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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C B"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C B")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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14004 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $Mr C. B<span class=
We found 9670 matches on Event Comments, 3173 matches on Performance Comments, 1218 matches on Performance Title, 295 matches on Author, and 0 matches on Roles/Actors.

6126
20 February 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Rites of Hecate

6127
28 November 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Capricious Lovers

Dance: Grimaldi, Aldridge, Giorgi, Berardi, Sga Giorgi, Miss Baker

6128
16 March 1767 @ Covent Garden

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Citizen

Dance: II: The Female Archer, as17661215

6129
28 August 1770 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: The Madman

Dance: marly (By particular desire that night only) Hornpipe by Mrs Thompson. music, 1st Violin and Solo by Barthelemon

6130
28 October 1773 @ Covent Garden

Event Comment: Mainpiece: By Desire. Afterpiece: Not acted these 12 years. [See 9 Nov. 1761.] With Additions and Alterations. [The Additions to The Fair seem to have included a number of actual animals (instead of the men costumed as an Ass and a Hog as used in Mother Shipton), for the Account Book this year for the first time notes payments, 22 March 1774, "for the hire of Horses in The Fair," and 18 June 1774, "To Mr Brooks for attending with the Camels &c. in the Fair." The tradition of bigger and better spectacles seems to have passed on from Rich to Colman.] Receipts: #180 17s. 6d. (Account Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Fair

6131
25 May 1775 @ Drury Lane Theatre

Event Comment: Benefit for Theatrical Fund. Pit and boxes laid together. Send servants by 4 o'clock. Play to begin half past 6 o'clock. Tickets delivered for Thursday the 18th inst. will be taken. Expenses for Fund Night: Renters #4; Supernumeraries & Kettle Drum 19s.; Soldiers 14s.; Printer #2 6s. 6d.; Extra constables &c. #1 10s. 6d.; Candles, Oyl & Lampmen #3 18s., 6d.; Salary to Mr Simonet, Sg Como, Sga Crespi & Mrs Hartle #1 10s.; Carpenters extra #1 7s. Total #16 6s. 4d. Receipts: #309 10s. 6d. Charges: #16 6s. 4d. Profits to Fund #293 4s. 2d. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Rival Candidates

Dance: Slingsby, Sga Hidou [title of dance not specified]

6132
09 October 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: New Brooms

Afterpiece Title: As You Like It

Afterpiece Title: Bon Ton or High Life above Stairs

Dance: End I: The Grand Garland Dance-Giorgi, Sga Crespi, Slingsby

Song: In V: a song-Mrs Scott

6133
02 June 1794 @ Haymarket Theatre

Performances

Mainpiece Title: The Revenge

Afterpiece Title: THE CHAPTER OF ACCIDENTS

Music: In the Course of the Evening several Pieces on the Union Pipes and Pedal Harp by Courtney and Weippert

Monologue: 1794 06 02 After the Epilogue Jacob Gawkey's Rambles tbrougb Bath by Simpson

6134
10 December 1661 @ Theatre in Vere Street

Event Comment: The King's Company. This play appears in Herbert, Dramatic Records, p. 117, preceding 11 Dec., with no date assigned. See also 11 March 1661@2

Performances

Mainpiece Title: The Dancing Master

6135
01 November 1662 @ Whitehall or St. James's

Event Comment: See HMC, Report III, Appendix, p. 215a; Hotson, pp. 214-15; B. M. Wagner, "John Rhodes and Ignoramus," Review of English Studies, V (1929), 43-48. See also Nicoll, Restoration Drama, pp. 302n, 423. This appears to be the Duke's Company

Performances

Mainpiece Title: Ignoramus Or The Academical Lawyer

6136
22 February 1668 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. The Prologue, by John Dryden, is in Covent Garden Drollery (1672). Pepys, Diary: To the Duke's playhouse, and there saw Albumazar, an old play, this the second time of acting. It is said to have been the ground of B. Jonson's Alchymist: but, saving the ridiculousnesse of Angell's part, which is called Trinkilo, I do not see any thing extraordinary in it, but was indeed weary of it before it was done. The King here, and, indeed, all of us, pretty merry at the mimique tricks of Trinkilo

Performances

Mainpiece Title: Albumazar

6137
14 October 1668 @ Whitehall or St. James's

Event Comment: The Duke's Company. The Prologue to the Queen of Arragon Acted before the Duke of York, Upon his Birthday, and Epilogue to the Same To the Duchess, by Samuel Butler, are in The Poetical Works of Samuel Butler, ed. R. B. Johnson (London, 1893), II, 175-77. Newsletter, 12 Oct. 1668: The Duke of York's birthday will be celebrated with the usual solemnities, a play being prepared for the entertainment of the ladies. The piece chosen is The Queen of Arragon. It will be acted in the Guard Chamber at St James's (HMC, Fleming MSS., 12th Report, Appendix, Part VII, p. 59). Pepys, Diary: But the Duke of York being gone out, and to-night being a play there, and a great festival, we would not stay

