SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C Bannister"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C Bannister")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9758 matches on Event Comments, 4881 matches on Performance Comments, 1353 matches on Performance Title, 31 matches on Author, and 0 matches on Roles/Actors.
Event Comment: On this date, L. C. 5@16, p. 101 (Nicoll, Restoration Drama, p. 10n) Nathaniel Lee's The Duke of Guise was banned. John Drummond to Marquis and Duke of Queensberry, 16 July 1682: Ther is a play hear to be acted that maks a great business, for the Duke of Munmuth has complained of it, and they say that notwithstanding it is to be acted sometime nixt weik. They call it the Duke of Guise, but in the play the true story is cheinged to the plott time hear (HMC, Buccleuch-Queensberry MSS., 1903, II 108). Newsletter, 29 July 1682: A play by Mr Dryden, termed the Duke of Guise, wherein the Duke of Monmouth was vilified and great interest being make for the acting thereof, but coming to His Majesty's knowledge is forbid, for though His Majesty be displeased with the Duke yet he will not suffer others to abuse him (HMC, 15th Report, Part VII, 1898, p. 108). Newdigate newsletters, 29 July 1682: A play having been made [by] Mr Dryden termed ye Duke of Guise supposed to Levell att the villifying the Duke of Monmouth & many other protestants & great Interest made for the Acting thereof but bringing to the knowledge of his Matie the same was forbidd for though his Maties pleasure is to be dissatisfyed and angry with the Duke of Monmouth, yet hee is not willing that others should abuse him out of a naturall affection for him (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81)

Performances

Performances

Mainpiece Title: Womans Wit Or The Lady In Fashion

Performances

Mainpiece Title: Entertainments

Event Comment: Weekly Journal or Saturday's Post, 30 May: On Saturday last died Mr Francis Leigh, one of the Comedians of Drury-Lane Playhouse, and Partner with Mr Bullock in the Entertainments of Southwark Fair, &c. He was Son of the Celebrated Tony Leigh, so fam'd heretofore for his Mastership in Comick Performances

Performances

Event Comment: Not Acted these Ten Years. As it was alter'd from Beaumont and Fletcher, by C. Cibber. Daily Journal, 5 Jan.: Last Night the Rival Fools...was violently hiss'd, upon which Mr Cibber, in a very civil manner, address'd himself to the Audience, and told'em, 'That they did not offer that Play as one of their most polite Entertainments, that they had been reflected on by the Town for not pushing forward their young Actors; that this Play had been revived for no other Purpose, that it was impossible for the old ones to last forever, and therefore he beg'd the Audience to be silent, and give those who were desirous of it the liberty of hearing.' This Speech was interupted by a thundering Clap, and produced a good effect for an Act, and then the hissing began again, and grew so violent towards the latter end, that they were obliged to give the Play out two or three times, and much ado had the ingenious Mr Penkethman to be heard at last. (See also Weekly Journal or Saturday's Post, 6 Jan.

Performances

Mainpiece Title: The Rival Fools Or Wit At Several Weapons

Event Comment: UUniversal Spectator, 11 Jan.: Last Wednesday his Highness the Prince went to...Drury-Lane, to see Mr Cibber's new Pastoral....The Actors were for a while prevented from performing, by the great Disturbance some of the Audience made. But on a Speech from Mr Cibber, with a Promise it should not be acted again, the Catcalls, &c. ceased, and they were suffered to go on and end the same. See also Applebee's, 11 Jan.; Egmont, Diary, III, 325; Whincop, p. 198

Performances

Mainpiece Title: Love In A Riddle

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by Shakespear. Afterpiece: Set to Musick by Mr Arne. [See Daily Post, 13 Nov., and London Evening Post, 13 Nov., for the trial of Harper. Daily Post, 13 Nov.: It was design'd also to prevent the Company acting last Night, by taking away so principal a Performer in the Play, which was advertis'd, he being conrin'd, &c. and his Hearing by Counsel deferr'd till between Five and Six o'Clock; but the Audience being duly acquainted with this Prosecution very kindly accepted Mr Cibber's reading the Part.]

