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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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13706 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $Mr C. <span class=
We found 9643 matches on Event Comments, 3145 matches on Performance Comments, 1214 matches on Performance Title, 30 matches on Author, and 0 matches on Roles/Actors.

2076
03 April 1783 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. Public Advertiser, 29 Mar.: Tickets to be had of Miss Pope at her house in Great Queen-street. Receipts: #278 3s. (86/14; 21/9; 0/10; tickets: 169/10) (charge: #106 5s. 10d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Bon Ton

Dance: As17830329athi

2077
07 April 1783 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Wrighten. Public Advertiser, 29 Mar.: Tickets to be had of Mrs Wrighten, Kennington-lane, near Vauxhall. Receipts: #247 12s. 6d. (56/2/0; 17/14/6; 0/2/0; tickets: 173/14/0) (charge: #110 14s. 1d.)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Comus

Dance: End of Act IV of mainpiece, as17821016; End of mainpiece, as17820917

Song: End of Act II of mainpiece A Soldier for Me (composed by Hook for The Best Bidder) by Mrs Wrighten

2078
23 April 1783 @ Covent Garden

Event Comment: Benefit for Quick. Public Advertiser, 8 Apr.: Tickets to be had of Quick, No. 99, High Holbourn. Mainpiece: Written by Beaumont [recte Massinger] and Fletcher. With Alterations [by Leonard Macnally (Not. Dram.)]. To conclude with a Representation of the Ceremony of receiving a Knight of the Order of Malta. The Music by Dr Arne. Afterpiece: Never performed here. Receipts: #292 13s. (197/1; tickets: 95/12) (charge: #105)

Performances

Mainpiece Title: The Knight Of Malta Or The Humourous Dane

Afterpiece Title: The Ghost or The Devil to do about Her

Dance: As17821231

Song: In the Ceremony, by Reinhold, Mrs Martyr, and others

2079
24 April 1783 @ Drury Lane Theatre

Event Comment: Benefit for Farren. Public Advertiser, 19 Apr.: Tickets to be had of Farren, No. 35, Great Queen-street, Lincoln's Inn Fields. Mainpiece: Not acted these 15 years [acted 24 Apr. 1777]. Receipts: #258 6s. (56/16/0; 14/12/6; 0/0/6; tickets: 186/17/0) (charge: #65 3s.)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Bon Ton

2080
25 April 1783 @ Drury Lane Theatre

Event Comment: Benefit for Bannister Jun. Public Advertiser, 23 Apr.: Tickets to be had of Bannister Jun., No. 6, Great Russel-street, Covent Garden. [Afterpiece in place of The Apprentice, announced on playbill of 24 Apr.] Receipts: #184 1s. (99/19/0; 35/14/6; 0/1/6; tickets: 48/6/0) (charge: #106 10s. 6d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Citizen

Dance: As17821122. imitations. After the dance, (for that night only) various Imitations, Vocal and Rhetorical, by Bannister Jun

Performance Comment: imitations. After the dance, (for that night only) various Imitations, Vocal and Rhetorical, by Bannister Jun .

2081
25 April 1783 @ Covent Garden

Event Comment: Benefit for Suett and Chapman. Public Advertiser, 22 Apr.: Tickets to be had of Suett, No. 24, King Street, Holbourn; of Chapman, No. 49, Carey Street, Lincoln's Inn Fields. Afterpiece: Not acted these 4 years. The Music by Barthelemon. Receipts: #160 15s. (39/5; 10/4; 0/4; tickets: 111/2) (charge: #108 18s. 8d.)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Belphegor or The Wishes

Dance: End of Act III of mainpiece Hornpipe by Miss J. Stageldoir; End of Act IV The Butterfly by the Miss Stageldoirs

2082
03 May 1783 @ Drury Lane Theatre

Event Comment: "Mrs Siddons, in most of the Parts she plays, is the best Actress we ever saw. Miss Kemble, in all the Parts she plays, is the very worst Actress we ever saw" {Public Advertiser, 5 May). [Afterpiece in place of The Adventures of a Night, announced on playbill of 2 May.] The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]. Receipts: #263 5s. 6d. (253/11/0; 8/9/6; 1/5/0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Too Civil by Half

2083
05 May 1783 @ Drury Lane Theatre

Event Comment: Benefit for Miss Wheeler. Public Advertiser, 19 Apr.: Tickets to be had of Miss Wheeler, No. 9, Craven-buildings, Drury-lane. Afterpiece: Not acted these 2 years. Receipts: #111 12s. 6d. (33/8/0; 15/19/0; 0/7/6; tickets: 61/18/0) (charge: #106 4s.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Rival Candidates

