SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C Bannister"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C Bannister")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9758 matches on Event Comments, 4881 matches on Performance Comments, 1353 matches on Performance Title, 31 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Orphan Or The Unhappy Marriage

Afterpiece Title: The Lyar

Dance: End: The Fingalian-Miss Froment; End I Farce: Hornpipe-Miss Froment

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: Daphne and Amintor

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Harlequin Dr Faustus

Dance: III: A new dance call'd The Merry Sailors-Aldridge

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Daphne and Amintor

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Royal Chace

Dance: End: A New Comic Dance-LaRiviere, Miss Valois

Event Comment: Mainpiece: By Desire. Music [to afterpiece] by Barthelemon. I often go to both theatres, have seen Garrick and Mrs Yates, who are the first in this theatrical sphere. The former has hitherto [i.e., this season] appeared only in comedy, --his manner, his humour, and his judgment are not to be equall'd. The adoration he meets with from the English is equal to his merit. His every motion they attend to, and every turn of his eye seems to transport them. Mrs Yates [at Covent Garden] has much tragic merit. Her low voice is very tuneful, her feeling great, her action peculiarly graceful and her figure uncommonly fine. She has more power than Mrs Dancer (at Drury Lane] and more variety than Mrs Fitz-Henry, tho' less strength and compass. On the whole she is superior to the former and inferior to the latter. Barry and Mrs Dancer are engag'd here (MS Letter from Henry Grattan to Cornet Broome giving his first impressions of living in London, 27 Oct. 1767, in Folger Library). Neville MS Diary: Went into the Pit to see As You Like It a second time. Reddish did Orlando for the 1st time. He is a pretty good player. End Act I, Hearts of Oak. The Entertainment was the new Farce called a Peep Behind the Curtain. Glib by King who is the author. The piece is not unentertaining, whatever other merit it may have. The Prologue and an Address to the Town by way of Epilogue, are spoken by Mr King, the music by Barthelemon

Performances

Mainpiece Title: As You Like It

Cast
Role: Le Beau Actor: Ackman

Afterpiece Title: A Peep behind the Curtain

Dance: I: Hearts of Oak, as17671022

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Oxonian in Town

Dance: End: A New Comic Dance call'd The Dutch Milkmaid-Mas. Blurton, Miss Ford

Event Comment: Benefit for Theatrical Fund, instituted by Persons of this theatre. Mainpiece: Acted there but once. Such of the Nobility, Gentry, etc. who are pleased to favour this undertaking are desire to send for places, Pit or Box tickets, to Mr Sarjant at the stage-door. [Neville attended at half-past four and read the principal parts of the play, as altered by Colman. Noted that Sga Manesiere did The Sicilian Peasant in boy's clothes.] @Receipts #164 19s.@Charges to House #63@Chorus Singers #1 15s.@Candles #1 5s.@Kettle Drum 5s.@Bag Pipes 5s.@#66 10s.@Dr to the Fund #98 9s.-Account Book@

Performances

Mainpiece Title: Philaster

Afterpiece Title: Midas

Dance: II: The Merry Sailors, as17671009; III: The Sicilian Peasants, as17671123

Event Comment: [N$Neville stood in the Pit this evening]: Iachimo by Smith, but I like Holland better in that character; Cloten by Yates, tho' not equal in it to King...Afterpiece concluded by an original dance by Mr Arnauld and Mrs Thomson (Neville MS Diary). Receipts: #193 10s. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Thomasand Sally

Dance: III: The Garland, as17671214

Performances

Mainpiece Title: The Cure Of Saul

Music: I: Concerto on Hautboy-Giustinelli; II: Solo on Violin-Pinto (first violin)

Performances

Mainpiece Title: False Delicacy

Afterpiece Title: The Elopement

Performances

Mainpiece Title: Samson

Music: As17680219

Performances

Mainpiece Title: Abimelech

Music: VViolin Solo-Barthelemon; Concerto on Hautboy-Simpson

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Lyar

Entertainment: End: A Search After Scrubs-Baddeley

Performances

Mainpiece Title: She Woud And She Woud Not Or The Kind Imposter

Afterpiece Title: Thomasand Sally

Song: I: Angelic Fair, a new song-DuBellamy; IV: By Particular Desire, the Cantata of Cymon and Iphigenia-DuBellamy

Ballet: End: The Wapping Landlady. As17680416

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: Orpheus and Eurydice

Dance: II: The Highland Reel, as17680307

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: Thomasand Sally

Dance: Between the acts: Duquesnay, Miss Street, scholars of Gherardi

Event Comment: Being desir'd by many Persons of Quality, for ONE NIGHT ONLY, and By Permission of the Noblemen and Gentlemen of the Catch-Club, at the Thatch'd House in St Jame's St., will be perform'd the Favourite Catches and Glees which were exhibited Last Summer at Ranelagh-House, With TWO DESIR'D ALTERATIONS. After the 2nd Act, a Concerto on the Violin, by Barthelemon. A Considerable number of the Best Vocal and Instrumental Performers are engag'd on this occasion. Books for the Performance to be had at the theatre. Great care will be taken to keep the Theatre Cool. Ladies and Gentlemen send servants before the opening of the doors, which will be at Half-past 4. No persons can possibly be admitted behind the scenes. To Begin at exactly Seven o'clock. Tickets to be had and places to be taken (ONLY) of Mr Johnston at the stage Door (playbill)

Performances

Mainpiece Title: Catches And Glees

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Padlock

Cast
Role: Don Diego Actor: Bannister

Performances

Mainpiece Title: Hamlet

Cast
Role: Marcellus Actor: Ackman

Afterpiece Title: The Padlock

Cast
Role: Don Diego Actor: Bannister
Event Comment: Mainpiece: An English Opera composed and directed by Dr Arne. In this opera two new performers appeared,--Mr Rathom who played Artaxerxes, a bad figure, extreamly aukward, and much hissed--the other Mrs Forbes, who played Arbaces, a small figure a good voice, was well received, and went decently through the part (Hopkins Diary)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Old Maid

Dance: M Daguville, 1st appearance, Mrs King

Event Comment: [This evening] a cause came on to be tried in the Court of Common Pleas at Westminster, in which Mr William Bates, Music Master, was Plaintiff and Spranger Barry, Esq the celebrated tragedian, defendent, upon a demand made by the plaintiff for a large sum of money due to him from the Defendent, for the performance of Miss Slack, the Plaintiff's apprentice, at the Theatre in Cork...After a short hearing a verdict was given in favour of the Plaintiff (Lloyd's Evening Post, 25-28 Nov.)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Queen Mab

Cast
Role: Clod Actor: Ackman

Dance: I: A New Pantomime Dance, as17681116

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Apollo and Daphne

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Devil to Pay

Dance: I: New Comic Dance, as17681210

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Humphrey Actor: Bannister

Afterpiece Title: The Padlock

Cast
Role: Don Diego Actor: Bannister