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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7576 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $<span class=
We found 6110 matches on Event Comments, 1324 matches on Performance Comments, 587 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

1251
01 December 1783 @ Covent Garden

Event Comment: "The Performance was very much applauded. In the shewy Scenes of the Third and Fourth Acts Henderson and Mrs Crawford got a Plaudit for several Speeches together, after every Speech" (Public Advertiser, 3 Dec.). Receipts: #241 8s. (236/18/6; 4/9/6)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Rosina

1252
06 December 1783 @ Drury Lane Theatre

Event Comment: "Palmer's Stukely was exactly infamous, his Scene with Mrs Beverley was just on both hands, each seemed to gain Spirit by the Nature and Exactness of the other-it was inimitable. Kemble's Beverley was all we could wish; his Manner, peculiar as it is, gave us home Sensations" (Public Advertiser, 9 Dec). Receipts: #226 13s. 6d. (202/6/0; 23/10/0; 0/2/6; tickets not come in: 0/15/0)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Deaf Lover

1253
06 December 1783 @ King's Theatre

Event Comment: Books of the Ballets may be had at the Theatre, price 6d. Public Advertiser, 8 Dec.: As to the Dances, such exquisite perfection was never seen in England before, because there certainly never was before seen such a band of transcendent Dancers simultaneously subsisting on the same Stage . . . They were almost equally admirable. Thus, if Vestris and Theodore were most surprising, Lepicq and Rossi were more touching, Slingsby more exhibiting

Performances

Mainpiece Title: Silla

Dance: End of Act II an entirely new Dance (composed by D'Auberval; the music by Barthelemon) The Pastimes of Terpsycore, an Allegorical Ballet, by Vestris Jun. (1st appearance at this theatre these 3 years), Blake (1st appearance), Henry, Zuchelli, Monetti, Lepicq, Mme Theodore D'Auberval (1st appearance this season), Mme Simonet, Mme Rossi; End of Opera a new Anacreontic Ballet (composed by D'Auberval) Friendship leads to Love by Lepicq, Mme Rossi, Slingsby, Mme Simonet, Vestris Jun., Mme Theodore

Performance Comment: (1st appearance at this theatre these 3 years), Blake (1st appearance), Henry, Zuchelli, Monetti, Lepicq, Mme Theodore D'Auberval (1st appearance this season), Mme Simonet, Mme Rossi; End of Opera a new Anacreontic Ballet (composed by D'Auberval) Friendship leads to Love by Lepicq, Mme Rossi, Slingsby, Mme Simonet, Vestris Jun., Mme Theodore .

1254
13 December 1783 @ Drury Lane Theatre

Event Comment: "Particular Commendation is to be given to the death of Arthur; it is very bold, and well disposed of. The jump is the highest we ever saw" (Public Advertiser, 15 Dec). Afterpiece: Not acted these 8 years. Receipts: #257 4s. (230/7; 26/7; 0/5; tickets not come in: 0/5)

Performances

Mainpiece Title: King John

Afterpiece Title: The Lottery

Dance: End of mainpiece, as17831204

1255
22 December 1783 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Siddons. Mainpiece: Not acted these 3 years. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. [Mrs Siddons's 1st appearance as Lady Randolph was at Manchester, 5 Feb. 1777.] "The Siddons, younger and more rich in natural Gifts, certainly offers much to the Mind, and yet much more to the Eye. The Crawford, by some means or other, offers more to the Heart" (Public Advertiser, 24 Dec). Receipts: #303 8s. 6d. (156/2/0; 10/13/0; 0/13/6; tickets: 136/0/0) (charge: free)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Lyar

Dance: As17831020

1256
23 December 1783 @ Covent Garden

Event Comment: Afterpiece [1st time; P 2, by John O'Keeffe and Charles Bonnor; later (see 29 Jan. 1784) altered as Harlequin Rambler. MS: Larpent 642; not published; synopsis of action in Public Advertiser, 24 Dec]: The Overture and all the Music new, with entire new Scenery, Machinery, Dresses, Decorations and New Performers. The Pantomime invented by O'Keeffe, the Music composed by Shield, the Scenery designed by Richards and Carver, and executed by them, Hodgins, and others. Nothing under Full Price will be taken. Books of the Songs (T. Cadell, 1783) [which list no cast] to be had at the Theatre. Receipts: #288 1s. (277/18; 10/3)

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: Friar Bacon or Harlequins Adventures in Lilliput Brobdignag c

1257
10 February 1784 @ Drury Lane Theatre

Event Comment: Afterpiece: Not acted these 7 years [not acted since 17 May 1774]. "Bensley, whose Sense and Sensibility are always apparent, though not perhaps always successful, fell far short of Henderson in Old Norval" (Public Advertiser, 13 Feb.). Receipts: #274 15s. (258/5/0; 15/8/6; 1/1/6)

