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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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13706 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $Mr C. <span class=
We found 9643 matches on Event Comments, 3145 matches on Performance Comments, 1214 matches on Performance Title, 30 matches on Author, and 0 matches on Roles/Actors.

2426
23 March 1761 @ Covent Garden

Event Comment: Boxes #58 15s. paid Mr Luppino in full for making dancing dresses #53. Paid Rich on Account #21 (Account Book). Receipts: #155 11s. (Account Book)

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Rape of Proserpine

2427
01 March 1770 @ Covent Garden

Event Comment: The New Tragedy of Timanthes oblig'd to be deferr'd on Account of Indisposition of Mrs Yates. Paid Hoole Balance of his 1st Night of Timanthes #147 18s. Paid Mr Mackdonald for 5 gross of artifical flowers #1 10s. (Account Book)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Harlequins Jubilee

2428
08 October 1771 @ Drury Lane Theatre

Event Comment: Mrs Hunt Rosetta pretty well receiv'd (Hopkins Diary). Afterpiece: By Desire. Paid Half a year's water, to Midsummer last #2 19s. 6d.; Paid Mr Roberts (shoemaker) #5 3s.; Mrs Ross for women's cloaths #12 12s. (Treasurer's Book). Receipts: #195 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Mayor of Garratt

Dance: II: The Sailors Revels-Atkins

2429
29 January 1772 @ Covent Garden

Event Comment: Man and Wife oblig'd to be deferr'd on account of Indisposition of Mrs Green. Paid Simpson for supper for the orchestra #8 1s.; Paid Mr Vincent for Music for the Orchestra #1 8s. 4d. (Account Book). Receipts: #161 12s. (Account Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: The Apprentice

2430
24 October 1772 @ Covent Garden

Event Comment: Mainpiece: By Particular Desire. Paid John Doe for sticking black bills #4 19s. Paid Mr Masefield (paperhanger) as per bill #1 4s. (Account Book). Receipts: #117

Performances

Mainpiece Title: Jane Shore

Cast
Role: Jane Shore Actor: Mrs Hartley, first appearance this stage.

Afterpiece Title: Comus

2431
11 March 1773 @ Covent Garden

Event Comment: Afterpiece: By Particular Desire. Paid Mr O'Hara the clear receipt of his night for the Golden Pippin the 9th Feb. last #112 6s. Paid Cooper (printer) #38 12s. (Account Book). Receipts: #177 15s. 6d

Performances

Mainpiece Title: Alzuma

Afterpiece Title: The Golden Pippin

2432
29 January 1774 @ Covent Garden

Event Comment: Mainpiece: A New Comedy (never performed) [by George Colman]. Paid Miller for performing 11 nights in The Sylphs #2 15s. Paid Mr Anderson for 2 suits of women's cloaths #21 (Account Book). [The mainpiece received a scourging review in the Westminster Magazine for Feb. 1774. Gibbon attended, "We dined at the Shakespeare and went in a body to support it....Though we got a verdict for our client his cause was but a bad one. It is a very confused miscellany of several plays and tales" (John Hampden@Journal, p. 18).] Receipts: #258 3s. (Account Book)

Performances

Mainpiece Title: The Man Of Business

Afterpiece Title: The Chaplet

2433
05 April 1774 @ Covent Garden

Event Comment: Benefit for Dyer. Charges #64 5s. Profit to Dyer #51 1s. 6d., plus #101 10s. from tickets (Box 289; Pit 135; Gallery 90). Paid one year's Assurance on #10,000 in the Sun Fire Office to 25 March 1775, #50; Paid Mr Carpue (silk dyer) as per bill #12 8s. Receipts. #115 6s. 6d. (Account Book)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Country Madcap

Dance: End: The Old Ground Young, as17731208

2434
15 April 1774 @ Covent Garden

Event Comment: Benefit for Fishar (ballet master). Charges #66 3s. 6d. Profit to Fishar #49 2s. 6d., plus #115 6s. from tickets (Box 156; Pit 155; Gallery 169). Paid Whitefield for cloaths of the pages #21 17s. 6d.; Paid Mr Capell for a suit of men's cloaths #5 5s. Receipts: #115 6s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Author

Cast
Role: Mrs Cadwallader Actor: a Young Gentlewoman, first appearance this stage

