SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C B"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C B")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9670 matches on Event Comments, 3173 matches on Performance Comments, 1218 matches on Performance Title, 295 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [The playbill retains Mrs Crouch, but "Though [her] indisposition occasioned some disappointment, the loss was felt the less, as her place was supplied by the pleasing and unaffected Miss Hagley" (Public Advertiser, 12 Mar.).

Performances

Mainpiece Title: A Grand Selection From The Works Of handel 0 Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Hautboy Concerto-; Venus laughing from the skies-Chorus (Theodora); Ask if yon damask rose be sweet-Miss Romanzini (Susanna); My arms against this Gorgias, Arm arm ye brave=-Reinhold; We come in bright array-Chorus (Judas Maccabaeus); Hence loathed melancholy, Come thou goddess fair and free-Cizo (L'Allegro); From mighty kings-Miss Hagley (Judas Maccabaeus); To sing and dance, Fix'd in his everlasting seat-Grand Chorus (Samson).

Music: End II: concerto on the violin-Weichsel

Event Comment: Benefit for Mrs Pope. Mainpiece: Not acted these 6 years. [When still Miss Younge Mrs Pope had 1st acted Fatima at the Crow Street Theatre, Dublin, 4 Mar. 1771.] Public Advertiser, 9 Mar.: Tickets to be had of Mrs Pope at her house, Half-moon Street. Receipts: #343 10s. 6d. (230.3.6; 8.3.0; tickets: 105.4.0)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: Cymon

Dance: End: Tamborine Dance- [See17891021]; Afterpiece conclude: Dance-Byrne, Mrs Goodwin

Event Comment: Benefit for Wroughton. Public Advertiser, 20 Mar.: Tickets to be had of Wroughton at his house, Sadler's Wells. Receipts: #249 10s. 6d. (133.6.0; 22.7.0; 0.16.6; tickets: 93.1.0) (charge: #115 9s. 7d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Romp

Dance: End: The Treble Hornpipe-the young D'Egvilles, Miss Blanchet

Song: End II: Poor Jack; or, the Sweet Little Cherub-Dignum

Event Comment: Benefit for Lewis. 1st piece: In 3 Acts. Not acted these 4 years. 3rd piece: Never acted at this Theatre. Public Advertiser, 22 Mar.: Tickets to be had of Lewis, in Bow-street. Receipts: #346 0s. 6d. (254.19.6; 3.8.0; tickets: 87.13.0)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Rosina

Afterpiece Title: A Peep behind the Curtain

Performance Comment: Glib (for that night only)-Lewis; Sir Toby Fuz-Powel; Sir Macaroni Virtu-Bernard; Patent-Thompson; Wilson-Macready; Mervin-Evatt; Prompter-Farley; Carpenter-Rock; Miss Fuz-Mrs Lewis; Sweepers-Mrs Powell, Mrs Davenett; Lady Fuz-Mrs Webb; Characters in the Burletta: Orpheus-Davies; Shepherds-Darley, Reeve, Blurton, Lee, Cubitt; Old Shepherd-Blanchard; Rhodope-Mrs Martyr.
Event Comment: Benefit for Quick. "Quick, in July 1777, played Richard III at Bristol" (Anthony Pasquin [pseud. for John Williams], Poems [1789], II, 244). "Most people expected from Quick a comic representation of Richard the Third--but strange to tell he was earnest in the attempt, and succeeded tolerably. The audience, however, were not disposed to be very serious, and named him 'Little Dicky'" (Public Advertiser, 8 Apr.). [Address by Robert Merry (European Magazine, Apr. 1790, p. 307.] Gazetteer, 1 Apr.: Tickets to be had of Quick, Broad-court, Bow-street. Receipts: #430 17s. 6d. (265.5.6; 4.15.0; tickets: 160.17.0)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: As17890925, but King Richard (for that night only)-Quick (1st appearance in that character on that stage); Lord Mayor-Reeve; Ratcliffe-_.

