Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C Bannister"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C Bannister")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
14707 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $Mr C. Bannister
We found 9758 matches on Event Comments, 4881 matches on Performance Comments, 1353 matches on Performance Title, 31 matches on Author, and 0 matches on Roles/Actors.

11151
15 January 1798 @ Haymarket Theatre

Performances

Mainpiece Title: The Messiah

Music: In course: solo on the violin, of his own composition-Barthelemon

11152
08 February 1798 @ Covent Garden

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Hartford Bridge

Song: As17971118

11153
22 February 1798 @ Covent Garden

Performances

Mainpiece Title: Hes Much To Blame

Afterpiece Title: Lock and Key

11154
08 March 1798 @ Covent Garden

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Peeping Tom

11155
22 March 1798 @ Covent Garden

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: Oscar and Malvina

11156
23 March 1798 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of handel Messiah

Afterpiece Title: Grand Selection 1

Cast
Role: O fatal day Actor: Chorus

Afterpiece Title: Grand Selection 2

Cast
Role: O fatal day Actor: Chorus

Afterpiece Title: Grand Selection 3

Cast
Role: O fatal day Actor: Chorus

Music: End I: Bach's Bach's favourite concertante for flute oboe violin and violoncello-Monzani, W. Parke, G. and C. Ashley

11157
10 April 1798 @ King's Theatre

Performances

Mainpiece Title: Il Capriccio Drammatico

Afterpiece Title: Il Consiglio Imprudente

Dance: As17980331

11158
27 April 1798 @ Covent Garden

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Matrimony

Afterpiece Title: High Life below Stairs

Song: In III 1st piece: song-Incledon; in 2nd piece: Strike the Harp in praise of Bragela-

11159
30 April 1798 @ Covent Garden

Performances

Mainpiece Title: The Eccentric Lover

Afterpiece Title: Raymond and Agnes

Dance: Afterpiece to conclude with: Dance of Savoyards-Platt, Miss Cranfield, Mlle St.Amand

11160
30 May 1798 @ Covent Garden

Performances

Mainpiece Title: Disinterested Love

Afterpiece Title: Starboard Watch

Performance Comment: The Sailor's Carousal; or, Saturday Night at Sea As17980528, but added: The Medley of Lovers-Munden; Jack at the Windlass-_; Farewell to Old England dear Mary adieu-_.
Cast
Role: Saturday Night at Sea Actor: Townsend
Role: Philidel Actor: Miss Wheatley. IV. A View of a Country Inn. Trick Bull and Dog. V. View of Smithfield on a Market Day. VI. The Garden of Faustus

Afterpiece Title: The Highland Reel

Entertainment: Monologue.Preceding 1st piece: a new Occasional Prologue-Holman

11161
29 June 1798 @ Haymarket Theatre

Performances

Mainpiece Title: Zorinski

Afterpiece Title: The Village Lawyer

11162
28 August 1798 @ Haymarket Theatre

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: As17980616 but Yarico-A Young Gentlewoman (1st appearance on any [recte this] stage [Mrs Brown]); Sailors-_.

Afterpiece Title: The Irishman in London

Song: End: Patents all the Rage-Munden; A Mock Italian Song-Fawcett; The Group of Lovers ; or, Beauty at her Levee-Munden; a new song, The British Volunteers-Johnstone; with Chorus-Trueman, D'Arcy, Linton, Waldron Jun., Abbot, Lyons

11163
15 October 1798 @ Covent Garden

Performances

Mainpiece Title: Othello Moor Of Venice

Performance Comment: Othello-A Young Gentleman (from the Theatre Royal Dublin; 1st appearance on this, and 4th on any stage [Huddart]); Roderigo-Knight; Cassio (1st time)-Betterton; Brabantio-Hull; Lodovico-Whitfield; Duke-Waddy; Gratiano-Powel; Montano-Clarke; Iago-Murray; Emilia (1st time)-Mrs Litchfield; Desdemona-Mrs Pope (1st appearance in that character [in London]).in London]).

Afterpiece Title: The Genoese Pirate or Black Beard

Dance: In afterpiece: Dance of Negroes-

11164
05 December 1798 @ Covent Garden

Performances

Mainpiece Title: Lovers Vows

Afterpiece Title: The Jew and the Doctor

11165
16 January 1799 @ Covent Garden

Performances

Mainpiece Title: The Votary Of Wealth

Afterpiece Title: Two Strings to Your Bow

11166
28 January 1799 @ Covent Garden

Performances

Mainpiece Title: The Votary Of Wealth

Afterpiece Title: The Irish Mimic or Blunders at Brighton

11167
29 January 1799 @ Covent Garden

Performances

Mainpiece Title: Lovers Vows

Afterpiece Title: The Magic Oak or Harlequin Woodcutter

Music: End I afterpiece: A Medley Overture on the Union Pipes and Pedal Harp-Murphy, Weippert

11168
07 March 1799 @ Covent Garden

Event Comment: By Command of Their Majesties. The many Ladies who have Places for the suceeding nights of the new Pantomime [The Magic Oak] are respectfully acquainted that, on account of Bologna Jun.'s accident, it cannot be performed before Easter Monday. [The Mouth of the Nile, also advertised on playbill of 5 Mar., was not acted on this night.] Doors, &c. as 21 Nov. 1798. Receipts: #364 13s. 6d. (361.13.6; 3.0.0)

