SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9643 matches on Event Comments, 3145 matches on Performance Comments, 1214 matches on Performance Title, 30 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Receipts: #131 7s. 6d. Paid Blackmore for a dark cloth suit of man's cloaths lac'd with broad gold lace #15 15s., and for a dark cloath coat & breeches with a pin satten waistcoat & cuffs embroider'd with silver, #10 10s

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Cheats of Scapin

Dance: As17591102

Event Comment: Receipts: #102 3s. Paid for 3 1!2 doz. wax candles at #1 11s. per dozen, #5 8s. 6d. Subscription St George's Hospital 12 months to Mich. last, #5 5s

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Knights

Dance: As17591113

Event Comment: Receipts: #105 6s. Paid Meares #1 19s

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: A Duke and no Duke

Dance: As17591113

Event Comment: Receipts: #167 8s. Paid Pattinson (tallow chander) 7 bills from 3 Dec. 1759-15 Jan. 1760: #114 13s

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Knights

Dance: As17600108

Event Comment: Benefit for Kelly. Afterpiece [1st time, MF 2, by Prince Hoare]: The Music chiefly composed by Storace; the Rest selected from Pleyel, Harington, Giordani, Gluck, &c. [text adds Gretry]. Account-Book, 16 Dec. 1790: Paid P. Hoare for the Copyright of No Song No Supper #63. Gazetteer, 2 Apr.: Tickets to be had of Kelly, No. 27, James-street, Covent-garden. Receipts: #273 5s. (125.19; 38.18, 2.2; tickets: 106.6) (charge: #109 19s. 4d.)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: No Song No Supper

Dance: III: Hornpipe-Bourk

Event Comment: Benefit for Squibb. Mainpiece: By Particular Desire. Charges #65 2s. [Profit to Squibb #13 10s. plus #85 10s. from tickets (Box 137; Pit 205; Gallery 205).] Paid half year's land tax for theatre #37 10s., and for House in Bow Passage #2 1s. 8d.; Paid half year's window lights tax for theatre #6 10s., for House in Bow Passage 15s.; half year's Scavanger's rate for theatre #2 1s. 8d., for House, 2s. 1d. (Account Book). Receipts: #78 12s. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Upholsterer

Dance: II: The Female Archer, as17661215

Song: End: two favourite songs in the Italian Manner-Squibb

Event Comment: Mainpiece: By Particular Desire. Paid Younger for writting parts #10 4s. 9d.; Paid Mrs Giles for a Blue & Silver suit of women's cloaths #9 9s. (Account Book). To Covent Garden. Beggar's Opera and Commissary. Found the Pit not over fifth full, and on the 4th bench from orchestra orange woman showed me Pol. Kennedy alias Mrs Bevon, on which I went and sat immediately before her, and talked with her much during the play. Pol. Kennedy in cloak and large hat. She is tall, large and raw-boned. Irish features, yet had something in her face and person necessarily attracting notice--was very civil, curteous, and chatty (Baker, Diary, p. 270). [Pol. Kennedy was the Irish actress and contralto who later appeared as Mrs Farrell at dl in 1776 in Arne's Caractacus.] Receipts: #122 6s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Commissary

Event Comment: New Scene [1st time; by Edward Thompson, with music by Dr Arne. Larpent MS 438; synopsis ("Macheath, after trial, is sentenced to work on the Thames" in London Chronicle, 18 Oct.]. Paid Hull on Acct. of salary as Acting Manager #30. Account-Book, 23 Mar. 1778: Paid Capt. Thompson for writing the new Scene in The Beggar's Opera #25. Receipts: #240 9s. (240.2.6; 0.6.6)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath (with additional songs)-Mrs Farrell (1st appearance in that character); Peachum-Wilson; Lockit-Dunstall; Filch-Wewitzer; Mat o' the Mint-Baker; Lucy-Mrs Mattocks; Mrs Peachum-Mrs Pitt; Mrs Slammekin-Mrs Green; Polly-Miss Brown; To conclude with a New Scene-. [This was included in all subsequent performances, although notice of it is omitted from the playbills of 8 and 15 Dec., 2 and 14 May 1778.]This was included in all subsequent performances, although notice of it is omitted from the playbills of 8 and 15 Dec., 2 and 14 May 1778.]

Afterpiece Title: The Commissary

Dance: End: As17771008; III: a Hornpipe-Miss Besford

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Tristram Shandy

Performance Comment: As17830426 Prologue, listed on playbill, spoken by Whitfield. [This was spoken, as here assigned, at all subsequent performances.] hathi.

