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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C B"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C B")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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14004 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $Mr C. B<span class=
We found 9670 matches on Event Comments, 3173 matches on Performance Comments, 1218 matches on Performance Title, 295 matches on Author, and 0 matches on Roles/Actors.

7901
23 February 1776 @ Drury Lane Theatre

Event Comment: By Command of their Majesties. Tickets to be had and places for the Boxes to be taken of Mr Fosbrooke at the Stage Door of the Theatre, at Half a guinea each. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Half past Five. To begin at Half past Six. N.B. Those ladies who have had boxes for the Oratorios and who intend continuing them are humbly requested to give notice to Mr Fosbrooke at the Stage Door. Rec'd Stoppages #1 1s. (Treasurer's Book). [The Westminster Magazine, Feb., p. 75, contained an article on the "Origin of Oratorios," followed by one on the Musical Powers of Handel, particularly relating to his Oratorios. The Morning Chronicle for 24 Feb. commented as follows on Miss Linley's performance in Acis and Galatea: "Miss Linley...gave every delight that the ear, the heart, or understanding could receive from Music...Miss Linley's manner of delivering Recitative is peculiarly distinct and sensible; a circumstance of infinite importance in a performance of this nature. Her voice is clear and melodious, and capable of truest expression as was peculiarly evident in the song of 'Must I my Acis still bemoan?'...Their Majesties' presence and apparent satisfaction lead us to hope that the Royal countenance and encouragement will never again be withdrawn to grace the innovations of foreigners on the only musical ground which is left for English genius to take root and flourish"( (Quoted in Hampden, Journal).]

Performances

Mainpiece Title: Acis And Galatea With Drydens ode

Music: Concerto on Organ-Stanley

7902
22 March 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: Samson Alexanders Feast And The Coronation Anthems

Music: I: Concerto on Organ-Stanley

7903
01 May 1776 @ Covent Garden

Performances

Mainpiece Title: Eldred Or The British Freeholder

Afterpiece Title: The Two Misers

Cast
Role: Harriet Actor: Miss Dayes, first time.

Dance: End: Mirth and Jollity, as17760102

7904
07 May 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Man of Quality

Dance: IV: The Irish Fair, as17751003

7905
23 May 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Deserter

Dance: I: The Gardeners, as17760116

7906
16 October 1776 @ Covent Garden

Event Comment: By Command of Their Majesties. [For Fanny Burney's pen and ink sketch of the royal box and her written description o it, as it appeared on this evening, see List of illustrations these volumes. Receipts: #261 14s. 6d. (260.14.0; 1.0.6)

Performances

Mainpiece Title: All In The Wrong

Performance Comment: Sir John Restless-Lee Lewes; Sir W. Belmont-L'Estrange; Young Belmont-Whitefield; Mr Blanford-Fearon; Robert-Booth; Brush-Wewitzer; Beverly-Lewis; Lady Restless-Mrs Mattocks; Clarissa-Miss Dayes; Tippet-Mrs Whitefield; Marmalet-Mrs Willems; Tattle-Mrs Pitt; Belinda-Mrs Bulkley (1st appearance in that character).
Cast
Role: Clarissa Actor: Miss Dayes

Afterpiece Title: Cross Purposes

Dance: As17761015

7907
13 March 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: The Funeral Or Grief A la mode

Afterpiece Title: The Jubilee

Dance: As17770215

7908
20 March 1777 @ Drury Lane Theatre

Event Comment: [Mainpiece in place of The Funeral, announced on playbill of 18 Mar.] Afterpiece [1st time; CO 2, by Isaac Jackman]: The Music composed by Carter. Receipts: #233 11s. (190.1.0; 40.16.6; 2.13.6)

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Milesian

Related Works
Related Work: The Milesian Author(s): Isaac Jackman

7909
18 April 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: The Runaway

Afterpiece Title: Bon Ton

Dance: As17761128

7910
15 May 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: The Committee

Cast
Role: Mr Day Actor: Baddeley
Role: Mrs Day Actor: Mrs Bradshaw

Afterpiece Title: The Deserter

Dance: End I: The Corn Thrashers, as17770419; End II: a Hornpipe-Master Staples (scholar of Blurton)

Ballet: End: The Wapping Landlady. Jack in Distress-Blurton; Wapping Landlady-Mr Griffiths; Orange Woman-Mrs Sutton

7911
07 July 1777 @ Haymarket Theatre

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Author

Dance: End: The Merry Lasses, as17770611

7912
15 July 1777 @ Haymarket Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Waterman

Dance: As17770707

7913
30 July 1777 @ Haymarket Theatre

Event Comment: [This was Foote's last appearance on the stage. He died on 21 Oct. 1777.

