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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C B"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C B")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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14004 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $Mr C. B<span class=
We found 9670 matches on Event Comments, 3173 matches on Performance Comments, 1218 matches on Performance Title, 295 matches on Author, and 0 matches on Roles/Actors.

8101
17 August 1799 @ Haymarket Theatre

Event Comment: Benefit for Wathen. 2nd and 3rd piece: By permission of the Proprietors of the Theatre-Royal, Drury Lane. 2nd piece: Never acted at this Theatre [i.e. in the regular summer season; it had been acted "out of season" on 9 Feb. 1797]. Morning Chronicle, 16 Aug.: Tickets to be had of Wathen, No. 2, Frith Street, Soho

Performances

Mainpiece Title: The London Hermit

Afterpiece Title: The Spoild Child

Afterpiece Title: The Prize or 2 5 3 8

Song: End I 2nd piece: The Country Club-Wathen

8102
25 September 1799 @ Covent Garden

Performances

Mainpiece Title: The Votary Of Wealth

Afterpiece Title: Robin Hood

8103
16 October 1799 @ Covent Garden

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Spoild Child

8104
01 November 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Blue Beard

8105
27 November 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Irish Widow

Music: Incidental: Vocal Parts-Mrs Bland, Miss Leak; To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Principal Dancer-Sga Bossi DelCaro

8106
02 May 1800 @ Covent Garden

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: The Social Songsters

Performance Comment: As18000426, but added: The Tight Little Island-Townsend; When Arthur first at Court began-Incledon, Linton, Denman; Old Towler-Incledon; Naval History-_; My Dolly was the fairest Thing-_; The Red Cross Knight-_; This Life is like a Country Dance-_.
Cast
Role: This Life is like a Country Dance Actor: Fawcett

Afterpiece Title: Netley Abbey

Dance: End II 1st piece: the Duchess of York's New Minuet and Waltz= (The Music composed by Alde [recte Alday], Dance by D'Egville)-Master and Miss D'Egville; In 2nd piece: Dance-Master D'Egville, Miss Packwood, Miss D'Egville

Entertainment: Monologue. End I 1st piece: Appropriate Address written on the Occasion-Mrs Mattocks

8107
28 May 1800 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were And Maids As They Are

Afterpiece Title: St

Performance Comment: David's Day. As18000414.

Afterpiece Title: The Hermione

Song: End I 1st piece: a Song-Master Gray; End II: The Muffin Man (Written by T. Dibdin, and composed by Moorehead)-Dighton (1st appearance on this stage); End 1st piece: the celebrated Laughing Song-Dighton

Performance Comment: Dibdin=, and composed by Moorehead)-Dighton (1st appearance on this stage); End 1st piece: the celebrated Laughing Song-Dighton.

8108
02 June 1800 @ Covent Garden

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: A Whitsun Festival

Afterpiece Title: Five Thousand a Year

Afterpiece Title: Don Juan or The Libertine Destroyed

Performance Comment: Don Juan (1st and only time)-H. Johnston; Governor-Bologna Sen.; Don Fernando-King; Fisherman-Hawtin; Spanish Gents.-Lee, Curties, Atkins; Alguazile-Thompson; Waiters-Abbot, Wilkins; Musicians, Sailors-Wilde, Blurton, Platt, Lewiss, L. Bologna, Klanert; Scaramouch-Delpini; Donna Anna (1st time)-Miss Mills; Fishermen's Wives-Mrs Atkins, Miss Wheatley; (with the duet, Thus for Man the Woman fair)-Mrs Atkins, Miss Wheatley; Dancers-Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Mrs Lloyd; Ladies-Ms Leserve, Ms Gilbert, Ms Burnett, Ms Iliff, Ms Norton, Ms Whitmore, Ms Blurton.

Song: End I: the Battle Song-Incledon as18000522

8109
September 1679 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first production is not known, but it was probably acted much earlier than November 1682, when it was entered in the Term Catalogues. The fact that the Epilogue refers to the Duke of York's "second Exile into Flanders" points to the possibility that it may have been acted near that time, i.e., between 24 Sept. 1679 and 14 Oct. 1679. It may have been first acted early as March 1679, when the political flights of the Duke of York were also a matter of public concern

Performances

Mainpiece Title: The Young King Or The Mistake

8110
29 May 1706 @ Queen's Theatre

Performances

Mainpiece Title: The Earl Of Essex Or The Unhappy Favourite

Performance Comment: A new Epilogue-Miss Bruce (her first speaking in public).

Dance: Mrs Elford, delaGarde, Young l'Abbe, Miss Bruce

8111
14 December 1717 @ Lincoln's Inn Fields

Event Comment: [By Thomas Moore.] With Musick Vocal and Instrumental, Dances, and other Decorations proper to the same. Victor, History of the Theatres, II, 144: Three or four Years after the Performance of this famous Tragedy, I had the following account from several of the Actors who performed in it: That Sir Thomas gave them many good Dinners and Suppers during the Rehearsals of the Play, which they all laugh'd at as ridiculous; but as the Company was, at that Time, composed chiefly of young Actors, and got but small Encouragement from the Public; it may be justly said, their Necessities compelled them to perform this strange Tragedy, which stood some chance to divert from its Absurdities

Performances

Mainpiece Title: Mangora King Of The Timbusians

8112
12 December 1723 @ Haymarket Theatre

Performances

Mainpiece Title: The Female Fop Or The False One Fitted

Performance Comment: Persons who never yet appear'd in Public. Edition of 1724 lists: Sir Zealwou'd Fainall-Alleyn; Sir Obstinate Lecture-Thomas; Manworth-Hawker; Trueman-Milward; Timothy-Williams; 1st Companion-Dyas; 2d Companion-Richards; Eudmia-Mrs Thomas; Clarinda-Mrs Howey; Manilia-Mrs Herold; Isabella Wealthy-Mrs Marlow; Hearty-Mrs Wadderburn; Prologue-Milward.

