SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C Bannister"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C Bannister")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9752 matches on Event Comments, 4880 matches on Performance Comments, 1353 matches on Performance Title, 31 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Wood (from the Theatre Royal, York; 1st appearance in London); Justice Woodcock-Edwin; Sir William Meadows-Aickin; Hodge-Jackson [Public Advertiser: Massey]; Eustace-Lamash; Hawthorn-Bannister; Lucinda-Mrs Hitchcock; Margery-Miss Twist; Deborah Woodcock-Mrs Love; Rosetta-Miss Harper.
Cast
Role: Hawthorn Actor: Bannister

Afterpiece Title: Nature Will Prevail

Dance: End II: Tambourine Dance- , as17790602; End: As17790531

Performances

Mainpiece Title: The Devil Upon Two Sticks

Performance Comment: The Devil-Bannister; Sir ThomasMaxwell-Gardner; Invoice-R. Palmer; Dr Julep-Baddeley; Dr Apozem-Jackson; Dr Fingerfee-Painter; Dr O'Sassafras-Davis; Dr Broadbrim-Kenny; Dr Sligo-Egan; Macpherson-Walker; Dr Calomel-Painter [Public Advertiser: Baker]; Dr Habbakuk-Peirce; Dr Camphire-Webb; Forceps-Stevens; Printer's Devil-Master Hitchcock; Dr Last-Parsons; Margaret Maxwell-Mrs Webb; Harriet-Mrs Jewell.
Cast
Role: The Devil Actor: Bannister

Afterpiece Title: The Flitch of Bacon

Cast
Role: Captain Wilson Actor: Bannister

Dance: As17790610

Performances

Mainpiece Title: A School For Fathers

Performance Comment: Lionel-Webster; Col. Oldboy-Parsons; Sir John Flowerdale-Aickin; Jenkins-Bannister; Harman-Davies; Jessamy-Dodd; Diana-Miss Collett; Lady Mary Oldboy-Mrs Hopkins [Public Advertiser: Mrs Bradshaw]; Jenny-Mrs Wrighten (1st appearance in that character); Clarissa-Mrs Baddeley.
Cast
Role: Jenkins Actor: Bannister

Afterpiece Title: The Elopement

Performances

Mainpiece Title: The School Of Shakespeare Or Humours And Passions

Performance Comment: [Given in a regular Representation of several of his most favourite and capital Scenes. With Dresses and Scenery suited to the Characters and their Situations. The inimitable Scenes of the Poet, selected for the Purpose, and digested into Five Acts, will exemplify, in the strongest Colours of our immortal Bard, Vanity, Parental Tenderness, Cruelty, Filial Piety, and Ambition. ACT I. Vanity, in the First Part of Henry IV parts of II. i and iv]. Sir John Falstaff-Digges; Francis-Edwin; Poins-R. Palmer; Peto-Painter; Bardolph-Massey; Gadshill-Ledger [Public Advertiser: Kenny]; Carriers-Stevens, Barrett; Prince of Wales-Palmer; Hostess-Mrs Love; [ACT II. Parental Tenderness, in the Second Part of Henry IV [parts of IV. iv and v, and parts of v. ii]. King Henry-Bensley; Clarence-Miss Wood; Prince John-Miss Francis; Gloster-Miss Painter; Chief Justice-Gardner; Westmoreland-Davis; Attendant-Painter; Prince of Wales-Palmer; [ACT III. Cruelty, in The Merchant of Venice [IV. i]. Shylock-Digges; Antonio-Gardner; Bassanio-Staunton; Duke-Usher; Gratiano-Lamash; Salanio-Davis; Nerissa-Mrs Wilson; Portia-Mrs Massey; [ACT IV. Filial Piety, in the Closet Scene in Hamlet [III. iii and iv]. Hamlet-Bannister Jun.; King-Gardner; Polonius-Wilson; Ghost-Staunton; Queen-Miss Sherry; [ACT V. Ambition, in Henry VIII [III. ii]. Cardinal Wolsey-Digges; Surry-Aickin; Suffolk-Lamash; Lord Chamberlain-Egan; Norfolk-Davis; Cromwell-R. Palmer; King Henry-Usher.
Cast
Role: Hamlet Actor: Bannister Jun.

