SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C B"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C B")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9670 matches on Event Comments, 3173 matches on Performance Comments, 1218 matches on Performance Title, 295 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [Me Rossi was from the Opera, Naples.] "Her very first step proclaimed her a perfect mistress in the art of pantomime. Her dress was a manteau a la reine, lately imported by our travelling milliners. The body, bones and trimming are puce, the sleeves and lower part of the garment a white gawze. Her partner, Lepicq, dressed in the same uniform, discovered such profusion of talents, if we may be allowed the expression, as 'beggar all praise'" (Public Advertiser, 3 Dec)

Performances

Mainpiece Title: Medonte

Dance: End of Act I Apelles and Campaspe, as17821102; End of Opera New Divertisement, as17821102, but Sga Crespi in place of Sga Sala, and added: Pas de Deux by Lepicq and Mme Rossi (1st appearance in this country)

Event Comment: "[Miss Younge's] playing [the Trial] Scene without a Perriwig, or any of the Buffoonery in Mimicry of Bar Quackery [in which Mrs Clive used to indulge] cannot be too much commended" (.Public Advertiser, 4 Dec). Receipts: #181 0s. 6d. (178/8/6; 2/12/0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: As17821029

Event Comment: Afterpiece [1st time; f 2, by Miles Peter Andrews, with incidental music by James Hook. MS: Larpent 607; not published; synopsis of plot in Public Advertiser, 12 Dec. Prologue by Edward Topham {London Chronicle, 20 Dec.)]. Receipts: #129 13s. 6d. (76/6/0; 53/0/0; 0/7/6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Best Bidder

Performance Comment: Principal Characters by Palmer, Dodd, Baddeley, Barrymore, Suett, R. Palmer, Wright, Chaplin, Parsons; Mrs Wrighten, Mrs Bulkley. [Cast from European Magazine, Dec 1782, p. 465: Count Bam-Palmer; Lord Beauboot-Dodd; Snarem-Baddeley; Captain Standard-Barrymore; Inkhorn-Suett; Skip-R. Palmer; Watchman-Wright; Sir Tedious Prose-Parsons; Mrs Brocade-Mrs Wrighten; Arabella-Mrs Bulkley. Chaplin is unassigned.] Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.
Event Comment: [In the 1st ballet the playbill lists Mme Rossi, but she did not dance. As the 2nd ballet the playbill announces Il Ratto delle Sabine, but Mme Rossi was ill, which "rendered a verbal apology unavoidable. 'Mme Rossi was in hopes that her wish to court your favour would enable her to overcome her illness, but it has been as sudden as it is now alarming. She has just been let blood. The manager therefore intreats your indulgence, and that you will accept of Apelles and Campaspe instead of the Grand Ballet, which cannot possibly be performed.' . . . Henry performed the part of Alexander with the greatest propriety" (Public Advertiser, 19 Dec.).]

Performances

Mainpiece Title: Il Convito

Dance: End of Act I New Divertisement, probably as17821119; End of Open Apelles and Campaspe, probably as17821102, but added: Henry

Event Comment: "The Dress of Belvidera was happily arranged; and the Continuation of the same Dress, without the usual Change in the Fifth Act, is an Alteration for the better. It escapes the well-pointed Reproof of The Critic: 'Enter Tilburina, mad, in white Satin'" {Public Advertiser, 21 Dec.). Receipts: #272 8s. (260/18/0; 11/1/6; 0/8/6)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: The Irish Widow

Dance: As17821005

Event Comment: [In mainpiece the playbill retains Aickin as Gloster, but he "being ill, Gloster was played by Hull" (.Public Advertiser, 13 Jan.). Afterpiece in place of The Lyar, announced on playbill of 10 Jan.] Receipts: #277 17s. 6d. (265/11/0; 11/19/6; 0/7/0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Widow

Dance: As17821005

Event Comment: [The playbill retains Sga Pollone, but she did not sing. Public Advertiser, 27 Jan.: The Indisposition of Sga Pollone prevented the performance of Il Convito [originally announced for performance on this present night]. For Sga Salpietro, see 13 Feb.]

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I New Divertisement, as17821130, but omitted: Mlle Theodore; End of Act II Le Tuteur Trompe, as17830111, but omitted: Mlle Theodore, Pas de Basque

Event Comment: [As mainpiece the playbill announces The Mysterious Husband, but its "being, on account of Miss Younge's sudden Illness, set aside, it was very proper to substitute another Piece of Cumberland's, The Walloons" (Public Advertiser, 10 Feb.).] Receipts: #150 6s. (142/7/6; 7/18/6)

Performances

Mainpiece Title: The Walloons

Afterpiece Title: Rosina

Event Comment: account of the Indisposition of one of the principal Performers there will be no Opera this Evening [i.e. Zemira and Azor, announced in Public Advertiser, 19 Feb., postponed until 27 Feb.]

