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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Alexander"/1) | (@(roleclean,performerclean) "Alexander")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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701 results for: Keyword - Alexander
We found 402 matches on Performance Title, 394 matches on Roles/Actors, 209 matches on Performance Comments, 95 matches on Event Comments, and 35 matches on Author.

201
15 March 1731 @ Haymarket Theatre

Event Comment: Never Acted before. [By Alexander Gordon.

Performances

Mainpiece Title: Lupone; Or, The Inquisitor

Related Works
Related Work: Lupone; or, The Inquisitor Author(s): Alexander Gordon

202
28 April 1732 @ Lincoln's Inn Fields

Event Comment: Benefit Rochetti. At the Desire of several Persons of Quality. Mainpiece: Written by the late Mr Congreve. Afterpiece: A short Opera of one Act. The Musick by the late celebrated Alexander Scarlatti. [Apparently not published.] Receipts: money #22 11s. 6d.; tickets #31 16s

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Telemachus

Related Works
Related Work: Telemachus Author(s): Alexander Scarlatti

Dance: TTwo Pierrots-Poitier, Pelling; Hornpipe-Jones, Mrs Ogden

203
06 April 1733 @ Drury Lane Theatre

Performances

Mainpiece Title: The Miser

Afterpiece Title: Deborah; or, A Wife For You All

Performance Comment: Parts-Johnson, Griffin, Miller, Shepard, Stoppelaer, Miss Raftor, Mrs Mullart, Miss Mann; but Genest, III, 371, lists: Justice Mittimus-Griffin; Lawyer Trouble-Johnson; Alexander Whittle-Miller; Deborah-Miss Raftor.
Cast
Role: Alexander Whittle Actor: Miller

204
11 March 1735 @ Covent Garden

Performances

Mainpiece Title: Abra Mule

Afterpiece Title: Macheath 1n the Shades; or, Bayes at Parnassus

Performance Comment: Macheath-Stoppelaer; Bayes-Chapman; Polly-Miss Norsa; Alexander-Mullart; Peachum-Hippisley; Sejanus-Paget; Charon-Morgan; Cardinal Wolsey-Houghton; Mat-Clark; Ben Johnson-Aston; Horace-Wignell; Cleopatra-Mrs Templer; Jenny Diver-Miss Binks; Slammekin-Mrs Kilby; Thalestris-Mrs Forrester; Mrs Trapes-Mrs Martin; Helen-Miss S. Rogers; Mercury-Hale .
Cast
Role: Alexander Actor: Mullart

Dance: Tambourine by Miss Rogers. Scot's Dance by Glover, Miss Rogers, Le Sac, Miss Baston, Delagarde, Mrs De L'Orme

205
22 November 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rival Queens

Performance Comment: Roxana-Mrs Porter; Alexander-Milward; Clytus-Quin; Statira-Mrs Cibber; Cassander-Mills; Lysimachus-W. Mills; Hephestion-Este; Polyperchon-Cibber; Parisatis-Miss Holliday; Perdiccas-Berry; Phillip-Winstone; Thessalus-Cross; Eumenes-Raftor; Aristander-Turbutt; Meleager-Oates; Sysigambis-Mrs Cross; Ghosts of Darius and Statira-sung by Stoppelaer, Mrs Clive.
Cast
Role: Alexander Actor: Milward

Dance: Denoyer, Mlle Roland

206
25 March 1746 @ King's Theatre

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Musick

Performance Comment: Part I. Overture. Della Caduta de Giganti by Gluck-;Airs: Care Paiple in La Caduti de Giganti-Jozzi; San Prigioniero in Il Trionfo della Continenza-Signora Pompeati; Bella consola-Ciacchi; Men Tedela by Handel-Monticelli; La Sortemia Tiranna in Il Trionfo-Signora Imer; Part II. Concerto-Weideman; Airs:Return O God of Hosts, Samson-Signora Frasi; Il Cormeo by Handel-Monticelli; Pensa che il Cielo trema in La Caduta-Ciacchi; Mai l'Amorio verace (La Caduta)-Signora Imer; Concerto-Carbonell; Air:O da Pastor Lampugani-Monticelli; Part III. Concerto-Miller; Airs: Per Pieta in Il Trionfo-Jozzi; Volgo Dubbiosa in La Caduta-Signora Pompeati; The Prince unable to conceal his Pain, Alexander's Feast-Signora Frasi; Duetto in Il Trionfo-Mosticelli, Signora Imer; A Grand Concerto of Mr Handel's-.
Cast
Role: Alexander's Feast Actor: Signora Frasi