Afterpiece Title: The Waterman or The First of August

Performance Comment: Tug-Bannister; Bundle-Massey; Robin-Edwin; Mrs Bundle-Mrs Webb; Wilhelmina-Miss Harper.
Cast
Role: Tug Actor: Bannister

Dance: As17810620

Entertainment: Before the Curtain draws up: the celebrated Cento (written by Richard? Berenger, in honor of Shakespeare)-Bannister Jun

Performance Comment: Berenger=, in honor of Shakespeare)-Bannister Jun.
Cast
Role: Actor: Bannister Jun.

Performances

Mainpiece Title: The Chapter Of Accidents

Cast
Role: Woodville Actor: Bannister Jun.

Afterpiece Title: Gretna Green

Performance Comment: Captain Gorget-Davies; Tipperary-R. Palmer; Anvil-Barret; Crack-Swords; Landlord-Ledger; Rorey-Moss; Signora Figurante-Sga Sestini; Miss Plumb-Miss George; Lady Pedigree-Mrs Webb [Public Advertiser: Mrs Edwin]; Maria-Mrs Bannister.
Cast
Role: Maria Actor: Mrs Bannister.

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Devil upon Two Sticks

Performance Comment: The Devil-Bannister; Sir T. Maxwell-Thompson; Invoice-Davies; Julep-Booth; Apozem-Wewitzer; Calomel-Rock [Public Advertiser: Cubitt]; Camphire-Stevens; Dr Last-Edwin; Mrs Margaret Maxwell-Mrs Webb; Harriet-Miss Tweedale.
Cast
Role: The Devil Actor: Bannister

Dance: End: A Divertissement-Byrn, Mrs Goodwin

Performances

Mainpiece Title: Love In Many Masks

Performance Comment: Don Antonio-Haymes; Don Pedro-R. Palmer; Belville-Wroughton; Willmore-Kemble; Frederick-Whitfield; Blunt-Bannister Jun.; Stephano-Suett; Philippo-Benson; Sancho-Phillimore; Biskey-Webb; Sebastian-Lyons; Officer-Maddocks; Soldier-Alfred; Pages-Master Gregson, Master Grimaldi; Blunt's Boy-Miss Gawdry; Taylor-Fairbrother; Florinda-Mrs Powell; Helena-Mrs Jordan; Valeria-Mrs Kemble; Angelica-Mrs Ward; Moretta-Mrs Hedges; Callis-Mrs Heard; Lucetta-Miss Tidswell; Flower Girl-Miss Barnes.
Cast
Role: Blunt Actor: Bannister Jun.

Afterpiece Title: The Pannel

Performance Comment: Don Guzman-Baddeley; Don Ferdinand-Benson [Public Advertiser: Barrymore]; Don Carlos-Whitfield; Don Pedro-Williames; Octavio-Phillimore; Muskato-Bannister Jun.; Lazarillo-R. Palmer; Lawyer-Maddocks; Notary-Fawcett; Servant-Lyons; Alguaziles-Jones, Webb, Alfred; Marcella-Mrs Ward; Aurora-Mrs Kemble; Beatrice-Mrs Jordan; Leonarda-Mrs Booth.
Cast
Role: Muskato Actor: Bannister Jun.
Event Comment: Benefit for Bannister Jun. [Afterpiece: Prologue by George Colman, elder.] Public Advertiser, 29 Aug.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #240 (Gazetteer, 5 Sept.)

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: Bon Ton or High Life above Stairs

Event Comment: No Money to be returned. Boxes 6s. 2nd Price 3s. Pit 3s. 6d. 2nd Price 2s. Gallery 2s. 2nd Price 1s. Places for the Boxes to be taken of Fosbrook, at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 14 Nov.]. The Avenues to the Boxes, Pit and Gallery are all at the Front of the Theatre in the Hay-Market, and the Door in Market-Lane is for Chairs only. "The short time since it had been determined to occupy this theatre had not been sufficient to enable the workmen to perfect what was intended so soon as was expected; nor could they be got out in time for opening the doors in the afternoon: this delay, and the difficulty of finding the way to different parts of the house [see 24 and 27 Sept.], caused some disgust" (Universal Magazine, Sept. 1791, p. 220). 1st piece [1st time; M. PREL 1, James Cobb; music by Storace (Kemble Mem.). Larpent MS 918; not published]. Receipts: #472 8s. 6d. (451.7.6; 20.6.0; 0.15.0)