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: The Jew and the Doctor

11169
12 April 1799 @ Covent Garden

Event Comment: Benefit for Pope. 1st piece [1st time; D 4. Larpent MS 1249; not published synopsis of plot in Universal Magazine, Apr. 1799, p. 273]: Translated from [Der Graf von Burgund, by August Friedrich Ferdinand von? Kotzebue (Author of The Stranger, Lover's Vows, &c.) by Miss Anne? Plumptre, and adapted to the English Stage by Alexander? Pope. Morning Chronicle, 25 26 Mar.: Tickets to be had of Pope at his house, No. 5, Half Moon-street, Piccadilly. [This was Mrs Abington's last appearance on the stage.] "The perpetuated evidence of youth was in character with her person and her powers; the slimness of her figure, the fulness of her voice, the freshness of her spirits, the sparkle of her eye, and the elasticity of her limbs, savoured alike of a juvenility that puzzled the mind, whilst it pleased it: of her it was justly said that 'she had been on the stage thirty years; she was one-and-twenty when she came, and one-and-twenty when she went!'" (John Bernard, Retrospections of the Stage, 1830, II, 228-29). Receipts: #334 19s. 6d. (194.1.0; 2.5.0; tickets: 138.13.6)

Performances

Mainpiece Title: The Count Of Burgundy

Afterpiece Title: Three Weeks after Marriage

Performance Comment: As17981105, but Lady Racket (1st and only Time [of appearing] this Season)-Mrs Abington (who has kindly favored Pope with her Performance).

Afterpiece Title: Netley Abbey

Song: End: Black Ey'd Susan-Incledon; End 2nd piece: The Mid Watch-Incledon

11170
06 June 1799 @ Covent Garden

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: An Egeirophadron

Cast
Role: By Permission of the Proprietors of Drury Actor: Lane Theatre-Bannister Jun.
Role: Bowkit Actor: Bannister Jun.

Afterpiece Title: The Round Tower or The Chieftains of Ireland

Song: In: Together let us range-Incledon, Mrs Atkins

11171
25 June 1799 @ King's Theatre

Performances

Mainpiece Title: I Due Svizzeri

Afterpiece Title: La Serva Padrona

Dance: As17990617

11172
05 July 1799 @ Haymarket Theatre

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: My Grandmother

Entertainment: Monologue. As17990622

11173
16 January 1800 @ Covent Garden

Performances

Mainpiece Title: Joanna

Performance Comment: Principal Characters by Pope, Holman, Waddy, Davenport, Munden, H. Johnston, Claremont, Klanert, Murray, Emery, Thompson, Gardner, King, Abbot, Rees, Curties, Mrs H. Johnston, Mrs Whitmore, Miss Gilbert, Mrs Pope. Vocal Parts-Incledon, Townsend, Linton, Street, Hill, Miss Waters, Miss Wheatley, Miss Sims, Mrs Iliff, Mrs Castelle; [Cast from text (Lackington, Allen & Co., 1800), and Dramatic Censor, I, 102: Albert-Pope; Lazarra-Holman; Wensel-Waddy; Old Peasant-Davenport; Wolf-Munden; Philip-H. Johnston; Mountaineer-Claremont; Soldiers-Klanert, Thompson, Atkins; Hermit-Murray; Guntram-Emery; Shepherd-Gardner; Ulrick-King; Reinhard-Abbot; Romuald-Rees; Lazarra's Servant-Curties; Darbony-Incledon; Page-Miss Waters; Eloisa-Mrs H. Johnston; Old Woman Peasant-Mrs Whitemore; Joanna-Mrs Pope; Girl-Miss Cox; unassigned-Miss Gilbert; Prologue-Murray. [This was spoken, as here assigned, at the 1st 5 performances only (see18000123).]This was spoken, as here assigned, at the 1st 5 performances only (see18000123).]

Afterpiece Title: The Intriguing Chambermaid

Song: Mainpiece: Chorusses-Denman, Lee, Thomas, Lewiss, Little, Potts, Everett, Oddwell, J. Linton, Tett, Smith, Kenrick, Silvester, Jones, Fairclough, Baron, Master Goodwin, Master Slape, Master Bernard, Master Standen, Master Little, Master Speare, Master Sawyer, Master Linton, Ms Trevor, Ms Gilbert, Ms Norton, Ms Watts, Ms Follett, Ms Castelle, Ms Sydney, Ms Burnett, Ms Masters, Ms Lloyd, Ms Blurton, Ms Cox

11174
14 March 1800 @ Covent Garden

Performances

Mainpiece Title: Alexanders Feast 0 The Messiah Grand Selection 0

Afterpiece Title: Alexanders Feast 3

Music: End II: a concertante for violin oboe tenor and violoncello-G. Ashley, W. Parke, R. Ashley, C. Ashley

11175
15 April 1800 @ King's Theatre

Event Comment: A New Grand Serious Opera (1st time in this Country [1st performed at Parma, 1782]); the Music by Sarti [with additions by Federici]. With entirely new Scenes, Machinery and Decorations, designed by Marinari, and executed under his direction; and new Dresses, invented by Sestini. "The Opera...is founded upon the story of Dryden's Alexander's Feast, of which, indeed, it is merely a literal, and, of course, an elegant and tasteful translation into Italian by Count Gaston di Brizzonie [recte Rezzonico]

Performances

Mainpiece Title: Alessandro E Timoteo alexanders Feast From dryden

Dance: End I: A New Bacchanalian Divertisement Ballet, connected with and incidental to the Opera (introduced by a prelude of Chorus), the Music by Sarti, the Action and Dance by D'Egville, and performed-Didelot, Deshayes, Mlle Parisot, Mme Laborie, Mme Hilligsberg; End Opera: La Fille Mal Gardee-Mlle Parisot (will perform part originally represented by Mme Rose Didelot)