SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C Bannister"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C Bannister")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9758 matches on Event Comments, 4881 matches on Performance Comments, 1353 matches on Performance Title, 31 matches on Author, and 0 matches on Roles/Actors.
Event Comment: To the Author of the General Advertiser, Sir: Nothing but the Necessity of my Affairs could urge me to an address of this nature but having met with several unexpected and unavoidable misfortunes I beg leave to inform the Publick, through your means, that in order to extricate myself from my present difficulties, I have, by the indulgence of the Manager, obtain'd a Benefit before my Usual Time, which is to be the Careless Husband and the Devil to Pay on Saturday the 1st of March. As I have now put my Affairs into such a situation, that I think I shall never give the like trouble again, but at the proper time, I hope this notice will not be thought impertinent, or lessen those favours I have so often experienced, and which I am desirous of taking every opportunity to acknowledge, I am, Sir, &c W. Mills.--From dl Playhouse 8 Feb

Performances

Event Comment: Mainpiece not acted these 25 Years [see Feb. 1721]. The Refusal, or the Lady's Philosophy, wrote by C. Cibber, Esq. was reviv'd at dl. There was a numerous and polite audience. The Play was greatly approv'd of, and the whole performance met with a general applause.--General Advertiser, 29 Nov

Performances

Mainpiece Title: The Refusal Or The Ladies Philosophy

Afterpiece Title: The Anatomist

Dance: As17461121

Event Comment: To the Author of the General Advertiser. Sir: When I read the letter in your paper [see 7 Nov.] concerning Tom Harbin's intention of having a Benefit at Covent Garden, I own I was much pleas'd, as it would give me the opportunity of making him merry, who has often made me so: But I have since been in some concern to hear he was to perform himself--I would not have him appear in an Ill-Light; and as it is easy to conceive what confusion a Man unus'd to the stage must be in, to appear on it, I would in Friendship advise him to desist from that design.-If he does it from an opinion of his Capacity, I am sorry for him: but if it is only to draw people together, I think he need not have any Apprehensions on that Account:--For there ever was and ever will be in London, a number of Persons of Fortune and Generosity, sufficient to do what he wants, whenever they have an Inclination to serve a man they like.--And as he is Generally allow'd to be what is call'd a Fiddle in Company, and plays as often as anybody, it would be but right to keep him in tune: For my part I shall use my interest in his Favour and wish him success with his Acquaintance. I am &c. T. Meanwell. Lloyd's Coffee House, 14 Nov. [See 14 Dec.

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Apollo and Daphne

Event Comment: To the Printer of the General Advertiser, &c Sir: Imagine a heart satisfy'd beyond its wishes, and overflowing with gratitude; conceive this to be your situation, and then help me to words to empress my feeling. [Tom Harbin inserted a long letter of thanks to the numerous audience wnich appeared at his benefit the night before.

Performances

Mainpiece Title: Comus

Event Comment: DDaily Advertiser [see Woodward's mimicry of Foote, 22 Jan.]: We hear from Drury Lane that on Monday night Harry the Smuggler, who was tried and convicted last summer in the Haymarket, was found hanging in one of the cells of that prison: It seems he has long had a Design to make way with himself and at several times procured poison from Foppington, Harry Wildair, Tom Thimble, &c. but the Quantity, though it made him exceeding sick, not being sufficient to dispatch him, he at last tuck'd himself up in his own Tit for Tat. When he was cut down he look'd very ghastly, and great groanings were heard in the prison before, at, and after his committing the Fact....It is very remarkable that he had on the very coat, which, in Conjunction with one Abel Drugger, not yet taken, he stole from Sammy the Auctioneer; but from the diligent search made after Drugger, it is believed he will soon be brought to Justice. Receipts: #60 (Cross); #67 8s. (Treasurer's Book)

Performances

Mainpiece Title: Loves Last Shift

Performance Comment: As17491209, but Younger Worthy-Cross. [See payment to him for this 3 Feb. Apparently a last minute substitution and unannounced in bills.]See payment to him for this 3 Feb. Apparently a last minute substitution and unannounced in bills.]

