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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7576 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $<span class=
We found 6110 matches on Event Comments, 1324 matches on Performance Comments, 587 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

1451
14 January 1788 @ Covent Garden

Event Comment: Mainpiece: Never acted at this Theatre. By Beaumont and Fletcher, with Alterations [by Thomas Harris (Boaden, Kemble, I, 378)]. Public Advertiser, 15 Jan.: The alterations consisted of many curtailments, the last scene of Act IV being entirely omitted. [Prologue by Henry Sampson Woodfall Jun. (European Magazine, Dec. 1787, p. 503; Feb. 1788, p. 105).] Receipts: #150 2s. (146.18; 3.4)

Performances

Mainpiece Title: King And No King

Afterpiece Title: The Dumb Cake

Song: II: a Grand Chorus-Johnstone, Davies, Darley, Cubitt, Blurton, Janson, Bonville, Mrs Martyr, Mrs Mountain, Mrs Morton, Miss Stuart, Mrs Watts, Mrs Byrne, Miss Rowson, Miss Francis, Miss Paye, Miss Blower, Mrs Kennedy

1452
21 January 1788 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Siddons. Mainpiece: Not acted these 9 years. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their servants by Half past Four o'Clock. Public Advertiser, 10 Jan.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. Receipts: #343 12s. 6d. (189.9.0; 6.12.0; 0.11.6; tickets: 147.0.0) [charge: free)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Deserter

1453
26 January 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth-Kelly (1st appearance in that character); songs-Kelly; Sir Harry Sycamore-Waldron; Fairfield-Aickin; Mervin-Williames; Ralph-Suett; Giles-Dignum (1st appearance in that character); Fanny-Miss Romanzini; Lady Sycamore-Mrs Hopkins; Theodosia-Mrs Forster [Public Advertiser: Miss Stageldoir]; Patty-Mrs Crouch.

Afterpiece Title: Harlequin Junior

Dance: End I: The Capricious Lovers, as17870920

1454
28 January 1788 @ Covent Garden

Event Comment: Benefit for Mrs Billington. Mainpiece: Not acted these 10 years [acted 5 Nov. 1779]. The Music chiefly composed by Hook, the rest compiled from the most eminent Masters. With new Songs and other Alterations [and restorations; the names of almost all the characters have been changed (see 23 Nov. 1778)]. Public Advertiser, 12 Jan.: Tickets to be had of Mrs Billington, No. 53, Poland-street. Receipts: #365 3s. 6d. (244.0.6; 2.12.0; tickets: 118.11.0) [charge: free)

Performances

Mainpiece Title: The Lady Of The Manor

Afterpiece Title: Rosina

Dance: End II: Leap Year-Byrne, Mrs Goodwin

Song: In afterpiece: (for that Night only) Sweet Bird-, from L'Allegro il Penseroso by Handel Mrs Billington; accompanied on the flute-W. Parke

1455
05 February 1788 @ Covent Garden

Event Comment: Benefit for Bowden. Public Advertiser, 22 Jan.: Tickets to be had of Bowden, No. 5, John-street, Great Portland-street. Receipts: #288 9s. (182.4.6; 1.18.6; tickets: 104.6.0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Comus

Dance: As17880129

Song: In afterpiece: Sweet Echo-Mrs Ambrose (1st time); accompanied on the hautboy-W. Parke; II: the celebrated Laughing Song from L'Allegro il Penseroso-Bowden

1456
12 February 1788 @ King's Theatre

Event Comment: "Miss Hilligsberg cannot be praised enough for her exertions and sucess in the execution of [the second] ballet, which has given her an opportunity of making herself perfect in her profession [this being her 1st season on the stage]...The scenery has no doubt by Noverre, and if it is not more magnificent it is not for want of genius on his part, but to spare the purse of the Managers...The Palace of Cupidv for the reception of Psiche in the first, and that of Venus in the last act, with the appearance of Jupiter, &c. in the skies, were very well executed, and beautifully arranged by the actors" (Public Advertiser, 7 Feb.). Receipts: #202 11s. (non-subscription]

Performances

Mainpiece Title: La Locandiera

Dance: End I: The Military Dance, as17880115

Ballet: End Opera: L'Amour et Psiche. As17880129

1457
18 February 1788 @ Drury Lane Theatre

Event Comment: "In no part of Bensley's voice is there an atom of the tender of mournful. [King Henry] is a part totally unsuited to his powers" (Public Advertiser, 19 Feb.). Receipts: #158 15s. (119.2; 37.15; 1.18)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Harlequin Junior

1458
25 February 1788 @ Covent Garden

Event Comment: Mainpiece: Altered from Beaumont and Fletcher. Not acted these 3 years. [The playbill assigns Abigail to Mrs Webb, but "an apology being made for Mrs Webb, who was indisposed, Mrs Platt undertook to read the part" (Public Advertiser, 26 Feb.). Afterpiece in place of The Farmer, advertised on playbill of 23 Feb.] Receipts: #162 15s. (155.17; 6.18)