Performances

Mainpiece Title:

Event Comment: The new Comedy called A Bold Stroke for a Husband [announced on playbill of 21 Feb.] is obliged to be deferred till Tuesday, on account of Quick's Indisposition. [In mainpiece the theatre playbill lists Fearon as Justice Shallow. Public Advertiser retains Wilson; and in its issue of 24 Feb. reviews him in the part.] Receipts: #148 9s. (139/0/6; 9/8/6)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Rosina

Event Comment: Benefit for Lepicq. Tickets to be had of Lepicq, No. 9, facing the Opera-house, Hay-market. [Public Advertiser, 14 Mar.: La Bigueule composed by Lepicq; music by Borghi.]

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I an entirely new Divertissement, composed by Lepicq, li Riposo del Campo; or, The Recreations of the Camp, in which a Pas de Deux, La Recrue par Force; or, The Kidnappers, by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore; End of Opera a new Ballet (1st time), founded on the Fairy Tale by Voltaire, La Begueule; or, She Wou'd and She Wou'd Not, in which a Minuet by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Degville Jun., Sga Crespi, Mlle Theodore, Mme Simonet

Event Comment: Mrs Siddons was "below herself. . .There was no Storm of Applause; there was not any of that Stillness of Attention which always precedes the Storm" (Public Advertiser, 24 Mar.). Receipts: #280 5s. (266/7/0; 9/11/6; 0/16/6; tickets not come in: 3/10/0)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Quaker

Event Comment: Benefit for Miss Pope. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. Public Advertiser, 29 Mar.: Tickets to be had of Miss Pope at her house in Great Queen-street. Receipts: #278 3s. (86/14; 21/9; 0/10; tickets: 169/10) (charge: #106 5s. 10d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Bon Ton

Dance: As17830329athi

Event Comment: Benefit for Mrs Wrighten. Public Advertiser, 29 Mar.: Tickets to be had of Mrs Wrighten, Kennington-lane, near Vauxhall. Receipts: #247 12s. 6d. (56/2/0; 17/14/6; 0/2/0; tickets: 173/14/0) (charge: #110 14s. 1d.)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Comus

Dance: End of Act IV of mainpiece, as17821016; End of mainpiece, as17820917

Song: End of Act II of mainpiece A Soldier for Me (composed by Hook for The Best Bidder) by Mrs Wrighten

Event Comment: Benefit for Quick. Public Advertiser, 8 Apr.: Tickets to be had of Quick, No. 99, High Holbourn. Mainpiece: Written by Beaumont [recte Massinger] and Fletcher. With Alterations [by Leonard Macnally (Not. Dram.)]. To conclude with a Representation of the Ceremony of receiving a Knight of the Order of Malta. The Music by Dr Arne. Afterpiece: Never performed here. Receipts: #292 13s. (197/1; tickets: 95/12) (charge: #105)

Performances

Mainpiece Title: The Knight Of Malta Or The Humourous Dane

Afterpiece Title: The Ghost or The Devil to do about Her

Dance: As17821231

Song: In the Ceremony, by Reinhold, Mrs Martyr, and others

Event Comment: Benefit for Farren. Public Advertiser, 19 Apr.: Tickets to be had of Farren, No. 35, Great Queen-street, Lincoln's Inn Fields. Mainpiece: Not acted these 15 years [acted 24 Apr. 1777]. Receipts: #258 6s. (56/16/0; 14/12/6; 0/0/6; tickets: 186/17/0) (charge: #65 3s.)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Bon Ton

Event Comment: Benefit for Bannister Jun. Public Advertiser, 23 Apr.: Tickets to be had of Bannister Jun., No. 6, Great Russel-street, Covent Garden. [Afterpiece in place of The Apprentice, announced on playbill of 24 Apr.] Receipts: #184 1s. (99/19/0; 35/14/6; 0/1/6; tickets: 48/6/0) (charge: #106 10s. 6d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Citizen

Dance: As17821122. imitations. After the dance, (for that night only) various Imitations, Vocal and Rhetorical, by Bannister Jun