Afterpiece Title: A Duke and no Duke

Dance: SSwedish Gardeners, as17491219

Ballet: SSavoyard Travellers. As17500118, but Principal Savoyards-Miss Baker, Mrs _Addison

Event Comment: Benefit for Mrs Hallam. At the New Wells, Lemon St., Goodman's Fields. For one Night only. A Concert &c. By Desire of Several Persons of Distinction. Boxes 3s. Pit or Gallery 2s. (London Daily Advertiser)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Anatomist

Event Comment: Afterpiece: A new Entertainment in Italian Grotesque Characters. A blunder in the scenes of ye Entertainment & great noise as No more, Off, Off &c. (Cross). [Inspector No 195 appeared giving another favorable accolade to Mossop (Daily Advertiser and Literary Gazette).] Receipts: #120 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Queen Mab

Song: Mattocks

Event Comment: Benefit for Macklin. Afterpiece: A New Dramtic Satire in two acts. N.B. As several of the Town have prejudged the Pit the Boxes and Galleries acting their own parts themselves for their diversion, to be of the same species of the Lick at the Town last year; and that it can mean only the ordinary Approbation or Disapprobation of the Audience, Signor Pasquin thinks it incumbent on himself to assure to Publick that all those conjectures are groundless; And farther, he assures them that the Pit, &c. acting their parts has no other meaning than the common literal sense; and that the Audience are really interwoven in the piece; and are to be bona fide part of the Dramatis Personae; and he makes no doubt but that he shall make them perform their parts to a numerous and polite audience, and with universal Applause. But he begs that those Ladies and Gentlemen who intend to perform in the Pit and Galleries will be at the Theatre betimes, for particular reasons; and those who are to act in the Boxes are requested to send their servants to keep their places by three o'clock. Signor Pasquin has received the letters sent by the Town and the Village, and they may depend upon having Places kept for them upon the Stage. The Hiss concerning the Robin Hood Society will be complied with (General Advertiser). [The parts were: Pasquin, Marforio, Sir Eternal Grinn, Sir Conjecture Positive, Sir Roger Ringwood, Bob Smart, Soloman Common Sense; Count Hunt Bubble, Sir John Ketch, hic and Hac (Scribblers), Hydra, Lady Lucy Loveit, Miss Diana Singlelife, Miss Brilliant, Miss Bashfull (Larpent MS 96).

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: As17511128, but following parts only are listed: Lady Townly-Miss Macklinher 1st appearance in Comedy; Sir Francis-Macklin; Townly-Barry.

Afterpiece Title: Covent Garden Theatre or Pasquin turnd Drawcansir Censor of Great Britain

Dance: GGrand Comic Ballet, as17511216

Event Comment: Benefit for City of London Lying-In Hospital in Aldersgate Street. Charges #85 5s. Balance to Hospital 8s. 6d. plus income from tickets #142 3s. (Box 402; Pit 203; Gallery 112). Paid Dunstall balance for Theatrical Fund #120 6d. (Account Book). [The Occasional Prologue is Larpent MS 303, ending in anti-Mandevillian fashion; Private virtue leads to Public good."] . Receipts: #85 13s. 6d

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Musical Lady

Dance: End: The Whim, as17691123

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for a Gentlewoman. Mainpiece: Not acted these 7 years. [Author of Prologue unknown.] Afterpiece: Written by Thomas King, Esq. The Doors to be opened at 5:00. To begin at 6:30. The Public may be assured that the principal Performers in the above play and farce are Persons accustomed to the Stage, and that the utmost Attention will be paid to the credit of Performance. Tickets delivered by Mrs Lefevre and Blackburn will be admitted

Performances

Mainpiece Title: The Modish Wife

Afterpiece Title: Wits Last Stake

Dance: End II: Miller

Entertainment: End: Variety of Rhetorical Imitations-a Gentleman (1st appearance [unidentified])