Performances

Mainpiece Title: The Capricious Lady

Afterpiece Title: The Dumb Cake

1459
28 February 1788 @ Covent Garden

Event Comment: [As afterpiece Public Advertiser erroneously announces The Citizen.] Receipts: #189 6s. 6d. (184.7.6; 4.19.0)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Farmer

Dance: As17871129

1460
04 March 1788 @ King's Theatre

Event Comment: A new Comic Opera [1st time; COM 2, librettist unknown]; the Music composed by Storace. "Signor Storace does not appear to have studied that art [of music] much in Italy; for he has entirely deviated from the usual plan of Italian authors...The overture anneunces entirely a French author, and the finales are in the German style of Gluck, loaded with harsh, terrifying music of trumpeting and drumming" (Public Advertiser, 6 Mar.). Receipts: !162 [non-subscription]

Performances

Mainpiece Title: La Cameriera Astuta

Dance: End Opera: Les Fetes de Tempe, as17880301End I: New Dance, as17880226; Pas de Bernois, as17880226; Pas de Trois, as17880226; Pas Seul, as17880226; Pas de Russe, as17880226; Pas de Cinq, as17880226; Pas de Sept, as17880226; General Dance, as17880226

1461
06 March 1788 @ Covent Garden

Event Comment: "Mrs Abington's Phillis partook of [fresh] novelty-it even descended to her adjusting the chairs of the drawing-room-to the humility of her whispers" (Public Advertiser, 7 Mar.). Receipts: #201 1s. (193.18; 7.3)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Farmer

Song: As17880204

1462
10 March 1788 @ Covent Garden

Event Comment: Benefit for Mrs Pope. [Author of Epilogue unknown.] Public Advertiser, 25 Feb.: Tickets to be had of Mrs Pope at her house, Half-moon-street, Piccadilly. Receipts: #312 12s. 6d. (216.12.6; 9.8.0; tickets: 86.12.0)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Comus

Performance Comment: As17880205, but The Lady (for that night only)-Mrs Pope.

Dance: As17880301

Song: In afterpiece: Sweet Echo-Mrs Billington; accompanied on the hautboy-W. Parke

Entertainment: Monologue. End: an Occasional Epilogue-Mrs Pope

1463
11 March 1788 @ Covent Garden

Event Comment: Benefit for Ryder. 2nd piece: Not acted these 3 years. Public Advertiser, 23 Feb.: Tickets to be had of Ryder at his house, No. 5, Bow-street, Covent-garden. Receipts: #238 19s. 6d. (137.9.0; 2.17.6; tickets: 98.13.0)

Performances

Mainpiece Title: Annette And Lubin

Afterpiece Title: She Stoops to Conquer

Afterpiece Title: The Mock Doctor

Performance Comment: The Mock Doctor (for that night only)-Ryder; Sir Jasper-Fearon; Leander-Macready; Davy-Wewitzer; Squire Robert-Helme; Doctor Hellebore-Booth; Charlotte-Miss Stuart; Dorcas-Mrs Webb.

Dance: As17880301

Entertainment: Monologue. End 2nd piece: Bucks have at You All as spoken in Dublin-Ryder

1464
13 March 1788 @ Drury Lane Theatre

Event Comment: Benefit for Kemble [whose 1st appearance as Hastings was in Dublin in the spring of 1782]. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their servants by Half past Four o'Clock. Public Advertiser, 25 Feb.: Tickets to be had of Kemble, No. 13, Caroline-street, Bedford-square. Receipts: #324 12s. (190.0; 9.8; 0.14; tickets: 124.10) (charge: #107 4s. 7d.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Catherine and Petruchio

Dance: End: The Conjugal Frolick, as17880221

1465
28 March 1788 @ Covent Garden

Event Comment: Benefit for Miss Brunton. Mainpiece: Written by Sheridan. Public Advertiser, 13 Mar.: Tickets to be had of Miss Brunton, No. 5, George-street, York-buildings. Receipts: #260 18s. 6d. (156.12.0; 7.1.6; tickets: 87.5.0)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Poor Soldier

Dance: End: The Irish Lilt-Mr and Mrs Ratchford

1466
02 April 1788 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. Public Advertiser, 22 Mar.: Tickets to be had of Miss Pope, Great Queen-street, Lincoln's Inn fields. Receipts: #259 9s. (90.16; 18.13; 0.11; tickets: 149.9) (charge: #109 18s. 2d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Comus

1467
04 April 1788 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Crouch. Public Advertiser, 18 Mar.: Tickets to be had of Mrs Crouch, No. 48, Rathbone Place. Receipts: #282 5s. (96.8; 24.6; 1.1; tickets: 159.10) (charge: #114 12s. 2d.)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Richard Coeur de Lion

1468
07 April 1788 @ Drury Lane Theatre

Event Comment: Benefit for Kelly. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their servants by Half past Four o'Clock. [Mme Mara had sung in concert at the Pantheon in 1784; in opera at the king's in 1786; and in the dl oratorios in 1787 and 1788.] Public Advertiser, 27 Mar.: Tickets to be had of Kelly, No. 48, Rathbone Place. Receipts: #351 5s. 6d. (177.12.0; 9.13.6; 0.5.0; tickets: 163.15.0) (charge: #111 3s.)

