Event Comment: A new Comic Opera [in 2 acts]; the Music entirely new by Paisiello, under the direction of [i.e. with additions by] Cherubini. Public Advertiser, 26 Jan.: "Il Marchese Tulipano was in its original state a petite piece [in 1 act] of Paisiello [entitled Le Finte Contesse; performed at this theatre on 26 Mar. 1778 as Il Marchese Villano], enlarged to the size in which it is now before us by Cherubini." By Their Majesties Command no Person can be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [same throughout season]. Subscriptions are received at Messrs. Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the Subscription Tickets. The Nobility and Gentry, Subscribers to the Opera-house, are respectfully entreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. N.B. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages they are most respectfully entreated to give positive Orders to their Servants to set down and take up with their Horses Heads towards Pall-Mall. The Doors in Market-Lane for Chairs only. All Persons claiming free Admission into this Theatre by Renters' Shares or otherwise are requested to bring their Titles to the Office every Day, from Eleven to Twelve o'clock in the Forenoon, in order that they may be registered previous to the opening of the House

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland, based on The Beaux Stratagem, by George Farquhar. Prologue by the author (World, 27 Jan.). Epilogue by the same (Knapp, 150)]. Public Advertiser, 14 Feb. 1789: This Day is published The Impostors (1s. 6d.). Receipts: #254 (235.16; 17.9; 0.15)

Event Comment: Benefit for Ackman and Mrs Bradshaw

Event Comment: [N.B. Comment in Theatrical Review, 12 Nov., which damns each portrayal save those of the Barrys, and heaps scorn on the afterpiece.] Paid Dr Nares & Mr Cooke's Boys in the Garter 12 nights (11th inst. inclusive) #36; Paid Mr Weston's note to Rd. Rice #4 10s. 9d. (Treasurer's Book). Receipts: #141 6s. (Treasurer's Book)

Event Comment: Mainpiece: Not acted these two years. [See 13 April 1771.] Paid Mr Cropley (linnen draper) #14 16s.; Sandys & Co. (colourmen) #50 3s.; Mr Chettel (timbermerchant) #52 4s.; Mr Cole (turner) #46 3s.; Mr Barrow & Co. for Oil, #46 6s. 6d.; Mrs Vaughan (haberdasher) #22 18s.; Mr Callon for men's cloaths #30 (Treasurer's book). Receipts: #217 4s. (Treasurer's Book)

Event Comment: At Cibber's Histrionic Academy on the Bowling Green, A Public Rehearsal, gratis. With out Gain, Hire or Reward. The Rehearsal must begin punctually at 6 p.m. No Money will be taken, nor any Persons admitted without Pass Tickets, which will be given by Mr Cibber to particular Patrons, Friends and Customers. The Cephalick Snuff is to be had at the Above Academy, at the following Prices, viz., First sort 3s., second sort 2s., third sort 1s., none sold under. [Play not given. See Public Advertiser, 14 Dec. "Southwark. Some sudden Disappointments (as unexpected as unforeseen) compel me to defer opening my Histrionic Academy." Advance advertisement had also appeared in the Daily Advertiser, 6 Dec.

Event Comment: Miss Biddy by Miss Jarratt (an apprentice to Mr Jefferson) a pretty little figure & met with Applause. Not much of an Actress (Hopkins Diary). [Macmillan note from Kemble differs slightly.] Paid Mr L. Frederick for sattin, #57 18s. 6d.; Mrs Sykes for women's cloaths #13; Mr Vernon on note #9 9s. (Treasurer's Book). [Reviewer for Town and Country Magazine (Treatre, XL) writes of Miss Jarratt, she has been under the tuition of Mr Jefferson and promises to be become an agreeable actress in parts (such as Biddy").] Receipts: #224 11s. (Treasurer's Book)

Event Comment: The Tragedy of Hamlet having been greatly Altered by D. G. was perform'd for the first time Mr Garrick playd divinely & Merited the great Applause he receivd It is Alterd much for the better in regard to the part of Hamlet & I think the alterations very fine & proper (Hopkins Diary). [MacMillan's note from Kemble considerably briefer. See "Garrick's Long Lost Alteration of Hamlet," PMLA, Sept. 1934.] Paid Mr George Garrick on account #100; Mr Bulkley for Mr Weston, #2 8s. (Treasurer's Book). [Reviewer for Town and Country Magazine comments unfavorably on the Hamlet alteration: "How far the critics will approve these mutations we will not at present determine; but the admirers of Shakespeare must certainly be displeas'd, whenever they see his immortal works mutilated."] Receipts: #284 5s. 6d. (Treasurer's Book)

Event Comment: Afterpiece [1st time in London; F 2, by John O'Keeffe, 1st acted at the Smock Alley Theatre, Dublin, 13 Apr. 1774. Prologue by George Colman elder (Prose on Several Occasions, III, 222)]. Public Advertiser, 16 Aug. 1780: This Day is published Tony Lumpkin in Town (1s.)

