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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C B"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C B")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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14004 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $Mr C. B<span class=
We found 9670 matches on Event Comments, 3173 matches on Performance Comments, 1218 matches on Performance Title, 295 matches on Author, and 0 matches on Roles/Actors.

2076
01 April 1782 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. Public Advertiser, 9 Mar.: Tickets to be had of Miss Pope, Great Queen-street, Lincoln's Inn Fields. Receipts: #115 8s. (100/15/0; 14/5/6; 0/7/6; tickets: none listed) (charge: #115 0s. 6d.)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Robinson Crusoe

Dance: End of Act III of mainpiece, as17820223

2077
02 April 1782 @ Covent Garden

Event Comment: Benefit for Wroughton. Public Advertiser, 2 Apr.: Tickets to be had of Wroughton, Broad Court, Bow-street, Covent Garden. Receipts: #151 2s. (119/7; tickets: 31/15) (charge: #105)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Tom Thumb

Dance: End of mainpiece a new Grand Divertisement, The Gala. The Minuet and Allemande by Aldridge and Miss Besford; the Quadrilles and Cotillons by Harris, Langrish, Dumay, Ratchford, Miss Matthews, Miss Rowson, Mrs Ratchford, Miss Francis, and others; The whole to conclude with a Grand Figure by all the Characters

2078
11 April 1782 @ King's Theatre

Event Comment: Benefit for Noverre. Tickets, half-a-guinea each, to be had of Noverre, No. 40, Great Marlborough-street. 1st ballet: The Music entirely new, composed by Le Brun. [Scenario(Milan, 1774) lists the parts: Guillaume, Raymond, Alphonse, Renaud, Adele, Alise, Beatrix, Isabellc, Eleonore. In 2nd ballet Jason to be danced by Gardel (Morning Herald, n Apr.); the overture by Gluck, and rest of the music by Noferi (Public Advertiser, 12 Apr.).]

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I an entirely new Ballet, composed by Noverre, Adela of Pontbieu (the subject taken from the History of ancient Chivalry), by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Simonet, Sga Crespi, Mlle Baccelli; End of Opera Medea and Jason, as originally composed by Noverre, by Gardel, Mme Simonet, Nivelon, Simonet, Mlle Theodore, Mlle Baccelli

2079
12 April 1782 @ Covent Garden

Event Comment: Benefit for Aickin. Mainpiece: With a Triumphal Entry of Alexander into Babylon. Public Advertiser, 10 Apr.: Tickets to be had of Aickin, No. 6, York Street, Covent Garden. Receipts: #187 ior. (144/5; tickets: 43/5) (charge: #74 10s.)

Performances

Mainpiece Title: Alexander The Great

Performance Comment: Alexander-Wroughton; Lysimachus-Whitfield; Polyperchon-Booth; Cassander-Fearon; Hephestion-Robson; Clytus-Aickin; Roxana (for this night only)-Miss Younge; Sysigambis-Mrs Poussin; Parisatis-Mrs Morton; Statira-Mrs Yates .

Afterpiece Title: The London Cuckolds

Cast
Role: Loveday Actor: Thompson

Dance: As17820409

Song: End of Act II of mainpiece Auld Robin Grey, as17820409

2080
15 April 1782 @ Drury Lane Theatre

Event Comment: Benefit for Brereton. Public Advertiser, 10 Apr.: Tickets to be had of Brereton, No. 14, Catherine-street, Strand. 2nd piece: Not acted these 6 years [not acted since 13 May 1773]. 3rd piece: Not acted these 8 years [acted 22 Dec. I775]-Receipts: #249 17s.(84/14540/3; 0/8; tickets: 124/12)(charge: #110 7s. 10d.)

Performances

Mainpiece Title: Dissipation

Afterpiece Title: The Recruiting Serjeant

Afterpiece Title: A Trip to Scotland

Performance Comment: Griskin-Parsons; Cupid (1st time, with a song in character)-Miss Field; Sotherton-Norris; Chamberlain-Burton; Jemmy Twinkle-Brereton; Fillagree (1st time)-Mrs Hopkins; Landlady-Mrs Love; Chambermaid-Miss Barnes; Miss Flack-Miss Wright; Miss Griskin (for that night only)-Miss Farren (1st appearance in that character) .

