SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C B"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C B")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9670 matches on Event Comments, 3173 matches on Performance Comments, 1218 matches on Performance Title, 295 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Devil to Pay

Dance: I.: Pierrots by Fisher Tench and Davenport. II: Dutchman and his Wife by Le Brun and Mrs Walter. III: Scot's Dance by Mr and Mrs Davenport. IV: English Maggot by S. Lally and Mrs Walter. V: Revellers by Essex, Miss Latour, &c

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Loves Last Shift

Cast
Role: Hillaria Actor: Miss Holliday

Afterpiece Title: The Intriguing Chambermaid

Dance: II: Drunken Peasant-Philips; IV: Flanderkins-Master Ferg, Miss Wright

Song: I: Sweet Echoby Arne in Comus-Mrs Arne; III: Dove Spiega (an Italian Song by Arne)-Mrs Arne

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Margery

Dance: As17381213

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Mock Doctor

Dance: Muilment

Event Comment: By Command of their Royal Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa. Benefit Signora Fausan. Part of the Pit will be rail'd in, and added to the front boxes. Tickets and places in the Boxes to be had only of Mr West, at the Green Door in Duke St., Lincoln's Inn Fields; and for the Stage, of Mrs Moor, at the Sign of the Theatre in the Playhouse Passage. Receipts: #160. Rylands MS.: Duke &c attended

Performances

Mainpiece Title: The Provoked Wife

Dance: I: Les Jardiniers Suedois, as17420208; II: Les Egyptiens-the Fausans; V: A New Grand Ballet-the Fausans, LaCroix, Constantini, Mrs Walter, Miss Story

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Mock Doctor

Song: I: Sweet Bird, from Milton,-Mrs Arne; II: A Cantata by Stanley-Beard; IV: Was ever Nymph like Rosamond-Lowe; V: War he sung was Toil and Trouble-Mrs Clive

Dance: III: A Concerto, as17420105; V: The Italian Peasants, as17411205

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The King and Miller of Mansfield

Song: I: Song with French Horns-Beard; II: Sweet Bird from Milton-Mrs Arne; III: A Ballad-Lowe; IV: War he sung was Toil and Trouble-Mrs Clive

Dance: V: A New Running Footman's Dance-Phillips

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The King and Miller of Mansfield

Dance: IV: Celladon and Phyllis-Master Matthews, Miss Wright; V: The Medley of Jokes-Master Matthews, Miss Wright

Event Comment: Epilogue Of Thanks by Leveridge. Benefit Leveridge. Tune-A Cobler there was. /I The Many great favours I often have known/With greteful acknowledgment proudly I own,/Which prompts me to beg in this musical way,/The Grant of three hours at my Benefit play/Derry Down, &c/II Against which good time give me leave to express/My earnest desire in this humble address/That your wanted indulgence again may promote/Dick Leveridge's play with your Int'rest and Vote./Derry Down, &c/ Tickets to be had at Mr Leveridge's Lodgings in Hanover St, the third door on the Right Hand from Long-Acre, and of Page, at the stage door

Performances

Mainpiece Title: The Relapse

Song: I: Leveridge; II: Song of Diana, as17460313 IV: New Ballad Mirth gives Courage-Leveridge; V: The Wisdom of the Ancients-Leveridge

Dance: II: Drunken Tyrolese, as17460405 V: The Peasants, as17460405

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: Hamlet

Performance Comment: As17500103, but Hamlet-Garrick for last time this season; Ghost-Berry; Polonius-_; Laertes-_; Ostrick-_; Gravediggers-_.

Afterpiece Title: The Rehearsal or Bayes in Petticoats

Dance: Grandchamps, Mlle Auretti

Event Comment: Benefit for ye widow of Capt. James Spencer, an Officer &c., and her small Children (Cross). An Old Officer who had been in His Majesty's Service 46 years, but dying when upon half-pay has left the Widow without pension and with several small children in greatest distress. N.B. Part of the Pit will be rail'd into the boxes and servants will be allowed to keep places on the Stage. Tickets to be had of Mrs Spencer, the uppermost house in Prince's Court, by Storey's Gate; the Bedford Coffee House, Covent Garden; the Tiltyard Coffee House; St James Coffee House; Sweet's Coffee House, Bukingham Court; Bridge Street Coffee House; The Rainbow Coffee House, Ludgate Hill; the Temple Exchange, Fleet St.; the Rainbow, Cornhill; and at the Stage Door of the theatre where places may be taken. Mr Norton Amber, humbly hopes this general acknowledgment of the favour which his friends were pleas'd to confer on him by their generous appearance last Night at Drury Lane, will be accepted, instead of a more particular application, which his constant employment prevents; and begs leave to assure them, that he shall ever retain a most grateful sense of their indulgent assistance. Receipts: #252 (Cross)

