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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C B"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C B")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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14004 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $Mr C. B<span class=
We found 9670 matches on Event Comments, 3173 matches on Performance Comments, 1218 matches on Performance Title, 295 matches on Author, and 0 matches on Roles/Actors.

2151
28 April 1784 @ Covent Garden

Event Comment: Benefit for Johnstone. Tickets for The Two Gentlemen of Verona will be admitted. Public Advertiser, 21 Apr.: Tickets to be had of Johnstone, No. 23, Pall Mall. Receipts: #195 16s. 6d. (125/8/6; tickets: 70/8/0) (charge: #105)

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17830917, but Young Meadows (1st time)-Johnstone; Hawthorn (for that night only)-Dighton; Rosetta-Mrs Bannister .

Afterpiece Title: Midas

Dance: End of Act I of mainpiece a Statute Dance, incident to the piece (performers not listed); End of mainpiece The Poney Races by Harris, Ratchford, Byrne, Mrs Goodwin, Miss Matthews

2152
30 April 1784 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Wells [whose 1st appearance in tragedy was at this theatre, 30 Apr. 1783]. Public Advertiser, 29 Apr.: Tickets to be had of Mrs Wells, No. 5, York-street, Covent-garden. Receipts: #143 17s. (33/4/0; 24/0/6; 0/10/6; tickets: 86/2/0) (charge: #114 8s. 6d.)

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Camp

Dance: After the Singing, as17840311athi

Song: End of mainpiece a favourite song by Miss George

Monologue: 1784 04 30 Before the mainpiece an occasional Address spoken by Mrs Wells

2153
03 May 1784 @ Drury Lane Theatre

Event Comment: Benefit for Suett and R. Palmer. Public Advertiser, 30 Apr.: Tickets to be had of Suett, No. 230, High Holbourn, and of R. Palmer, No. 3, Cecil Street, Strand. Afterpiece: Not acted these 20 years [not acted since 4 Nov. 1762]. Receipts: #227 18s. (29/18/0; 31/14/6; 0/5/6; tickets: 166/0/0) (charge: #107 0s. 9d.)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: A Pasticcio

Afterpiece Title: Duke and No Duke

2154
04 May 1784 @ Drury Lane Theatre

Event Comment: "[Mrs Siddons's] Impatience, her impassioned Gestures, during the Narrative of Old Norval--the Towering of her Transports after it--the Transports of Tenderness maternal... were given with an enthusiastic Grace of Truth" (Public Advertiser, 7 May). Receipts: #242 17s. (225/5; 16/13; 0/9; tickets not come in: 0/10)

Performances

Mainpiece Title: Douglas

Afterpiece Title: Too Civil by Half

Dance: As17840311athi

2155
04 May 1784 @ Covent Garden

Event Comment: Benefit for Mrs Wilson. Public Advertiser, 30 Apr.: Tickets to be had of Mrs Wilson, No. 20, Tavistock-street, Covent Garden. 3rd piece [1st time; F 1, author unknown. MS: Larpent 656; not published. Author of Prologue unknown]. Receipts: #177 4s. 6d. (113/15/6; tickets: 63/9/0) (charge: #105)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Merry Wives of Windsor

Afterpiece Title: Bribery on both Sides

Dance: End of mainpiece The Poney Races (performers not listed; see17840428)

2156
08 May 1784 @ Drury Lane Theatre

Event Comment: [As mainpiece the playbill announces Tancred and Sigismunda, but "[Mrs Siddons] again appeared in Lady Randolph, for on the sudden illness of Kemble, Tancred was thus forced to be changed" (Public Advertiser, 10 May).] Receipts: #225 18s. (207/18/0; 16/10/0; 0/12/6; tickets not come in: 0/17/6)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Deaf Lover