Event Comment: Mainpiece [1st time: CO 3, by John Burgoyne, based on Silvain, by Jean Francois Marmontel]: With entirely new Music [by William Jackson], Scenes, Dresses, and Decorations. The Scenery designed by DeLoutherbourg, and executed under his direction. Public Advertiser, 3 Apr. 1781: This Day is published The Lord of the Manor (price not listed). Receipts: #226 19s. (216.15; 9.16; 0.8)

Event Comment: Benefit for Wilson. 1st piece [1st time; prel I (?)]: A Tragical Tragedy, altered [probably by Richard Wilson] from Fielding's Pasquin. In the Tragedy will be introduced the Triumphal Entry of the Queen of Ignorance. 2nd piece: In 3 acts. [This play is by Thomas Baker; it is not TUNBRIDGE Wells; or, A Day's Courtship, by Thomas Rawlins, the younger.] 3rd piece [1st time; M. INT I, author unknown. Words printed complete in Public Advertiser 19 Aug. 1782]

Event Comment: Afterpiece [1st time; MF 2, by Mark Londsale. Prologue by the author {London Chronicle, 10 Nov.)]: The Overture, new Airs and Accompaniments composed by [Thomas] Linley [Sen.]. Books of the Songs to be had at the Theatre. Public Advertiser, 18 Nov. 1784: This Day is published The Spanish Rivals (1s.). Receipts: #160 2s. 6d. (104/12/0; 54/18/0; 0/12/6)

Event Comment: By Command of their Majesties. Play will begin at exactly 6 p.m. Paid Mr Weston per order Mr G. G. #19 10s. (Treasurer's Book). Receipts: #257 14s. (Treasurer's Book)

Event Comment: The Genii is reviv'd with Alterations & Concludes with a Bacchanalian Jubilee & was receiv'd with great Applause (Hopkins Diary). Paid Mr Smith's Music Composing Bill for Alfred #26 5s.; Mr J. Johnston's Music Bill from Xmas last to the end of the season #23 6s. 10d.; Two extra flutes this night 10s.; Mr Loutherbourg's draft #80; Chorus 2 nights (this incl.) #4 1s. (Treasurer's Book). Afterpiece: Not acted these 9 years. [See 21 Dec. 1764.] Receipts: #140 5s. 6d. (Treasurer's Book)

Event Comment: Benefit for Farren. Public Advertiser, 15 Apr.: Tickets to be had of Farren, No. 14, Lower Charlotte-street, Bedford Square. Receipts: #335 1s. (81.9; 5.14 tickets: 247.18)

Event Comment: Benefit for Palmer. Mainpiece [1st time; C 3, by George Colman, the elder, altered from The Mutual Deception, by Joseph Atkinson, which was based on Le Jeu de l'Amour et du Hasard, by Pierre Carlet de Chamblain de Marivaux, and 1st acted at the Smock Alley Theatre, Dublin, 2 Mar. 1785. Prologue by the author (.European Magazine, Sept. 1786, p. 166). Author of Epilogue unknown]. Afterpiece: Never acted at this Theatre. [Prologue and Epilogue by David Garrick.] "This play, originally French, was translated by an Officer (the plot of which may be found in The Man's the Master, as well as in many other English plays and farces) who, with some few additions, changed it into five acts, and called it The Mutual Deception (which is now in print), but was represented in Ireland with little or no success. This Comedy, however, has undergone many very masterly alterations, and received many additions by the able hand of the attentive Manager of this Theatre" (Public Advertiser, 30 Aug.). Public Advertiser, 6 May 1788: To be published May 7, Tit for Tat (1s.)