Dance: A Triple Hornpipe-Miss Matthews, Miller, Eves; being his first appearance. The two last, scholars to Fishar. A New Dance with Baskets of Flowers[, in which introduced, by particular desire, a Minuet and Allemande-Fishar, Sga Manesiere; [her first appearance this season. A New Grand Ballet, The Black Prince's Festival- (that night only); Prince-Fishar; Pages-Blurton, Miller; Favourites-Miss Twist, Miss Valois; [See17720424.] A New Serious Ballet-Miss Parish[, a Child of Ten Years of age, with only 4 months' instruction, Apprentice to Fishar, her first appearance

Performance Comment: The two last, scholars to Fishar. A New Dance with Baskets of Flowers[, in which introduced, by particular desire, a Minuet and Allemande-Fishar, Sga Manesiere; [her first appearance this season. A New Grand Ballet, The Black Prince's Festival- (that night only); Prince-Fishar; Pages-Blurton, Miller; Favourites-Miss Twist, Miss Valois; [See17720424.] A New Serious Ballet-Miss Parish[, a Child of Ten Years of age, with only 4 months' instruction, Apprentice to Fishar, her first appearance., a Child of Ten Years of age, with only 4 months' instruction, Apprentice to Fishar, her first appearance.

Ballet: The Favorite Comic Ballet, first time this season, The Wapping Landlady. Jack-Fishar; Landlady-Banks; Orange Woman-Miss Twist [see17730424]; [with Sixfold Hornpipe- [see17730424]

2435
10 February 1775 @ Drury Lane Theatre

Event Comment: For Author of Entertainment, 1st Night. On the 17th of Feb. there was allowed "the Author of Rival Candidates cash paid by him for the admission of his Friends the 1st Night in lieu of Manager's orders #8 13s." Paid Mr Grimaldi on note #10; Returned charge of Pantomime & extras 7th inst. to Author (Treasurer's Book). Receipts: #183 1s. Charges: #73 10s.; Profits to Bate: #109 11s. (Treasurer's Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Rival Candidates

Dance: In Course: The Grand Provencalle Dance, as17750202

2436
16 January 1690 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The United Company. This performance is on the L. C. list, 5@151, p. 369. See also Nicoll, Restoration Drama, p. 352. The MS music composed for a revival of this play, apparently at this time, by G. Finger and Daniel Purcell, is in the Fitzwilliam Museum, Cambridge

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Performance Comment: A copy of the 1690 quarto (New York Public Library) has the following MS cast which may well pertain to this season: Alexander-Mountfort; Lysimachus-Williams; Hephestion-Bowman; Cassander-Powell; Statira-Mrs Bracegirdle; Roxana-Mrs Barry.

2437
24 February 1792 @ King's Theatre

Performances

Mainpiece Title: Redemption 0 Selected From The Works Of handel By dr Arnold

Performance Comment: Principal Vocal Parts-Kelly, Reinhold, Incledon, Master Welsh (from Bath), Dignum, Sedgwick, Morelli, Miss Barclay (pupil of Linley; 1st appearance in public), Mrs Bland, Miss Hagley, Mrs Crouch; Leader of the Band-Shaw.

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger?-Master Welsh (Alcina); There beneath a lowly shade-Mrs Bland (Alexander Balus); He was eyes unto the blind-Incledon (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a lamb-Reinhold (Deidamia); He Sitteth at the right hand of God-Chorus (Te Deum); Holy Lord God Almighty-Mrs Crouch (Rodelinda); Glory be to the Father-Chorus (Jubilate).

Music: End I: concerto on the bassoon-Parkinson; End II: concerto on the violin-Master Bridgetower

2438
04 March 1795 @ Haymarket Theatre

Performances

Mainpiece Title: The Thespian Panorama Or Three Hours Hearts Ease

Performance Comment: [Composed of a variety of Matter, Musical, Rhetorical and Imitative; the greatest part of which has never yet been offered to the Public. The new Music by Shield, Carter and Reeve; The Selection from Martini i.e. Martin y Soler], Giordani, Storace, Jackson, Stevens, Pleyel. The Recitals will principally be new, and mostly spoken by Palmer; The Interlocutory Parts that connect the whole will likewise be delivered by him, and the other Parts of the Entertainment will be given by Johnstone, Wathen, Williames, Caulfield, Bannister, Mrs Mountain. Part 1. Exordium [written by Arthur Murphy, spoken by-Palmer; Overture [composed by Stamitz-; [New Glee The shipwreck'd Sailors (see dl, 19 May) [composed by an amateur-; Thespian Advice [spoken by-Palmer; Gipsey Jenny-; The Sailor's Joke [sung by-Wathen; A Milesian Pasticcio [spoken by-Johnstone; An attempt to cleanse the Augean Stable-; Love of our Country-; [Glee, Britain's best Bulwarks are her Wooden Walls-; [Part II. An Overture [by Clementi-; Neptune's Exhortation-; [the Death of Faulknor-; [The Country Clergyman [spoken by-Wathen; Anna's Lullaby [sung by-Johnstone; The Cambrian Quack [or Killing no Murder, spoken by-Williames; A further Attempt at the Stable-; Exhortation to Unanimity-; The Royal Nuptials-; Happiness and the House of Brunswick-; [Part III. The Overture [by Haydn-; The Comforts of Dust [or the Citizen's Cake-House-; Nothing but a Place [sung by-Wathen; Noli me tangere [or No jesting with Edged Tools-; Fancy's Festival [sung by-Johnstone; The Profit of Prosody-; [Irish Explanation, Tho' born in a Stable a Man's not a Horse [sung by-Mrs Mountain; Finale of Gratitude-; other Parts-Caulfield, Bannister.

2439
14 May 1795 @ King's Theatre

Event Comment: Benefit for Mme Morichelli. Afterpiece: An Heroic Entertainment in one act, consisting of Songs and Dances with Chorusses, and never performed upon any public Stage, but composed for the private Theatre of a Nobleman at Venice [in 1789]. The words by Count Alexander Pepoli; the music by Cimadoro; the pantomime and dances by Noverre. Tickets to be had of Mme Morichelli, No. 127, Pall Mall

Performances

Mainpiece Title: La Scola Dei Maritati

Afterpiece Title: Ati e Cibele

Dance: End I: L'Amant Retrouve, as17950120, but Mme Bossi [DelCaro], Mlle _Rosine [no other ballet listed]

Music: End II: concerto on the hautboy-Harrington

2440
15 April 1734 @ Lincoln's Inn Fields

Event Comment: Benefit Stoppelaer. Tickets for DL, 21 March, taken this day

Performances

Mainpiece Title: The Miser

Performance Comment: Lappet-Mrs Clive; Lovegold-Griffin; Mariana-Mrs Horton; Frederick-Bridgwater; Harriet-Mrs Holliday; Clerimont-Richardson; Ramilie-Stoppelaer; Wheedle-Mrs Mullart; Mrs Wisely-Mrs Herle; James-Mullart .
Cast
Role: Harriet Actor: Mrs Holliday

Afterpiece Title: The Contrivances

Dance: II: Minuet by Mlle Grognet and Mrs Sanderson. IV: English Maggot by S. Lally and Mrs Walter. V: La Badinage de Champetre by Lally, Mrs Walter, &c

2441
22 February 1740 @ Hickford's Room

Event Comment: 7 p. p.m. 5s. The Eighth Day. [Music by J. C. Smith Jr.

Performances

Mainpiece Title: Davids Lamentation Over Saul And Jonathan

Music: Violin-Festing; Violoncello-Caporale; Several Concertos-

2442
16 February 1791 @ Covent Garden

Event Comment: 2nd piece: Never [previously] acted in this Kingdom [by Robert Jephson, altered by the author from his The Hotel; or, The Servant with Two Masters, which was based on Il Servitore di due Padroni, by Carlo Goldoni, and on Arlequin Valet de deux Maitres, by Jean Pierre de Ours de Mandajors, and 1st acted at Smock Alley Theatre, Dublin, 8 May 1783]. Oracle, 18 Mar. 1791: This Day is published Two Strings to Your Bow (1s). Receipts: #210 3s. 6d. (205.17.0; 4.6.6)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Two Strings to Your Bow

Afterpiece Title: A Divertisement

Dance: As17901123

2443
01 May 1795 @ Drury Lane Theatre

Event Comment: Benefit for Master Welsh. Afterpiece [1st time; MF 2, by Samuel Birch]: The Music principally new, composed by Attwood, with a few selections from Mozart. Books of the Songs to be had hn the Theatre. Morning Chronicle, 21 May 1795: This Day is published The Adopted Child (1s.). Ibid., 21 Apr.: Tickets to be had of Master Welsh, No. 9, Margaret-street, Westminster. Receipts: #226 10s. (87.13.6; 43.3.6; 17.7.0; tickets: 78.6.0) (charge: free)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Adopted Child

Song: End IV: a favourite song (unaccompanied)-Master Welsh

2444
25 March 1800 @ Covent Garden

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: St

Performance Comment: David's Day. Principal Characters by Incledon, Munden, Fawcett, Townsend, Simmons, Miss Sims, Mrs Whitmore, Miss Leserve, Mrs Atkins. Cast from text (T. N. Longman and O. Rees, 1801): William Townly-Incledon; Old Townly-Munden; Peter Plimlimmon-Fawcett; Owen-Townsend; Dick-Simmons; Taffline-Miss Sims; Gwinneth-Mrs Whitmore; Welsh Girl-Miss Leserve; Ellen-Mrs Atkins; Welsh Men & Women-Gardner, Linton, Street, Denman, Abbot, Lee, Curties, Ms Trevor, Ms Castelle, Ms Iliff, Ms Norton, Ms Gilbert, Ms Sydney, Ms Burnett, Ms Masters, Ms Blurton, Ms Lloyd.

Dance: In I afterpiece: A Dance-King; In II: Dance-Blurton, Platt, L. Bologna, Wilde, Klanert, Whitmore, Lewiss, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Mrs Dibdin, Mrs Watts. [These were danced, as here assigned, in all subsequent performances. For Harp see18000331

2445
30 November 1749 @ Drury Lane Theatre

Event Comment: By Particular Desire. Paid Mr Pope for a wig for Lear, ditto for Grandchamps #1 19s. (Treasurer's Book). [This wigmaker was Miss Pope's father, according to a MS note in the Treasurer's Book make presumably by W. H. Oxberry, 1848. Pope, the wig-maker, also rented space from dl annually, for his shop.] Receipts: #120 (Cross); #112 8s. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Lottery

2446
22 October 1757 @ Covent Garden

Event Comment: Mainpiece: A Comedy reviv'd. Not acted these 3 years [see 18 May 1756]. Receipts: #73 9s. Paid Mr Savage for teaching Mr Frith #10 10s. (Account Book)

Performances

Mainpiece Title: She Woud And She Woud Not Or The Kind Impostor

Afterpiece Title: Orpheus and Eurydice

2447
24 September 1759 @ Covent Garden

Event Comment: Admission: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for Boxes to taken of Mr Sarjant at the Stage Door of the Theatre. Play to begin exactly at o'clock. [This information, appearing at the foot of each bill, will not be repeatdd hereafter, except for significant differences.] Receipts: #111 5s. Deficit brought over from last season accounts, Journal T. Folio, 182, #164 0s. 6d. Paid Mr Lambert 3 month's salary to 15 Aug. last #25 (Covent Garden Cash Book). [Goldsmith's Bee (1759, p. 9) remarks on the better business used by Lovegold in the French theatre than used at cg: "Lovegold [in France] in the height of his passion stops to pick up a pin, quilting it in his coat, and snuffs out an extra candle." Implies that such subconscious revelations of the character of the miser might well be used by the English.

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Devil to Pay

2448
31 December 1759 @ Covent Garden

Event Comment: Receipts: #164 11s. Paid Mr Kemp on acct for tin work, #21

Performances

Mainpiece Title: The Country Lasses Or The Custom Of The Manor

Afterpiece Title: The Fair

2449
14 January 1760 @ Covent Garden

Event Comment: Receipts: #93 0s. 6d. [The Covent Garden Cash Book indicates the mainpiece this night to be The Conscious Lovers.] Paid Mr Martin [wardrobe keeper?] 3 months salary to Xmas 1759, #10

Performances

Mainpiece Title: The Rover Or The Banishd Cavaliers

Afterpiece Title: The Fair

2450
18 February 1760 @ Covent Garden

Event Comment: Receipts: #296 11s. Paid Mr Sheridan a draft for #300; Sarjant on acct of his salary #5; Advanc'd Gibbs #2 2s

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Fair