Event Comment: Mainpiece [1st time; CO 3, by John O'Keeffe, altered from his The Banditti (see 28 Nov. 1781). Text in his Dramatic Works, Vol. 1 (T. Woodfall, 1798)]: With new Scenes [by Carver (O'Keeffe, u, 38)], Dresses, and a new Overture. The Selected Airs by Handel, Vento, Giordani, Giardini, Bertoni, Dr Arne, and Carolan, the Irish Bard. The Overture and New Airs composed by Dr Arnold. Books of the Songs to be had at the Theatre. [This was Sga Sestini's 1st appearance on the English-speaking stage. For several preceding seasons she had been a member of the Italian opera company performing at the King's.] "Sestini . . . was handsome, sprightly, and a good actress, if great exuberance of gesticulation, activity of motion, and affected Italian smorfie could make her one; but her voice was gritty and sharp (something like singing through a comb), and she was nothing of a singer, except for lively comic airs. Yet she was . . . long a favourite with the mass of the public, though not with the connoisseurs" (Mount-Edgcumbe, p. 33). Account-Book, 30 June 1783: Paid O'Keeffe in full for The Castle of Andalusia #368 18s. 6d. Receipts: #166 2s. 6d. (165/9/0; 0/13/6)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Cross Purposes

Event Comment: By the King's Company. The fee paid the players was the customary #20. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 16: To Drake, the upholsterer, for a serge Curtain and for hire of a screen on All Hallows day, #1

Performances

Mainpiece Title: The Brothers

Event Comment: This entry in A Calendar of the Inner Temple Records, ed. Inderwick, III, 65, follows one for a play on 2 Feb. 1668@9, suggesting that this play fell on All Hallows Day. The customary fee of #20 was paid the actors

Performances

Mainpiece Title: Secret Love Or The Maiden Queen

Event Comment: The warrant for the export of the goods of the French comedians who acted in the late summer is dated this day. See Calendar of Treasury Books, 1685-1689, p. 2082, and Boswell, Restoration Court Stage, p. 128. During October #200 was paid to John deSureis for himself and eleven companions, the French comedians who had been at Windsor (Boswell, Restoration Court Stage, p. 128)

Performances

Event Comment: [By Richard Steele. Date of premiere unknown. Published 20 Dec.] Colley Cibber: I remember [Rich] once paid us nine Days in one Week: This happen'd when the Funeral...was first acted, with more than expected Success.-Apology, I, 263

Performances

Mainpiece Title: The Funeral Or Grief A La Mode

Event Comment: Benefit M and Mlle Salle, the two Children who dance in the Company of the French Comedians. By His Royal Highness's Command. Tickets for L'homme a bonne fortune taken this day. [The Prince present. #40 paid to Bullock.

Performances

Mainpiece Title: Les Chinois Ou Arlequin Major Ridicule

Afterpiece Title: La Retour de la Foire

Entertainment:

Event Comment: Present the King, The Duke and Princess Amelia. Paid Mrs Campioni for 16 day's salary at #3 10s. per week #9 5s. 8d. Receipts: #99 18s. 6d

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: The Royal Chace

Dance: As17461231

Event Comment: BBrooks dead and remov'd from Salary list. Smith in his place. Paid Solomon Samuel for a suit of crimson velet and a blue damask'd waistcoat silver lac'd #4 4s. Salary list 4 days #203 7s. Norton 6 Chorus #1 10s. Mrs Hobson a bill 16s. (Treasurer's Book). Receipts: #180 (Cross); #173 7s. (Treasurer's Book)

Performances

Mainpiece Title: The Roman Father

Event Comment: Benefit for Barry. By Command of his Majesty. Duke and Amelia [present] (Cross). Pit and Boxes laid together, and servants will be allowed to keep places there and on the stage, which will be formed into front and side boxes. Ladies desired to send their servants by three o'clock. Tickets and places to be had of Barry, the corner of Bow St., Covent Garden; and of Hobson at the stage door. Receipts: #280 (Cross); #252 (Treasurer's Book). @Rec'd: Cash Front #84 14s. 6d.@Stage #45 16s. 6d.@Tickets Front #119 10s.@Stage-@ Paid salary List 4 days, #203 7s. (Treasurer's Book)

Performances

Mainpiece Title: Othello

Dance: Grandchamps, Mlle Auretti, Mathews, Miss Baker

Event Comment: [Treasurer's Book: 11 Apr. Paid; to Sowdon to make up his agreement #37; and @to Treasurer's Office 13s. 4d.@Numberers 5s.@Box offices 5s.@5 Box Keepers 10s.@4 Door Keepers 6s.@Lobby door keeper 1s. 6d.@Stage Door Keeper 3s. 6d.@Pit Offices 5s. 10d.@Doorkeepers 3s.@Upper Gallery Office 2s.@Door Keeper 1s. 6d.@House Keeper 3s. 6d.@Bill stickers (2 days) 10s.@Candle Woman 2s.@Soldiers 14s.@First Gallery Office 3s. 4d.@2 Door keepers 3s.@Total #4 13s. 6d.

