERAL ANTHEMS). He deliver'd the poor by Chorus. Dead March (SAUL). The Soldier tir'd by Sga Storace. My faith and truth by Miss Leak and Master Welsh (SAMSON). The praise of Bacchus by Dignum; Bacchus ever fair by Meredith and Chorus (ALEXANDER'S FEAST). Like a bright Cherub by Sga Storace, Mrs Bland, Harrison (GIDEON). Prophetic visions by Master Welsh (OCCASIONAL ORATORIO). Let their celestial concerts all unite by Chorus (SAMSON). PART III. Awake the trumpet by Chorus (SAMSON). Tears such as tender Fathers by Meredith (DEBORAH). Donald by Sga Storace (Scotch Air). The many rend the skies by Chorus (ALEXANDER'S FEAST). The Mansion of Peace by Harrison. From mighty Kings by Mrs Crouch; Sound an alarm by Kelly and Chorus (JUDAS MACCABAEUS). Queen Mary's Lamentation by Miss Leak. May balmy peace by Master Welsh. From the censer by Chorus (SOLOMON) .

Music: In Part II concerto on the violin by Giornovichi

Performances

Mainpiece Title: King Henry The Fourth, First Part

Afterpiece Title: St

Entertainment: Monologue. End: Dryden's Ode of Alexander's Feast-Holman

Performance Comment: End: Dryden's Ode of Alexander's Feast-Holman.

Song: After the monologue: My Mother had a Maid called Barbara, as17960314The Minstrel's Song, Where is that tow'ring spirit fled? as17960314Tho' Hurricanes rattle (composed by Shield)-Incledon, Bowden; Ye Gentlemen of England, as17960314

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Reformed in Time

Afterpiece Title: The Honest Thieves

Song: In course: Old Towler, Black Ey'd Susan-Incledon

Monologue: Monologue. End 1st piece: (for that night only) a humourous, satirical Recitation, Kraniographon; selected from the favourite parts of G. A. Stevens's Lecture on Heads. in which: The Head of Alexander the Great-; The Head of a Lawyer-; The Head of a Cherokee-; Every Body's Coat of Arms-; The Head of a Quack Doctor-; The Head of Flattery-; Girdle of Venus-; The Quack Doctor's Coat of Arms-; The Head of Nobody-Mrs Mountain in the Character of a Student

Performance Comment: End 1st piece: (for that night only) a humourous, satirical Recitation, Kraniographon; selected from the favourite parts of G. A. Stevens's Lecture on Heads. in which: The Head of Alexander the Great-; The Head of a Lawyer-; The Head of a Cherokee-; Every Body's Coat of Arms-; The Head of a Quack Doctor-; The Head of Flattery-; Girdle of Venus-; The Quack Doctor's Coat of Arms-; The Head of Nobody-Mrs Mountain in the Character of a Student.

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Eleventh of June; or, The Daggerwoods at Dunstable

Performance Comment: Characters-Bannister Jun., Wewitzer, Wathen, Master Chatterley, Master Walter, Master Tokely, Master Wells, Master Appleby, Mrs Sparks, Miss Tidswell, Miss Walcot, Miss Beton, Miss Chatterley, Miss Smalley. [Larpent MS lists the parts: Waiter, Passengers, Old Daggerwood, Trumpeter, Coachman, Sylvester Daggerwood, Children (specified in Monthly Mirror, June 1798, p. 368, as Master Apollo, Alexander, Alonzo, Miss Wilhelmina), Mrs Daggerwood, Mrs Dabwall.]Larpent MS lists the parts: Waiter, Passengers, Old Daggerwood, Trumpeter, Coachman, Sylvester Daggerwood, Children (specified in Monthly Mirror, June 1798, p. 368, as Master Apollo, Alexander, Alonzo, Miss Wilhelmina), Mrs Daggerwood, Mrs Dabwall.]

Afterpiece Title: Blue-Beard

Performance Comment: As17980509, but Ibrahim-Dowton.
Cast
Role: Ibrahim Actor: Dowton.

Song: 1st piece: Vocal Parts, as17980224, but Ms _Leak

Event Comment: The United Company. The date of the first performance is not certain, but Luttrell acquired his copy of the separately-printed Prologue and Epilogue on 18 Aug. 1684. (Bindley Collection, William Andrews Clark@Jr@Library), and the play was probably first performed on that day or in the preceding week. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 221-23. In the broadside the speaker of the Prologue is identified as Jevon. A sofg, Ah poor Oliver never boast, the verse by a Lady, and the music by R. King, is in A Collection of Twenty-Four Songs, 1685. Another, Damon if you wilt believe me, the verse by a Person of Quality and the music by Alexander Damascene, is in The Banquet of Musick, The Fifth Book, 1691. Two songs, Tell me no more I am deceived, the verse by Sir George Etherege and the music by J. B. Draghi, and Who can resist my Celia's charms, the music by J. B. Drahgi, and the verse by A Person of Quality, are in the printed play. This cast contains the last new role certainly assigned to John Wiltshire, who, according to (Cibber, Apology, ed. Lowe, I, 84-85), entered the army and was killed in action

Performances

Mainpiece Title: A Duke And No Duke

Event Comment: John Dryden to Sir George Etherege, 16 Feb. 1686@7: The Coffee-house stands certainly where it did, & angry men meet in the square sometimes, as Abercomy, & Goodman lately did, where they say Alexander the Great was wounded in the arme (The Letters of John Dryden, ed. Ward, p. 27). See 27 Oct. 1686

Performances

Event Comment: The United Company. On this evening William Mountfort, the actor, was killed by Lord Mohun and Captain Hill, but the name of the play given that night seems not to have been mentioned in the testimony at the trial. In a novel based on the event, The Player's Tragedy; or, Fatal Love (1693), Mrs Bracegirdle acted the Wife of Essex in The Unhappy Favourite, and the fiction may have been based on fact. Luttrell, A Brief Relation, II, 637, 10 Dec. 1692: Last night lord Mohun, captain Hill of collonel Earles regiment, and others, pursued Mountfort the actor from the playhouse to his lodgings in Norfolk Street, where one kist him while Hill run him thro' the belly: they ran away, but his lordship was this morning seized and committed to prison. Mountfort died of nis wounds this afternoon. The quarrell was about Bracegirdle the actresse, whom they would have trapan'd away, but Mountfort prevented it, wherefore they murthered him thus. [See also HMC, 14th Report, Appendix, Portland MSS., III, 509; The Ladies Lamentation for their Adonis, 16@2, a poem on Mountfort's death; The Player's Tragedy; or, Fatal Love, 1693, a fictional treatment of the affair; and, particularly, Borgman, The Life and Death of William Mountfort, pp. 123-69. See also Cibber, Apology, I, 108, for an account of Betterton's taking the role of Alexander after Mountfort's death.

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Event Comment: The Queen's Birthday Ode, Come, Ye Sons of Art, the music by Henry Purcell, the author of the words not known; and Strike the Viol, sung by Alexander? Damascene, are in Gentleman's Journal, May 1694. See also Purcell's Works, Purcell Society, XXIV (1926), ii

Performances

Mainpiece Title: Concert