Performances

Mainpiece Title: Artaxerxes

Performance Comment: Arbaces (for that night only)-Mrs Crouch (1st appearance in that character); Artaxerxes-Dignum; Rimenes-Fawcett; Artabanes-Kelly (1st appearance in that character); Semira-Mrs Forster; Mandane (for that night only)-Mme Mara (1st appearance on any [non-musical] English stage). English stage).

Afterpiece Title: Whos the Dupe

1469
14 April 1788 @ Covent Garden

Event Comment: Benefit for Mrs Abington. Part of the Pit [Public Advertiser, 16 Apr.: nine rows] will be laid into the Boxes. Receipts: #296 19s. 6d. (164.19.6; 7.5.0; tickets: 124.15.0)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: High Life below Stairs

Dance: II: Masquerade Dance, as17871107; End: New Divertisement, as17880124

Song: II afterpiece: Ally Croaker in two parts,-Mrs Abington, Johnstone

1470
15 April 1788 @ Covent Garden

Event Comment: [In mainpiece the playbill retains Bowden as Robin Hood, but "an apology was made for the sudden indisposition of Bowden...Davies was the substitute" (Public Advertiser, 16 Apr.).] Receipts: #170 7s. 6d. (163.15.0; 6.12.6)

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: Omai

1471
16 April 1788 @ Covent Garden

Event Comment: Benefit for Johnstone. [Afterpiece in place of Love in a Camp, advertised on playbill of 15 Apr.] Public Advertiser, 11 Apr.: Tickets to be had of Johnstone, No. 83, St. Martin's Lane. Receipts: #256 9s. 6d. (152.1.0; 7.2.6; tickets: 97.6.0)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Barataria

Dance: As17871129

1472
21 April 1788 @ Drury Lane Theatre

Event Comment: Benefit for Bannister Jun. [Author of Prologue to 1st piece unknown. 2nd piece: By permission of G. Colman, Esq. [owner of the copyright]. 3rd piece [1st time; F 2 (?)]: Altered from Woman's a Riddle [by Christopher Bullock; alterer unknown. Not in Larpent MS; not published]. Public Advertiser, 2 Apr.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #286 11s. (145.16; 14.5; 1.12; tickets: 124.18) (charge: #106 1s. 5d.)

Performances

Mainpiece Title: Transformation Or The Manager An Actor In Spite Of Himself

Performance Comment: Cameleon-Bannister Jun.; Waiter-Bannister Jun.; Hair Dresser-Bannister Jun.; Musician-Bannister Jun.; Machinist-Bannister Jun.; Woman@dresser-Bannister Jun.; Prompter-Bannister Jun.; Publican-Bannister Jun.; Manager of the Fete-Benson; Gentleman-R. Palmer; Prologue-Bannister Jun.
Cast
Role: Publican Actor: Bannister Jun.

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Invisible Mistress

Entertainment: Monologue. End 2nd piece: A Touch of the Times; or, A Ramble through London-Bannister Jun

1473
23 April 1788 @ Covent Garden

Event Comment: Benefit for Farren. Mainpiece: Not acted these 5 years. Public Advertiser, 7 Apr.: Tickets to be had of Farren, Gower-street, Bedford Square. Receipts: #340 7s. 6d. (92.11.0; 4.2.6; tickets: 243.14.0)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Love in a Camp

Dance: As17880301

1474
24 April 1788 @ Drury Lane Theatre

Event Comment: Benefit for Barrymore. Public Advertiser, 17 Apr.: Tickets to be had of Barrymore, No. 22, Church-street, St. Ann's. Receipts: #301 0s. 6d. (82.5.0; 18.1.0; 0.7.6; tickets. 200.7.0) (charge: #114 7s. 6d.)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Critic

1475
25 April 1788 @ Drury Lane Theatre

Event Comment: "Bursts of applause continued for full ten minutes on Palmer's first entrance" (Public Advertiser, 26 Apr.). Receipts: #249 14s. 6d. (226.17.0; 20.10.0; 2.7.6)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: As17880408, but Sir Toby Belch-Palmer (1st appearance there this season).

Afterpiece Title: The Lyar

Dance: As17880313