Dance: End of mainpiece The Butterfly, as17830426

2084
10 May 1783 @ Covent Garden

Event Comment: Benefit for Whitfield. Public Advertiser, 2 May: Tickets to be had of Whitfield at his house in Leicester Court, Castle-street, Leicester-fields. Afterpiece: Taken from Beaumont [recte Massinger] and Fletcher's Play of the same Name. [F 2(?); Town and Country Magazine, May 1783, p. 23 5: synopsis of plot. And see DL, 19 Oct. 1749.] Receipts: #197 9s. 6d. (102/5/6; tickets: 95/4/0) (charge: #105)

Performances

Mainpiece Title: The Mysterious Husband

Afterpiece Title: The Spanish Curate

Dance: After the Monologue The Poney Races, as17830428, but added: Ratchford

Song: In Act II of mainpiece The Pigeon, as17830507

Monologue: 1783 05 10 As 9 May

2085
05 June 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Son in law

Performance Comment: Characters by Parsons, Edwin, Wewitzer, Wood, Egan, Barrett, Stevens, Kenny, Bannister; Mrs Lefevre, Mrs Bannister. [Cast adjusted from Public Advertiser, 17 Aug. 1779, and playbill of 29 June 1786: Cranky-Parsons; Bowkitt-Edwin; Vinegar-Wewitzer; Bouquet-Wood; Idle-Egan; Orator Mum-Barrett; John-Stevens; Signor Arionelli-Bannister; Dolce-Mrs Lefevre; Cecilia-Mrs Bannister. Kenny is unassigned.] Prologue as17830531 . Prologue as17830531 .

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: Medea and Jason

2086
26 August 1783 @ Haymarket Theatre

Event Comment: Benefit for Edwin. Public Advertiser, 21 Aug.: Tickets to be had of Edwin, No. 2, Piazza, Covent Garden. Mainpiece: Never acted here. Afterpiece: Not acted these 3 years [acted 15 Aug. 1781]

Performances

Mainpiece Title: The Good natured Man

Afterpiece Title: Midas

Song: End of mainpiece Four-and-Twenty Fidlers all on a Row, by Edwin

Monologue: 1783 08 26 End of Act I of afterpiece A Description of the Tombs in Westminster Abbey, by Edwin

2087
27 August 1783 @ Haymarket Theatre

Event Comment: Benefit for Bannister. Public Advertiser, 22 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-cross. 1st piece [1st time; prel i, by William Finney. MS: Larpent 635; not published]

Performances

Mainpiece Title: The Green Room

Performance Comment: Characters by Wilson, Wewitzer, Egan, Blissett, Stevens, Williamson; Miss Morris. [Larpent MS lists certain performers as appearing in this piece in their own persons, but their names do not correspond with the names printed on the playbill.] hathi.

Afterpiece Title: The English Merchant

Afterpiece Title: The Sheep Shearing

Song: End of Act I of mainpiece a favourite song by Miss George; End of Act IV Admiral Benbow by Bannister

Monologue: 1783 08 27 As 13 Aug. IMITATIONS. As 20 Aug

2088
29 August 1783 @ Haymarket Theatre

Event Comment: Benefit for Palmer. Public Advertiser, 26 Aug.: Tickets to be had of Palmer, No. 39, Goodge-street, Rathbone-place. Afterpiece: 1st time at that theatre. With a Sea Fight

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Critic or A Tragedy Rehearsd

Dance: As17830603

Song: End of afterpiece Stand to your Guns, as17830801

2089
26 September 1783 @ Covent Garden

Event Comment: She Wou'd and She Wou'd Not [announced on playbill of 24 Sept.] is obliged to be deferred on account of the Indisposition of a Principal Performer [Lewis (Public Advertiser, 27 Sept.)]. Receipts: #178 2s. 6d. (174/2/0; 4/0/6)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Tom Thumb

2090
01 December 1783 @ Covent Garden

Event Comment: "The Performance was very much applauded. In the shewy Scenes of the Third and Fourth Acts Henderson and Mrs Crawford got a Plaudit for several Speeches together, after every Speech" (Public Advertiser, 3 Dec.). Receipts: #241 8s. (236/18/6; 4/9/6)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Rosina

2091
06 December 1783 @ Drury Lane Theatre

Event Comment: "Palmer's Stukely was exactly infamous, his Scene with Mrs Beverley was just on both hands, each seemed to gain Spirit by the Nature and Exactness of the other-it was inimitable. Kemble's Beverley was all we could wish; his Manner, peculiar as it is, gave us home Sensations" (Public Advertiser, 9 Dec). Receipts: #226 13s. 6d. (202/6/0; 23/10/0; 0/2/6; tickets not come in: 0/15/0)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Deaf Lover

2092
06 December 1783 @ King's Theatre

Event Comment: Books of the Ballets may be had at the Theatre, price 6d. Public Advertiser, 8 Dec.: As to the Dances, such exquisite perfection was never seen in England before, because there certainly never was before seen such a band of transcendent Dancers simultaneously subsisting on the same Stage . . . They were almost equally admirable. Thus, if Vestris and Theodore were most surprising, Lepicq and Rossi were more touching, Slingsby more exhibiting

