Event Comment: The Duke's Company. The Prologue and Epilogue, printed separately, bear Luttrell's MS notations: At ye Dukes theater at Venice Preserv'd &c. Acted 31 May. 1682 (Huntington Library, with Luttrell's date of purchase, 1 June 1682). The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 108-10. The Newdigate newsletters disagree as to the play acted: 1 June 1682: Yesterday the D. of Y. came to town & went wth his Dutchess to ye play called the Royallist (Wilson, Theatre Notes from the Newdigate Newsletters, p. 80)

Event Comment: The United Company. This performance is on the L. C. list, 5@149, p. 368: The Queene a Box & a Box for the Maids of Honor at ye Massacre of Paris. See also Nicoll, Restoration Drama, p. 352. The date of the first performance is not knwon, but as it was entered in the Term Catalogues, November 1689, it was probably first acted in early November or in October 1689. A song, Thy Genius lo!, composed by Henry Purcell, is in Orpheus Britannicus, 1698. Possibly it was sung by Bowman. See also The Works of Henry Purcell, Purcell Society, XX (1916), xviii-xix

Event Comment: [L$Leveridge's rhymed advertisement of 14 March repeated but with last two lines of Verse II as follows]: Which I with acknowledgment full of Delight Will gratefully sing on my Benefit Night,...which will be Tuesday April 17th, with The Miser. Tickets at Leveridge's Lodgings in Hanover St., the third door on the right hand from Long Acre, and of Mr Page at the Stage Door.--General Advertiser

Event Comment: Mainpiece: By Particular Desire. The Musick for the Afterpiece compos'd by Mr Arne. With a New Overture founded on some favourite Irish tunes. Nothing Under Full Prices will be taken during the Performance.--General Advertiser. [See Poem by S. G. To Mrs Sybilla, on her Acting the Goddess of Dullness and persuading her to attempt Melantha in Dryden's Marriage Alamode in Gentlemen's Magazine, Feb. 1745, p. 98. Authorship of afterpiece unknown; possible a revision of Theobald's The Happy Captive. See 16 April 1741 hay.

Event Comment: New Music, Dresses, Habits and Decorations. Full Prices. [Which were maintained during run of this pantomime]. A New Pantomime. This Pant: was made by Mr Woodward & met wth great applause, Young Vernon sung for the first time very well. It is said some of the Scenes were bought from Sadler's Wells, wch is shut up by ye Law (Cross). Woodward Harlequin 1st time in three years. Pantomime a New Entertainment in Italian Grotesque Characters (General Advertiser). Receipts: #150 (Cross)

Event Comment: The Duke's Company. The date for this performance is based upon Lump's remark in Act I: "Upon the one and twentieth of March..." Since the dedication bears a date of 16 Feb. 1678@9, the assumption is that the play was first acted on 21 March 1677@8. References in the Prologue also fit the public events of March 1678. Dedication, Edition of 1679: This Play...met not with that Success from the generality of the Audience, which I hop'd for, and you thought, and still think, it deserved

Event Comment: Benefit for a Public Charity. Pit and Boxes to be laid together at Half a Guinea. First Gallery 5s. Upper Gallery 3s. 6d. Gallery open at 4, Boxes at 5. To begin at half after 6. Tickets to be had of Sarjant at the Stage Door

Event Comment: Mainpiece: By Desire. Afterpiece: A New Musical Entertainment in 2 acts, words imitated from Rousseau, with his original Musick (Burney). Books of the entertainment at the Theatre, published for 1s. Paid Mr Chitty his coal bill #91 13s. and Mr Johnston's bill for guilt leather #24 19s. 6d. (Treasurer's Book). [Advertisement to 2nd Edition, 1766: Upon rehearsing the music it has been thought necessary to retrench the Second Act for fear of satiety: for though the Airs and Dances after the reconciliation of Celia and Phoebe are by no means inferior to the rest in point of composition; yet as no other business remained to be done after that circumstance but that of mere festivity, the Editor, with some reluctance, submitted to the omission of such airs as are printed with inverted commas; which, however, are all publish'd with the music by Mr Bremner in the Strand."] Receipts: #150 13s. (Treasurer's Book)

Event Comment: Benefit for Hopkins, prompter, and Mrs Hopkins. The Farmer's Return was advertised for Hopkins' Benefit, the Farmer-Paid $Mr Cape">Weston, but changed (Winston MS 10). Paid $Mr Cape's Apothecary's Bill #4 16s. 11d.; Chorus 2 nights (this incl.) #3 11s.; Mr Wallis on note #2 2s.; Extra Flutes & Guitars in Genii & Xmas Tale (9th inst. incl.) #1 15s. (Treasurer's Book). Receipts: #166 4s. 6d. Charges: #66 11s. 6d. Profits to Mr and Mrs Hopkins: #99 13s. (Treasurer's Book)

Event Comment: Last time of performing before the Holidays. Benefit for Johnston (Housekeeper). [Mr A. Johnston (Treasurer's Book). Paid Mr J. French's draft #32 5s.; Mr Calthorpe's 2nd & last payment this season #157 10s. Receipts: #294 19s. Charges: #84. Profits to A. Johnston: #210 19s. (Treasurer's Book)

Event Comment: Rec'd of Mr Weston from his summer Benefit #30; Paid Mr DeLoutherbourg on acct #41 13s. 4d.; Mr Nicoll for ropes #20 10s.(Treasurer's Book). [DeLoutherbourg received this amount monthly for 8 months during the season, amounting to #333 5s. 8d. No further itemization of this reguar amount will be made.] Receipts: #128 7s. (Treasurer's Book)