207
13 May 1746 @ King's Theatre

Performances

Mainpiece Title: Antigone

Performance Comment: Antigono-Ciacchi; Berenice-Sga Imer; Demetrius-Monticelli; Ismene-Sga Pompeati; Alexander-Jozzi; Clearchus-Sga Frasi (Larpent).
Cast
Role: Alexander Actor: Jozzi

208
28 March 1758 @ Covent Garden

Performances

Mainpiece Title: The Rival Queens

Performance Comment: As17571220, but Alexander-Ross.
Cast
Role: Alexander Actor: Ross.

Afterpiece Title: The Knights

Dance: SSicilian Peasants, as17571217

209
24 February 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Shepherd

Performance Comment: Principals by Vernon, Champnes, Mas. Raworth, Miss Young, Miss Wright, Miss Williams, Mrs Dorman, Sga Cremonini. Alexander-Champnes; Amintas-Vernon; Eliza-Signora Cremonini; Thamiris-Miss Young; Camilla-Miss Wright; Agenor-Mrs Dorman (Edition of 1764).
Cast
Role: Alexander Actor: Champnes

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

210
28 March 1765 @ King's Theatre

Performances

Mainpiece Title: Antigonus

Performance Comment: Demetrius-Manzoli; Alexander-Tenducci; Antigonus-Ciprandi; Clearcus-Micheli; Berenice-Signora Scotti; Ismene-Signora Cremonini; Eudice-Miss Young.
Cast
Role: Alexander Actor: Tenducci

Dance: As17650105

211
25 May 1767 @ Covent Garden

Performances

Mainpiece Title: The Rival Queens

Performance Comment: As17670323 but Alexander-Ross; Hephestion-R. Smith.
Cast
Role: Alexander Actor: Ross
Role: The Triumphal Entry of Alexander into Babylon Actor: .

Afterpiece Title: The Dragon of Wantly

Dance: III: A New Tambourine(by Desire)-Mas. Blurton, as17670427 End: Double Hornpipe, as17670427

Ballet: End: The Wapping Landlady. As17670427

212
03 May 1770 @ Haymarket Theatre

Performances

Mainpiece Title: Amintas

Performance Comment: Amintas-Tenducci; Alexander-Reinhold; Agenor-Mattocks; Thamitis-a young Lady, Scholar of Tenducci, her first appearance; Eliza-Mrs Mattocks.
Cast
Role: Alexander Actor: Reinhold

Music: I: Concerto on Hautboy-Fishar; II: Sonata on Violincello-Duport; First Violin, a Concerto-Barthelemon

213
19 February 1774 @ Drury Lane Theatre

Event Comment: Mainpiece: [a tragedy by Alexander Dow]: Never acted before. New Scenes, Dresses and Decorations. This Play was receiv'd with very great Applause Mrs Barry Play'd finely & the Scenes were applauded (Hopkins Diary). Rec'd Stopages #4 12s. 6d. Paid 4 days salary list #348 14s. 8d. Mr King's extra salary #2 (Treasurer's Book). Receipts: #238 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Related Works
Related Work: Sethona Author(s): Alexander Dow

Afterpiece Title: The Mayor of Garratt

214
22 February 1774 @ Drury Lane Theatre

Event Comment: Benefit 1st night for Author [Alexander Dow]; Rec'd Mr Condell's 2nd payment for Fruit Office #20; Paid Mr Dorman for Coals #43 15s.; Mr Jones (worsted laceman) #15 12s. 6d.; Messrs Barrow & Co., for Oil #50 12s.; Mr Gardner (shoemaker) #30 17s. 6d.; Mr Powney (stationer) #10; Mr Bib (sword cutler) #11 7s.; Mr Hatsell (mercer) #45 11s.; Mr Dobson (pipe-maker) #5 13s.; Mr Blakes, (hatter) #8 4s. 6d.; Mr J. French on acct #5 5s. (Treasurer's Book). Receipts: #187 18s. 6d. Charges #73 10s. Profit to author #114 8s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Related Works
Related Work: Sethona Author(s): Alexander Dow

