SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C B"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C B")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9670 matches on Event Comments, 3173 matches on Performance Comments, 1218 matches on Performance Title, 295 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. The play was not printed. This performance is on the L. C. list, 5@145, p. 120. See also Nicoll, Restoration Drama, p. 349. Andrew Marvell to Sir Edw. Harley, 17 Nov. 1677: To-day is acted the first time Sir Popular Wisdom or the Politician, where my Lord Shaftesbury and all his gang are sufficiently personated. I conceive the King will be there (HMC, 14th Report, Appendix, Part II, 1894, Portland MSS., Volume III, p. 357)

Performances

Mainpiece Title: Sir Popular Wisdom Or The Politician

Event Comment: On this day, L. C. 5@16, p. 83 (Nicoll, Restoration Drama, p. 10n) John Crowne's The City Politiques was banned

Performances

Event Comment: The Duke's Company. This play was also reprintdd in 1683. This performance is on the L. C. list, 5@145, p. 120: Wth ye Q: & a box for ye Maides of honor. See also Nicoll, Restoration Drama, p. 349. On this day Drury Lane was leased for nineteen years to Charles Davenant and his associates in furthering the union of the two companies. See Hotson, Commonwealth and Restoration Stage, p. 277

Performances

Mainpiece Title: The Souldiers Fortune

Event Comment: Richard Lapthorne, 8 Aug. 1691: Bartholomew faire by order of the Lord Mayor and Aldermen is to bee kept but for 3 days this yeare because its a season of great debauchery and therefore they think a fortnight to bee too long a space and it seemes according to the originall Institution it was to continue no longer then three dayes (R. J. Kerr and I. C. Duncan, The Portledge Papers [London, 1928], p. 118.

Performances

Event Comment: A warrant, L. C. 5@150, p. 306, in Nicoll, Restoration Drama, p. 357, dated this day calls for a payment of L10 to William Mountfort for King Edward the Third, acted on an unspecified date before the Queen

Performances

Event Comment: By Elkanah Settle. Luttrell, A Brief Relation, 29 Oct. 1692: This day the usuall show of lord mayors, where the king and queen dined, most of the nobility, &c., but the prince and princesse were not invited: the feast was at charge of lord mayor and court of alderman: the lord mayor subscribed 300#, each she rife, 150#, and the aldermen 50# apeice: the kings regiment of foot guards was all in new cloths, and the horse guards too: the militia of Middlesex were as a guard in the Strand, and the artillery, with silver and steell headpeices, lined tne streets where the mayor came

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Saturday, Octob. 29th 1692. For the Entertainment of the Right Honourable Sir John Fleet, Kt. Lord Mayor of the City of London. Containing A True Description of the several Pageants w ith the Speeches spoken on each Pageant. All set forth at the proper Costs and Charges of the Worshipful Company of Grocers. Together with An Exact Relation of the most Splendid Entertainments, prepared for the Reception of Their Sacred Majesties.
Event Comment: According to the testimony of Sir Thomas Skipwith, 10 Dec. 1694, the young actors played during the vacation nearly thirty days without Betterton, Williams, Bright, Kinaston, Sandford, or Mrs Betterton, and made sufficient money to keep them over the vacation. L. C. 7@3, 17 Dec. 1694, in Nicoll, Restoration Drama, p. 374

Performances

Event Comment: Betterton's Company. London Post, 28 June-1 July 1700: Yesterday the Play called the Tempest was acted at the Old Play-house; and that called Love for Love at the new, both for the benefit of the poor English Slaves, &c. and I am told, that the sum arising thereby, amounted to about 250 #. It being put on the Playhouse Bills on Friday last, That each Company were to Act that day, and the whole Profits to go to'ards the Redemption of the English now in Slavery at Machanisso in Barbary, we are credibly informed, That, pursuant thereunto, the Treasurers of the Theatre Royal in Drury Lane, did on Saturday last pay into the hands of the Churchwardens of St.@Martin's the sum of 20 #. out of the Receipts of the Play acted by that Company, towards the Relief of those our Natives from Slavery, which good example 'tis hoped, may move others to be speedy and generous in their Charity for the same purpose. What the other Company gave I do not yet hear

