SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C B"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C B")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9670 matches on Event Comments, 3173 matches on Performance Comments, 1218 matches on Performance Title, 295 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Daphne and Amintor

Performances

Mainpiece Title: Rule A Wife

Cast
Role: Alonzo Actor: Ackman

Afterpiece Title: The Devil to Pay

Dance: New Comic Dance-Daigueville, Mrs King, Sga Daigueville, Miss Ross

Performances

Mainpiece Title: The Distressd Mother

Afterpiece Title: The Author

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Intriguing Chambermaid

Dance: II: A Comic Dance-Mrs Hartle; End of Play: A Minuet-Hussey, Miss Madden

Event Comment: To begin at 7 p.m. For one night only, being particularly desired by several Persons of Distinction. Performance by a considerable number of the best "catch" singers and instrumental performers. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Books of the Catches and Glees to be had at the theatre. Performance will be over time enough for those ladies and gentlemen who are engag'd at Mrs Cornelys's

Performances

Mainpiece Title: Catches And Glees

Afterpiece Title: The Judgment of Paris

Song: God Save our Noble King- (in Honor of His Majesty's Birthday)

Event Comment: Music composed by Mr Arnold...a very noble Piece of Composition; the airs are pleasing, and the chorusses majestically grand; upon the whole this is the most capital Performance in the Oratorio style Mr Arnold has produced (Theatrical Review, p. 218). Charges: #35 (Account Book)

Performances

Mainpiece Title: The Resurrection

Music: End Part I: Concerto on French Horn, as17720306 End Part II: A New Concerto on Violin by Cirri-Sga Sirmen (Theatrical Review, p. 218)

Performances

Mainpiece Title: Abimelech

Music: End Part I: Solo on Violincello, as17720311 End II: New Concerto on Violin by Cirri, as17720320(Theatrical Review, p. 219)

Event Comment: Great Applause to Mr G. House (Hopkins Diary). N.B. King Arthur which was to be performed this evening for Mr Barry's Benefit, is oblig'd to be deferred till further notice, on account of his continuing ill. Receipts: #266 14s. (Treasurer's Book)

Performances

Afterpiece Title: The Mayor of Garratt

Dance: V: Comic Dance, as17720326

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Performance Comment: Alexander-Smith; Clytus-Younger; Cassander-Clarke; Hephestion-Wroughton; Lysimachus-Hull; Polyperchon-Perry; Thessalus-R. Smith; Roxana-Mrs Mattocks; 1st time; Sysigambis-Mrs Vincent; Parisatis-Miss Pearce; Statira (that night only)-Mrs Yates; With the Triumphal Entry of Alexander into Babylon-.

Afterpiece Title: The Apprentice

Monologue: True Blue. As 18 Jan., but Principal Parts-Mrs Baker, Mrs _Mattocks

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Padlock

Song: II: By Particular Desire The Rapture-DuBellamy

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Padlock

Dance: End of Play: By Particular Desire, The Louvre, Minuet-Noverre, Miss Rogers his scholar

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Deuce Is in Him

Dance: End: The Fingalian Dance with Double Hornpipe-Mas. Blurton, Miss Besford

Monologue: Preceded: New Occasional Prelude. The Principal characters-Dyer, Kniveton, Younger, Davis, Cushing, Wignell, Saunders, Fox, a Young Lady Miss Barsanti her first appearance on any stage

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: A Trip to Scotland

Event Comment: Mainpiece: By Command of their Majesties. This Comedy is reviv'd with great Alterations by Mr G. by particular desire of the Queen. The play went off vastly well Mr G. Play'd with great Spirit & much Applauded the Alterations are vastly lik'd it will now be a living Play (Hopkins Diary). Doors open half past five. Play to begin promptly at six. House (Hopkins Diary). Receipts: #156 12s. (Treasurer's Book)

Performances

Mainpiece Title: The Chances

Afterpiece Title: A Trip to Scotland

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Male Coquette

Cast
Role: Waiters Actor: Ackman, W. Palmer

Dance: End: Comic Dance, as17730325

Event Comment: House. This was to have been Mr Weston's Night but Miss Younge being ill he desired to have it deferr'd (Hopkins Diary). The School For Wives iS oblig'd to be deferr'd till Saturday, on acct of Mr Weston's indisposition (playbill). Receipts: #250 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Provokd Wife

Cast
Role: Lord Rake Actor: Ackman

Afterpiece Title: The Note of Hand

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Dragon of Wantly

Monologue: Interlude.End: True Blue. As 30 April, but Principal Parts-_Owenson, Reinhold; Dance-Aldridge

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Padlock

Performance Comment: As17740530, but Leander-Brett (from Bath, first appearance this stage).