Performances

Mainpiece Title: Silla

Dance: End of Act II an entirely new Dance (composed by D'Auberval; the music by Barthelemon) The Pastimes of Terpsycore, an Allegorical Ballet, by Vestris Jun. (1st appearance at this theatre these 3 years), Blake (1st appearance), Henry, Zuchelli, Monetti, Lepicq, Mme Theodore D'Auberval (1st appearance this season), Mme Simonet, Mme Rossi; End of Opera a new Anacreontic Ballet (composed by D'Auberval) Friendship leads to Love by Lepicq, Mme Rossi, Slingsby, Mme Simonet, Vestris Jun., Mme Theodore

Performance Comment: (1st appearance at this theatre these 3 years), Blake (1st appearance), Henry, Zuchelli, Monetti, Lepicq, Mme Theodore D'Auberval (1st appearance this season), Mme Simonet, Mme Rossi; End of Opera a new Anacreontic Ballet (composed by D'Auberval) Friendship leads to Love by Lepicq, Mme Rossi, Slingsby, Mme Simonet, Vestris Jun., Mme Theodore .

2093
22 December 1783 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Siddons. Mainpiece: Not acted these 3 years. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. [Mrs Siddons's 1st appearance as Lady Randolph was at Manchester, 5 Feb. 1777.] "The Siddons, younger and more rich in natural Gifts, certainly offers much to the Mind, and yet much more to the Eye. The Crawford, by some means or other, offers more to the Heart" (Public Advertiser, 24 Dec). Receipts: #303 8s. 6d. (156/2/0; 10/13/0; 0/13/6; tickets: 136/0/0) (charge: free)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Lyar

Dance: As17831020

2094
11 February 1784 @ Covent Garden

Event Comment: [In mainpiece the playbill retains Wroughton as Lord Morelove and Henderson as Sir Charles Easy, but "an apology was made for the Illness of [Henderson], and Wroughton became his substitute, Wroughton's Place in Lord Morelove being supplied by Williamson from the Haymarket" {Public Advertiser 13 Feb.). Afterpiece in place of Rosina, announced on playbill of 10 Feb.] Receipts: #277 6s. (269/9; 7/17)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Harlequin Rambler

2095
13 February 1784 @ Covent Garden

Event Comment: "The appearance of Mrs Abington in the two characters of the Capricious Lady and Lady Bab Lardoon cannot fail of being considered as a high Treat ... as the first exhibits the coy, formal Manners of the last Age, and the latter the free degagee Breeding of the present" (Public Advertiser, 13 Feb.). Receipts: #227 12s. 6d. (211/10/0; 16/2/6)

Performances

Mainpiece Title: The Capricious Lady

Afterpiece Title: The Maid of the Oaks

Dance: End of mainpiece, as17830917; In Act I of afterpiece Dance by Harris, Miss Matthews, Miss Besford

2096
23 February 1784 @ Covent Garden

Event Comment: Mainpicce: Not acted these 3 years. "[As Cleopatra] the Form of Miss Younge is sufficiently lovely—but her Countenance, without speaking of it all prophanely, is surely not sufficiently venereal" (Public Advertiser, 25 Feb.). Receipts: #195 1s. (190/12; 4/9)

Performances

Mainpiece Title: All For Love

Afterpiece Title: Harlequin Rambler

2097
03 March 1784 @ Drury Lane Theatre

Event Comment: [Advertised in Public Advertiser of 28 Feb., but no newspaper prints a playbill for this present night.]

Performances

Mainpiece Title: The Messiah

2098
05 March 1784 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Public Advertiser, 6 Mar.: In 1st piece Love in her Eyes was sung by Norris; O ruddier than the cherry by Reinhold; Consider, fond shepherd by Mrs Kennedy; Heart, thou seat of soft delight by Miss George. The concerto consisted of "two Movements made up of common Ballads."

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Drydens de

Music: End of Part I of oratorio concerto on the violoncello by Crosdill

2099
09 March 1784 @ Drury Lane Theatre

Event Comment: [The playbill announces as mainpiece The Countess of Salisbury, but the Kemble playbill deletes it. The Account-Book also deletes it, and lists the substitute play. Public Advertiser, 10 Mar.: The tragedy was "unavoidably deferred on account of the Indisposition of Mrs Siddons." Receipts: #144 17s. (121/16; 22/11; 0/5; tickets not come in: 0/5)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Double Disguise

Dance: As17840308athi

2100
13 March 1784 @ Covent Garden

Event Comment: Benefit for Sga Sestini. Public Advertiser, 9 Mar.: Tickets to be had of Sga Sestini, No. 16, Upper Seymour-street, Portman Square. Receipts: #307 2s. (212/3; tickets: 94/19) (charge: free)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Rosina

Dance: End of mainpiece, as17830917

Song: In Act I of afterpiece a favourite song by Sga Sestini; In Act II she will introduce the celebrated tune of Marlborough, with English words adapted to it