Performances

Mainpiece Title: Love For Love

Event Comment: For discussion of the Licensing Act, see Craftsman, 4 June, and Common Sense, 4 June. London Evening Post, 4 June: We hear that by the Bill now in the House of Peers against Players of Interludes, &c. all Copies of Plays, Farces, or any Thing wrote in the Dramatick Way, are to lie fourteen Days before his Grace the Lord Chamberlain of his Majesty's Household for the Time being, for his Grace's Perusal and Approbation, before they shall be exhibited on the Stage

Performances

Event Comment: By Command of their Royal Highnesses the Duke and the Princesses Amelia, Caroline, and Louisa. Rylands MS.: Duke &c attended. [Winston MS. lists Merchant of Venice, which had been advertised on the previous day's bill, but which was supplanted by this command performance.] Receipts: #80

Performances

Mainpiece Title: The Spanish Friar

Song: I: Happy Pair-Beard; III: Bright Author of my Present Flame-Lowe

Dance: II: Le Boufon, as17411030; V: Le Genereux Corsaire, as17411214

Event Comment: There is now in practice...two new dances which are to be perform'd there on Monday next, the first call'd The Turkish Pirate, the second the Laundress's Visiting Day both compos'd by Giuseppe Salomon, and to perform'd by him, Mlle Violette, the Padouana, M. Mechel, Salomon's Son, &c

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Double Disappointment

Event Comment: The Thirty-second Day. To begin at 6:30 p.m. [Published this month, A Catalogue of Curiosities, Chiefly Theatrical which are to be sold by Auction. Dedicated to Foote by Peter Skewball. A twenty-two-page pamphlet containing suggestive comments about certain actresses. "Lot 13 Two young Actresses of different complections, who having been two years under the care of a certain physician are warranted sound, very little the worse for use...Lot 33 a Coquet Crying by Mrs C-; Lot 34 A Venus half naked at See Saw by Mrs W-; Lot 35 A Very Stanch actress, somewhat overfed, and of great Virtue (Mrs Pritchard?)." N.B.: This is the greatest curiosity in the Catalogue.

Performances

Mainpiece Title: Auction Of Pictures

Event Comment: This day is publish'd Much Ado About Nothing. Price 1s. Written by William Shakespear. Printed for J. and P. Knapton, &c. [14 printers]. Receipts: #100 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Balthazar Actor: Ackman
Event Comment: This day is publish'd a Guide to the Stage; or Select Instructions and Precedents from the best Authorities towards forming a polite Audience; with some account of the Players, &c. Printed and sold by D. Job, at the Spread Eagle in King St. [An ironical post-Addisonian quip at theatrical behavior]: I boldly enter the lists as the first champion for theatric decorum. The next thing to be consider'd is disapprobation, which I think may be sufficiently shewn, by an attention to something else, by loud discourse, profuse laughter, and the like. I cannot help thinking it a little out of character, for a polite audience to distort their features by a hiss: however for the sake of some ambitious youths, who thus love to signalize themselves, I shall leave a new play to their mercy. They then are at liberty to exercise their several talents whether they hiss or groan most successfully, or have a greater genius for the cat-call. If you desire to know when you are to shew your dislike, my answer is, when anything displeases you, or in fine when you will provided you have a strong party to second you; for the best hiss or groan in the universe may be drown'd in a general applause. [Never laugh at what passes on stage save it be an error, blunder, or accident. In tragic scenes avoid being visibly moved by humming a tune, regarding the audience, engaging in conservation, or turning your back to the stage. When a female social rival calls attention to herself and away from the stage, let fall your handkerchief into the pit, or call out to an acquaintance in the opposite box, or burst into loud and unexpected laughter. You'll know when to applaud, for the actors will tell you.] On these occasions Cato looks more than unusually big, Hamlet stares with great emphasis, Othello has a most languishing aspect, Monimia is all sighs and softness, Beatrice will bridle, and pretty Peggy Wildair leers you into a clap. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Anatomist