Event Comment: Benefit for Varney (Housekeeper). Mainpiece: Written by Shakespear. Sir Hugh-Public Advertiser). Receipts: #210 ($Cross">Clough; Rugby-$Marr; Bardolph-$Johnson (Public Advertiser). Receipts: #210 ($Cross)

Event Comment: MMr Foote play'd Buck & Miss Macklin Lucinda, --went off tol: ye Girl was lik'd-she sung in ye Character Aly Croky--fine, --& danc'd a Minuet--well (Cross). [Foote was engaged as an actor for a certain number of nights and made his 1st appearance on this evening-he spoke a Prologue written by Garrick which was encored every night Genest, IV, 380). The Prologue was printed in the Public Advertiser on 29 Oct. suggesting the many sources of laughter on stage as they appealed to various parts of the House, pointing fun at Foote, and closing with his mock, humble statement: @"Many my passions are, tho' one my view@They all concenter--in the pleasing you.'@ It also contained information about a specialty performer on the Cello, Monsieur Cervetti, and his reception by the upper galleries: @"...In like extremes your laughing humour shows@Have ye not roar'd from Pit to upper Rows@And all the jest was, What? a Fiddler's nose..."@ The person here meant is M Cervetti, who has been a standing joke with the upper gallery for a long time past, on account of the length of his nose: but as I am inform'd, that no feature of his Mind is out of proportion, unless it be that his good qualities are extraordinary, I take this opportunity to mention that it is cruel to render him uneasy in the Business, in which he is eminent, and by which he must gain his livlihood." See identical comment in Gray's Inn Journal, 27 Oct. A puff for Miss Macklin appeared in Gray's Inn Journal, 20 Oct.] Receipts: #190 [Cross)

Event Comment: Benefit for Woodward. The Whole Pit will be laid into the Boxes, where servants will be admitted to keep places, and upon the Stage, which will be formed into an Amphitheatre and divided into Boxes. The Pit doors will be opened for the Ladies to pass to their places there, without incommoding those in the Front Boxes. Box, Pit and Stage at 5s. Nothing under full price will be taken during the performance. Ladies send servants by 3 o'clock (Public Advertiser). [The Larpent MS 130 indicates the intended cast, and suggests Dizzy-Oliver; Ruffle-$Yates; and Mrs Dotterel-$Mrs Bennet.] Receipts: #320 ($Cross)

Event Comment: The Tragedy of the Roman Father, written by William Whitehead, Esq: the present Poet Laureate, will be reviv'd at Drury Lane soon after the Holidays (Public Advertiser). Receipts: #140 (Cross)

Event Comment: [The Public Advertiser lists Phebe-$Mrs Davies.

Event Comment: Mainpiece: Altered from [The Artful Wife, by William? Taverner. [1st time; C 3, by George Colman elder. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 20 May. Public Advertiser, 19 May, notes that the Prologue was the same as that spoken on 15 May 1777. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Servants to keep Places are to be at the door in Suffolk-street by Five o'clock. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. On account of the Performers employed at other Theatres the second Night of Representation cannot be till Thursday, the 21st inst. [On this night, the 18th, Baddeley's name is in the playbills at both dl and hay.

Event Comment: Afterpiece [1st time; P 1, by John O'Keeffe and George Colman, the elder. Synopsis of action in Public Advertiser, 20 Aug.]: The Music by Dr Arnold. The Scenes by Rooker. Books of the Songs [T. Cadell] to be had at the Theatre

Event Comment: Benefit for Ryder. Public Advertiser, 20 Mar.: Tickets to be had of Ryder at his house, No. 5, Bow-street, Covent-garden. 1st piece: The Overture, Airs, &c. by Dr Arnold. The selected by Handel, Vento, Giordani, Giardini, Bertoni, Dr Arne, Carolan the Irish Bard. 2nd piece: 1st time Here. Translated from the French of La Bonne Mere, by Horatio Edgar? Robson, and at this Time reading with great success and general applause by LeTexier in Lisle-Street [and 1st acted at the hay, 22 Aug. 1788]. 3rd piece [1st time; F 2, by Thomas Ryder, altered from The Man of Parts, by Isaac Jackman; not published]. Receipts: #271 0s. 6d. (191.15.6; 5.7.0; tickets: 73.18.0)

Event Comment: [Extra night] Benefit for Bonnor. Afterpiece [1st time; INT 1]: Translated [by Charles Bonnor] from a new Production of Dorvigny, entitled La Fete de Campagne; ou, L'Intendant Comedien malgre Lui, now acting in Paris with uncommon Applause [MS: Larpent 664; not published; in later season occasionally acted under the title of Transformation]. Tickets to be had of Bonnor, No. 19, Piazza, Covent Garden. Bonnor begs leave to inform his Friends and the Public that on account of his Absence at the time his Night was to have been appointed he was induced to decline a Benefit in the course of the Season, but the Manager having obligingly made him an Offer of the Theatre, free of all Expense, and the several Performers kindly engaging to assist him, he has fixed on this Day. Receipts: none listed