Performances

Mainpiece Title: Henry IV Part I

Afterpiece Title: The Opera of Operas

Dance: Wattcau by Miss Robinson. La Bagatelle by Essex and Miss La Tour

Event Comment: An Organ is Erected on the Occasion. Performance By Desire. Being the last time Mr Arne can have the Theatre to perform it this season. Mr Arne being inform'd that some persons have objected to the small addition of Prices, will (notwithstanding he performs at above #70 Expence) oblige the Town with this Performance at the Usual Benefit prices, viz: 5s., 3s., 2s., 1s. To begin at half an hour past Six. Tickets to be had of Arne Next door to the Crown &c. [see 20 March]

Performances

Mainpiece Title: Alfred The Great

Music: I: a Concerto new by Arne on the Violin-Gordon; II: a Concerto on the Organ-Burgess

Event Comment: fterpiece]: A Masque by Mr Dodsley. Went off Toll (Cross). New Dresses, Scenes, Decorations, &c. Music compos'd by Mr Arne. Nothing under Full prices will be taken. [Customary note for all subsequent performances this season. Will not be repeated.] Receipts: #170 (Cross); #161 19s. (Powel)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Triumph of Peace

Performances

Mainpiece Title: The Country Lasses Or The Custom Of The Manor

Afterpiece Title: Harlequin Sorcerer

Dance: Grandchamps, Mlle Camargo

Event Comment: At the Request of several Scotch Nobility, as benefit for Mr Gibson, who perform'd Donald MacGregor in The Orators 38 Days...will be performed a Concert of Music...after which, &c. Boxes 5s. Pit 3s. Gallery 2s. Tickets to be had of Mr Gibson, next Door to the Golden Star in Lower Cross St., near Hatton Gardens...He will make it his chief care to conduct the whole with Regularity. To begin at 6:30 p.m

Performances

Mainpiece Title: The Orators

Entertainment: A Prologue, Singing, a Dutch Story, Hippisley's Drunken Man-, with alterations and additions

Event Comment: Benefit for Miss Young. Afterpiece: Not acted in 20 years. Music by Dr Arne. [See John Lockman's Reflections concerning Operas, &c." in his introduction to his edition of Rosalinda (London, 1760), p. iv: 'A gentleman, well known for his musical compositions, is of opinion, that the reason why the Opera Rosamond tho' adorned with all the graces of lyric poetry, does not please from the stage, so much as might be expected, is owing to a circumstance that forms a beauty in the drama itself; I mean the suppos'd poisoning of Rosamond at the end of the second act, and her appearing no more upon the stage. Whilst this sheet was at press, I was told that Mr Arne has reduc'd this opera into one act, and set the whole anew; and so managed matters, that Rosamond appears throughout the whole drama. Tis said that the music of this new Rosamond is as delightful as that of another performance of Mr Arne's which now affords the town so agreeable an Entertainment."

Performances

Mainpiece Title: Macbeth

Cast
Role: Seaton Actor: Ackman

Afterpiece Title: Rosamond

Dance: End: The Medley, as17641120

Event Comment: This Comedy was written by Mr Kelly as soon as the Curtain was drawn up they began to hiss--a party was made against it--because he was suspected of Writing for the Court party. Much hissing. Mr Garrick call'd for. No play &c. Cry'd out, at last the play was got thro' with much hissing and Groaning When the play was given out again One Party was for it no more and Kelly's party was for it again so that no play at all was given out (Hopkins Diary). [See Criticism in "British Theatre" article, London Magazine, March, also an extended account of the attack upon the piece. This occurs also in the Town and Country Magazine, which mentions that since the curtain was not drawn up for the farce the audience received a refund.

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: Hob in the Well

Event Comment: This New Comedy [Mainpiece] written by Mr Cumberland receiv'd with the greatest applause imaginable particularly Mr Moody's part. He play'd finely--it will have a great run (Hopkins Diary). New Scenes, Dresses, Decorations, &c. (Winston MS 10). [A six and one-half column review of the plot appeared in the Gentleman's Magazine for Feb. 1771.

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Daphne and Amintor

Event Comment: Never performed in this Kingdom. In the manner of an Oratorio. This is a species of entertainment borrowed from our volatile neighbors on the continent, and never performed in England before; that is not directly in this manner. [But see 4 May 1759.] The performance was divided into three parts: the First consisted of Mr Addison's celebrated Hymn, set to music by Mr Handel, which is a masterly performance; the second contained Miserere mei Dei, &c., the music compsoed by Sig Pergolesi; this is a noble performance; the third part consisted of a very fine anthem, by Sig Nigri of Milan, a work of great merit. A concerto on the French Horn (as 6 March) and a concerto on the Violin (as 11 March) (Theatrical Review, p. 220). Charges: #35 (Account Book)

Performances

Mainpiece Title: Concerto Spirituale

Event Comment: The Public is most respectfully informed that The Pirates [advertised on playbill of 19 Feb.] is deferred on account of the Indisposition of Bannister Jun. Receipts: #169 15s. 6d. (123.18.6; 38.9.0; 6.16.0; tickets not come in: 0.12.0)