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: The Haunted Tower

Performance Comment: Lord William-Kelly; Baron of Oakland-Baddeley; Edward-Bannister Jun.; Lewis-Suett; Robert-Dignum; Charles-Sedgwick; Hugo-Moody; Baron de Courcy-Whitfield; Martin-Hollingsworth; Servant-Lyons; Lady Elinor-Mrs Crouch; Adela-Sga Storace; Cicely-Mrs Edwards; Maud-Mrs Booth.
Cast
Role: Edward Actor: Bannister Jun.

Afterpiece Title: The Pannel

Performance Comment: Don Guzman-Baddeley; Don Ferdinand-Barrymore; Don Carlos-Whitfield; Don Pedro-Benson; Octavio-Phillimore; Muskato-Bannister Jun.; Lazarillo-R. Palmer; Lawyer-Fawcett [Public Advertiser: Maddocks]; Marcella-Mrs Goodall; Aurora-Mrs Kemble; Beatrice-Mrs Jordan; Leonarda-Mrs Booth.
Cast
Role: Muskato Actor: Bannister Jun.
Event Comment: marly Benefit for Bannister. A new Burletta (music-Piccini, Arne, Arnold, Burney, Dibdin, &c.) in which will be introduced a variety of imitations by Mr Bannister

Performances

Mainpiece Title: The Madman

Performance Comment: Parts: Reinhold, Bannister, Mrs Thompson, Mrs Barthelemon .

Dance: marly (By particular desire that night only) Hornpipe by Mrs Thompson. music, 1st Violin and Solo by Barthelemon

Event Comment: Benefit for Miss Macklin. Mainpiece: Not acted these 3 years. [See 27 Jan. 1770.] Afterpiece: For this night only this season (playbill). Charges #64 5s. Profit to Miss Macklin #19 4s., plus #43 from 172 Box tickets. Paid Whitefield one fourth year's salary due Lady Day last #25. Paid Mr Barber for a suit of regimentals embroider'd with gold, #12 12s. Paid Lowe and Lucas (linnen drapers) #13 19s.; Paid Evans for Spermecita candles as per bill #12. Paid Barrett (wax chandler) #3 4s. (Account Book). [Miss Macklin considered this a poor benefit, and on 6 May 1772 wrote to her father about the troubles she met in getting it underway. Woodward would not play in the farce since it did not belong to the theatre and since he had not be asked before she put his name in the bills. Kniveton labored hard and did quite well as Sir Archy. Ann Pitt so ill she could not do Lady Wrangle, but Mrs Hull sat up two nights, learned the part and acted it creditably (Harvard, Memoirs of Charles Macklin, Vol. II, pt. 2, after p. 55).] Receipts: #83 9s. (Account Book)

Performances

Mainpiece Title: The Refusal Or The Ladys Philosophy

Afterpiece Title: Love a la Mode

Dance: End: A Dance in which will be an Allemande,-Hamoir, Miss Hamoir

Event Comment: Mainpiece [1st time; MD 5, by Matthew Gregory Lewis; incidental music by Michael Kelly (see 2 Feb. 1798), with one selection from Jomelli. Prologue and Epilogue by the author (Monthly Mirror, Dec. 1797, pp. 357-58)]: With new Dresses, Scenery, and Decorations. The Scenery designed by the late Mr Greenwood [who died on 1 Nov.], and executed by his Son, Pugh, and others. Times, 15 Jan. 1798: This day is published The Castle-Spectre (2s.). "There is a sufficient number of Ghosts, Hobgoblins, Cells and Trap-doors to serve for a pantomimical exhibition of the most extravagant nature, and the whole may, with no breach of propriety, be termed a Speaking Pantomime, of which Kemble is made the Harlequin and Mrs Jordan the Columbine" (Morning Herald, 16 Dec.). Receipts: #316 18s. 6d. (257.6.6; 58.17.0; 0.15.0)

