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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C B"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C B")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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14004 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $Mr C. B<span class=
We found 9670 matches on Event Comments, 3173 matches on Performance Comments, 1218 matches on Performance Title, 295 matches on Author, and 0 matches on Roles/Actors.

9201
10 July 1793 @ Haymarket Theatre

Event Comment: To prevent future disturbances in the Theatre, the Publick is most respectfully informed that nothing can be represented which is not included in the Entertainments regularly announced in the Bills of the Day

Performances

Mainpiece Title: Piety In Pattens

Afterpiece Title: The London Hermit

Afterpiece Title: Peeping Tom

9202
13 November 1793 @ Covent Garden

Event Comment: 1st piece [1st time; T 4, by Edward Jerningham. Prologue and Epilogue by the author (see text)): With new Scenery, Dresses and Decorations. Times, 24 Dec. 1793: This day is published THE SIEGE OF BERWICK (1s. 6d.). Receipts: #284 6s. 6d. (258/10/6; 25/16/0)

Performances

Mainpiece Title: The Siege Of Berwick

Afterpiece Title: ANNETTE AND LUBIN

Afterpiece Title: THE SCHOOL FOR ARROGANCE

9203
27 November 1793 @ Covent Garden

Event Comment: The Follies of a Day. As 29 Oct. 1st piece: Altered from The Winter's Tale of Shakespeare [2nd piece in place of Love a-la-Mode, advertised on playbill of 26 Nov.] Receipts: #171 2s. 6d. (160.5.6; 10.17.0)

Performances

Mainpiece Title: Florizel And Perdita

Afterpiece Title: A Divertisement

Dance: As17931123

9204
08 February 1794 @ Haymarket Theatre

Event Comment: 3rd piece [Ist time; MD 1, by John Cartwright Cross]. The Overture and Musick by Reeve. Books of the Songs to be had at the Theatre. Morning Herald, 24 Feb. 1794: This Day is published THE PURSE (1s.)

Performances

Mainpiece Title: The Quaker

Afterpiece Title: HEIGHO FOR A HUSBAND

Afterpiece Title: THE PURSE or Benevolent Tar

9205
10 February 1794 @ Haymarket Theatre

Event Comment: [In 1st and 3rd pieces the playbill retains Wewitzer, but "Previous to the drawing up of the curtain Bannister Jun. solicited the indulgence of the audience for Benson, who had in the course of the day studied two characters for which Wewitzer (who was indisposed) was announced in the bills" (Thespian Magazine, Feb. 1794, p. 88).)

Performances

Mainpiece Title: My Grandmother

Afterpiece Title: THE CHILDREN IN THE WOOD

Afterpiece Title: HARLEQUIN PEASANT

9206
21 March 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940314but omitted: Harrison, Miller. Leader as17940312ART I. Overture (ESTHER). Awake the Trumpet; Honour and Arms (SAMSON). Lord to thee (THEODORA). Total Eclipse; O first created Beam (SAMSON). Every day ([CHANDOS] ANTHEMS). Fell rage (SAUL). Fix'd in his everlasting seat (SAMSON). PART II. How excellent (SAUL). Who trusts in God; Prophetic Vision (OCCASIONAL ORATORIO). Shall I in Mamre's (JOSHUA). The smiling dawn (JEPHTHA). Shake the Dome (SOLOMON). Concerto on the violin by Giornovichi. I'll proclaim [ESTHER]. Holy! Holy! (REDEMPTION). From the Censer (SOLOMON). PART III. When his loud Voice (JEPHTHA). From mighty Kings; Sound an Alarm; We hear (JUDAS MACCABAEUS). Fair Rosalie (composed by Dignum). As from the power (DRYDEN'S ODE) .

9207
25 March 1794 @ Covent Garden

Event Comment: Mainpiece [1st time; MD 5, by James Boaden. Prologue and Epilogue by the author (see text). In 1796 acted at CG reduced by the author to 4 acts]: With new Scenes and Dresses. Morning Herald, 14 Apr. 1794: This Day is published FONTAINVILLE FOREST (1s. 6d.). [Afterpiece in place of THE HIGHLAND REEL, advertised on playbill of 24 Mar.] Receipts: #263 19s. 6d. (251/5/6; 12/14/0)