Dance: As17740613

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Lee; Johnson-Lewis; Smith-Clarke; Others-Dunstall, Quick, Clinch, Lewes, Whitefield, DuBellamy, Baker, Davis, Fearon, Cushing, Thompson, Hollingsworth, Wewitzer, Fox, Bates, Burton, Miss Dayes, Miss Pearce, Miss Besford, Miss Barsanti; With Suitable Dances-, Machinery, Decorations, a Reinforcement of Mr Bayes's New Raised Troops.

Afterpiece Title: The Chaplet

Performances

Mainpiece Title: The Jovial Crew

Performance Comment: Oldrents-Quick, first time; Hearty-Reinhold; Vincent-Mattocks; Hilliard-DuBellamy; Springlove-Wroughton; Oliver-Young; Randal-Dunstall; Martin-Thompson; Patrico-Booth; Beggars-Fox, Baker, Wewitzer, Lion; Clack-Shuter; Meriel (with Musical Alterations)-Miss Brown; Amie-Miss Dayes; Beggar Women-Mrs Pitt, Mr Evans, Mrs White; Rachel (With Musical Alterations)-Miss Catley; In II, the Original Crutch Dance-.
Cast
Role: Amie Actor: Miss Dayes

Afterpiece Title: No Ones Enemy but His Own

Dance: II: The Provencale, as17740928; End: The Reel, as17741028

Event Comment: By Command of their Majesties. [From the Westminster Magazine for March: "On Friday the third instant the Entertainments peculiar to this season commenced. Messrs Bach and Abel were first, and have been at each successive Oratorio since (one night excepted when the King and Queen favored Mr Stanley, with bringing the only good House he has hitherto had), honoured with the presence of their Majesties, who have been accused, we think justly, of partiality to these foreigners, in overlooking Mr Stanley's past services and great personal merits. Justice, however, requires us to observe, that both in point of vocal and instrumental performers, the former have displayed a striking superiority over the latter. The singers at Messrs Bach and Abel's are, Parry, Corse, Mrs Weichsel, Miss Brown and Sga Corri. At Drury Lane, Norris, Reinhold, Mrs Mattocks, Mrs Barthelemon, and a young Lady from the Founding Hospital."

Performances

Mainpiece Title: Judas Maccabaeus

Music: End Part I: Hautboy Concerto-Vincent; Part II: Violin Concerto-Barthelemon

Event Comment: Benefit for Mrs Barry. Mainpiece: A Tragedy altered from Thomson [by Thomas Hull] never perform'd. Part of Pit laid into the Boxes. Servants who are to keep places are desired to be at the stage door by 4 o'clock, and those Ladies and Gentlemen who have taken seats in the Pit are requested to come early to prevent confusion in getting to their places. Epilogue by Sheridan. [This play had been refused a license on 26 March 1739, While Walpole was still Prime Minister, probably because of such speeches as: @Is there a cure on Humankind so fell@So pestilent, to Prince and People,@As the base servile vermin of a court;@Corrupt, Corrupting ministers and favourites?@How oft have such eat up the widow's morsel,@The Peasant's toil, the Merchant's far-sought gain,@And wantoned to the ruin of a nation!-Larpent MS, op. p. 65.@ Also the play equalizes Christianity and Mohammedanism before God, and gives a slight edge to the latter (Act IV, scene ii), suggesting the part politics play in Christian churches. An account of the alterations made for the present performance is given in the Westminster Magazine for March. The review concludes: The Play was got up altogether well, and reputedly acted, and is in its present state what the Ladies call "a very pretty tragedy."

Performances

Mainpiece Title: Edward And Eleonora

Afterpiece Title: The Padlock

Dance: End Epilogue: The Vintage Festival, as17741007

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Deserter

Cast
Role: Parts Actor:
Role: Prompter Actor: Ackman

Dance: The Sailors Revels, as17740920

Monologue: End of Play: Henry and Emma. Henry-Brereton; Eugenius-Palmer; Venus-Mrs Smith; Emma-Mrs Baddeley

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Jubilee

Dance: II: The Jealous Harlequin, as17760117