Performances

Mainpiece Title: The Castle spectre

Performance Comment: Characters by Barrymore, Wroughton, Kemble, Palmer, Bannister Jun, Aickin, Dowton, Trueman, Davis, Wentworth, Gibbon, Packer, Wathen, Mrs Jordan, Mrs Walcot. [Cast from text (J. Bell, 1798): Osmond-Barrymore; Reginald-Wroughton; Percy-Kemble; Father Philip-Palmer; Motley-Bannister Jun.; Kenric-Aickin; Hassan-Dowton; Saib-Trueman; Muley-Davis; Alaric-Wentworth; Harold-Gibbon; Allan-Packer; Edric-Wathen; Angela-Mrs Jordan; Alice-Mrs Walcot; Evelina ['s Ghost]-Mrs Powell (see17980521); Prologue-Wroughton; Epilogue-Mrs Jordan. [These were spoken, as here assigned, at the 1st 9 performances only (see17971228), but Epilogue again on 21 May 1798.]These were spoken, as here assigned, at the 1st 9 performances only (see17971228), but Epilogue again on 21 May 1798.]
Cast
Role: Motley Actor: Bannister Jun.

Afterpiece Title: The Virgin Unmaskd

Cast
Role: Ben Bowsprit Actor: Bannister Jun.
Role: Coupee Actor: Bannister Jun.
Event Comment: [Mrs Walcot's 1st appearance in London was at the hay, 26 Apr. 1785.] Account-Book: Paid Soldiers 17s. 6d. [this paid nightly]. Receipts: #316 2s. 6d. (201.17.6; 112.18.0; 1.7.0)

Performances

Mainpiece Title: The Will

Performance Comment: Sir Solomon Cynic-King; Mandeville-Wroughton; Howard-Bannister Jun.; Veritas-R. Palmer; Realize-Suett; Robert-Russell; Copsley-Maddocks; Albina Mandeville-Mrs Jordan; Mrs Rigid-Mrs Walcot (from the Theatre Royal Edinburgh; 1st appearance on this stage); Cicely Copsley-Miss Mellon; Deborah-Mrs Maddocks.
Cast
Role: Howard Actor: Bannister Jun.

Afterpiece Title: The Prize or 2 5 3 8

Performance Comment: Lenitive-Bannister Jun.; Mr Caddy-Maddocks; Heartwell-Trueman; Label-Suett; Juba-Mrs Roffey; Mrs Caddy-Miss Tidswell; Caroline-Miss DeCamp; Songs (T. Rickaby, 1797) adds: Servants-Webb; Boy-Master Chatterley.
Cast
Role: Lenitive Actor: Bannister Jun.

Performances

Mainpiece Title: First Faults

Performance Comment: Characters by Dowton, Barrymore, C. Kemble, Russell, Suett, Bannister Jun., R. Palmer, Wewitzer, Maddocks, Webb, Mrs Jordan, Miss Biggs, Miss Mellon, Mrs Walcot. [Cast from European Magazine, May 1799, p. 329: Cleveland-Dowton; Seymour-Barrymore; Lord Fallible-C. Kemble; Sir Charles Careless-Russell; Long Odds-Suett; Prater-Bannister Jun.; O'Neil-R. Palmer; Rolland-Wewitzer; Plodwell-Maddocks; Claw-Webb [in European Magazine: Hollingsworth]; Emma-Mrs Jordan; Lady Careless-Miss Biggs; Tulip-Miss Mellon; Mrs Sanderson-Mrs Walcot; Prologue-C. Kemble.
Cast
Role: Prater Actor: Bannister Jun.

Afterpiece Title: Katharine and Petruchio

Performance Comment: Petruchio-Bannister Jun. (1st appearance in that character); Baptista-Packer; Hortensio-Trueman; Grumio-Hollingsworth; Biondello-R. Palmer; Music@master-Sparks; Taylor-Suett; Katharine-Miss DeCamp (1st appearance in that character); Bianca-Mrs Coates; Curtis-Mrs Maddocks; Haberdasher-Mrs Jones.
Cast
Role: Petruchio Actor: Bannister Jun.