Performances

Mainpiece Title: Fontainville Forest

Performance Comment: Principal Characters by Pope, Farren, Middleton, Hull, Powel, Thompson, Claremont, Campbell, Abbot//Miss Morris, Mrs Pope. [Cast from text (Hookham and Carpenter, 1794): Lamotte-Pope; Marquis of Montault-Farren; Louis-Middleton; Peter-Hull; Nemours-Powel; Jaques-Claremont; Laval-Campbell [in text: Blurton]; Phantom-Abbot [in text: Follett]//Hortensia Lamotte-Miss Morris; Adeline-Mrs Pope. Thompson is unassigned.] Prologue spoken by Middleton. Epilogue spoken by Mrs Pope. [These were spoken, as here assigned, at the 1st 10 performances only (see17940503).] hathi. Prologue spoken by Middleton. Epilogue spoken by Mrs Pope. [These were spoken, as here assigned, at the 1st 10 performances only (see17940503).] hathi.

Afterpiece Title: THE POOR SOLDIER

9208
26 March 1794 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture (BERENICE). Come ever smiling (JUDAS MACCABAEUS). Tears such as tender (DEBORAH). For unto us a child (THE MESSIAH). Grateful hearts (NABAL). Sweep the strings; Music spread thy Voice (SOLOMON). Every day will I ([CHANDOS] ANTHEMS). For joys so vast; Happy they (JEPHTHA). From the censer (SOLOMO). PART II. Fourth Organ Concerto. Together let us range ([SOLOMON] by Boyce). The trumpet's loud; The double beat (DRYDEN'S ODE). He was eyes [SIROE]. He led tbrm thro' (ISRAEL IN EGYPT). Ye sons of Israel [JOSHUA]. Weep, Israel, weep; Go, baffled coward (SAMSON). For the Lord (THE MESSIAH). PART III. Fifth Grand Concerto. O liberty (JUDAS MACCABAEUS). Let the bright; Awake the trumpets (SAMSON). O beauteous Queen (ESTHER). Mad Bess by Mme Mara (Purcell). How willing (SAMSON). But bright Cecilia; As from; The dead shall live (DRYDEN'S ODE). To conclude with God save Great George our King and Rule Britannia .

Music: End of Part II concerto on the organ by J. Ashley

9209
10 April 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption A Sacred Oratorio Selected From The Great And Favourite Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Fisher. Leader as17940312ART I. Overture (OCCASIONAL ORATORIO). When the Earth by Dignum. O! First created beam by Chorus. He measur'd the waters and He layeth the beams by Meredith. When his loud voice by Chorus. Now heaven in all and Lord what is Man! by Mrs Crouch. How excellent thy name by Chorus. These are thy glorious works and Speak ye who best can tel1 by Kelly. Abraham believed in God and Abraham, enough by Mrs Bland. Now when Joseph was sold and Jehovah is my shield and glory by Miss Leak. When Joseph by Dignum. Blest be the man by Chorus. When Joseph was dead and Pious orgies by Sga Storace. Then sent he Moses by Dignum. He gave them hailstones by Double Chorus. The Lord is a man of war by Fisher and Meredith. Moses and the children of Israel by Sga Storace and Double Chorus. PART II. Now after the death by Dignum. Ye sons of Israel by Chorus. Oh Joshua! and Oh had I Jubal's lyre! by Mrs Bland. When Joshua by Dignum. Now Deborah and Angels ever bright and fair by Master Welsh. Jehovah crown'd by Meredith and Chorus. Now the elders by Dignum. Welcome, welcome mighty King by Chorus. Again the Philistines and In Sweetest harmony by Sga Storace and Chorus. Their bodies are buried in peace by Chorus. Dead March (SAUL). And the men of Judah and Lord remember David by Kelly. Gird on thy Sword by Chorus. Blest be the Lord and The Sword that's drawn by Meredith. When King David by Dignum. Coronation Anthem by Chorus: God save the King. PART III. Now when the fullness of time and Where is this stupendous stranger by Mrs Crouch. In the days of Herod and There beneath a lovely shade by Dignum. And Jesus went about and He was eyes unto the blind by Kelly. When the time drew near by Mrs Bland. Hosannah to the son of David by Chorus. The people of Jerusalem and He was brought as a lamb by Meredith. Behold it is Christ by Dignum. He sitteth at the right hand by Chorus. Holy, holy by Sga Storace. For as much as Christ by Meredith. Glory be to the Father by Chorus .