Performances

Mainpiece Title: The Queen Of Arragon

6138
March 1673 @ Lincoln's Inn Fields

Event Comment: The King's Company. The date of the premiere is not known, but this play belongs to a group which have been considered as "Lenten plays," ones in which the young actors of a company comprise a large portion of the cast. On this basis, as Easter fell on 30 March 1673, this play has been assigned to March 1673. See Philip B. Gray Jr, Lenten Casts and the Nursery: Evidence for the Dating of Certain Restoration Plays, PMLA, LIII (1938), 781-94; for this play particularly, pp. 791-92. A song, Down with this love, set for this play by Alphonso Marsh, is in Choice Ayres and Songs, 1676

Performances

Mainpiece Title: The Spanish Rogue

6139
03 June 1732 @ King's Theatre

Performances

Mainpiece Title: Lucius Papirius

6140
24 February 1741 @ Drury Lane Theatre

Event Comment: Benefit a Gentleman who has wrote for the Stage. [Professor John B. Shipley of the University of Colorado has called to my attention a letter written by James Ralph to Thomas Birch, dated 14 February 1741, in which he states that this benefit is to be for Ralph. See B.M. Add. MSS. 4317, fol. 94.

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: The King and the Miller of Mansfield

Dance: LLa Tambourine-Mlle Chateauneuf; Shepherds and Shepherdesses-Muilment, Mlle Chateauneuf

6141
06 November 1747 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Virgin Unmaskd

6142
27 March 1775 @ Drury Lane Theatre

Event Comment: Great Applause to the Farce (Hopkins Diary).Benefit for Mrs Abington. Mainpiece: By Particular Desire. Tickets delivered for The Tender Husband will be taken. Send Servants by Four to prevent Confusion. [Sir Joshua Reynolds had procured forty places in the front boxes this night. Boswell and Dr Johnson were among his guests. Johnson could see and hear little, but sat out the performance, commenting on Garrick's excellence as a writer of Prologues. See Boswell's Life of Johnson, ed. G. B. Hill, II, 324ff.] Receipts: #287 9s. 6d. Charges: #64 4s. Profits to Mrs Abington: #223, 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: Bon Ton

6143
29 November 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Performance Comment: Valentine-Reddish; Sir Sampson Legend-Moody; Scandal-Bensley; Foresight-Parsons; Ben-Yates; Jeremy-Baddeley; Trapland-Waldron; Buckram-Wrighten; Officer-Griffiths; Tattle-King; Angelica-Miss Younge; Mrs Frail-Miss Pope; Mrs Foresight-Miss Sherry; Nurse-Mrs Bradshaw; Miss Prue-Mrs Abington; The new occasional Prologue-Dodd. [This was spoken, as here assigned, at the first 2 performances only (see17761205).]This was spoken, as here assigned, at the first 2 performances only (see17761205).]

Afterpiece Title: The Elopement

6144
07 January 1777 @ Covent Garden

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Comus

Performance Comment: As17761007, but Pastoral Nymph, Sabrina-Miss Brown; Bacchants-Miss Dayes, others.
Cast
Role: Bacchants Actor: Miss Dayes, others.

Song: In afterpiece: Nor on Beds of fading Flowers-Mrs Farrell

6145
09 May 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Deserter

6146
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

6147
25 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a new ballet, composed for the occasion by D'Auberval, Pygmalion (taken from the Mono-drama of that name by Jean-Jacques Rousseau, with the original music composed by that very celebrated writer; the story founded on the fabulous account of Pygmalion animating his statue) by Lepicq, Vcstris (Jun.], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi

6148
04 December 1789 @ Covent Garden

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Devil upon Two Sticks

Dance: The Deserter-[, See17891113

6149
31 March 1792 @ Haymarket Theatre

Event Comment: A New Comic Opera composed by Paisiello [but not recorded in any list of his operatic works]; under the direction of Mazzinghi. [Originally ententitled Le Vane Gelosie, this was 1st performed at Naples in 1790. Its libretto, by G. B. Lorenzi, was re-set in 1793 by G. Astarita, and performed at Venice as Le Fallaci Apparenze. The characters in all these versions are identical. See E. Faustini-Fasini, Opere Teatrali di Paisiello, 1940, 137-38, and Morning Herald, 2 Apr. 1792.

Performances

Mainpiece Title: La Discordia Conjugale

Dance: As17920310

6150
06 October 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: King Henry The Fifth

Afterpiece Title: Lodoiska