Dance: In afterpiece a Postilion Dance incident to the piece; to conclude with a Country Dance

2081
16 April 1782 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Wrighten. Public Advertiser, 13 Apr.: Tickets to be had of Mrs Wrighten, Kennington-lane, near Vauxhall. Receipts: #286 10s. 6d. (104/18/0; 7/19/6; 0/4/0; tickets: 173/9/0) (charge: #106 14s. 7d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Divorce

Related Works
Related Work: The Divorce Author(s): Isaac Jackman

Dance: As17820302athi

Song: End of Act III of mainpiece Tally Ho! by Mrs Wrighten

2082
18 April 1782 @ Drury Lane Theatre

Event Comment: Benefit for Baddeley. Public Advertiser, 13 Apr.: Tickets to be had of Baddeley, No. 2, Little Russel-street, Covent Garden. Mainpiece: The Music composed by Michael Arne. With a Grand Procession of the different Orders of the Knights of Chivalry. Receipts: #217 5s. (113/9; 35/8; 0/1; tickets: 68/7) (charge: #115 9s. 4d.)

Performances

Mainpiece Title: Cymon

Afterpiece Title: Jewish Education

Afterpiece Title: The Maid of the Oaks

Dance: In Act IV of mainpiece a Dance of Daemons (performers not listed); End of Act I of afterpiece New Dance, as17820121

2083
19 April 1782 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Hopkins. Public Advertiser, 16 Apr.: Tickets to be had of Mrs Hopkins, No. 31, Bow-street, Covent-garden. Receipts: #158 17s. (81/4/0; 26/12/6; 0/15/6; tickets: 50/5/0) (charge: #105 14s. 9d.)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Lincos Travels

Afterpiece Title: The Alchymist

Dance: End of 2nd piece, as17820223

2084
19 April 1782 @ Covent Garden

Event Comment: Benefit for Reinhold. Public Advertiser, 16 Apr.: Tickets to be had of Reinhold, No. 90, Charlotte-street, Rathbone-place. Tickets delivered for The Belle's Stratagem will be taken. [Afterpiece in place of The Dragon of Wantley, announced on playbill of 18 Apr.] Receipts:#221 9s 6d. (104/1/6; tickets: 117/8/0) (charge: #105)

Performances

Mainpiece Title: The Wifes Relief

Afterpiece Title: The Country Mad Cap

Dance: End of Catches and Glees, as17811101

Song: End of Act II of mainpiece Auld Robin Grey, as17820409; End of mainpiece several much admired Catches and Glees by the most Eminent Performers

2085
23 April 1782 @ Drury Lane Theatre

Event Comment: Benefit for Farren. Public Advertiser, 8 Apr.: Tickets to be had of Farren, No. 13, York-street, Covent Garden. Receipts: #208 4s. 6d. (63/19/0; 15/1J/6; 0/1/0; tickets: 128/9/0) (charge: #65 16s. 11d)

Performances

Mainpiece Title: Othello

Afterpiece Title: Catherine and Petruchio

Dance: As17820302athi

2086
23 April 1782 @ Covent Garden

Event Comment: Benefit for Edwin. Public Advertiser, 19 Apr.: Tickets to be had of Edwin, No. 22, Piazza, Russel-street, Covent Garden. Mainpiece: Never acted there. Receipts: #235 7s. (178/3; tickets: 57/4) (charge: #105)

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: Barnaby Brittle

Song: End of mainpiece Four and Twenty Fidlers all on a Row by Edwin

Monologue: 1782 04 23 After the song A Prologue on Everybody, to be spoken by Somebody in the Character of No-body

2087
01 May 1782 @ Drury Lane Theatre

Event Comment: Benefit for Du-Bellamy. Public Advertiser, 18 Apr.: Tickets to be had of Du-Bellamy at his house, No. 6, Queen's Buildings, Brompton. Receipts: #241 16s. (108/6/0; 27/13/6; 0/8/6; tickets: 105/8/0) (charge: #106 9s. 9d.)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Gentle Shepherd

Song: End of Act II of mainpiece Thou hast stole awa' from me, Mary; End of Act IV Kate of Aberdeen, both by Du-Bellamy

2088
18 May 1782 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; CO 3, by Frederick Pilon; probably a rewriting of an opera with the same title, 1st acted at Crow Street Theatre, Dublin, 20 May 1771, at which time Pilon was acting in Dublin]: With new Dresses, and entirely new Music and an Overture by Carter. [In mainpiece the playbill lists Dodd, but "Suett, who undertook at a few minutes' notice the part assigned to Dodd, went through the reading as though he had studied the character" (Morning Herald, 21 May).] [On this night, Whitsun Eve, the theatre was customarily closed.] Receipts: #152 4s. 6d. (134/15/0; 17/6/0; 0/3/6)