Afterpiece Title: High Life below Stairs

215
12 April 1799 @ Covent Garden

Event Comment: Benefit for Pope. 1st piece [1st time; D 4. Larpent MS 1249; not published synopsis of plot in Universal Magazine, Apr. 1799, p. 273]: Translated from [Der Graf von Burgund, by August Friedrich Ferdinand von? Kotzebue (Author of The Stranger, Lover's Vows, &c.) by Miss Anne? Plumptre, and adapted to the English Stage by Alexander? Pope. Morning Chronicle, 25 26 Mar.: Tickets to be had of Pope at his house, No. 5, Half Moon-street, Piccadilly. [This was Mrs Abington's last appearance on the stage.] "The perpetuated evidence of youth was in character with her person and her powers; the slimness of her figure, the fulness of her voice, the freshness of her spirits, the sparkle of her eye, and the elasticity of her limbs, savoured alike of a juvenility that puzzled the mind, whilst it pleased it: of her it was justly said that 'she had been on the stage thirty years; she was one-and-twenty when she came, and one-and-twenty when she went!'" (John Bernard, Retrospections of the Stage, 1830, II, 228-29). Receipts: #334 19s. 6d. (194.1.0; 2.5.0; tickets: 138.13.6)

Performances

Mainpiece Title: The Count Of Burgundy

Related Works
Related Work: The Count of Burgundy Author(s): Alexander Pope

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: Netley Abbey

Song: End: Black Ey'd Susan-Incledon; End 2nd piece: The Mid Watch-Incledon

216
27 October 1686 @ Whitehall or St. James's

Performances

Mainpiece Title: The Rival Queens; Or, Alexander The Great

Performance Comment: but possibly Goodman acted Alexander. See16860216@7.

217
24 February 1698 @ Drury Lane Theatre or Lincoln's Inn Fields

Event Comment: Post Man, 24-26 Feb. 1697@8: London Feb. 26. On Thursday the Czar of Muscovy came privately with a small Retinue to Kensington, and I am told went afterwards to see the Play, the Rival Queens, or the Death of Alexander the Great

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

218
18 January 1739 @ Crown Tavern

Event Comment: EEgmont, Diary, III, 5: I went at night to a public meeting of the vocal music club at the Crown Tavern, where the famous oratorio of Hendel, called 'The Feast of Alexander," was performed by the gentlemen of our club

Performances

Mainpiece Title: The Feast Of Alexander

219
15 April 1800 @ King's Theatre

Event Comment: A New Grand Serious Opera (1st time in this Country [1st performed at Parma, 1782]); the Music by Sarti [with additions by Federici]. With entirely new Scenes, Machinery and Decorations, designed by Marinari, and executed under his direction; and new Dresses, invented by Sestini. "The Opera...is founded upon the story of Dryden's Alexander's Feast, of which, indeed, it is merely a literal, and, of course, an elegant and tasteful translation into Italian by Count Gaston di Brizzonie [recte Rezzonico]

Performances

Mainpiece Title: Alessandro E Timoteo (alexander's Feast, From dryden)

Dance: End I: A New Bacchanalian Divertisement Ballet, connected with and incidental to the Opera (introduced by a prelude of Chorus), the Music by Sarti, the Action and Dance by D'Egville, and performed-Didelot, Deshayes, Mlle Parisot, Mme Laborie, Mme Hilligsberg; End Opera: La Fille Mal Gardee-Mlle Parisot (will perform part originally represented by Mme Rose Didelot)

220
06 April 1715 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music intirely New.-; Particularly several solos for the Violin-Mr Alexander Bitti newly arriv'd from Italy

Performance Comment: -; Particularly several solos for the Violin-Mr Alexander Bitti newly arriv'd from Italy.
Cast
Role: Particularly several solos for the Violin Actor: Mr Alexander Bitti newly arriv'd from Italy.