Dance: End: Minuet de la Cour-Miss DeCamp, Mlle Parisot

Event Comment: [R+Rich's Register lists The English Merchant.] Paid Blandford (tallow chandler) #49 8s. 10d. Paid George Garrick for use of the managers #15 15s.; Paid French on account #20; Advanced to Granier on note #4 2s. 10d.; to Keen on note #4 4s. Rec'd stopages 16s. 6d. (Treasurer's Book). Sylas Neville (Neville MS Diary): With difficulty got into the Pit at Drury Lane, where I stood at the side so jambed up that I could not read the newspaper I carried: But I saw the play very well. It was Rule a Wife and Have a Wife, with the Farce of the Devil to Pay. Duke by Havard, Cacafago by Love, very well. Copper Capt. by Palmer, pretty well. Old woman pretty well by Mrs Baddeley, Astifania by Mrs Pritchard excellently, tho she is too old for the first part of this character. Leon inimitably by Garrick. I think he shows a good deal of Abel drugger, [both published and unpublished portions of the Neville Diary.] Receipts: #261 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Garrick; Duke-Havard; Cacafoggo-Love; Juan-Packer; Sancho-Aickin; Copper Captain-Palmer; Alonzo-Ackman; Altea-Mrs Lee; Margaretta-Mrs Hopkins; Old Woman-Baddeley; Maid-Weston; Estifania-Mrs Pritchard.
Cast
Role: Alonzo Actor: Ackman

Afterpiece Title: The Devil to Pay

Event Comment: [L+Letter from Henry Woodward, Comedian, The Meanest of all Characters To Dr John Hill, Inspector-General of Great Britain, the greatest of all characters completely damns Hill as unsuccessful player, apothecary, doctor, scholar, writer, and gentleman. It ran to three editions in the year.] We hear great interest is being made to succeed Mr Serjeant Shore, deceased, as Serjeant Trumpet to his Majesty, which is in the gift of his Grace the Duke of Grafton as Lord Chamberlain; and that the contest lies chiefly between that excellent performer, Mr. Valentine Snow, Trumpet to the First Troop of Horseguards; Mr. Debourg, the violin; and Mr Beard, of the theatre Royal in Drury Lane (Public Advertiser). Receipts: #150 (Cross)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: The Intriguing Chambermaid

Dance: AA Dutch Dance, as17521125

Event Comment: Mainpiece: In Act I The Cardinal's Banquet. In Act II The Court for the Trial of Queen Katharine. In Act V a Grand Procession to the Christening of Princess Elizabeth. Paid Charles Smith on Acct. of Upholders Work at Drury Lane Theatre #400. Powell: Henry VIII rehearsed at 10 (for Packer, lame, and Mrs Siddons); Siege of Belgrade music at 12 (for Storace, Bannister Jun., Crouch, Davis, Danby). The Iron Curtain being finish'd was this Evening exhibited for the first Time with the Epilogue [and see 21 Apr.]. "On the 24th February, 1809, this theatre was burnt down . . . Every care had been taken to guard against such a calamity. Two large reservoirs for water, on the top of the house, happened, unfortunately, at this crisis to be empty; and an iron curtain, intended to separate the auditory from the stage, for the purpose of saving a part of the edifice in case of conflagration, was, with its machinery, so much out of order as to be useless; it was, in fact, utterly immoveable" (Brayley, p. 8). Receipts: #451 8s. 6d. (389/4/0; 56/5/0; 4/6/6; tickets not come in: 1/13/0)

Performances

Mainpiece Title: King Henry The Eighth

Cast
Role: Hecate Actor: Bannister

Afterpiece Title: THE CHILDREN IN THE WOOD

Cast
Role: Walter Actor: Bannister Jun.
Event Comment: Account-Book: Paid Mrs Phillimore on Account of moving the Wardrobe to and from the Opera House #4 4s. Powell, 22 Sept.: Henry V rehearsed at 10; No Song No Supper at 12; 23 Sept.: No Song No Supper rehearsed at 10 (for Bannister and Mrs Bland); Provoked Husband a 11. Receipts: #308 2s. 6d. (218.11.0; 88.15.0; 0.16.6)