Song: Singing in Italian and English-Mrs Hill

8113
05 April 1725 @ Drury Lane Theatre

Event Comment: Benefit Mrs Horton. Davies (Dramatic Miscellanies, I, 103-4): Upon Mrs Younger's quitting Drury-lane for a more advantageous income at Lincoln's-inn-fields, [Mrs Horton] was called upon by Wilks to act the part of Phillis in the Conscious Lovers. Younger had given the public so much entertainment in that part, that Mrs Horton met with very uncandid treatment from the audience; who so far forgot what was due to merit and the handsomest woman on the stage, that they endeavoured to discourage her by frequent hissing. She bore this treatment with patience for some time. At last, she advanced to the front of the stage, and boldly addressed the pit: "Gentlemen, what do you mean?What displeases you; my acting or my person?' This shew of spirit recovered the spectators into good humor, and they cried out, as with one voice, No, no, Mrs Horton; we are not displeased; go on, go on.

Performances

Mainpiece Title: The Conscious Lovers

Dance: Thurmond, Mrs Booth, Mrs Tenoe, Young Rainton, Miss Robinson

8114
14 February 1732 @ King's Theatre

Performances

Mainpiece Title: Sosarmes

Performance Comment: A public rehearsal.

8115
16 August 1732 @ Bartholomew Fair

Performances

Mainpiece Title: The Envious Statesman Or The Forcd Physician

Performance Comment: Rehearsed in public.

8116
20 November 1732 @ Crown Tavern

Performances

Mainpiece Title: Concert

Performance Comment: A public music by the Monday Society, with singing-Strada, Celestina, Senesino, others.

8117
22 November 1732 @ King's Theatre

Performances

Mainpiece Title: Alexander

Performance Comment: A public practice.

8118
02 November 1734 @ King's Theatre

Event Comment: [Prince of Wales and Princess Amelia present.] Lord Hervey to Henry Fox, 2 Nov.: No place is full but the Opera; and Farinelli is so universally liked, that the crowds there are immense. By way of public spectacles this winter, there are no less than two Italian Operas, one French play house, and three English ones. Heidegger has computed the expense of these shows, and proves in black & white that the undertakers must receive seventy-six thousand odd hundred pounds to bear their charges, before they begin to become gainers. Ilchester, Lord Hervey and his Friends, p. 211

Performances

Mainpiece Title: Artaxerxes

8119
08 February 1735 @ Drury Lane Theatre

Event Comment: By Desire. [In a letter to the Daily Journal, 13 Feb., Michael Poitier thanks the public for the applause given him on 8 Feb., and refers to the earlier disturbance there occasioned by his failure to appear with Mlle Roland. He states that she was indisposed and that he sent a message to that effect to the manager.]

Performances

Mainpiece Title: The Miser

Cast
Role: Mariana Actor: Miss Hollyday

Afterpiece Title: Colombine Courtezan

8120
24 March 1735 @ Crown Tavern

Event Comment: A public concert. [See Egmont, Diary, n, 164.]

Performances

Mainpiece Title: Concert

Music: Singing by Farinelli and Cuzzoni

8121
08 January 1739 @ King's Theatre

Event Comment: Rehearsed in public

Performances

Mainpiece Title: Saul

8122
18 January 1739 @ Crown Tavern

Event Comment: EEgmont, Diary, III, 5: I went at night to a public meeting of the vocal music club at the Crown Tavern, where the famous oratorio of Hendel, called 'The Feast of Alexander," was performed by the gentlemen of our club

Performances

Mainpiece Title: The Feast Of Alexander

8123
14 March 1746 @ Devil Tavern

Event Comment: Benefit Leonardo Pescatore...a Serenata. Music entirely new and composed by himself, 7 p.m., 5s. Tickets at the Mews Coffee House, Charing Cross; at Pescatore's, No 2, Meard's Court, Dean St., Soho. [And a long letter by Pescatore offering to give lessons on the harsichord and wounded by public suspicion of his loyalty.

Performances

Mainpiece Title: La Forza De Lamore

8124
20 April 1749 @ Covent Garden

Event Comment: Benefit towards the increase of a Fund for the support of a Public Charity. Ladies send Servants by 3 O'clock. Last time of performing the Mainpiece this season

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: Damon and Phillida

Dance: J. Granier, J. Granier's Sister

8125
29 April 1749 @ King's Theatre

Event Comment: A New Serenade. Whereas it has been advertised by mistake in the public newspapers that subscriber's tickets would not be admitted; Dr Crosa takes this opportunity to beg pardon, that it was not his intention, but that all subscriber's tickets will be received

Performances

Mainpiece Title: Peace In Europe