SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C Bannister"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C Bannister")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9758 matches on Event Comments, 4881 matches on Performance Comments, 1353 matches on Performance Title, 31 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Desire. Paid salary list #305; Rec'd Cash #142 12s. plus #24 4s.; in tickets. Total #166 16s. Paid for the making a Robe for Mrs Clive by Garrick's order #1 2s. 6d.; Paid Mr Oram (Scene painter) on acct #6 6s. by order of Lacy; for a Great coat for Sir Francis Wronghead by order of Lacy 14s. (Treasurer's Book). Receipts: #180 (Cross); #156 2s. (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Chaplet

Event Comment: Receipts: #118 16s. Paid Gum carpenter's bill #12. Paid Hull 16 nights from 24 Sept. at 6s. 8d. per night: #5 6s. 8d. Paid Mr Sanders 6 nights from the 13th inst. at 13s. 4d. per night: #4. [By this date Rich shows an income of #1,809 and an expenditure of #1, 541, holding a profitable balance of #268.

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Englishman Returned from Paris

Dance: As17591017

Event Comment: Receipts: #111 18s. Paid Wm. Jones for coals #73 13s. 2d. Paid Mr Kemp 26 nights to 31 Oct.: #41 12s. Paid Meares #2 14s. 3d

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Lying Valet

Dance: As17591102

Event Comment: Boxes #84 12s. 6d. Macklin's fifth part of surplus came to #30 14s. 9d. Paid Pattinson, Tallow Chandler #52 2s. Paid Coal Merchant in Full as per bill #71 13s. Paid Mr Rich #5 5s. to give to Miss Fielding for her performance in the part of Bertha in the Royal Merchant of the 7th Inst. (Account Book). Receipts: #216 14s

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: Sg Maranesi, Mlle Capdeville

Event Comment: Rec'd stopages #3 9s. 6d.; Paid salary list-#441 4s.; Chorus 1 night, #2 5s. 6d.; Paid Mrs Brown, not on list #1 12s. 6d.; Paid Mr Williams (violin) in Musical Lady 10s. 6d. (Treasurer's Book). Receipts: #221 5s. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Event Comment: Both pieces By Command of their Majesties. Present their Majesties. Gave Yeomen of Guards #2 2s. Paid Mr Burton for playing in the Pippin and Sorcerer last season #20. Paid half year's Land Tax for theatre due Mich. last #39 7s. 6d., and ditto for House in Bow Passage #1 8s. 2d.; Paid Window lights for theatre half year #6 10s. 6d., and ditto for House in Bow Passage 15s. Receipts: #224 18s. 6d. (Account Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Comus

Event Comment: Afterpiece: A Comic Opera altered [by Colman] from Gay. The Music entirely new by Dr Arne. Now acted for the first time in 2 Acts. [The 1776 Edition in Bell's British Theatre lists: Achilles-Mattocks; Peripas-$Reinhold; Lycomedes-$DuBellamy; Diphilus-$Dyer; Ajax-$Dunstall; Ulysses-$Owenson; Diomedes-$Fox; Argytes-$Baker; Deidamia-$Mrs Mattocks; Artemona-$Miss Brown; Philoe-$Miss Valois; Thetis-$Miss Catley. [$Miss Pearce may have played Lesbia).] Paid Banks for the Head of a Figure used in The Fair #1 1s.; Paid Mr Gard for performing 5 nights in the Fair and 3 in the Sorcerer #1. Paid Joseph Besford for performing 5 nights in the Fair 12s. 6d. (Account Book). [Afterpiece unfavorably reviewed in the Westminster Magazine.] Receipts: #149 18s. 6d. (Account Book)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Achilles in Petticoats

Event Comment: Benefit for Bensley. Mainpiece: Written by Dryden not acted these 15 years.[See 23 April 1750.] Charges #68 2s. Profit to Bensley #37 19s. 6d., plus #38 5s. from tickets (Box 153). Paid Mr Hopkins for the hire of Horses in the Fair #6 16s. Paid Read (scalemaker) #3 13s.; Dobosch (furrier) #4 17s. Paid Dall on acct of his salary #42. Receipts: #106 1s. 6d. (Account Book)

Performances

Mainpiece Title: Don Sebastian King Of Portugal

Afterpiece Title: The Upholsterer

Dance: End: The Old Ground Young, as17731208

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 116. See also Nicoll, Restoration Drama, p. 345. There is no certainty that this is the premiere, but the frequency of performance of The Tempest during September-October-November would make November 1674 a suitable time for a burlesque of this sort. A small quarto, The Songs & Masque in the New Tempest (in the Huntington Library, 122925), without a title page, contains what are apparently the songs and concluding masque of the play. It may have been issued during the run of the play and sold at the theatre. It does not name any performers. Langbaine (English Dramatick Poets, p. 177): This Play was to draw the Town from the Duke's Theatre, who for a considerable time had frequented that admirable reviv'd Comedy call'd The Tempest