Performances

Mainpiece Title: King Henry The Fifth Or The Conquest Of France

Afterpiece Title: No Song No Supper

Performance Comment: Crop-Dignum; Frederick-Caulfield; Endless-Suett; Robin-Bannister Jun.; William-Sedgwick; Servant-Webb; Dorothy-Mrs Bland; Louisa-Miss DeCamp; Margaretta (1st time)-Miss Leak; Nelly-Mrs Bramwell.
Cast
Role: Robin Actor: Bannister Jun.
Event Comment: [Messrs Vincent and Gordon beg the Nobility and Gentry that intend honouring them with their protection the ensuing season of Opera will pay their subscriptions to Messrs Drummonds, Bankers, Charing Cross. The subscription is for 50 nights only. A letter from Timotheus in the Public Advertiser: "I repeatedly see in your paper an advertisement from the managers of the opera to solicit subscriptions from the Nobility and Gentry to enable them to carry it on. Surely, from the specimin they have already given us of their performance in the serious way, never had managers less claim to the countenance and favour of the public. In the whole company but one voice, and that just tolerable and no more; compared indeed to the rest a nightengale. Then, Sir, for their dancers, they seem so perfectly so well suited to the singers, that 't is difficult to pronounce to which of them the palm should be allotted. For the Figurers, one only excepted, they seem in that article to have paid a due attention to their want of every Talent requisite, by reducing them to so small a number that they look like so many mice scudding about an empty barn. In short, Singers, Dancers, Figurers, Cloaths, Decorations, etc., etc., are all so much of a piece, that if the directors either can't or won't engage better performers, the sooner an end is put to the exhibition of Operas the better it will be." See comment in reply, 8 Nov.

Performances

Event Comment: Letter from Impartial to the editor of the Public Advertiser: The managers of the Opera most certainly think themselves peculiarly unfortunate in having incurred the disapprobation of your correspondent Timotheus....If...it has been found...that this Demi-critic has given his opinion to the public too precipitately, little regard will be paid to his animadversions, and the managers who, perhaps, will be found to have spared neither trouble or expense, will meet with the support they solicit....The splenetic gentleman, perhaps, resides chiefly in the country, and only came to town to see some Raree Shew, consequently he might never have heard of our justly celebrated Lovattini, Guadagni, Moriggi, and so forth, with whose performances we have been so highly entertained, to whom the Nightengale, as he is pleased to call Giaccomazzi, and Luciani, for the demi-characters in the Comic will make no inconsiderable additions; from hence I conclude, that our Opera entertainments this season will exceed any we have ever had in this country

Performances

Mainpiece Title: Gli Amanti Ridicoli

Event Comment: A Serio-Comic Opera in 2 acts (never performed here [1st performed at Vienna, 1784; and in April 1795 performed at king's under the title of Il Conte Ridocolo]). The Music composed in his best style by Paisiello. Under the direction of Mazzinghi. Fineschi being hardly recovered from his late severe indisposition humbly hopes for the indulgence of the public, whom rather than disappoint, he would run any danger. Gallini, for the last time, most respectfully entreats those few Subscribers who have hitherto delayed of declaring themselves, or sending in the names of their Co-subscribers, to do it immediately, as no one can be admitted without showing the Ticket for this year; and the Boxes not bespoke cannot remain empty after the opening of the House. Tickets to be had, and Subscription paid, as usual, at Messrs Ransom, Morland and Hammersley's, bankers, No. 57, Pall-Mall. The Doors to be opened at 6:00. To begin precisely at 7:00 [see 3 Jan. 1788]. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "The only Part of the scenery which is interesting is the bridge Rialtov, and this is badly executed; it looks like a pantomimic show, but not like a grand opera scene; the bridge is crowded with figurative passengers, and small gondolas appear beyond it. The first idea is a capital error, for the representation of the bridge is supposed sideways, and being covered with shops, no passengers can be seen; the latter idea of boats being placed beyond the bridge crowds the scene, and makes the bridge lose its grand appearance at a distance...The Managers of the Opera are exceedingly to blame for having substituted a Soprano to a Tenor in the character of Gafforio" (Public Advertiser, 17 Dec.). Receipts: #164 14s. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 159 at 10s. 6d. (i.e. #83 9s. 6d.). 100 were delivered to Toosey, office-keeper at the King's Door pit entrance; he sold 26 at 10s. 6d. (i.e. #13 13s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 190 at 5s. (i.e. #47 10s.). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 118 at 3s. (i.e. #17 10s.). Sale of one box #2 2s. "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 5s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed was almost invariably the case on every night of the season; but see 5 Apr. 1788.