Music: As17940409

9210
19 May 1794 @ Covent Garden

Event Comment: 2nd piece [1st time; T 3, by Henry James Pye. Authors of Prologue and Epilogue unknown]: With new Scenes, Dresses and Decorations. Morning Chronicle, IO June 1794: This day is published THE SIEGE OF MEAUX (1s. 6d.). Receipts: #125 9s. (117/2; 8/7)

Performances

Mainpiece Title: The Death Of Captain Cook

Afterpiece Title: THE SIEGE OF MEAUX

Afterpiece Title: NETLEY ABBEY

9211
16 October 1794 @ Drury Lane Theatre

Event Comment: Powell, 15 Oct.: Chaplet rehearsed at 10 [but this play was not acted this season]; Emilia Galotti at 11; 16 Oct.: Henry VIII rehearsed at 10; Lodoiska at 12 (Floreski's and Ithorak's scenes); Wedding Day read at 12. Receipts: #453 1s. 6d. (335.1.0; 94.0.0; 4.0.6)

Performances

Mainpiece Title: The Jew

Afterpiece Title: Lodoiska

9212
21 October 1794 @ Drury Lane Theatre

Event Comment: Powell: Mountaineers rehearsed at 10; Country Girl at 12; Wedding Day at 1:30. Receipts: #328 1s. (263.3; 61.11; 3.7)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: No Song No Supper

9213
23 October 1794 @ Drury Lane Theatre

Event Comment: [In afterpiece the playbill omits Sebastian and Michael, but "Bland and Fairbrother being Ill, Benson doubled Fairbrother's business [with that of his own part, Casimir], and a Supernumerary supplied the place of Bland" (Powell).] Powell: Wedding Day rehearsed at 11. Receipts: #291 2s. (246.0; 37.17; 7.5)

Performances

Mainpiece Title: The Jew

Afterpiece Title: Lodoiska

9214
25 October 1794 @ Drury Lane Theatre

Event Comment: Powell, 24 Oct.: Wedding Day rehearsed at 10; Emilia Galotti at 11; Distressed Mother at 1; 25 Oct.: Emilia Galotti rehearsed at 10; Pirates at 12. Receipts: #393 14s. (294.9; 96.0; 3.5)

Performances

Mainpiece Title: The Distressd Mother

Afterpiece Title: Lodoiska

9215
27 October 1794 @ Drury Lane Theatre

Event Comment: Mainpiece: The Music composed principally by Storace, with a few pieces selected from Anfossi, Bianchi, and Guglielmi. Powell: Emilia Galotti rehearsed at 10; Wedding Day at 12; Sultan at 1. Receipts: #304 (245.14; 58.2; 0.4)

Performances

Mainpiece Title: The Pirates

Afterpiece Title: The Sultan

Dance: In: Dances (composed by D'Egville)-G. D'Egville, Master D'Egville, Miss Menage, Miss Phillips, the Miss D'Egvilles

9216
30 October 1794 @ Covent Garden

Event Comment: [1st piece: Epilogue by Miles Peter Andrews.] 2nd piece [1st time; MF 2, by William Pearce. In 1796 acted at cg, reduced to 1 act]: Scenery entirely new, consisting of several Views taken from the Spot, and executed by Richards. The Music selected and composed by Shield. Books of the Songs to be had at the Theatre. Morning Chronicle, 16 Nov. 1794: This Day is published Arrived at Portsmouth (1s.). The Doors to be opened at 5:15. To begin at 6:15 [see 22 Apr. 1795]. Receipts: #203 5s. (200.1; 3.4)

Performances

Mainpiece Title: The Child Of Nature

Performance Comment: Count Valencia-Lewis; Marquis Almanza-Farren; Alberto-Harley; Granada-Macready; Duke Mercia-Powel; Seville-Davenport; Marchioness Merida-Mrs Mattocks; Amanthis (with an Epilogue)-Miss Wallis.
Cast
Role: Amanthis Actor: Miss Wallis.

Afterpiece Title: Arrived at Portsmouth

Afterpiece Title: Two Strings to Your Bow

9217
31 October 1794 @ Drury Lane Theatre

Event Comment: Mainpiece: The Overture, Chorusses and new Musick by Dr Arnold, The Dresses, Scenes and Decorations entirely new. The Scenes painted by Greenwood, Marinari, and their Assistants. Powell: Mountaineers rehearsed at 10; Wedding Day at 12. [Fialon and Aumer were from king's.] Receipts: #185 (131.17.6; 49.16.0; 3.6.6)

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: No Song No Supper

Dance: End II: a New Dance by J. D'Egville, in which-Fialon, Aumer will make their 1st appearance on this stage

Performance Comment: D'Egville=, in which-Fialon, Aumer will make their 1st appearance on this stage.
Cast
Role: in which Actor: Fialon, Aumer will make their 1st appearance on this stage.

9218
15 November 1794 @ Drury Lane Theatre

Event Comment: [Mrs Siddons's 1st appearance as Horatia was at York, 10 May 1777. Afterpiece in place of The Wedding Day, advertised on playbill of 14 Nov.] Receipts: #350 11s. (270.10.6; 72.3.0; 7.17.6)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Devil to Pay

Song: In V: Triumphal Entry of Publius into Rome-; Chorus of Youths and Virgins [composed by Boyce]-Dignum, Master Welsh, Master Gregson, Cooke, Danby, Evans, Lyons, Welsh, Fisher, Annereau, Atkins, Aylmer, Boyce, Bardoleau, Brown, Cook, Denman, Dixon, Dorion, Dorion Jun., Mrs Bland, Miss Leak, Mrs Boimaison, Mrs Bramwell, Mrs Butler, Miss Chatterley, Miss Gawdry, Miss Granger, Miss Menage, Miss Redhead, Miss Stageldoir, Mrs Maddocks

9219
09 January 1795 @ Drury Lane Theatre

Event Comment: [Afterpiece in place of The Wedding Day, advertised on playbill of 8 Jan, In it the playbill retains Mrs Goodall as Marcella, but "Marcella Miss Collins, Mrs Goodall Ill" (Powell, who also repeats same note as on 3 Jan.).] Powell: New Ballet rehearsed at 12. Receipts: #252 1s. (192.6.0; 55.17.6; 3.17.6)

Performances

Mainpiece Title: The Cherokee

Afterpiece Title: The Pannel

9220
31 January 1795 @ Covent Garden

Event Comment: Mainpiece [1st time; MD 3, by Miles Peter Andrews and Frederick Reynolds. Prologue by Edward Topham; Epilogue by Miles Peter Andrews (Crouch, II, 229)]: With new Scenes, Dresses and Decorations. The new Music composed, and the rest selected by Shield. Morning Chronicle, 25 Feb. 1795: This Day is published The Mysteries of the Castle (2s.). [Mrs Cornelys was from the Crow Street Theatre Dublin.] Receipts: #243 12s. (241.19; 1.13)

Performances

Mainpiece Title: The Mysteries Of The Castle

Performance Comment: Principal Characters by Lewis, Quick, Incledon, Pope, Munden, Fawcett, Harley, Macready, Powel, Davenport, Thompson, Mrs Mattocks, Mrs Mountain, Miss Wallis. [Cast from text (T. N. Longman, 1795): Hilario-Lewis; Fractioso-Quick; Montauban-Incledon; Carlos-Pope; Valoury-Munden; Cloddy-Fawcett; Count Montoni-Harley; Bernardo-Macready; Fisherman-Powel; Serjeant-Davenport; Captain of Vessel-Thompson; Centinel-Williamson; Annette-Mrs Mattocks; Constantia-Mrs Mountain; Julia-Miss Wallis; Chorus of Soldiers and Sailors-Linton, Street, Gray, Williamson, Abbot, Rock, Blurton, Speechly, Spofforth, Little; Chorus of Country Girls-Miss Stuart, Mrs Henley, Miss Kirton, Mrs Arnold, Miss Leserve, Mrs Lloyd, Mrs Follett, Mrs Norton, Mrs Castelle, Miss Walcup, Mrs Bayzand; Prologue-Harley; Epilogue-Mrs Mattocks. [These were spoken, as here assigned, at the 1st 14 performances only (see17950303] .These were spoken, as here assigned, at the 1st 14 performances only (see17950303] .

Afterpiece Title: Two Strings to Your Bow

Performance Comment: As17941030, but Donna Clara-Mrs Cornelys (1st appearance on this stage).

9221
14 February 1795 @ Covent Garden

Event Comment: Afterpiece [1st time; F 2, by Thomas Hurlstone. Prologue by Robert Houlton (see text)]. Morning Chronicle, 23 Mar. 1795: This Day is published Crotchet Lodge (1s.). Receipts: #179 16s. 6d. (172.14.6; 7.2.0)

Performances

Mainpiece Title: The Mysteries Of The Castle

Afterpiece Title: Crotchet Lodge

Performance Comment: [Principal Characters by Quick, Fawcett, Bernard, Macready, Powel, Farley, Rock, Thompson, Miss Chapman, Mrs Davenport, Miss Stuart, Mrs Henley, Mrs Martyr. Cast from text (T. N. Longman [1795]): Timothy Truncheon-Quick; Nimble-Fawcett; Squire Shinken ap Lloyd-Bernard; Dashley-Macready; Doctor Chronic-Powel; Waiter-Farley; Paddy-Rock; Bootcatcher-Thompson; Florella-Miss Chapman; Miss Crotchet-Mrs Davenport; Maid at the Inn-Miss Stuart; Landlady-Mrs Henley; Thisbe-Mrs Martyr; Prologue-Fawcett [in the character of Nimble, disguised as a Sailor with a Wooden-leg (text). It was spoken, as here assigned, at all subsequent performances]..
Cast
Role: Thisbe Actor: Mrs Martyr

9222
21 February 1795 @ Covent Garden

Event Comment: Mainpiece [1st time; HIST. D 5, by George Watson. Prologue and Address by the author (European Magazine, Apr. 1795, pp. 267, 268)]: With new Dresses and Decorations. Morning Chronicle, 11 May 1795: This Day is published England Preserved (2s.). Receipts: #209 0s. 6d. (199.13.0; 9.7.6)

Performances

Mainpiece Title: England Preservd

Afterpiece Title: Crotchet Lodge

Cast
Role: Thisbe Actor: Mrs Martyr

Ballet: Dermot and Kathlane. As17950219

9223
23 April 1795 @ Covent Garden

Event Comment: [1st piece in place of The Miser, advertised on playbill of 22 Apr.] 2nd piece [1st time; MF 2, by John O'Keeffe]: With new Scenes and Dresses. The Music partly compiled and partly composed by Shield. 3rd piece: Compressed into One Act. Morning Chronicle, 13 June 1795: This Day is published The Irish Mimick (1s.). The Doors to be opened at 5:15. To begin at 6:15 [see 2 May]. Receipts: #173 2s. (140.2; 33.0)

Performances

Mainpiece Title: England Preservd

Afterpiece Title: The Irish Mimick or Blunders at Brighton

Afterpiece Title: Windsor Castle

Afterpiece Title: Windsor Castle

9224
29 April 1795 @ Covent Garden

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17941122, but Myrtle-Macready; Lucinda-Miss Cornelys; Indiana-Mrs Esten (1st and only appearance this season); added: Sir John Bevil-Hull; Mrs Sealand-Mrs Davenport.

Afterpiece Title: The British Recruit

Afterpiece Title: Barataria or Sancho Turned Governor

Song: As17950316

Entertainment: Monologues. End: Dryden's Ode on St. Cecilia's Day-Mrs Esten; After which: Belles Have at Ye All (written by the Author of the Prologue to Crotchet Lodge [Robert Houlton])-Mrs Mattocks

Performance Comment: End: Dryden's Ode on St. Cecilia's Day-Mrs Esten; After which: Belles Have at Ye All (written by the Author of the Prologue to Crotchet Lodge [Robert Houlton])-Mrs Mattocks.
Cast
Role: Cecilia's Day Actor: Mrs Esten

9225
03 June 1795 @ Covent Garden

Event Comment: 1st piece [1st time; MD 5, by James Boaden, based on Herman von Unna, by Anders Fredrik, Count Skjoldebrand. Prologue by John Litchfield. Epilogue by the author (see text)]: In the course of the Play, the Customs of the Tribunal in the Citation of the Offender-the Leading away to Judgement-the Habits and mysterious Signs of the Ministers of Vengeance, will be given with Accuracy. In the last Act, the awful Assembly of the Free Judges at Midnight, with the Ceremonies of the Trial-elucidating an Institution, which, by Secrecy and Certainty of its Judgements, produced many alarming Events in the 15th Century, throughout the Germanic Empire. Morning Herald, 20 June 1795: This Day is published The Secret Tribunal (2s.). Receipts: #93 11s. (82.19; 10.12)

Performances

Mainpiece Title: The Secret Tribunal

Afterpiece Title: The Irish Mimick

Afterpiece Title: The Tythe Pig