Performances

Mainpiece Title: The Mock tempest Or The Enchanted Castle

Event Comment: The Duke's Company. The Prologue and Epilogue, printed separately, bear Luttrell's MS notations: At ye Dukes theater at Venice Preserv'd &c. Acted 31 May. 1682 (Huntington Library, with Luttrell's date of purchase, 1 June 1682). The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 108-10. The Newdigate newsletters disagree as to the play acted: 1 June 1682: Yesterday the D. of Y. came to town & went wth his Dutchess to ye play called the Royallist (Wilson, Theatre Notes from the Newdigate Newsletters, p. 80)

Performances

Mainpiece Title: Venice Preserved

Event Comment: The United Company. This performance is on the L. C. list, 5@149, p. 368: The Queene a Box & a Box for the Maids of Honor at ye Massacre of Paris. See also Nicoll, Restoration Drama, p. 352. The date of the first performance is not knwon, but as it was entered in the Term Catalogues, November 1689, it was probably first acted in early November or in October 1689. A song, Thy Genius lo!, composed by Henry Purcell, is in Orpheus Britannicus, 1698. Possibly it was sung by Bowman. See also The Works of Henry Purcell, Purcell Society, XX (1916), xviii-xix

Performances

Mainpiece Title: The Massacre Of Paris

Performances

Mainpiece Title: The Times

Performance Comment: [Principal Characters by King, Bensley, Brereton, Aickin, Baddeley, Lamash, Wrighten, Burton, Palmer, Miss Pope, Mrs Brereton, Miss Collett, Mrs Colles, Miss Kirby, Mrs Abington. Cast from text (Fielding and Walker et al]), 1780, and Morning Chronicle, 3 Dec.: Sir William Woodley-King; Counsellor Belford-Bensley; Mr Woodley-Brereton; Mr Bromley-Aickin; Forward-Baddeley; Sir Harry Granger-Lamash; Waters-Wrighten; James-Burton; Colonel Mountfort-Palmer; Mrs Bromley-Miss Pope; Louisa-Mrs Brereton; Spitfire-Miss Collett; Mrs Williams-Mrs Colles; Mrs Henpeck-Miss Kirby; Lady Mary Woodley-Mrs Abington; Prologue-King; [This was spoken, as here assigned, at all subsequent performances.] Epilogue-Miss Farren. [This was spoken again on 4 Dec., but omitted thereafter.]This was spoken again on 4 Dec., but omitted thereafter.]

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-Garrick, 1st time; Dumont-Delane; Belmour-Mills; Jane Shore-Mrs Pritchard; Alicia-Mrs Woffington (Daily Advertiser), Mrs Roberts (London Daily Post and General Advertiser); Duke of Gloster-Macklin; Catesby-Winstone; Ratcliff-Blakes.

Afterpiece Title: The Lying Valet

Song: IV: Beard

Event Comment: [L$Leveridge's rhymed advertisement of 14 March repeated but with last two lines of Verse II as follows]: Which I with acknowledgment full of Delight Will gratefully sing on my Benefit Night,...which will be Tuesday April 17th, with The Miser. Tickets at Leveridge's Lodgings in Hanover St., the third door on the right hand from Long Acre, and of Mr Page at the Stage Door.--General Advertiser

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Royal Chace

Performance Comment: As17440315(General Advertiser).
Event Comment: Mainpiece: By Particular Desire. The Musick for the Afterpiece compos'd by Mr Arne. With a New Overture founded on some favourite Irish tunes. Nothing Under Full Prices will be taken during the Performance.--General Advertiser. [See Poem by S. G. To Mrs Sybilla, on her Acting the Goddess of Dullness and persuading her to attempt Melantha in Dryden's Marriage Alamode in Gentlemen's Magazine, Feb. 1745, p. 98. Authorship of afterpiece unknown; possible a revision of Theobald's The Happy Captive. See 16 April 1741 hay.

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Temple of Dulness With Humours of Sg Capochio and Sga Dorinna

Performance Comment: Capochio-Waltz; Puppibello-Lowe; Merit-Blakes; Goddess of Dullness-Mrs Sybilla (1st time of her performing in England); Negligence-Miss Young; Sga Dorinna-Mrs Arne (General Advertiser); Faddlini-Miss Cole [1745 edition].1745 edition].

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: As17460102, but Bullock-Dove; Rose-Miss Haughton (Daily Advertiser), Mrs Dove (General Advertiser); Melinda-Mrs Cushing; Worthy-_; Recruits-_.