Event Comment: By Particular Desire. Rec'd of Mr Percy yrs & half Quarter's rent to Mich. last #11 5s.; Paid Mr Nicoll for lines #2 11s. (Treasurer's Book). Receipts: #219 13s. (Treasurer's Book)

Event Comment: In Saluting Cherry . She tumbled down upon the Stage--and Miss Jaratt being in certain condition Mr G. could not very easily raise her (Hopkins Diary). [MacMillan's note from Kemble suggests this as Miss Jarratt's first appearance in Cherry, but she first appeared in the character 20 Oct.] Paid Mr Griffith on note #10 10s.; Mr J. Johnston, Music Bill #19 3s. Rec'd stopages #12. Receipts: #259 6s. (Treasurer's Book)

Event Comment: Mainpiece: Not acted these 2 years. Paid Thorley, Wax Chandler, #81 12s. Receipts: #91 13s. 6d. (65/15/0; 22/18/0; 0/15/6; tickets not come in: 2/5/0)

Event Comment: [In mainpiece the playbill assigns Richard to Holman, but "Holman being indisposed, Murray assumed the arduous part of Richard this evening. (Monthly Mirror, Oct. 1797, p. 238).] Afterpiece: Not acted these 2 years. Account-Book: Paid Music #9 1s. 8d.; Properties #12 8s.; Kettle Drum 5s.; Chorus Singers #1 10s.; Wardrobe #6 10s. 3d.; Supernumeraries #3 11s.; Sloper [master carpenter] for Scenemen #40 13s. 4d.; Phillips and Creswell #4 4s.; Lupino #2 14s. 6d.; Hollogan #2. Receipts: #286 17s. (282.15; 4.2)

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408. It is not certain that this was the premiere, but, as the play was licensed for publication on 20 Nov. 1676, the first performance may well have been on this day. A song, Away with the causes of riches and cares, with music by Matthew Lock, is in Catch that Catch Can, No. 64, 1685. Another, Beneath a shady willow, with music by William Turner, is in A New Collection of Songs and Poems...by Thomas D'Urfey, 1683. Edition of 1677: That its only good Fortune was, in being the Subject of the Courts Diversion, where their Noble Clemency and Good Nature were extremely requisite, in covering its defects from the too Censorious; His Majesty, according to His accustomed Royal and Excellent Temper, was pleas'd to descend so far, as to give it a particular Applause, which was seconded by your Grace [The Duke of Ormond]

Event Comment: The Duke's Company. The play was apparently never published, but the Prologue and Epilogue were printed and have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 43-45. The Epilogue also appeared in Miscellany, Being a Collection of Poems by several Hands, 1685, and has been reprinted in A Little Ark, ed. G. Thorn-Drury, p. 46. The latest date at which the play, with the Prologue and Epilogue, first appeared is 5 April 1682, the date Luttrell placed on his copies (Huntington Library), presumably representing the day on which he acquired them. G. Thorn-Drury, commenting upon the Epilogue, points out that it refers to the trial of Pilkington, one of the Sheriffs of London, ca. 25 March 1681@2. It seems likely, then, that this lost play was presented in March

Event Comment: The United Company. Newdigate newsletters, 2 June 1683: The same day [31 May] their Royall highnesses... in ye afternoone Countenanced a new play with their presences (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59). Wilson proposes that this play is Dame Dobson, as the separately Printed Prologue bears Luttrell's acquisition date of 1 June 1683 (Bindley Collection, William Andrews Clark@Jr@Library). The separately printed Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 176-78

Event Comment: The United Company. As 9 Nov. 1692 is known to be the second day, it is assumed that 8 Nov. 1692 represents the first performance. (See entry for 9 Nov. 1692.) The authorship is uncertain; William Mountfort signed tne Dedication, but its authorship is linked with that of Edward III (November 1690), which may have been by Bancroft. Gentleman's Journal, October 1692 (not issued until November): Henry the Second, King of England, A new Play, by the Author of that call'd Edward the Third, which gave such universal satisfaction, hath been acted several times with applause. It is a Tragedy with a mixture of Comedy....Had you seen it acted, you would own that an Evening is pass'd very agreeably, when at a Representation of that pleasing Piece. [Alfred Harbage, Elizabethan-Restoration Palimpsest, Modern Language Review, XXXV (1940), 312-18, argues that this play is the Elizabethan Henry II once in the possession of Moseley. A song, In vain 'gainst Love I strove, composed by Henry Purcell and sung by Mrs Dyer, not in the printed play, is in Comes Amoris, 1693, and Joyful Cuckoldom 1695. See Purcell's Works, Purcell Society, XX (1916), vii

Event Comment: For the Prologue, See Prior, Dialogues of the Dead, ed. A. R. Waller (Cambridge, 1907), p. 195. It is not certain on which day during the holidays the play was given

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the London Gazette, No. 3177, 20-23 April 1696, suggests that it was first performed not later than March 1696. Preface, Edition of 1696: This Comedy by the little success it met with in the Acting, has not at all deceived my Expectations....Give me leave to thank the Well-natur'd Town for Damning me so suddenly; They would not suffer me to linger in suspence, nor allow me any degrees of Mortification; neither my Sex, Dress, Musick and Dancing, cou'd allow it a three Days Reprieve. A Comparison Between the Two Stages (1702), p. 17: Ramble: I never heard of that. Sullen: Oh this is a Lady's