Performance Comment: imitations. After the dance, (for that night only) various Imitations, Vocal and Rhetorical, by Bannister Jun .
Event Comment: Benefit for Suett and Chapman. Public Advertiser, 22 Apr.: Tickets to be had of Suett, No. 24, King Street, Holbourn; of Chapman, No. 49, Carey Street, Lincoln's Inn Fields. Afterpiece: Not acted these 4 years. The Music by Barthelemon. Receipts: #160 15s. (39/5; 10/4; 0/4; tickets: 111/2) (charge: #108 18s. 8d.)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Belphegor or The Wishes

Dance: End of Act III of mainpiece Hornpipe by Miss J. Stageldoir; End of Act IV The Butterfly by the Miss Stageldoirs

Event Comment: "Mrs Siddons, in most of the Parts she plays, is the best Actress we ever saw. Miss Kemble, in all the Parts she plays, is the very worst Actress we ever saw" {Public Advertiser, 5 May). [Afterpiece in place of The Adventures of a Night, announced on playbill of 2 May.] The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]. Receipts: #263 5s. 6d. (253/11/0; 8/9/6; 1/5/0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Too Civil by Half

Event Comment: Benefit for Miss Wheeler. Public Advertiser, 19 Apr.: Tickets to be had of Miss Wheeler, No. 9, Craven-buildings, Drury-lane. Afterpiece: Not acted these 2 years. Receipts: #111 12s. 6d. (33/8/0; 15/19/0; 0/7/6; tickets: 61/18/0) (charge: #106 4s.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Rival Candidates

Dance: End of mainpiece The Butterfly, as17830426

Event Comment: Benefit for Whitfield. Public Advertiser, 2 May: Tickets to be had of Whitfield at his house in Leicester Court, Castle-street, Leicester-fields. Afterpiece: Taken from Beaumont [recte Massinger] and Fletcher's Play of the same Name. [F 2(?); Town and Country Magazine, May 1783, p. 23 5: synopsis of plot. And see DL, 19 Oct. 1749.] Receipts: #197 9s. 6d. (102/5/6; tickets: 95/4/0) (charge: #105)

Performances

Mainpiece Title: The Mysterious Husband

Afterpiece Title: The Spanish Curate

Dance: After the Monologue The Poney Races, as17830428, but added: Ratchford

Song: In Act II of mainpiece The Pigeon, as17830507

Monologue: 1783 05 10 As 9 May

Performances

Mainpiece Title: The Son in law

Performance Comment: Characters by Parsons, Edwin, Wewitzer, Wood, Egan, Barrett, Stevens, Kenny, Bannister; Mrs Lefevre, Mrs Bannister. [Cast adjusted from Public Advertiser, 17 Aug. 1779, and playbill of 29 June 1786: Cranky-Parsons; Bowkitt-Edwin; Vinegar-Wewitzer; Bouquet-Wood; Idle-Egan; Orator Mum-Barrett; John-Stevens; Signor Arionelli-Bannister; Dolce-Mrs Lefevre; Cecilia-Mrs Bannister. Kenny is unassigned.] Prologue as17830531 . Prologue as17830531 .

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: Medea and Jason

Event Comment: Benefit for Edwin. Public Advertiser, 21 Aug.: Tickets to be had of Edwin, No. 2, Piazza, Covent Garden. Mainpiece: Never acted here. Afterpiece: Not acted these 3 years [acted 15 Aug. 1781]

Performances

Mainpiece Title: The Good natured Man

Afterpiece Title: Midas

Song: End of mainpiece Four-and-Twenty Fidlers all on a Row, by Edwin

Monologue: 1783 08 26 End of Act I of afterpiece A Description of the Tombs in Westminster Abbey, by Edwin

Event Comment: Benefit for Bannister. Public Advertiser, 22 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-cross. 1st piece [1st time; prel i, by William Finney. MS: Larpent 635; not published]

Performances

Mainpiece Title: The Green Room

Performance Comment: Characters by Wilson, Wewitzer, Egan, Blissett, Stevens, Williamson; Miss Morris. [Larpent MS lists certain performers as appearing in this piece in their own persons, but their names do not correspond with the names printed on the playbill.] hathi.

Afterpiece Title: The English Merchant

Afterpiece Title: The Sheep Shearing

Song: End of Act I of mainpiece a favourite song by Miss George; End of Act IV Admiral Benbow by Bannister

Monologue: 1783 08 27 As 13 Aug. IMITATIONS. As 20 Aug

Event Comment: Benefit for Palmer. Public Advertiser, 26 Aug.: Tickets to be had of Palmer, No. 39, Goodge-street, Rathbone-place. Afterpiece: 1st time at that theatre. With a Sea Fight

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Critic or A Tragedy Rehearsd

Dance: As17830603

Song: End of afterpiece Stand to your Guns, as17830801