221
27 October 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: Oroonoko

Performance Comment: Aboan-Palmer; Governor-Usher; Stanmore-Davies; Hotman-Hurst; Blandford-Jefferson; Capt. Driver-Bransby; Imoinda-Miss Younge; Oroonoko-the Young Gentleman who Performed Alexander; Planters-Wright, Griffiths, Carpenter, Blanchard, Mrs Bradshaw; Slaves-Keen, Wheeler, Wrighten, Norris; I: a Dance of Slaves-Atkins, Como, Giorgi.
Cast
Role: Oroonoko Actor: the Young Gentleman who Performed Alexander

Afterpiece Title: The Election

Afterpiece Title: The Elopement

222
09 October 1776 @ China Hall, Lower Road, Rotherhithe

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Life and Death of Tom Thumb the Great

Entertainment: Monologues.Preceding: Prologue to Barbarossa in the character of a Country Boy, containing an account of his Journey to London, his different Services there, first in the City, next with a Lord, then with a Lady, and last of all with a starved Poet-Master Russell; End I: a Scene from Lethe: Fine Gentleman-Master Russell; End II: an Harangue in a Tubafter the manner of the celebrated George Alexander Stevens-Master Russell; End: The Drunken Buck-Raymond

Performance Comment: Preceding: Prologue to Barbarossa in the character of a Country Boy, containing an account of his Journey to London, his different Services there, first in the City, next with a Lord, then with a Lady, and last of all with a starved Poet-Master Russell; End I: a Scene from Lethe: Fine Gentleman-Master Russell; End II: an Harangue in a Tubafter the manner of the celebrated George Alexander Stevens-Master Russell; End: The Drunken Buck-Raymond.
Cast
Role: George Alexander Stevens Actor: Master Russell

223
13 November 1793 @ Covent Garden

Performances

Mainpiece Title: The Siege Of Berwick

Performance Comment: Principal Characters by Holman, Middleton, Harley, Macready, Powel, Thompson, Evatt, Abbot, Blurton, Pope//Mrs Fawcett, Mrs Pope. [Cast from text Q. Robson, 1794): Valentine-Holman; Archibald-Middleton; Anselm-Harley; Donaldson-Macready; Sir Alexander Seaton-Pope//Juliana-Mrs Fawcett; Ethelberta-Mrs Pope. Powel, Thompson, Evatt, Abbot, Blurton are unassigned.] Prologue spoken by Harley. Epilogue spoken by Mrs Pope . Prologue spoken by Harley. Epilogue spoken by Mrs Pope .
Cast
Role: Sir Alexander Seaton Actor: PopeJuliana-Mrs Fawcett

Afterpiece Title: ANNETTE AND LUBIN

Afterpiece Title: THE SCHOOL FOR ARROGANCE

224
01 April 1796 @ Covent Garden

Performances

Mainpiece Title: King Henry The Fourth, First Part

Afterpiece Title: St

Entertainment: Monologue. End: Dryden's Ode of Alexander's Feast-Holman

Performance Comment: End: Dryden's Ode of Alexander's Feast-Holman.
Cast
Role: Dryden's Ode of Alexander's Feast Actor: Holman.

Song: After the monologue: My Mother had a Maid called Barbara, as17960314The Minstrel's Song, Where is that tow'ring spirit fled? as17960314Tho' Hurricanes rattle (composed by Shield)-Incledon, Bowden; Ye Gentlemen of England, as17960314

225
23 May 1798 @ Covent Garden

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Reformed in Time

Afterpiece Title: The Honest Thieves

Song: In course: Old Towler, Black Ey'd Susan-Incledon

Monologue: Monologue. End 1st piece: (for that night only) a humourous, satirical Recitation, Kraniographon; selected from the favourite parts of G. A. Stevens's Lecture on Heads. in which: The Head of Alexander the Great-; The Head of a Lawyer-; The Head of a Cherokee-; Every Body's Coat of Arms-; The Head of a Quack Doctor-; The Head of Flattery-; Girdle of Venus-; The Quack Doctor's Coat of Arms-; The Head of Nobody-Mrs Mountain in the Character of a Student

Performance Comment: End 1st piece: (for that night only) a humourous, satirical Recitation, Kraniographon; selected from the favourite parts of G. A. Stevens's Lecture on Heads. in which: The Head of Alexander the Great-; The Head of a Lawyer-; The Head of a Cherokee-; Every Body's Coat of Arms-; The Head of a Quack Doctor-; The Head of Flattery-; Girdle of Venus-; The Quack Doctor's Coat of Arms-; The Head of Nobody-Mrs Mountain in the Character of a Student.
Cast
Role: The Head of Alexander the Great Actor: