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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C B"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C B")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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14004 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $Mr C. B<span class=
We found 9670 matches on Event Comments, 3173 matches on Performance Comments, 1218 matches on Performance Title, 295 matches on Author, and 0 matches on Roles/Actors.

9151
27 April 1782 @ Covent Garden

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Tom Thumb

Dance: End of Act II of mainpiece The Gala. A new Minuet, Rigadoon and Allemande (composed by Aldridge) by Aldridge and Miss Besford. The Quadrilles and Cotillons by Langrish, Holloway, Ratchford, Cranfield, Mrs Ratchford, Mrs Invill, Mrs Davenett, Miss Francis. To conclude with a Grand Figure by all the characters; End of Act III a new Comic Dance, Frisk and Fun; or, The Whimsical Triumvirate, by Aldridge, Miss Matthews, Miss Besford; End of mainpiece St. David's Day, as17811213, the Airs accompanied on the harp by Edwards

Performance Comment: A new Minuet, Rigadoon and Allemande (composed by Aldridge) by Aldridge and Miss Besford. The Quadrilles and Cotillons by Langrish, Holloway, Ratchford, Cranfield, Mrs Ratchford, Mrs Invill, Mrs Davenett, Miss Francis. To conclude with a Grand Figure by all the characters; End of Act III a new Comic Dance, Frisk and Fun; or, The Whimsical Triumvirate, by Aldridge, Miss Matthews, Miss Besford; End of mainpiece St. David's Day, as17811213, the Airs accompanied on the harp by Edwards .

Song: End of Act I of afterpiece Tally-Ho by Miss Langrish

9152
01 May 1782 @ Covent Garden

Performances

Mainpiece Title: The First Part Of King Henry The Fourth With The Humours Of Sir John Falstaff

Afterpiece Title: The Deserter

Dance: End of mainpiece St. David's Day, as17820427

Performance Comment: David's Day, as17820427.

Song: End of Act II of mainpiece Cease, gay Seducers; End of Act III Tally Ho, both by Mrs Martyr

9153
15 October 1782 @ Covent Garden

Performances

Mainpiece Title: The Walloons

Afterpiece Title: St

Performance Comment: Patrick's Day. Lieutenant O'Conner-Mahon; Justice Credulous-Lee Lewes; Doctor Rosy-Wewitzer; Serjeant Trounce-Booth; Blacksmith-Fearon; Corporal Flint-Webb; Bridget-Mrs Pitt; Lauretta (with a song)-Mrs Morton .

Dance: As17821009

9154
25 October 1782 @ Covent Garden

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: St

Performance Comment: Patrick's Day. As17821015, but omitted: Blacksmith, Corporal Flint .

9155
28 October 1782 @ Drury Lane Theatre

Event Comment: "I have been for two days in town, and seen Mrs Siddons . . . She is a good figure, handsome enough, though neither nose nor chin according to the Greek standard, beyond which both advance a good deal. Her hair is either red, or she has no objection to its being thought so, and had used red powder. Her voice is clear and good; but I thought she did not vary its modulations enough, nor ever approach enough to the familiar--but this may come when more habituated to the awe of the audience of the capital. Her action is proper, but with little variety; when without motion, her arms are not genteel ... I treated my eyes, not only with Mrs Siddons but a harlequin farce. But there again my ancient prejudices operated: how unlike the pantomimes of Rich, which were full of wit, and coherent, and carried on a story! What I now saw was Robinson Crusoe: how Aristotle and Bossu, had they ever written on pantomimes, would swear! It was a heap of contradictions and violations of the costume. Friday is turned into Harlequin, and falls down at an old man's feet that I took for Pantaloon, but they told me it was Friday's father. I said, 'Then it must be Thursday'" (Walpole [3 Nov. 1782], XII, 356-57, 359). Receipts: #241 6s. (222/4/0; 18/15/6; 0/6/6)

Performances

Mainpiece Title: Isabella

Afterpiece Title: Robinson Crusoe

Performance Comment: As17821014 Monday 28.

Dance: As17820921

9156
08 November 1782 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 2 years. "There was, in my early days, such a permanent property as a stage-door in our theatres, and the proscenium beyond it; so that when [Jane] Shore was pushed from the door, she was turned round and staggered till supported by the firm projection behind her. Here was a terrific picture full in the eye of the pit, and this most picturesque of women knew the amazing value of it" (Boaden, Siddons, I, 326). Receipts: #232 (209/8; 21/18; 0/14)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Whos the Dupe

Dance: As17820917

9157
13 November 1782 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: St

Performance Comment: Patrick's Day. As17821025.

9158
01 January 1783 @ Covent Garden

Event Comment: [Afterpiece in place of Lord Mayor's Day, announced on playbill of 31 Dec. 1782.] Receipts: #201 8s. (199/0/6; 2/7/6)

Performances

Mainpiece Title: King Lear

Afterpiece Title: Rosina

9159
21 March 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Lallegro Il Penseroso

Afterpiece Title: Drydens Ode for St

Performance Comment: Cecilia's Day. Vocal Parts not listed, but see17830319athi .

Music: End of Part II of oratorio concerto on the clarionet by Mahon

9160
03 April 1783 @ King's Theatre

Event Comment: Opera advertised for this Day [I Vecchi Burlati] is, on account of the Indisposition of one of the Performers, put off till Saturday the 5th Inst

Performances

Mainpiece Title:

9161
04 April 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexanders Feast

Afterpiece Title: Drydens Ode for St

Performance Comment: Cecilia's Day. Singers same .

Music: As17830321athi

9162
02 October 1783 @ Covent Garden

Event Comment: [In mainpiece the playbill assigns Diana to Mrs Martyr, but "News of Mrs Martyr's husband's death having reached her the day before, an apology was made for her not playing Diana; Miss Wheeler, however, from the other house proved a very agreeable substitute" (.European Magazine, Oct. 1783, p. 310). In afterpiece the playbill assigns Lucy to Mrs Wilson, but on the Kemble playbill a MS annotation substitutes Mrs Davenett.] Receipts: #134 19s. 6d. (133/9/0; 1/10/6)

Performances

Mainpiece Title: Lionel And Clarissa

Performance Comment: Lionel-Johnstone (from the Theatre Royal, Dublin; 1st appearance in this Kingdom); Col. Oldboy-Wilson; Sir John Flowerdale-Hull; Jenkins-Bannister; Harman-Davies; Jessamy-Sga Sestini (1st appearance in that character); Diana-Miss Wheeler (of DL); Jenny-Mrs Chalmers; Lady Mary Oldboy-Mrs Webb; Clarissa-Mrs Bannister .

Afterpiece Title: Retaliation

9163
28 October 1783 @ Covent Garden

Event Comment: [Afterpiece in place of St. Patrick's Day, announced on playbill of 27 Oct.] Receipts: #183 19s. (182/15; 1/4)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Author

9164
06 November 1783 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Rival Knights

Afterpiece Title: St

Performance Comment: Patrick's Day. Justice Credulous (1st time)-Quick; Doctor Rosy-Wewitzer; Serjeant Trounce-Booth; Lieutenant O'Connor-Mahon; Bridget-Mrs Pitt; Lauretta-Mrs Morton .

9165
10 December 1783 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. [Kemble's 1st appearance as King John was at the Smock Alley Theatre, Dublin, 18 Apr. 1782; Mrs Siddons's 1st appearance as Constance was at Bath on, by coincidence, the same day.] Receipts: #300 9s. (289/8/0; 10/3/6; 0/5/0; tickets not come in: 0/12/6)

Performances

Mainpiece Title: King John

Afterpiece Title: The Deaf Lover

9166
10 February 1784 @ Covent Garden

Event Comment: Mainpiece [1st time; T 5, by Henry Mackenzie; Prologue by the author (Knapp, p. 274)]: Altered from Lillo's Fatal Curiosity. Gazetteer, 29 Apr. 1784: This Day is published The Shipwreck (1s. 6d.). Receipts: #180 17s. 6d. (166/12/0; 14/5/6)

Performances

Mainpiece Title: The Shipwreck

Afterpiece Title: The Poor Soldier

9167
30 April 1784 @ Covent Garden

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: St

Performance Comment: Patrick's Day. As17831106 .

Dance: End of mainpiece The Rival Nymphs, as17840318athi

9168
22 October 1784 @ Covent Garden

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: St

Performance Comment: Patrick's Day. As17841012, but added: Corporal-Thompson; Flint-Stevens .

Dance: End of mainpiece a new Dance, Leap Year; or, A New Way of Wooing, (composed by Byrn) by Byrn, Mrs Davenett, Mrs Goodwin

9169
08 December 1784 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: St

Performance Comment: Patrick's Day. As17841022.

Dance: As17841201

9170
11 January 1785 @ Drury Lane Theatre

Event Comment: The Confederacy and Arthur and Emmeline [the latter announced on playbill of 10 Jan.] are obliged to be deferred a few Days. Receipts: #146 11s. 6d. (108/16/0; 37/10/6; 0/5/0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Englishman in Paris

Dance: Afterpiece: With the Minuet de la Cour by Hamoir and Miss M. Stageldoir

9171
03 February 1785 @ Covent Garden

Event Comment: By Command of Their Majesties. [Mainpiece in place of The Follies of a Day; afterpiece of The Poor Soldier, both announced on playbill of 2 Feb.]

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Maid of the Oaks

Dance: As17850114

9172
12 February 1785 @ Covent Garden

Event Comment: Beaumarchais' New Comedy [The Follies of a Day announced on playbill of 10 Feb.] is unavoidably postponed, on Account of Mrs Bates's Indisposition. [Afterpiece in place of The Poor Soldier, similarly announced.]

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Sultan

Dance: Afterpiece to be concluded as17841027

9173
09 March 1786 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by John Delap. Prologue and Epilogue by Thomas Vaughan (see text)]. Morning Chronicle, 22 Mar. 1786: This Day is published The Captives (1s. 6d.). Receipts: #222 1s. (204/17; 14/16; 2/8)

Performances

Mainpiece Title: The Captives

Afterpiece Title: The Humourist

Song: In Act II of mainpiece an Ode (composed by Dr Cooke). Vocal Parts by Dignum, Danby, Wilson, Phillimore, Alfred, Newbold; Mrs Love, Mrs Booth, Miss Burnett, Miss J. Stageldoir, Mrs Forster

9174
16 March 1786 @ Covent Garden

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: St

Performance Comment: Patrick's Day. As17850919 .

Dance: As17860213

9175
20 June 1786 @ Haymarket Theatre

Event Comment: [Home, who was from the Bristol theatre, is identified in Morning Herald, 21 June.] Afterpiece [1st time; F 2, by Elizabeth Inchbald, based on L'Heureuse Erreur, by Joseph Patrat. Prologue by Thomas Holcroft (see text)]. Morning Chronicle, 15 Aug. 1786: This Day is published The Widow's Vow (1s.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Widows Vow

Performance Comment: Principal Characters by Parsons, Bannister Jun., R. Palmer, Lyons, Edwin; Mrs Bates, Mrs Riley, Mrs Edwin, Miss Brangin, Mrs Wells. [Cast from text (G. G. J. and J. Robinson, 1786): Don Antonio-Parsons; Marquis-Bannister Jun.; Carlos-R. Palmer; Servant-Lyons; Jerome-Edwin; Countess-Mrs Bates; Donna Isabella-Mrs Riley; Ursula-Mrs Edwin; Inis-Miss Brangin; Flora-Mrs Wells.] Prologue spoken by Bannister Jun. [This was spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Bannister Jun. [This was spoken, as here assigned, at all subsequent performances.] hathi.