Performances

Mainpiece Title: The Fair American

Performance Comment: Principal Characters by Palmer, Suett, Parsons, Du-Bellamy, Wright, Burton, Griffiths, Chaplin, Phillimore, Helme, Bannister; Mrs Wrighten, Miss Wheeler, Mrs Hopkins, Miss Sherry, Miss Simson, Miss Phillips. [Cast from text (J. Almon, 1785), and Public Advertiser, 20 May: Colonel Montford-Palmer; Carbine-Suett; Bale-Parsons; Summers-Du-Bellamy; Splinter-Wright; Swiss-Burton; Coachman-Griffiths; Boreas-Chaplin; Servants-Phillimore, Helme; Admiral Dreadnought-Bannister; Rachel-Mrs Wrighten; Charlotte-Miss Wheeler; Kitty Dreadnought-Mrs Hopkins; Mrs Wilmot-Miss Sherry; Miss Melcomb-Miss Simson; Angelica-Miss Phillips.] hathi. hathi.

Afterpiece Title: The Apprentice

2089
27 May 1782 @ Drury Lane Theatre

Event Comment: play. Public Advertiser, 28 May: Several of the principal Performers being extremely ill, there was no Play Yesterday Evening, nor can there be any Performance this Night

Performances

Mainpiece Title:

2090
10 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Son in Law

Performance Comment: Characters by Parsons, Edwin, Wood, Baddeley, Egan, Barrett, Stevens, Kenny, Bannister; Mrs Lefevre, Miss Harper. [Cast adjusted from Public Advertiser, 17 Aug. 1779 and playbill of 29 June 1786: Cranky-Parsons; Bowkitt-Edwin; Bouquet-Wood; Vinegar-Baddeley; Idle-Egan; Orator Mum-Barrett; John-Stevens; Signor Arionelli-Bannister; Dolce-Mrs Lefevre; Cecilia-Miss Harper. Kenny is unassigned.] hathi. hathi.

2091
29 June 1782 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; T 3, as altered by George Colman, the elder]: Written by Lillo, Author of George Barnwell. Not acted these 50 years [acted 4 Sept. 1755. Prologue by the alterer (Colman, Prose, III, 233)]. The Words of the Song in the Tragedy will be given at the Doors of the Theatre. Public Advertiser, 28 June 1783: This Afternoon will be published Fatal Curiosity (1s)

Performances

Mainpiece Title: Fatal Curiosity

Performance Comment: Principal Characters by Palmer, Bannister Jun., R. Palmer, Bensley; Miss Sherry, Miss Hooke, Mrs Bulkley. [Cast from text (T. Cadell, 1783): Young W'ilmot-Palmer; Randal-Bannister Jun.; Eustace-R. Palmer; Old Wilmot-Bensley; Agnes-Miss Sherry; Maria-Miss Hooke; Chariot-Mrs Bulkley.] New Occasional Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi. New Occasional Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.

Afterpiece Title: The Agreeable Surprise

Song: In Act I of mainpiece a song in character by Miss Hooke. [This was sung, as here assigned, in all subsequent performances.]

Performance Comment: [This was sung, as here assigned, in all subsequent performances.] hathi.

2092
03 September 1782 @ Haymarket Theatre

Event Comment: Benefit for Palmer. Public Advertiser, 31 Aug.: Tickets to be had of Palmer, No. 39, Goodge Street, Rathbone Place

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Son in Law

Monologue: 1782 09 03 End of 2nd piece A Description of the Tombs in Westminster Abbey by Edwin

2093
01 October 1782 @ Drury Lane Theatre

Event Comment: "When Brabantio speaks to Iago and Roderigo from the Window, Aickin should not show to the audience that he stands upon a Ladder, which he manifestly does, by getting down first, and pulling the Window down after him ... Mrs Ward and Mrs Hopkins seemed to have forgot their Engagement on the Stage, and dressed themselves for a Card Party ... frizzed, hooped and fly-capp'd" (Public Advertiser, 4 Oct.). [Afterpiece: Prologue by George Colman, the elder.] Receipts: #152 0s. 6d. (107/7/0; 44/11/0; 0/2/6)

Performances

Mainpiece Title: Othello

Afterpiece Title: Bon Ton or High Life above Stairs

2094
04 November 1782 @ Covent Garden

Event Comment: "Among other Obligations that the Town has to the new Open is that it has, for this year, delivered the Play-goer from his periodical Endurance of Rowe's Tamerlane" (Public Advertiser, 6 Nov.). The reference is to the long established custom of performing Tamerlane either on 4 Nov. (the date of William III's birth) or 5 Nov. (the date of his landing in England). In the play the virtuous Tamerlane was held to be the portrait of an upright monarch, and the vicious Bajazet [i.e. Louis xiv] as that monarch's enemy. At DL Tamerlane was acted on either or both of these nights uninterruptedly from 1716 to 1777; at LIF and CG, with the exception of five seasons, from 1721 to 1784. The Doors to be opened at 5:15. To begin at 6:15 [see 1 May 1783]. Receipts: #155 2s. 6d. (153/4/0; 1/18/6)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: All the Worlds a Stage

