Event Comment: Benefit for Miss Woollery. Mainpiece: Never acted here. [In mainpiece the playbill assigns Clifford to Browne, but he "declined playing the pathetic part of Clifford, although the bills contained his name: Williamson therefore supplied his place" (unidentified clipping in Enthoven Collection).] Public Advertiser, 19 July: Tickets to be had of Miss Woollery, No. 5, Delahay-street, Westminster

Event Comment: Benefit for Mrs Webb. Public Advertiser, 28 July: Tickets to be had of Mrs Webb, No. 22, the corner of Broad-court, Bow Street, Covent Garden

Event Comment: Benefit for Sga Sestini. Public Advertiser, 2 Aug.: Tickets to be had of Sga Sestini, No. 34, Mount-street, Grosvernor-square

Event Comment: [Seymour is identified in European Magazine, Oct. 1787, p. 315. Address by Edward Hickey Seymour (London Chronicle, 4 Oct.).] "The clock striking two -instead of the usual folly of a small table bell, when Macbeth's drink was ready -forms an alteration of much good sense and propriety" (World, 2 Oct.). "Of the Lady Macbeths [since the time of Garrick] Mrs Siddons has exhibited the most happy effect of her skill -has shown a portrait of Lady Macbeth which before existed but in imagination. Mrs Yates claims the second place of eminence; her deportment and manner were equal to Mrs Siddons, but very inferior to her in pathos and energy. Mrs Pope's performance lays claim to praise, particularly in the sleeping scene, but there is a certain delicacy and tenderness associated with the powers of that lady which prevents her giving a glowing picture of that female fiend. Mrs Bates's performance was sufficiently marking and bold in some passages, but the whole wanted uniformity and finishing" (Public Advertiser, 4 Oct.). Receipts: #225 (224.5; 0.15)

Event Comment: [Cambray was the stage name of James Fennell; he was from the Edinburgh theatre (and see 16 Oct. 1789). Ryder's 1st appearance as Iago was at the Smock Alley Theatre, Dublin, 14 Jan. 1767.] "Ryder wore his villainy on his sleeve, and evinced nothing of the insidiousness ordinarily expressed by other representatives of the part" (Public Advertiser, 13 Oct.). Receipts: #196 7s. (195.16; 0.11)

Event Comment: "In his first scenes [Kemble] was judicious, but too studiously so; and though most critically correct in his address to the Senate, evidenced he was more anxious to do justice to the text of his author than the feelings of Othello. But in the subsequent scenes he made ample recompense, and most successfully combined accuracy of expression with spirit of character...We much approve his dressing Othello in the Moorish habit...[but] is it necessary the Moor should be as black as a native of Guiney?" (Public Advertiser, 29 Oct.). Receipts: #117 16s. (102.6; 15.5; 0.5)

Event Comment: Benefit for Cambray (the last Time of his performing here this Season). Public Advertiser, 8 Nov.: Tickets to be had of Cambray, No. 18, Norfolk-street. Receipts: #185 1s. 6d. (184.6.0; 4.15.6; tickets: none listed)