Afterpiece Title: The Mock Doctor

Entertainment: II: Drunken Peasant-Chettle

Dance: III: Comic Dance-The Masters Granier, Miss Granier; V: Hornpipe-Williams

Song: III: Merry Cobler or +Monsieur Defeated-

Event Comment: New Music, Dresses, Habits and Decorations. Full Prices. [Which were maintained during run of this pantomime]. A New Pantomime. This Pant: was made by Mr Woodward & met wth great applause, Young Vernon sung for the first time very well. It is said some of the Scenes were bought from Sadler's Wells, wch is shut up by ye Law (Cross). Woodward Harlequin 1st time in three years. Pantomime a New Entertainment in Italian Grotesque Characters (General Advertiser). Receipts: #150 (Cross)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Queen Mab

Performance Comment: Harlequin-Woodward; others-Shuter, Leviez, Blakes, Layfield, The Little Swiss, Mrs Toogood, Mme Mariet, (General Advertiser) Mas. Vernon (Cross).
Event Comment: The Duke's Company. The date for this performance is based upon Lump's remark in Act I: "Upon the one and twentieth of March..." Since the dedication bears a date of 16 Feb. 1678@9, the assumption is that the play was first acted on 21 March 1677@8. References in the Prologue also fit the public events of March 1678. Dedication, Edition of 1679: This Play...met not with that Success from the generality of the Audience, which I hop'd for, and you thought, and still think, it deserved

Performances

Mainpiece Title: A True Widow

Event Comment: Benefit for a Public Charity. Pit and Boxes to be laid together at Half a Guinea. First Gallery 5s. Upper Gallery 3s. 6d. Gallery open at 4, Boxes at 5. To begin at half after 6. Tickets to be had of Sarjant at the Stage Door

Performances

Mainpiece Title: Oncerto Spirituale

Event Comment: By Particular Desire. Receipts: #86 1s. Paid Mr Stergess & son for attending Mr Saunders on the wire 48 nights #14 14s. 6d.; Advanc'd to Saunders #4 7s

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Fair

Event Comment: Mainpiece: By Desire. Afterpiece: A New Musical Entertainment in 2 acts, words imitated from Rousseau, with his original Musick (Burney). Books of the entertainment at the Theatre, published for 1s. Paid Mr Chitty his coal bill #91 13s. and Mr Johnston's bill for guilt leather #24 19s. 6d. (Treasurer's Book). [Advertisement to 2nd Edition, 1766: Upon rehearsing the music it has been thought necessary to retrench the Second Act for fear of satiety: for though the Airs and Dances after the reconciliation of Celia and Phoebe are by no means inferior to the rest in point of composition; yet as no other business remained to be done after that circumstance but that of mere festivity, the Editor, with some reluctance, submitted to the omission of such airs as are printed with inverted commas; which, however, are all publish'd with the music by Mr Bremner in the Strand."] Receipts: #150 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Cunning Man

Event Comment: Benefit for Hopkins, prompter, and Mrs Hopkins. The Farmer's Return was advertised for Hopkins' Benefit, the Farmer-Paid $Mr Cape">Weston, but changed (Winston MS 10). Paid $Mr Cape's Apothecary's Bill #4 16s. 11d.; Chorus 2 nights (this incl.) #3 11s.; Mr Wallis on note #2 2s.; Extra Flutes & Guitars in Genii & Xmas Tale (9th inst. incl.) #1 15s. (Treasurer's Book). Receipts: #166 4s. 6d. Charges: #66 11s. 6d. Profits to Mr and Mrs Hopkins: #99 13s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Deserter

Cast
Role: Russett Actor: Bannister
Role: Soldiers Actor: Ackman, Fawcett, Kear, Courtney

Song: II: (By Desire) the Song from Love a@la@Mode-Moody

Dance: End Entertainment: The Irish Fair, as17730918

Monologue: Between Play and Entertainment: (By Desire and for the last time this season) Linco's Travels. As 14 March

Event Comment: Rec'd of Mr Weston from his summer Benefit #30; Paid Mr DeLoutherbourg on acct #41 13s. 4d.; Mr Nicoll for ropes #20 10s.(Treasurer's Book). [DeLoutherbourg received this amount monthly for 8 months during the season, amounting to #333 5s. 8d. No further itemization of this reguar amount will be made.] Receipts: #128 7s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Genii

Event Comment: By Particular Desire. Rec'd of Mr Percy yrs & half Quarter's rent to Mich. last #11 5s.; Paid Mr Nicoll for lines #2 11s. (Treasurer's Book). Receipts: #219 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Lottery

Event Comment: In Saluting Cherry . She tumbled down upon the Stage--and Miss Jaratt being in certain condition Mr G. could not very easily raise her (Hopkins Diary). [MacMillan's note from Kemble suggests this as Miss Jarratt's first appearance in Cherry, but she first appeared in the character 20 Oct.] Paid Mr Griffith on note #10 10s.; Mr J. Johnston, Music Bill #19 3s. Rec'd stopages #12. Receipts: #259 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Deserter

Cast
Role: Russet Actor: Bannister

Dance: IV: The Irish Fair, as17751003