Related Works
Related Work: All the World's a Stage Author(s): Isaac Jackman

2095
05 November 1782 @ King's Theatre

Event Comment: "Allegranti displayed unusual powers--a most brilliant shake, which she does not always favour us with, a sostenuto of prodigious extent, and above all, what she never fails to favour us with: exquisite grace, taste and feeling" {Public Advertiser, 4 Nov.)

Performances

Mainpiece Title: Il Convito

Dance: As17821102 throughout, but the New Divertisement is here entitled (but on no other occasion) La Bergire Constante

2096
08 November 1782 @ Covent Garden

Event Comment: [In mainpiece the playbill retains Sga Sestini, but "Previous to the Opera, Mattocks apologized for the sudden illness of Sestini; Mrs Martyr would, on a Notice of two Hours, attempt to read the Part" (.Public Advertiser, 9 Nov.). On 9 Nov. Sga Sestini gave birth to a son Qbid., 11 Nov.).] Receipts: #185 18s. 6d. (184/15/6; 1/3/0)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Author

2097
14 November 1782 @ Drury Lane Theatre

Event Comment: "The Ring, to talk of [Mrs Siddons in] this Scene, would be Actum agere--almost every Body has seen it, and every one who has seen it must have felt, to their Heart's Core. As much ought to be said of some other Parts of the Play, viz. the Look at the Child, when she gives her Hand to Villeroy!, Her expressive Deportment at the Banquet!, Her Fainting!, Her Death! To all and each of these we desire the Printer not to omit, what they so potently demand, the Note of Admiration!!!" (Public Advertiser, 15 Nov.). Receipts: #249 2s. 6d. (228/7/0; 19/17/0; 0/18/6)

Performances

Mainpiece Title: Isabella

Afterpiece Title: Bon Ton

2098
14 November 1782 @ King's Theatre

Event Comment: A new Serious Opera [1st time; ser 2, by Giovanni de Gamerra]: the Music selected from the most eminent Composers [Sarti, Anfossi, Bertoni, Bianchi], under the direction of Bertoni. "The airs which Pacchierotti has chosen for himself have served to disclose in that excellent performer such powers as we had not yet discovered, uniting into one the delicate Soprano to the more majestic and manly strains of the most accomplished Contralto" (Public Advertiser, 23 Nov.)

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821102, but Sga Crespi in place of Sga Sala, and added: Passacaille, as17821109; End of Opera Apelles and Campaspe, as17821102, but added: Sga Crespi

2099
25 November 1782 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Mainpiece: Written by Beaumont and Fletcher. [Authors and speakers of Prologues and Epilogue unknown; they are printed in Public Advertiser, 30 Nov. Ryder was not Thomas Ryder, who at this time was acting at the Smock Alley Theatre, Dublin.] The Doors to be opened at 5:00. To begin at 6:00

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Taylors

Dance: End of mainpiece a Hornpipe (over 12 eggs blindfold) by Middleton

Song: End of Act III of mainpiece a favourite song by Mrs Coxe; End of Act IV a favourite song by Miss Hemet

Monologue: 1782 11 25 After the Hornpipe John Bull, Half Seas Over (a new Scene) by Ryder

2100
29 November 1782 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 4 years [not acted since 3 Oct. 1776]. The Conscious Lovers, and the new Farce of The Best Bidder, announced for to-morrow, are obliged to be deferred on account of the Indisposition of Parsons. "We left the Theatre with the precise Impressions a Theatre ought to leave--We were perhaps more good, at any Rate certainly we felt more fond of Goodness" (Public Advertiser, 30 Nov.). "Mrs Siddons, in the third act of the Fair Penitent, was so far affected, with assuming the mingled passions of pride, fear, anger, and conscious guilt, that I might appeal to the spectators, whether, in spite of the rouge which the actress is obliged to put on, some paleness did not shew itself in her countenance" (Davies, II, 56). Receipts: #262 17s. (247/2/0; 15/10/0; 0/5/0)

Performances

Mainpiece Title: Fair Penitent

Afterpiece Title: The Gentle Shepherd