SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9643 matches on Event Comments, 3145 matches on Performance Comments, 1214 matches on Performance Title, 30 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Publick is respectfully requested to observe that no Play Bills can be depended upon for this Theatre except those signed by C. Lowndes [and see 16 Sept.]. Powell: Mountaineers rehearsed at 10. Receipts: #252 2s. (209.5.6; 42.15.6; 0.1.0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: My Grandmother

Song: The Original Music of Matthew Locke and Accompaniments by Dr Arne and Linley? Sen.-; Chorus of Witches and Spirits-Kelly, Master Welsh, Sedgwick, Dignum, Cooke, Mrs Crouch, Mrs Bland, Miss Leak, Miss Menage, Miss Redhead

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Alexander the Great

Song: [omitted from playbill]As17950128

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Alexander the Great

Performances

Mainpiece Title: King John

Afterpiece Title: Alexander the Great

Event Comment: [Mainpiece in place of First Love, advertised on playbill of 14 Mar. In it the playbill retain Palmer as Frederick Bertram and Miss Farren as Eliza Ratcliffe, but "The Publick are most respectfully informed that in consequence of the Indisposition of Palmer and Miss Farren, the Characters of Charles [sic] Bertram and Eliza in The Jew will be performed by C. Kemble and Mrs Goodall" (printed slip attached to Kemble playbill).] Receipts: #145 14s. 6d. (102.3.0; 38.5.0; 5.6.6)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Doctor and the Apothecary

Performances

Mainpiece Title: The Force Of Ridicule

Afterpiece Title: Richard Coeur de Lion

Dance: As17961019

Event Comment: Mainpiece: Not acted these 9 years. [Mrs Worthington is identified in MS list in Kemble playbills of new performers for this season.] Ballet: 1st time; composed by Giacomo? Gentili. Afterpiece [1st time: ENT 1, by Richard Brinsley Sheridan; acted in place of The Prize, advertised on playbill of 4 Mar. Text (C. Lowndes, 1797)]: Altered from a Dramatick Entertainment performed 1794 [The Glorious First of June]. In the course of which will be introduced a representation of the late Glorious Engagement between the British and Spanish Fleets on the Fourteenth of February [1797, under Sir John Jervis, off Cape St. Vincent]. Receipts: #253 9s. (151.2.6; 100.17.0; 1.9.6)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Cape St

Song: III: a Masquerade Scene-; with Hark! the Lark at Heaven's Gate sings-Sedgwick, Dignum, Welsh, Master Welsh

Ballet: End: The Labyrinth; or, The Country Madcap. Joseph-Gentili; Robert-Grimaldi; Philip-Master Menage; Rosina-Sga Bossi DelCaro; Countess-Mrs Wild; Lauretta-Miss S. DeCamp

Performances

Mainpiece Title: Zorinski

Afterpiece Title: Lock and Key

Event Comment: "In the scene with Salanio and Solarino after the discovery of Jessica's flight, Elliston was more noisy than impressive; and the speech "hath not a Jew eyes?" &c. was delivered with such a dreadful rant as to destroy all the beauty of the poet, as well as the effect which this part always produces when judiciously delivered...Miss DeCamp's Portia was beyond what we could possibly have expected from a person of her line of acting. It was frequently above, but never below mediocrity" (Monthly Visitor, Sept. 1797, p. 257)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: The Italian Monk

Afterpiece Title: My Grandmother

Cast
Role: Justice Day Actor: Davenport
Role: Mrs Day Actor: Mrs Davenport.

Performances

Mainpiece Title: Douglas

Afterpiece Title: Blue Beard

Performances

Mainpiece Title: Cambro britons

Afterpiece Title: The Castle of Sorrento

Event Comment: Afterpiece [1st time; M. ENT 2, by Andrew Franklin. Larpent MS 1268; not published]: With appropriate Scenery, Dresses, &c. The Music entirely new, with a Naval and Military Medley Overture, composed by Reeve. Books of the Songs to be had in the Theatre. [European Magazine, Oct. 1799, p. 255, states that this was founded on the expedition to Holland which embarked at Deal from 7th to 11th September 1799.] Receipts: #340 14s. 6d. (225.17.0; 114.13.2; 0.4.0)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Embarkation

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Lying Valet

Song: Mainpiece: Vocal Parts-Sedgwick, Dignum, Danby, Cook, Tett, Caulfield Jun., Sawyer, Danby Jun., Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Crouch, Ms DeCamp, Ms Leak, Ms Arne, Ms Menage, Ms Roffey, Ms Menage Jun., Ms Wentworth, Ms Chippendale, Ms Jacobs, Ms Butler, Ms Saunders, Ms Gawdry, Ms Benson, Ms Coates