Performances

Mainpiece Title: The Maid Of Bath

Afterpiece Title: The Mayor of Garratt

Dance: End: The Venetian Regatta, as17770611

7914
03 September 1777 @ Haymarket Theatre

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: Falstaff-Henderson (1st appearance in this play [in London]); Justice Shallow-Blissett; Sir Hugh Evans-Parsons; Dr Caius-Jackson; Mr Page-Fearon; Master Slender-Bates; Fenton-R. Palmer; Host-Massey; Bardolph-Kenny; Pistol-Stevens; Robin-Master Hitchcock; Simple-Master Pulley; Ford-Palmer; Mrs Page-Mrs Davies; Ann Page-Mrs Colles; Hostess-Mrs Love; Mrs Ford-Mrs Lisley (late Miss Barsanti).

Afterpiece Title: The Padlock

7915
27 September 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: The Distressd Mother

Afterpiece Title: Harlequins Invasion

7916
23 February 1778 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Mother Shipton

Dance: In: As17770929; In afterpiece: Langrish, Miss Besford [who danced in all subsequent performances]

Song: End IV: Solemn Dirge, as17770929, but _Reinhold, Battishill

Cast
Role: ocal Parts Actor: Mattocks, Reinhold, Baker, Fox, Miss Brown, Miss Dayes, Miss Valois, Mrs Willems, Miss Green.

7917
06 March 1778 @ Covent Garden

Event Comment: Boxes 10s. 6d. Pit 4s. 1st Gallery 3s. 2nd Gallery 2s. Places for the Boxes to be taken of Sarjant (only) at the Stage Door. Books of the Oratorio to be had at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season. The Account-Book notes that the director of the oratorios this season was James Hook.

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Sacred Canons

Music: End Part I: concerto on the German flute-Florio; End of Part III: concerto on the piano forte-Miss Weichsel; concerto on the hautboy-LeBrun; concerto on the violin-Master Weichsel

7918
30 April 1778 @ Haymarket Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Old Maid

Song: End III: a new Cantata, suitable to the occasion, composed by Barthelemon,-Mrs Barthelemon

Music: End: concerto on the violin-Barthelemon; in which Grammacree with variations-

7919
09 June 1778 @ China Hall, Lower Road, Rotherhithe

Performances

Mainpiece Title: The London Merchant Or George Barnwell

Afterpiece Title: The Old Maid

Dance: As17780601

Song: As17780608

7920
22 June 1778 @ China Hall, Lower Road, Rotherhithe

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: Cross Purposes

Song: As17780529

Entertainment: Monologue.End: Bucks have at ye All-Middleton (1st appearance on any stage)

7921
20 August 1778 @ Haymarket Theatre

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Gipsies

Dance: As17780615

7922
09 October 1778 @ Covent Garden

Performances

Mainpiece Title: Annette And Lubin

Afterpiece Title: All in the Wrong

Afterpiece Title: The Old Maid

Dance: As17780925

7923
28 December 1778 @ Haymarket Theatre

Performances

Mainpiece Title: The Macaroni Adventurer Or Womans A Riddle

Afterpiece Title: Fashionable Love or The Happy British Tar

Afterpiece Title: The Covent Garden Tragedy

Dance: Entertainments ofDancing-

Entertainment: Monologue.End III: Imitations [Vocal and Rhetorical, never attempted, a Trumpet-a Choice Spirit [who will (to his vocal performances) accompany himself with the Symphonies (his 1st appearance on the stage [unidentified])

7924
10 May 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Whos the Dupe

Dance: to conclude with: Country Dance-; End I afterpiece: As17790417

Song: End II: Tally ho!, as17790413

7925
18 May 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Mayor of Garratt

Dance: In: Master Morey, 3 Miss Stageldoirs