SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C B"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C B")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9670 matches on Event Comments, 3173 matches on Performance Comments, 1218 matches on Performance Title, 295 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Miss Macklin. Afterpiece: For the only time this season. Pit and Boxes laid together. Servants are desired to be at the Stage Door by 4 o'clock. Ladies desired to come as early as possible to prevent Confusion in getting to their Seats. [See repetition of afterpiece 27 April.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: II: A Minuet-Fishar, Miss Macklin; IV: An Allemande-Mr Hamoir, Miss Hamoir

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: Catherine and Petruchio

Dance: End: The Jealous Woodcutters-Mr and Miss Hamoir. [See17641101, and 23 Oct. 1762]

Performances

Mainpiece Title: Il Disertore

Dance: I: New DancesOf Mr Lepy-in which Mlle Heinel will dance two new Entres; End Last Act: A new Grand Ballet in which-Mlle Heinel will dance 3 Entres

Event Comment: Oratorio By Particular Desire. Charges: #35 (Account Book). Theatrical Review: His [Duport's] execution is truly masterly, his tone very brilliant, and his taste pleasingly delicate and chaste. What he performs on this instrument is wonderful, when the genius of it is considered. As this celebrated Lady [Sga Sirmen] has been in England some time, her abilities are pretty generally known. Her tone and style of playing is very pleasing, and her execution truly chaste, without any of those unnecessary and extravagant liberties, which the generality of solo players on the Violin too frequently give in to

Performances

Mainpiece Title: Judas Macchabeus

Music: End Part I: Solo on Violincello-Mr Duport; End Part II: Concerto on Violin, as17720306-Sga Sirmen

Performances

Mainpiece Title: Rule A Wife

Afterpiece Title: Daphne and Amintor

Dance: III: A New Ballet-Mr Asselin, his first appearance in this kingdom, Miss Valois, Miss Twist

Performances

Mainpiece Title: Lady Jane Grey

Afterpiece Title: Harlequin Sorcerer

Entertainment: End: A New Occasional Epilogue written by Mr Goldsmith will be spoken-Lewes

Performances

Mainpiece Title: Lady Jane Grey

Afterpiece Title: The Citizen

Dance: End: The Frolick, as17740510; End I Farce: A Double Hornpipe-Mr and Mrs Holloway

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Sylphs

Performance Comment: As17740926, [but Shortbill only Lewes, Miss Brown and Miss Valois listed.]

Dance: III: A New Grand Ballet, call'd The Vintage Festival-Daguville, Sga Vidini, [first time on that stage, and Mr Helm[, first appearance in England. [See dl 11 Oct. 1766.

Performances

Mainpiece Title: Alexanders Feast

Music: Organ Concerto, as17750303 Violin Concerto, as17750303 after First Anthem: Concerto on Hautboy-Mr Vincent

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17751031, but Polly (for that Night only)-Mrs Weichsel; Hornpipe-Miss Besford.

Afterpiece Title: The Man of Quality

Dance: I: A Minuet-Holloway, Miss Cranfield; II: A Minuet-Dagueville, Mrs Masters (Daughter of the late Mr Lalauze)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Cross Purposes

Dance: III: Minuets and Cotillions-Dumay, Miss Armstrong, Merrifield, Miss Ross, Harris, Miss Mathews, Mr and Mrs Holloway; End: The Humours of the New@Market Races, as17760503 [and for Minuets and Cotillions, see17750526]

Performances

Mainpiece Title: The Miser

Performance Comment: Lovegold (the Miser)-Jackson (1st appearance on this stage); Frederick-Cooke; Clerimont-Everard; Decoy-Newton; Sparkle-West; Furnish-Massey; Taylor-Fildew; Lawyer-Lear; Ramillie-Russell; Marianna-Mrs Burden; Harriet-Mrs Bailey; Mrs Wisely-Mrs Heard; Wheedle-Mrs West; Lappet-Mrs Russell.

Afterpiece Title: The Irish Widow

Song: As17780529

Entertainment: Monologue End: The Cries of London (in Imitation of the late Mr Shuter)-Jackson

Event Comment: Mainpiece: In Act I a Statute Scene. [This was included in all subsequent performances. Miss George had previously sung in the professional concerts held at Oxford. This was her 1st appearance as an actress.]

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Irish Widow

Dance: End of Act II of mainpiece Dance, as17830531; End of Act I of afterpiece [annother] Dance by Mr and Miss Byrn

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Author

Dance: End of Act II of mainpiece The Nosegay Lovers by Mr and Miss Byrn [and see17830611

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Genius of Nonsense

Dance: End of Act II of mainpiece The Nosegay by Mr and Miss Burn [and see17830604

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Fortunatus

Dance: End of Act II of mainpiece a New Comic Ballet by Mr and Miss Hamoir (from the Theatre-Royal, Brussels; their 1st appearance on that stage)

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: The Commissary

Dance: End of mainpiece Rural Merriment by Jackson and Mrs Ratchford, to conclude with a Caledonian Reel by Eves and Mr and Mrs Ratchford

Performances

Mainpiece Title: Amphitryon Or The Two Sosias

Afterpiece Title: Whos the Dupe

Song: dl

Dance: Plutus-Staunton; Wit-Miss George; the Dance by Mr and Miss Hamoir. End of Act I of mainpiece New Hornpipe by Master Butler (Scholar of Miller); End of Act III The Soldier Tir'd, as17840414; End of mainpiece The Minuet de la Cour and Allemande by the Miss Stageldoirs

Song: In mainpiece an Interlude of

Performances

Mainpiece Title: The West Indian

Afterpiece Title: ATrip to Scotland

Dance: End of mainpiece The Sportsmen's Return by Mr and Miss Hamoir; Afterpiece: With a Postillion Dance (performers not listed)

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Arthur and Emmeline

Dance: End of Act III of mainpiece a new Dance, The Merry Woodcutters, by Mr and Miss Hamoir

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Gentle Shepherd

Dance: End of Act II of mainpiece Dance by Mr and Miss Hamoir

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Nunnery

Dance: End of mainpiece The Irish Lilt by Mr and Mrs Ratchford

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: Comus

Song: End of Act II of mainpiece The Tobacco Box by Mr and Miss Brett

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: End IV: The Irish Lilt-Mr and Mrs Ratchford

Event Comment: By Permission of the Lord Chamberlain. Benefit for Goodwin. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered for Yesterday the 28th will be admitted. [The Satiric print, The Prince's Bow, had 1st appeared on 17 Mar. 1788; it was not by Bunbury, but by Frederick George Byron (Catalogue of Political and Personal Satires...in the British Museum, 1938, VI, 557).

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-L'Estrange; Lord Trinket-Cooper; Capt. O'Cutter-Griffiths; Tom-Goodwin; Major Oakly-Follett; Lady Freelove-Mrs Day; Mrs Oakly-Mrs Hunter.
Cast
Role: Lady Freelove Actor: Mrs Day

Afterpiece Title: Miss in her Teens

Dance: End IV: Double Hornpipe-Mr and Miss Bourk

Song: End I: Crazy Kate-Chambers; End III: song-Arrowsmith

Entertainment: End II: Imitations-a Gentleman [unidentified]

Monologue: Vaudeville. End: Bunbury's Representation of the Prince's Bow. Teacher-Delpini; in which he will introduce a song, Woman turn us round about-Delpini