Afterpiece Title: Catherine and Petruchio

Dance: After Singing: As17891021

Song: End: A Laugh and a Cry (composed by Blewitt)-Darley, Blanchard

Entertainment: Monologue. Preceding: an Introductory Address-Ryder

Event Comment: [Afterpiece, which Public Advertiser erroneously announces as The Farm House, in place of The Romp, advertised on playbill of 10 Apr.] Receipts: #148 9s. 6d. (118.0.0; 26.14.6; 3.15.0)

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: The Humourist

Event Comment: Benefit for Baddeley. 2nd piece [1st time; INT 1, probably by Robert Baddeley. Larpent MS 865; not published]. Public Advertiser, 20 Apr.: Tickets to be had of Baddeley, No. 10, New Store-street, Bedford Square. Receipts: #320 9s. 6d. (94.18.0; 16.5.0; 0.12.6; tickets: 208.14.0) (charge: #117 10s. 6d.)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Mordecais Beard

Afterpiece Title: The Romp

Dance: End I: As17900323

Song: End II: a new Masonic Song-Dignum

Entertainment: Monologue. End: The Picture of a Play@House; or, Bucks have at ye all-Bannister Jun

Event Comment: Mainpiece [1st time; MD 3, by Frederick Reynolds. Larpent MS 870; not published; synopsis of plot in Public Advertiser, 7 May]: With entire new Dresses, Scenes, Machinery and Decorations. The Music partly selected from Cimarosa, Gluck, Martin y Soler?, Reeve, Dr Arne [the printed score (Longman and Broderip [1790]) adds: Martini, Duni, Carolan, Leveridge]. The rest composed by Shield. The Chorusses selected from Handel, and sung by the Performers from the Concert of Ancient Music. Books of the Songs to be had at the Theatre. Receipts: #210 13s. 6d. (208.12.0; 2.1.6)

Performances

Mainpiece Title: The Crusade

Performance Comment: Principal Characters by Quick, Bannister, Johnstone, Blanchard, Davies, Darley, Powel, Cubitt, Rock, Edwin, Mrs Martyr, Mrs Billington. [Cast from Songs (T. Cadell, 1790): Bantam-Quick; Daran-Bannister; Raymond-Johnstone; Joppa-Blanchard; Godfrey-Davies; Aluph-Darley; Adran-Powel; Tartar Prince-Cubitt; Gaoler-Rock; Sir Troubadour-Edwin; Iman-Thompson; Sylvia-Mrs Martyr; Constantia-Mrs Billington; Prologue-Bernard. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Miser

Event Comment: Benefit for Sedgwick. Public Advertiser, 19 May: Tickets to be had of Sedgwick, No. 66, St. Martin's Lane. Receipts: #218 5s. (47.12.0; 19.19.6; 1.12.6; tickets: 149.1.0) (charge: #110 9s. 2d.)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Court of Apollo i

Performance Comment: e. The Sons of Anacreon]. President-R. Palmer; In which (for that night only) The Anacreontic Song-Sedgwick; [following glees: Now is the Month of Maying (Morley), Could a Man be Secure (Goodwin)-Dignum, Sedgwick; Sigh no more Ladies (Stevens), Poor Jack (Dibdin)-Dignum; Welcome the Covert (Mellish), Here's a Health to all good Lasses, Wake Sons of Odin (Stevens)-Sedgwick; Sing Old Rose and Burn the Bellows-.

Afterpiece Title: Comus

Event Comment: Benefit for Delpini. [Mrs Delpini's 1st appearance at this theatre was on 28 May 1789.] Public Advertiser, 26 May: Tickets to be had of Delpini, No. 17, Tavistock-street, Covent Garden. Receipts: #285 2s. (153.2.6; 5.9.6; tickets: 126.10.0)

Performances

Mainpiece Title: The Lying Valet

Performance Comment: Sharp-Blanchard; Gayless-Davies; Justice Guttle-Powel; Melissa-Miss Chapman; Kitty Pry-Mrs Delpini (2nd appearance on this stage).

Afterpiece Title: The Poor Soldier

Afterpiece Title: Harlequins Chaplet

Dance: Preceding: As17891113

Performances

Mainpiece Title: Rosina

Afterpiece Title: Animal Magnetism

Performance Comment: As17891020, but Public Advertiser assigns Constance-Mrs Rock.