2157
08 May 1784 @ King's Theatre

Event Comment: A Serious Opera, in 2 acts (never performed before [by Pietro Metastasio]); the Music entirely new by Anfossi. With new Scenes and Decorations, designed and painted by Novosielski. Public Advertiser, 10 May: The Event of Saturday night may teach the Managers, if they are not incapable of being taught, how it has happened that their House has for these six Weeks past been almost empty, and now at last was again full. For these six weeks past the Town has been disgusted with bad Music, ill sung; with that wretched Apology for a first rate singer, Rauzzini, and that barbarous dullness which he thinks Music, his Regina di Golconda. On Saturday Night there was the direct Reverse of all this wretched Infamy . . . There have been few finer Operas, and none since Farinelli's time so exquisitely sung

Performances

Mainpiece Title: Issipile

Dance: End of Act I New Divertissement, as17840424; End of Opera Le Tuteur Trompe, as17840325athi

2158
10 May 1784 @ Covent Garden

Event Comment: Benefit for Mrs Martyr. Public Advertiser, 7 May: Tickets to be had of Mrs Martyr, No. 32, St. Martin's-strcet, Leicester-fields. 1st piece [1st time; CO 2, by Horatio Edgar Robson. MS: Larpent 657; not published. Composer of music unknown]: The Music partly new and partly compiled. With a New Overture. Receipts: #181 i5s. (99/16; tickets: 81/19) (charge: #105)

Performances

Mainpiece Title: Too Loving By Half

Afterpiece Title: The Winters Tale

Afterpiece Title: Rosina

Dance: End of 2nd piece Adelaide de Brabant, as17840508

2159
13 May 1784 @ King's Theatre

Event Comment: Benefit for Mme Theodore. Tickets made out and delivered for the 1st of April will be admitted, and may be had of Mme Theodore, No. 5, Great Pultney-street, Golden-square. Public Advertiser, 15 May: The Ballet was founded on the French piece of Le Deserteur, of which there was retained a good deal of the

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

2160
18 May 1784 @ Covent Garden

Event Comment: Benefit for Mrs Kemble. Public Advertiser, 14 May: Tickets to be had of Mrs Kemble, No. 22, Great Queen-street, Lincoln's-inn-fields. Tickets delivered for Friday the 14th Inst, will be admitted. Receipts: #142 13s. (63/14; tickets: 78/19) (charge: #105)

Performances

Mainpiece Title: More Ways Than One

Afterpiece Title: Midas

Dance: End of Act I of mainpiece, as17831001

Song: End of Act II of mainpiece The Huntsman's sweet Hollo by Mrs Martyr

Monologue: 1784 05 18 End of mainpiece an Address (written on the Occasion [author unknown]) by Mrs Kemble

2161
29 May 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Separate Maintenance

Performance Comment: Principal Characters by Palmer, Williamson, Aickin, Gardner, Stevens, Edwin, Parsons; Mrs Webb, Mrs Inchbald, Mrs Cuyler, Mrs Lloyd, Miss Farren (1st appearance on this stage these 3 years). [Cast adjusted from Gazetteer, 1 Sept. 1779: Leveret-Palmer; Lord Newbery-Williamson; Touchwood-Aickin; Fraction-Gardner; Minim-Edwin; Lord Oldcastle-Parsons; Lady Oldcastle-Mrs Webb; Miss English-Mrs Inchbald; Mrs Revel-Mrs Cuyler; Mrs Frankly-Mrs Lloyd; Lady Newbery-Miss Farren. Stevens is unassigned.] hathi. hathi.

Afterpiece Title: The Son in Law

Performance Comment: Characters by Parsons, Edwin, R. Palmer, Baddeley, Egan, Barrett, Stevens, Swords, Bannister; Mrs Lefevre, Miss Hooke. [Cast adjusted from Public Advertiser, 17 Aug. 1779 and playbill of 29 June 1786: Cranky-Parsons; Bowkitt-Edwin; Bouquet-R. Palmer; Vinegar-Baddeley; Idle-Egan; Orator Mum-Barrett; John-Stevens; Signor Arionelli-Bannister; Dolce-Mrs Lefevre; Cecilia-Miss Hooke. Swords is unassigned.] hathi. hathi.