Performances

Mainpiece Title: no Performances To Sun

Event Comment: [B$Barry's one-third of surplus came to #40 16s. 4d. The fourteen Renters who received payments on 23 Feb. were New Renters (i.e., they had purchased shares only since the beginning of the current season). The Hutchison Mure Esq Account (See cg 1757 Estimate of Constant Expenses) lists forty shares outstanding for Old Renters at 2 shillings per night. Rich, during the next thirty days, sold new shares until by 27 March 1758 he had on his books forty-five New Renters in addition to the 40 old ones. Their names will appear as they bought in. On this night (25 Feb.) George Wolley purchased one share. This was an appropriate time to sell stock in the theatre since Rich could now show a favorable balance on his nightly Account Books of #620 3s. 9d. with all bills paid, including interest to Old Renters.] Receipts: #202 9s. (Account Book)

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: A Lover His Own Rival

Dance: JJovial Coopers, as17571107

Event Comment: Receipts: #135 16s. Paid Col. Philip Honywood one night's rent of one share commencing this day 2 shillings (Account Book)

Performances

Mainpiece Title: The Prophetess

Event Comment: Both pieces By Command of his Majesty. The Comedy Love for Love design'd to be perform'd this day, is deferr'd till further notice. Present His Majesty and Princess of Wales, Lady Augusta, Princess Louisa, Prince William and Prince Frederick. Boxes #94 7s. 6d. [about 384 persons, nearly the capacity of the Boxes, which was about 560]. Paid Macklin one fifth part of #179 being the surplus after #63 allow'd for the charge as per agreement...#35 16s. Gave the Yeomen of the King and Princess's Guard #2 2s., and the King's Footmen and Chairmen #1 1s. (Account Book). Receipts: #242 (Account Book)

Performances

Mainpiece Title: King Henry Iv Part I

Afterpiece Title: Love a la Mode

Performance Comment: Actors only: Macklin, Barrington, Dunstall, Creswick, Mrs Burden, Shuter. Sir Archy-Macklin; Squire Groom-Shuter; Sir Callaghan-Barrington; Mordecai-Cresswick; Sir Theodore-Dunstall; Charlotte-Miss Macklin (Genest, IV, 623); Parts-Creswick, Mrs Burden.

Dance: [Unspecified]

Event Comment: No persons to be admitted without tickets, which will be delivered this day at the Office in the Theatre. Charges paid by, and receipts gained by Messrs Smith and Stanley. Galleries opened at half past Four. Pit and Boxes at Five. Prices 10s. 6d., 5s., 3s. 6d. Oratorio to begin at 6:30 p.m. Received (Account Book): @368 tickets at 10s. 6d. #193 4s.@410 tickets at 5s. #102 10s.@435 tickets at 3s. 6d. #76 2s. 6d.@1215 persons.@Receipts: #371 16s. 6d.@Charges: #35.

Performances

Mainpiece Title: Judas Maccabaeus

Music: Concerto on Organ-Stanley; Solo on Violin-Sg Giardini

Event Comment: Benefit for Stoppelaer. No charges. House received the ready money receipts of #35 1s. plus 1!2 of the #109 19s. which Stoppelaer deliver'd in tickets (Box 104; Pit 431; Gallery 193). Paid Mrs Marg. Lamb in full for a Bond due 8 March last #315. plus interest for 51 days from 8 March last #2 1s. 10d. (Account Book). Receipts: #35 1s. plus 1!2 value of tickets: #54 19s. 6d. (Account Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Flora

Dance: TThe Waggoners, as17610228