Event Comment: More noise against the Dancers, wch so enrag'd My Ld that with a Number of Gents. he went into the upper Galleries & took out a very noisy person-who prov'd to be Cap. Venor's Brother; he resisted & was not brought behind the scenes without much Difficulty, sadly beat, yet still obstinate, they went with Garrick & Lacy into Mrs Clive's room, where he behav'd very boldly, but all was adjusted without farther Mischief (Cross). This day publish'd: The Mirror: a Poetical Essay in the manner of Spencer. Price 1s. Ridiculum acii fortissime & optime Secatrem. Anon. To David Garrick, Esq: by C. Arnold. Sold by Woodfall. Receipts: #180 (Cross)
Event Comment: This night the Riot was very Great, the Gentlemen came with Sticks, & tho' the play went on quiet 'till the last Act, we had there a great Stop, notwithstanding we ended it, & then the rout went on, ye Boxes drove many out of the Pit, & broken heads were plenty on both Sides; the dance began,--was Stop'd--& so again & again--while this was doing numbers were assembl'd in the Passages of the pit, broke down & were getting into the Cellar, but were repuls'd by our Scene men &c.--heavy blows on both sides--Justice Fielding--& Welch came with Constables & a Guard; but without effect, tho' the Justices stood upon ye Stage--I thought ye proclamation must have been read--after ye battle in the Passages numbers went & broke Garrick's Windows in Southhampton Street, --part of ye Guard went to protect it-Garrick was oblig'd to give up the Dancers-& ye Audience disperc'd (Cross). This day publish'd at 1s. The Country Coquet; or, Miss in her Breeches, a Ballad Opera, as it may be acted at Drury Lane. @Men, some to business, some to pleasure take@But every woman is at heart a Rake.@ Pope By a Young Lady. Printed for and sold for J. Major, in Three-Tun Court, leading from the Ship in Ivy Lane into Newgate Market. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Chinese Festival

Event Comment: Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s. Upper Gallery 6d. The Scenes, Cloaths, Music, Paintings and all other Acommodations are entirely New. The passage will be illuminated, for the better accommodation of the gentry. To begin each day at twelve o'clock. The Booth is made theatrical and commodious for the reception of Gentlemen and Ladies, and a good band of music provided, consisting of Violins, Bassoons, Hautboys, &c. [This note repeated on each subsequent bill.] At the Great Theatrical Booth, George Inn Yard, West Smithfield

Performances

Mainpiece Title: The Humourous Physician Or A Cure For All Ills

Afterpiece Title: The Restoration and Adventures of Harlequin

Song:

Dance:

Event Comment: At Bence's Room, Swan Tavern, West Smithfield. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s. Upper Gallery 6d. The scenes, cloaths, paintings and all other decorations are entirely new. The Room is made very Theatrical and commodious for the better reception of Gentlemen and Ladies and a good band of music is provided, consisting of Violins, Bassoons, Hautboys, &c. To begin each day at Twelve o'clock. [This note repeated on subsequent bills.

Performances

Mainpiece Title: A School For A Wife Or The Lucky Adventure

Song:

Dance:

Event Comment: At Warner's Booth, Bowling Green. By a Company of Comedians from the Theatres. To begin each day at twelve o'clock and end at ten p.m. during the time of Southwark Fair. The Booth is made very Theatrical and Commodious for the reception of Gentlemen and Ladies, and a good band of music provided consisting of violins, Bassoons, Hautboys, &c. Mainpiece: a diverting droll. [This note repeated on subsequent bills.

Performances

Mainpiece Title: The Intriguing Lover Or A Tit bit For A Nice Palate

Afterpiece Title: Harlequins Vagaries

Dance:

Event Comment: MMr Cibber having obtained Leave to act Plays, etc. at the Theatre in the Haymarket, humbly solicits Subscription, from his Patrons among the nobility, Gentry, etc. @Conditions. Each Subscriber will have@for Five Guineas 25 Box, or 40 Pit Tickets@for four Guineas 20 Box, or 32 Pit Tickets@for three Guineas 15 Box, or 24 Pit Tickets@for two Guineas 10 Box, or 16 Pit Tickets@for one Guinea 5 Box, or 8 Pit Tickets@for Half a Guinea 4 Pit Tickets or 6 Gallery@ Subscription Tickets will be taken any Night of the first Ten Performances. No Subscriptions will be received after Thursday 1 Jan. 1758, the first Day of Performance. The Play, Farce, and Entertainments will be timely mentioned in the Bills, Advertisements, &c

Performances

Event Comment: Receipts: #92 17s. Mem: Princess Caroline died this day in the afternoon, and the two theatres &c. were silenc'd to Friday the 6th of January following, seven nights. (Account Book)

Performances

Mainpiece Title: King Henry V

Afterpiece Title: Orpheus and Eurydice

Event Comment: At Shuter's Great Theatrical Tiled Booth on the Bowling Green. Scenes and Habits entirely new. Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. To begin each day at twelve o'clock. An excellent band of music is provided, consisting of Violins, Hautboys, Trumpets, Kettle Drums, &c

Performances

Mainpiece Title: Don Quixote In England

Event Comment: Full Prices. None admitted behind scenes. [Both pieces advertised regularly for three days in advance.] Income from Boxes #95 15s. Expenses #44 17s. 8d. Including #5 11s. extra for Coronation: viz. 2 men at 10s. 6d. each, chorus singers &c. eleven more at 5s. including Dibdin; 6 Trumpets and 1 fife at 5s. Receipts: #244 7s. (Winston Theatrical Record)

Performances

Mainpiece Title: King Henry V With Conquest Of The French At Agincourt

Afterpiece Title: The Coronation

Event Comment: Mainpiece [1st time; c 5, by James Johnstone, based on Minna von Barnhelm, by Gotthold Ephraim Lessing. Prologue by George Colman, the elder (see text). Epilogue by the author (Morning Chronicle, 25 July).] Morning Herald, 10 Aug. 1786: This Day is published The Disbanded Officer 1s. 6d.)

Performances

Mainpiece Title: The Disbanded Officer Or The Baroness Of Bruchsal

Performance Comment: Principal Characters by Palmer, Bannister Jun., Baddeley, Wewitzer, Lyons, Master Farley, Parsons; Mrs Bulkley, Mrs Inchbald, Miss Farren. [Cast from text (T. Cadell, 1786), and Morning Chronicle, 25 July: Col. Holberg-Palmer; Paul Warmans-Bannister Jun.; Katzenbuckel-Baddeley; Count Bellair-Wewitzer; King's Messenger-Lyons; Boy-Master Farley; Rohf-Parsons; Lisetta-Mrs Bulkley; Lady in Mourning-Mrs Inchbald; Baroness of Bruchsal-Miss Farren.] Prologue spoken by Palmer. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the first 9 performances only (see17860828).] hathi. Prologue spoken by Palmer. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the first 9 performances only (see17860828).] hathi.

Afterpiece Title: The Quaker

Event Comment: Afterpiece [1st time; C 3, by John Philip Kemble, based on 'Tis Well It's No Worse, by Isaac Bickerstaffe]. Morning Chronicle, 13 Mar. 1789: This Day is published The Pannel (1s.). Receipts: #204 8s. (165.3.0; 38.1.6; 1.3.6)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Pannel