Dance: In Act III of mainpiece, as17830422; End of mainpiece, as17821231

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17891024, but Captain Macheath-Mrs Wells (1st time at this theatre); Lucy-Mr Johnstone (1st appearance in that character); Polly-Mr Bannister (1st time these six years); Ben Budge-_.

Afterpiece Title: The Flitch of Bacon

Dance: As17891024

Song: In course of Evening: The Wolf-Bannister

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Englishman Returned from Paris

Dance: FFingalian Revels, as17570329

Event Comment: Benefit for Morgan, the Oldest Actor in England. Last time of the company's performing this season. Tickets to be had at the Bedford Coffee House and of Mr Crudge at the Stage Door. [This charitable performance included a composite group from Drury Lane and Covent Garden.

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The School Boy

Dance: I: Country Lass, as17570512; II: Dutch Sailor, as17570525; III: Dutch Peasant, as17570512

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: A Duke and no Duke

Dance: As17600924; and a New Comic Dance-Sg Maranesi, Mlle Capdeville

Performances

Mainpiece Title: Thomyris

Dance: As17181209

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Intriguing Chambermaid

Song: V: Lowe, During which the whole Crew will appear and return their humble Thanks to the Generous Audience

Event Comment: The Gentlemen and Ladies that had tickets for Mr W. Hallam's Benefit of Richard III [16 Dec.] and could not come in then, Mr Hallam hopes they will come this night and their Tickets will be admitted[repeated in bills for 27, 28, and 30 Dec.]

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Flora

Song: Brett

Dance: As17451028

Event Comment: Benefit for Hallam at the New Wells, Lemon St. A Concert...by a set of Mr Hallam's Friends. Boxes 3s. Pit and Galleries 2s. 6 p.m. As the Wells have been shut up all the past Summer, and are now open'd only upon this occasion, Mr Hallam hopes the Town will be so indulgent, as to honour him with their Company, and the Favour will always be gratefully acknowledged

Performances

Mainpiece Title: The Beggars Opera

Entertainment: Several curious Fireworks-

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Fortunatus

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: Zanaida

Event Comment: MMr W. Palmer, made his first appearance this Night in Hymen. a Tolerable Voice; but Extremely Aukward & the worst Speaker I ever heard (Hopkins). This night Mr W[ingfield] Palmer (son of Mr Palmer who married Miss Pritchard) made his first appearance on this stage in the character of Hymen,--a tolerable voice,--but the most aukward, and the worst speaker I ever heard (Hopkins Diary--MacMillan). Receipts: #174 17s. 6d. (MacMillan)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Deuce Is in Him

Dance: TThe Provancalle, as17631014

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Brett (1st appearance in that character); Peachum-Wilson; Lockit-Mrs Webb; Mat o' th' Mint-[J.] Wilson; Filch-Mrs Wilson; Lucy-Miss Morris(1st appearance in that character); MrsPeachum-Mrs Lefevre; Diana Trapes-Mr Wewitzer; Jenny Diver-Mrs Poussin; Polly-Mrs Martyr (from CG; 1st appearance on this stage). hathi. 1st appearance on this stage). hathi.

Afterpiece Title: Harlequin Teague

Dance: In Act III of mainpiece a Hornpipe [performer not listed]; In afterpiece, as17820826

Song: In afterpiece The Tobacco Box by Brett and Miss Morris

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Royal Chace or Harlequin Skeleton

Dance: In Act III of mainpiece a Hornpipe by Miss Besford

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17951024, but Filch (for that night only)-Mrs Martyr; Lucy (for that night only)-Mr Fawcett; Jenny Diver-Mrs Castelle; Crookfinger'd Jack-_; Jemmy Twitcher-_; Wat Dreary-_; Nimming Ned-_; Harry Paddington-_; Robin of Bagshot-_; Jailor-_; Drawer-_; Dolly Trull-_; Mrs Vixen-_; Betty Doxey-_; Mrs Slammekin-_; Sukey Tawdry-_; Molly Brazen-_.

Afterpiece Title: Catharine and Petruchio

Afterpiece Title: The Point at Herqui

Dance: III: Hornpipe-Byrn; 3rd piece: Dance, as17960415

Song: In: Old Towler-Incledon; 3rd piece: Tippy Bob, as17960415; The Waiter, as17960415; Irish Song, as17960415; New Loyal Song, as17960415; Ye Gentlemen of England, as17960415; Rule Britannia, as17960415; Admiral Benbow-Incledon; Rondo-Mrs Serres

Event Comment: [Mainpiece in place of The Busy Body; afterpiece on The Poor Soldier, both advertised on playbill of 19 Sept.] The Public are respectfully informed that a One Shilling Gallery will be opened on Monday the 1st of October. Receipts: #77 12s. 6d

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Barnaby Brittle

Dance: III: Hornpipe in Character-Byrn