Afterpiece Title: The Farmer

Performances

Mainpiece Title: King Lear

Performance Comment: King Lear-Harley; Bastard-Macready; Gloster-Hull; Kent-Aickin; Albany-Davies; Cornwall-Evatt; Physician-Rock [Public Advertiser: Powel]; Gentleman Usher-Bernard; Edgar-Holman; Regan-Mrs Bernard; Goneril-Mrs Platt; Arante-Miss Rowson; Cordelia-Miss Brunton.

Afterpiece Title: The Provocation

Performances

Mainpiece Title: Love In Many Masks

Afterpiece Title: The Pannel

Performance Comment: Don Guzman-Baddeley; Don Ferdinand-Benson [Public Advertiser: Barrymore]; Don Carlos-Whitfield; Don Pedro-Williames; Octavio-Phillimore; Muskato-Bannister Jun.; Lazarillo-R. Palmer; Lawyer-Maddocks; Notary-Fawcett; Servant-Lyons; Alguaziles-Jones, Webb, Alfred; Marcella-Mrs Ward; Aurora-Mrs Kemble; Beatrice-Mrs Jordan; Leonarda-Mrs Booth.

Performances

Mainpiece Title: The Rivals

Performance Comment: Sir Anthony Absolute-King; Captain Absolute-Palmer; Faulkland-Kemble; Acres-Dodd; Sir Lucius O'Trigger-Moody; Fag-R. Palmer; David-Hollingsworth [Public Advertiser: Baddeley]; Coachman-Phillimore; Mrs Malaprop-Mrs Hopkins; Lydia Languish-Mrs Jordan; Julia-Miss Farren; Lucy-Mrs Williames.

Afterpiece Title: Don Juan

Dance: As17901026

Event Comment: Benefit for Sga Storace. Part of the Pit will be laid into the Boxes. Public Advertiser, 2 Feb.: Tickets to be had of Sga Storace, No. 23, Howland-street, Rathbone Place. Receipts: #357 11s. (195.13; 20.19; 1.9; tickets: 139.10) (charge: #115 3s. 6d.)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: No Song No Supper

Event Comment: Benefit for Mrs Esten. Public Advertiser, 7 Feb.: Tickets to be had of Mrs Esten, No. 5, Nassau-street, Soho. Receipts: #353 18s. (212.0; 5.10; tickets: 136.8)

Performances

Mainpiece Title: The Belles Stratagem

Performance Comment: As17900915, but Lady Touchwood-Mrs Wells; Letitia Hardy (for that night only, with the song and Minuet de la Cour)-Mrs Esten.

Afterpiece Title: The Farmer

Entertainment: Monologue End: (for that night only) Collins's Ode on the Passions-Mrs Esten

Event Comment: Benefit for Bannister Jun. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four. Afterpiece: Not acted these 3 years. Public Advertiser, 2 Apr.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #339 3s. 6d. (145.15.0; 13.1.0; 1.12.6; tickets: 178.15.0) (charge: #132 10s. 2d.)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Mayor of Garratt

Event Comment: Benefit for Holman. Ode: The music by Dr Arne. Afterpiece: Not acted these 3 years. [acted 16 June 1790]. Public Advertiser, 28 Apr.: Tickets to be had of Holman, No. 2, Tavistock-row, Covent Garden. Receipts: #217 2s. 6d. (121.11.0; 6.15.6; tickets: 88.16.0)

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Quaker

Entertainment: Duologue. End: Garrick's Ode on Shakespeare-Holman, Miss Brunton; Principal Vocal Parts-Incledon, Blanchard, Williamson, Cubitt, Gray, Miss Broadhurst, Miss Williams, Mrs Martyr

Event Comment: Benefit for Bensley. Public Advertiser, 27 Apr.: Tickets to be had of Bensley, No. 21, Charlotte-street, Bloomsbury. Receipts: #226 12s. 6d. (96.18.0; 30.19.0; 2.15.6; tickets: 96.0.0) (charge: #121 5s.)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Bon Ton

Event Comment: Benefit for Dignum. Part of the Pit will be laid into the Boxes. Public Advertiser, 14 May: Tickets to be had of Dignum, No. 23, New North-street, Red Lion-square. Receipts: #56 16s. (43.1.0; 11.8.6; 2.6.6; tickets: none listed) (charge: #121 6s. 4d.)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Citizen

Song: End I: My Poll and my Partner Joe (composed by Dibdin)-Dignum

Event Comment: Benefit for Mrs Bannister. Public Advertiser, 21 July: Tickets to be had of Mrs Bannister, Frith-street, Soho. Receipts: #250 (Gazetteer, 5 Sept.)