Performances

Mainpiece Title: At Kings The Haunted Tower

Afterpiece Title: The Deuce is in Him

Event Comment: [Palmer's 1st appearance as Capt. Duretete was at Liverpool, 18 Aug. 1773. As afterpiece the playbill announces The Prize, but "The Public are respectfully informed that on Account of the sudden Indisposition of Bannister Jun. The Prize cannot be performed. This Evening will be presented Tit for Tat" (printed slip attached to Kemble playbill). In it "Barrymore being Ill, Benson play'd Villamour" (Powell).] Powell: New Ballet rehearsed at 12. Receipts: #117 12s. (71.0.6; 41.13.6; 4.18.0)

Performances

Mainpiece Title: The Inconstant Or The Way To Win Him

Afterpiece Title: Tit for Tat

Event Comment: Benefit for a young Gentlewoman in Distress thro' ye Bankrupcy of her Guardian (Cross). [Treasurer's Book lists Miller of Mansfield as the Afterpiece, and indicates the ready cash for Mrs Crokatt, the young gentlewoman, was #63 2s.] Paid 1!2 year's Poor rate due Xmas #17 13s. 4d.; Paid Mrs Reynolds for wax & Brick dust 3s. 11d. (Treasurer's Book). [Winston MS 7 lists Intriguing Chambermaid as afterpiece.] Tickets to be had at Mr Owen's at Temple Bar; Batson's Coffee House in Cornhill, and of Hobson at the stage door. Receipts: #210 (Cross); charges #80 (Treasurer's Book)

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17491020, but Launcelot-Shuter; Gratiano-Mills [this was his last appearance on the stage]; Singing in Act I -_.

Afterpiece Title: The Miller of Mansfield

Dance: III: Comic Dance, as17500221; IV: Swedish Gardeners, as17491219

Event Comment: Benefit for Sparks, Charges #60. Deficit to Sparks #11 2s. 5d., covered by #104 11s. from tickets. Paid Redman a bill for writing parts 10s. 4d.; Paid Lampe on acct by Mr Kirkman #12.Receipts: #48 18s

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Miss in Her Teens

Event Comment: By Command of the Prince and Princess of Wales, Benefit for Mr Pritchard, Treasurer. Tickets at Stage Door. Rec'd cash #116 2s., plus #91 5s. from tickets. Total #207 17s. Paid window tax at Winsors 16s. 3d.; Paid 6 chorus #1 10s. (Treasurer's Book). Receipts: #210 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: Merope

Afterpiece Title: Lethe

Dance: SSwedish Gardeners, as17491219

Event Comment: Receipts: #146 1s. Paid John Rich on account #10 10s.; Lent Mr Buck #5 5s. and paid him for tambourines #1 4s

Performances

Mainpiece Title: Comus

Event Comment: Receipts: #224 18s. 6d. Advanc'd to Mrs Ward #20. Paid Sarjant on acct of salary #5; Paid Ridout one third of the surplus of this night's receipt being #144 18s. 6d. than the #80 allow'd for the charge: #48 2s. 6d. This morning I was at Mr Shadwell's for his Orders [for free theatre tickets] & took all my sisters to Covent Garden Gallery to see the Jovial Crew & Rape of Proserpine, which was full of noisy holiday people (Hailey, Brietzcke Diary, Vol. 197, p. 544)

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Rape of Proserpine

Event Comment: Benefit for Cooke. By Particular Desire. Tickets delivered for the Busy Body will be taken. [Account Book indicates Receipts: #26 1s. 6d. plus #53 14s. from tickets: (Box 61; Pit 165; Gallery 137). A staff of 22 servants, plus the women dressers and charwomen were paid #3 13s. 2d. for operating the theatre this night. The deficit carried into the summer after this night was #216 19s. 10d. This deficit plus summer expenses produced an encumbrance of #359 12s. 9d. to be met at the start of the 1761-62 season. Rich upon ten occasions withdrew under Account I from the treasury #2743. From this account he put back into the treasury upon three occasions (May 8, 31; June 23) #600. So over and above the #6 which the Rich family received daily in Account 76, Rich tucked away #2143 in Account I. In addition his carpentry bills to Mr Gom for work at Cowley were paid from theatrical funds. His cut from Account 76 at #5 per night was #810. So apparently Rich cleared #2953 this season despite the fact that it ran only 162 nights, and that George II's death occurred in a money-making part of the season.] Charges: #42 (Account Book)

Performances

Mainpiece Title: Othello

Performance Comment: Othello-a Gentleman (who has not appeared in several years); Cassio-Cooke(, 2nd appearance this stage); Desdemona-Mrs Osborne; Iago-Storer; Brabantio-Wignell; Roderigo-Vaughan; Duke-Stoppelaer; Montano-Turner; Emilia-Mrs Smith.

Afterpiece Title: The Upholsterer

Song: Between Acts: a Gentleman (who never appeared upon any Stage before)

Dance: HHornpipe-Mrs Blake(, from the theatre in Dublin)