Performances

Mainpiece Title: Blue Devils

Afterpiece Title: The Jew

Afterpiece Title: The Castle of Sorrento

Song: 3rd piece: Chorus-Kenrick, Little, Willoughby, Dibble, Aylmer

Performances

Mainpiece Title: Zorinski

Afterpiece Title: Tis All a Farce

Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 18-21 Dec. 1697, suggests that the premiere occurred not later than late November. This play was originally given to the company in Drury Lane, but withdrawn. See G. Thorn-Drury, An Unrecorded Play Title, Review of English Studies, VI (1930), 316-18. Edition of 1698: A Dialogue in the fourth Act, between Mr Bowman and Mrs Bracegirdle; The words by Mr Durfey and set by Mr Eccles: When will Stella kind and tendre. A Dialogue in the fifth Act, between a Boy and a Girl, and an Old Man, Written by Mr Motteux, set to the Musick by Mr J. Eccles. Preface: I look upon those that endeavour'd to discountenance this Play as Enemys to me

Performances

Mainpiece Title: The Deceiver Deceived

Performances

Mainpiece Title: Public Fast

Performances

Mainpiece Title: Tunbridge Walks

Music: A piece of Instrumental Musick- to be perform'd on the Stage

Song: Mr Laroon, Mrs Hughs; particularly a Two/part Song-Mr Laroon, Mrs Hughs compos'd by the late Mr Henry Purcell

Song: Country Farmer's Daughter, Highland Lilt-the Devonshire Girl; The Whip of Dunbyn-Claxton; a new Entry-Mrs Campion, others; A Scotch Dance-Mrs Bicknell; a new Scaramouch Man and Scaramouch Woman-Laferry, Mrs Lucas

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Afterpiece Title: The Irish Widow

Song: End of Act I of afterpiece Horn sweet are the Woodlands by Forrest and Groves. imitations. End of mainpiece, Vocal and Rhetorical, by the Gentleman who performs Beau Clincher

Event Comment: These pamphlets were printed in 1661. For further details of the affairs of the day, see Rugg's Diurnal, ed. Sachse, p. 175. See also Pepys

Performances

Mainpiece Title: The Cities Loyalty Displayd Or The Four Famous And Renowned Fabricks

Performance Comment: in the City of London Exactly described in their several Representations, what they are, with their private meanings and perfect Actions at the day of publick View, which is not yet discovered. Together with a true Relation of that high and stately Cedar erected in the Strand bearing five Crowns, a Royal Streamer, three Lanthorns, and a rich Garland.
Event Comment: The Te Deum and Jubilate, For Voices and Instrumentals, Made for St Cecilia's Day, 1694, was published in 1697. The music was composed by Henry Purcell. See also 9 Dec. 1694

Performances

Mainpiece Title: Concert

Performance Comment: St Cecilia's Day.
Event Comment: The Lord Mayor's Day Festivities

Performances

Mainpiece Title: Glorys Resurrection

Performance Comment: Being the Triumphs of London Reviv'd for the Inauguration of the Right Honourable Sir Francis Child, Kt. Lord Mayor of London. Containing the Description (and also the Sculptures) of the Pageants, and the whole Solemnity of the Day: All set forth at the proper cost and charge of the Honourable Company of Goldsmiths. By Elkanah Settle.
Event Comment: Benefit the Author. At the particular Desire of several Ladies of Quailty. Mainpiece: Written by the Author of the Man of Taste. Founded on Shakespear's Much Ado About Nothing. Afterpiece: Written by the Author of the Toy Shop. Daily Advertiser, 14 March: We hear that there was not the least Disturbance from the Footmen at the Playhouse all last Week; and there is such a sufficient Guard order'd, as well as a Civil Power appointed, that there's no Apprehension of any in the future: Besides, we are glad to hear that the Quality and Gentry are resolv'd in general to discard any Servants that should be known to attempt it, and to give them up to the Rigour of the Law. [For Occasional Prompter XXV (on the lethargy of managers), see Daily Journal, 14 March.

Performances

Mainpiece Title: The Universal Passion

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Harlequin-Denoyer's Apprentice; V: Dutchman and Frow-Philips, Miss Brett. [Daily Advertiser, 14 March, a less authoritative source, differs on the dances: I: Drunken Peasant-Philips; III: Turkish Dance-Muilment; Villeneuve, Livier; V: Grand Ball-Denoyer, Mlle Roland.

Performance Comment: [Daily Advertiser, 14 March, a less authoritative source, differs on the dances: I: Drunken Peasant-Philips; III: Turkish Dance-Muilment; Villeneuve, Livier; V: Grand Ball-Denoyer, Mlle Roland.]

Music: A Comic Medley Overture-composed by Arne

Event Comment: Benefit Mrs Butler. [Tickets at Mrs Elizabeth Butler's Leicester Fields. See Daily Advertiser, 18 April for verses spoken by Mrs Butler on this night.

Performances

Mainpiece Title: The Distrest Mother

Performance Comment: Hermione-Mrs Butler (in London Daily Post and General Advertiser, 14 April; issue for 15 April missing); with the Original Epilogue-.

Afterpiece Title: The Devil to Pay