Performances

Mainpiece Title: She Woud And She Woud Not

Performance Comment: Don Manuel-Parsons; Don Phillip-Bensley; Octavio-Williamson; Trappanti-Bannister Jun.; Soto-Baddeley; Diego-Burton; Don Lewis-Evatt; Hypolita-Mrs Jordan (1st and only time of appearing on this stage); Rosara-Miss Heard; Flora-Miss Fontenelle; Villetta-Mrs Whitfield.

Afterpiece Title: The Son in Law

Dance: As17910701

Event Comment: 3rd piece [1st time; F 2, by Charles Stuart, "from the Spanish"; on 2 Sept. reduced to 1 act. Prologue by the author (see text)]. "The Piece, we understand, was originally founded on some topics that have of late engrossed the conversation of much of the fashionable world...The Lord Chamberlain thought [it] too delicate a nature to appear with the allusions and title it then bore, She would be a Duchess. The consequence was that the offensive bits were expunged and the piece re-christened...It would be unfair to make any observations...in the mutilated stage it was presented" (Public Advertiser, 15 Aug.). "Some part of the plot was supposed to allude to the late occurrences in the family of General John? Gunning, who was indulged with the privilege of erasing [from the MS] that which he disliked, and who reduced it to its present feeble and unconnected form" (Gazetteer, 15 Aug.). [The reference in the original title is to the simultaneous flirtation of Miss Elizabeth Gunning, the General's daughter, with the eldest sons of the Dukes of Marlborough and Argyll (see dnb, under Susannah Gunning). She would be a Duchess: in Larpent MS 915.

Performances

Mainpiece Title: Next Door Neighbours

Afterpiece Title: The Padlock

Afterpiece Title: The Irishman in Spain

Event Comment: Benefit for Bannister Jun. [Afterpiece: Prologue by George Colman, elder.] Public Advertiser, 29 Aug.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #240 (Gazetteer, 5 Sept.)

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: Bon Ton or High Life above Stairs

Event Comment: Benefit for Jewell, treasurer. Public Advertiser, 29 Aug.: Tickets to be had of Jewell, No, 26, Suffolk-street, Charing-cross

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Village Lawyer

Event Comment: No Money to be returned. Boxes 6s. 2nd Price 3s. Pit 3s. 6d. 2nd Price 2s. Gallery 2s. 2nd Price 1s. Places for the Boxes to be taken of Fosbrook, at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 14 Nov.]. The Avenues to the Boxes, Pit and Gallery are all at the Front of the Theatre in the Hay-Market, and the Door in Market-Lane is for Chairs only. "The short time since it had been determined to occupy this theatre had not been sufficient to enable the workmen to perfect what was intended so soon as was expected; nor could they be got out in time for opening the doors in the afternoon: this delay, and the difficulty of finding the way to different parts of the house [see 24 and 27 Sept.], caused some disgust" (Universal Magazine, Sept. 1791, p. 220). 1st piece [1st time; M. PREL 1, James Cobb; music by Storace (Kemble Mem.). Larpent MS 918; not published]. Receipts: #472 8s. 6d. (451.7.6; 20.6.0; 0.15.0)

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: The Haunted Tower

Afterpiece Title: The Pannel

Performance Comment: Don Guzman-Baddeley; Don Ferdinand-Barrymore; Don Carlos-Whitfield; Don Pedro-Benson; Octavio-Phillimore; Muskato-Bannister Jun.; Lazarillo-R. Palmer; Lawyer-Fawcett [Public Advertiser: Maddocks]; Marcella-Mrs Goodall; Aurora-Mrs Kemble; Beatrice-Mrs Jordan; Leonarda-Mrs Booth.