Dance: As17840528

Song: In Act I of mainpiece song by Miss Hooke

2162
12 June 1784 @ Haymarket Theatre

Event Comment: "A sudden disability [occurred] in one of the performers; an apology was made for Aickin, and ... his part was read by Gardner" (Public Advertiser, 14 June). [Who acted Gardner's part is not stated.]

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: The Election of the Managers

Dance: As17840528

Song: As17840529

2163
24 July 1784 @ Haymarket Theatre

Event Comment: Benefit for Miss Woollery. Public Advertiser, 23 July: Tickets to be had of Miss Woollery, No. 5, Delahay-street, near Great George-street, Westminster

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Midas

2164
27 July 1784 @ Haymarket Theatre

Event Comment: Benefit for Brett. Public Advertiser, 22 July: Tickets to be had of Brett at Warburton's, Hay-market

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Flitch of Bacon

Dance: End of mainpiece Dance [probably The Medley], as17840528

2165
30 July 1784 @ Haymarket Theatre

Event Comment: Benefit for Bannister Jun. Public Advertiser, 24 July: Tickets to be had of Bannister Jun., No. 6, Great Russel-street, Covent Garden

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: The Genius of Nonsense

Dance: End of Act I of mainpiece, as17840727

Song: In the Temple of Health [in afterpiece] (1st time, and for this night only) a new, shocking Electrical Caleb, set to Medical Music by Dr Arnold, sung by Edwin, Bannister, Davies, Brett. imitations. End of mainpiece Various Imitations, Vocal and Rhetorical, by Bannister Jun

2166
05 August 1784 @ Haymarket Theatre

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Performance Comment: Biron-Williamson; Count Baldwin-Aickin; Carlos-Staunton (of DL); Child-D. Edwin [Public Advertiser: Master Edwin]; Sampson-Gardner; Belford-Davies; Villeroy-Palmer; Nurse-Mrs Love; Isabella-Mrs Wells (3rd appearance in tragedy, and 2nd in that part) .

Afterpiece Title: Gretna Green

Music: End of Act II a concertante for clarinet and bassoon by Mahon

Song: In Act III of mainpiece an Epithalamium by Mrs Bannister and Miss George

Monologue: 1784 08 05 Previous to mainpiece an occasional Address (2nd time) by Mrs Wells

2167
06 August 1784 @ Haymarket Theatre

Event Comment: Afterpiece: Altered from Sir John Vanbrugh's The Relapse. Never perform'd here. [Miss Christian is identified in Public Advertiser, 9 Aug.]

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: The Man of Quality

Dance: End of Act I of mainpiece, as17840528; End of mainpiece, as17840713

2168
24 August 1784 @ Haymarket Theatre

Event Comment: Benefit for Edwin. Mainpiece: Written by Dr Goldsmith. Public Advertiser, 20 Aug.: Tickets to be had of Edwin, No. 19, Piazza, Covent Garden

Performances

Mainpiece Title: The Good naturd Man

Afterpiece Title: The Deserter

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by Edwin

Monologue: 1784 08 24 End of mainpiece A Description of the Curiosities of the Tomer of London by Edwin, in the Character of a Warden

2169
20 September 1784 @ Covent Garden

Event Comment: "Wilson's Polonius was exceedingly pleasant, of course produced much laughter, though we do not think that he, any more than his immediate predecessors, conceived the part properly" (Public Advertiser, 21 Sept.). Afterpiece: The Music composed by Shield. The Scenery designed by Richards and Carver, and executed by them, Hodgins, and others

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Harlequin Rambler or The Convent in an Uproar

2170
06 October 1784 @ Covent Garden

Event Comment: "Being possessed of an excellent understanding, and under the general impression of elegant manners, there appears to be no study [in Mrs Abington], no imitation--all is the result of the moment--natural, well-bred, and easy" (Public Advertiser, 25 Nov. 1784). Mainpiece: Altered from Cibber's Non-Jour, and the Tartuffe of Moliere. Not acted these 12 years [acted 12 Oct. 1773]

Performances

Mainpiece Title: The Hypocrite

Performance Comment: Doctor Cantwell-Aickin; Colonel Lambert-Lewis; Seward-Farren; Sir John Lambert-Hull; Mawworm-Edwin; Darnley-Wroughton; Lady Lambert-Mrs Bates; Old Lady Lambert-Mrs Webb; Betty-Miss Stuart; Charlotte-Mrs Abington (1st appearance this season) .