Performances

Mainpiece Title: Il Re Teodoro In Venezia Or Theodore king Of Corsica At Venice

Dance: End I: a new Divertissement (composed by Chevalier)-Chevalier, Coulon, Vestris, the two Miss Simonets, Sga Bedini, Mlle Coulon (1st appearance); End Opera: a new ballet (composed by Noverre) Les Offrandes a l'Amour-Didelot (1st appearance), Coulon, Vestris, Mlle Hilligsberg, Mlle Vedie, Mlle Coulon, Saulnier, Henry, Sala, the two Miss Simonets, Mlle Grenier, Mezierres

Event Comment: Benefit for Reinhold. Mainpiece: Acted but once these 6 years. [See 29 Dec. 1769.] Charges #66 3s. 6d. Profit to Reinhold #66 7s. 6d., plus #111 9s. from tickets (Box 287; Pit 194; Gallery 106). Paid Mr Kingswood for feathers &c. #5 10s.; Paid Holmden (Breechesmaker) #1 13s. 6d.; Paid Fisher for the Music of the Sylphs #42; Paid Besford for making properties #20 15s. Receipts: #132 11s. (Account Book)

Performances

Mainpiece Title: King Henry Iv Part I

Afterpiece Title: The Padlock

Song: II: The Song of Mad Tom will be sung in Character-Reinhold

Event Comment: [In afterpiece the playbill assigns Shelty to Edwin, but "Ryder in the stead of Edwin, who was said to be indisposed, played the part of Shelty" (World, 29 Sept.).] Afterpiece: The Music by Handel, Rizzio, ?J. C.? Bach, Gretry, Corri, Shield. A new Scotch Overture by Shield. Paid Music 25th Inst. #11 7s. 6d.; Properties 2s. 4d.; Kettle Drum 5s.; Wardrobe #5 10s. 6d.; Supernumeraries #8 12s. 6d.; Chorus Singers #2; Cox for Scenemen #28 1s.; Hodgins #4 4s. Receipts: #254 4s. 6d. (250.15.0; 3.9.6)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Highland Reel

Performance Comment: M'Gilpin-Quick; Shelty-Ryder; Serjeant Jack-Bannister; Sandy (or Young Donald)-Johnstone; Charley-Blanchard; Captain Dash-Davies; Donald Laird of Col-Gardner; Croudy-Cubitt; Laird of Raasay-Thompson; Jenny-Mrs Mountain; Moggy-Mrs Martyr (Their 1st appearance in those characters).
Cast
Role: Serjeant Jack Actor: Bannister
Event Comment: Benefit for the Dispensary for the Infant Poor, Soho Square. Paid Housekeeper's Bill #6 1s. 1d. Receipts: #180 16s. 6d. Charges: #84. Profit to Dispensary: #96 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Mayor of Garratt

Cast
Role: Major Sturgeon Actor: Bannister

Song: (By Particular Desire) O! What a Charming Thing's a Battle!-Mr Bannister

Performance Comment: What a Charming Thing's a Battle!-Mr Bannister.
Cast
Role: Actor: Mr Bannister.
Event Comment: Prelude and Mainpiece By Command of their Majesties. Jane Shore is oblig'd to be deferr'd on Account of Mrs Yates's being incapable of performing. [MacMillan's note from Kemble "Mr Smith Kitely -dull enough" does not appear in the Folger, Hopkins Diary.] King and Queen Present. Rec'd from Mr Reddish on Acct #50. Paid Printer's Bill #14 12s. 6d. (Treasurer's Book). [This weekly payment throughout the season averaged #9 6s., for a total payment of #353 8s. No further itemization of it will be made.] Receipts: #284 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Padlock

Performance Comment: Mungo-Cubitt, first appearance on this stage; Leander-Vernon; Ursula-Mrs Love; Leonora-Mrs Smith; Diego-Bannister.