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: The Fair Penitent

Song: Powell

Event Comment: A little hissing during the farce, & at the End ye Audience call'd, no more &c.--& insisted upon another farce being given out wch Mr Blakes did--farewell Taste (Cross). The Book of the Entertainment will be sold in the theatre, and at R. Francklin's in Russel Street, Covent Garden (playbill). [The publication of Taste was dedicated to Francis Delaval, and includes in prefatory remarks Foote's distinction between Comedy and Farce: As the follies and absurdities of men are the sole objects of Comedy, so the powers of Imagination (Plot and Incident expected) are in this kind of writing greatly restrainded. No unnatural assemblages, no creatures of the fancy can procure the protection of the Comic Muse; men and things must appear as they are. To Farce greater liberties are permitted. I look upon Farce to hold the same rank in drama that Burlesque does in other poetry. It is employed either in debasing lofty subjects, or in raising humble ones.'] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Taste

Song: III: Haughty Strephon by Dr Arne-Master Vernon

Event Comment: Publish'd, A Treatise of the Passions so far as they regard the stage &c., by Mr Foote. 1s. [First pub. 1747, it contains an interesting comment on Garrick's Lear.] Romeo and Juliet which was bespoke, and was to have been acted last Monday at Drury Lane, will be acted there next Monday, Miss Bellamy being recovered from her late indisposition. Receipts: #190 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Shepherds Lottery

Event Comment: New Scenes, Music, Habits, Decorations, Machines &c. Nothing under Full Prices. A new Pantomime-went off with great Applause (Cross). [The afterpiece dealt with in high irony by Murphy in Gray's Inn Journal (29 Dec.): It is writ entirely upon the Grecian plan, so much admired by the French critics, and of course does not bid very fair to please the multitude in this country, whose taste is too much vitiated by Shakespeare's monstruous irregularity, to relish the simplicity of this piece. Mr Ranger will only observe that he is highly pleased with the Fable, the Morality, the University, and Integrity of it, and as the writing is equal all through, he looks upon it to be one of the best Pantomimes in the English language.] Receipts: #180 (Cross)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Fortunatus

Song: I: Beard

Performances

Mainpiece Title: Merope

Afterpiece Title: A Duke and no Duke

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The King and Miller of Mansfield

Dance: IV: A Hornpipe-Mathews

Event Comment: Mainpiece: By Desire. This Morning at Ten will be publish'd at 6d. An Epistle from Mr The. Cibber to David Garrick, Esq; to which are prefix'd some occasional verses, Petitions, &c.: @Lowliness is young Ambition's ladder,@Whereto the Climber upwards turns his face;@But when he once attains the upmost Round,@He then unto the ladder turns his back,@Looks in the clouds, scorning the base degrees@By which he did ascend.@Shakespeare@"Let them not say in their hearts, Ah, so we would have it; let them not say, we have swallow'd him up," Ps. XXXV. v.25. Printed for R. Griffiths. [A thirty-five-page apologia, and bitter attack upon Garrick for supposed complicity in prohibiting the license of the Haymarket to him.] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Englishman in Paris

Song: I: The Country Wedding-Beard; II: The Bonny Broom-Miss Young; III: By Desire, Music: Sir Watkins Delighton the Harp-Parry; IV: The Toast-Beard; V: A Duetto When Phoebus the top of the Hills does Adorn-Beard, Miss Young

Event Comment: Benefit for Wood [Sub-Treasurer]. Mainpiece: For last time this season. Tickets deliver'd by Miss Minors will be taken. Tickets to head of Wood at Mr Burn's in James St., Covent Garden, &c. Receipts: #140 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Polly Honeycombe

Event Comment: Young Gentlewoman-Miss E. Miller, marryed since to Mr Thomas Baker, an actor of cg, and a singing master. Mrs Baker is at present separated from her husband (1792) and performs only at Sadler's Wells in Pantomimes &c! Qu: Count Haslang and Mrs Baker (Hopkins MS Notes). Income from Boxes #27 2s. 6d. Nightly expense as usual #32 16s. 11d. Receipts: #74 7s. 6d. (Winston Theatrical Record)

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Contrivances

Dance: TThe Pedlar Trick'd, as17611001