Afterpiece Title: The Musical Lady

Dance: End of Act II of mainpiece The Rival Nympbs by Harris, Byrne, Ratchford, Mrs Goodwin, Miss Matthews

2171
09 October 1784 @ Drury Lane Theatre

Event Comment: "'Was he alive?' [was] uttered with a more rapid tone, and quicker feeling. Though in opposition to her manner in these words stand the great names of Henderson, Colman, and the Author himself" (Public Advertiser, 11 Oct.). Receipts: #299 (276/3; 21/17; 1/0)

Performances

Mainpiece Title: Douglas

Afterpiece Title: All the Worlds a Stage

Related Works
Related Work: All the World's a Stage Author(s): Isaac Jackman

2172
11 October 1784 @ Covent Garden

Event Comment: "[Henderson] is the soul, the animating particle of the person he represents--and never takes punctuation for passion" (Public Advertiser, 12 Oct.)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Harlequin Rambler

2173
25 October 1784 @ Covent Garden

Event Comment: [Holman is identified on playbill of 5 Nov. Address by John Barwis (European Magazine, Oct. 1784, p. 336, which also lists name of speaker).] Mainpiece: With new Dresses, Scenery and Decorations. In Act I a Masquerade Scene. [This notice is included in all subsequent playbills.] "This easy and natural performance of Holman . . . will prove a fatal blow to the cause of the Attitudinarians and Face-makers; to those who think dramatic excellence consists in . . . finding out meanings that were never meant ... in stretching out their fingers like monkies dying in convulsions ... in uttering their words like minute-guns at royal funerals" (Public Advertiser, 1 Nov.). "Why does Romeo wear black in the last Act? Is it on account of his banishment? He has not heard of Juliet's death" (Gazetteer, 28 Oct.)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-A Young Gentleman (1st appearance on any stage [Holman]); Capulet-Clarke; Friar Lawrence-Hull; Benvolio-Davies; Prince-Fearon; Paris-Bonnor; Tibalt-Cubitt; Montague-Thompson; Peter-Stevens; Apothecary-Jones; Mercutio-Lewis; Lady Capulet-Mrs Poussin; Nurse-Mrs Pitt; Juliet-Miss Younge (1st time at this theatre). Before the play an Occasional Address [spoken by Hull] .spoken by Hull] .

Afterpiece Title: The Musical Lady

Song: End of Act IV of mainpiece Juliet's Funeral Procession, with the Solemn Dirge. Vocal Parts by Johnstone, Brett, Baker, Cubitt, Gaudry, Pemberton, Whitaker, Darley, Doyle; Mrs Bannister, Miss Wheeler, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Davenett, Miss Cranfield, Mrs Kennedy

2174
29 October 1784 @ Drury Lane Theatre

Event Comment: [As mainpiece the playbill announces DECEPTION, but "The Author .. . gave evident marks of good sense ... by withdrawing his Piece yesterday noon, in the room of which The Provok'd Husband was substituted" (Public Advertiser, 30 Oct.).] Orders and Free List #34 5s. Receipts: #54 10s. 6d. (41/9/0; 12/17/6; 0/4/0)

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Gentle Shepherd

2175
30 October 1784 @ Drury Lane Theatre

Event Comment: "Both these actresses [Mrs Siddons and Mrs Wells] possess a quality which no other actresses have on the English stage--they are always, whether speaking or not speaking, in their part" (Public Advertiser, 4 Oct.). Receipts: #245 18s. (223/16; 21/8; 0/14)

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Irish Widow