Performances

Mainpiece Title: Douglas

Afterpiece Title: Neck or Nothing

Dance: As17831213

1258
11 February 1784 @ Covent Garden

Event Comment: [In mainpiece the playbill retains Wroughton as Lord Morelove and Henderson as Sir Charles Easy, but "an apology was made for the Illness of [Henderson], and Wroughton became his substitute, Wroughton's Place in Lord Morelove being supplied by Williamson from the Haymarket" {Public Advertiser 13 Feb.). Afterpiece in place of Rosina, announced on playbill of 10 Feb.] Receipts: #277 6s. (269/9; 7/17)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Harlequin Rambler

1259
13 February 1784 @ Covent Garden

Event Comment: "The appearance of Mrs Abington in the two characters of the Capricious Lady and Lady Bab Lardoon cannot fail of being considered as a high Treat ... as the first exhibits the coy, formal Manners of the last Age, and the latter the free degagee Breeding of the present" (Public Advertiser, 13 Feb.). Receipts: #227 12s. 6d. (211/10/0; 16/2/6)

Performances

Mainpiece Title: The Capricious Lady

Afterpiece Title: The Maid of the Oaks

Dance: End of mainpiece, as17830917; In Act I of afterpiece Dance by Harris, Miss Matthews, Miss Besford

1260
23 February 1784 @ Covent Garden

Event Comment: Mainpicce: Not acted these 3 years. "[As Cleopatra] the Form of Miss Younge is sufficiently lovely—but her Countenance, without speaking of it all prophanely, is surely not sufficiently venereal" (Public Advertiser, 25 Feb.). Receipts: #195 1s. (190/12; 4/9)

Performances

Mainpiece Title: All For Love

Afterpiece Title: Harlequin Rambler

1261
03 March 1784 @ Drury Lane Theatre

Event Comment: [Advertised in Public Advertiser of 28 Feb., but no newspaper prints a playbill for this present night.]

Performances

Mainpiece Title: The Messiah

1262
05 March 1784 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Public Advertiser, 6 Mar.: In 1st piece Love in her Eyes was sung by Norris; O ruddier than the cherry by Reinhold; Consider, fond shepherd by Mrs Kennedy; Heart, thou seat of soft delight by Miss George. The concerto consisted of "two Movements made up of common Ballads."

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Drydens de

Music: End of Part I of oratorio concerto on the violoncello by Crosdill

1263
06 March 1784 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 3 years. [Mrs Siddons's 1st appearance as the Countess of Salisbury was at Bath, 25 Nov. 1778.] "So thoroughly wretched, so utterly destitute of all Requisites is this Tragedy ... that it excites with Wonder not a little Indignation that the unexampled Genius of such an actress [as Mrs Siddons] should be wasted on Dullness if possible yet more unexampled" {Public Advertiser, 8 Mar.). Receipts: #275 0s. 6d. (256/7/0; 16/19/6; 1/9/0; ticket not come in: 0/5/0)

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The Deserter

1264
09 March 1784 @ Drury Lane Theatre

Event Comment: [The playbill announces as mainpiece The Countess of Salisbury, but the Kemble playbill deletes it. The Account-Book also deletes it, and lists the substitute play. Public Advertiser, 10 Mar.: The tragedy was "unavoidably deferred on account of the Indisposition of Mrs Siddons." Receipts: #144 17s. (121/16; 22/11; 0/5; tickets not come in: 0/5)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Double Disguise

Dance: As17840308athi

1265
13 March 1784 @ Covent Garden

Event Comment: Benefit for Sga Sestini. Public Advertiser, 9 Mar.: Tickets to be had of Sga Sestini, No. 16, Upper Seymour-street, Portman Square. Receipts: #307 2s. (212/3; tickets: 94/19) (charge: free)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Rosina

Dance: End of mainpiece, as17830917

Song: In Act I of afterpiece a favourite song by Sga Sestini; In Act II she will introduce the celebrated tune of Marlborough, with English words adapted to it

1266
23 March 1784 @ Covent Garden

Event Comment: Benefit for Henderson. Public Advertiser, 16 Mar.: Tickets to be had of Henderson at his house in Buckingham-street, York Buildings. Receipts: #292 2s. 6d. (166/10/6; tickets: 125/12/0) (charge: #105)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Rival Knights

Afterpiece Title: Comus

1267
25 March 1784 @ Drury Lane Theatre

Event Comment: Benefit for Smith. Part of the Pit [Public Advertiser, 26 Mar.: 4 rows] will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Receipts: #321 3s. (160/2/0; 9/3/6; 0/7/6; tickets: 151/10/0) (charge: #67 11s. 11d.)

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Deserter

Dance: As17840320athi

1268
27 March 1784 @ Covent Garden

Event Comment: Benefit for Mrs Bannister. Mainpiece: Never acted here. The Music by Dr Arne. With a Grand Procession of the different Orders of the Knights of Chivalry. Public Advertiser, 6 Mar.: Tickets to be had of Mrs Bannister, No. 6, Great Russel-street, Covent Garden. Receipts: #252 8s. 6d. (177/14/6; tickets: 74/14/0) (charge: #105)

Performances

Mainpiece Title: Cymon

Afterpiece Title: Rosina

Dance: In Act I of mainpiece a Dance of Cupids; In Act IV a Dance of Daemons; In Act V a Grand Ballet (performers not listed)

1269
29 March 1784 @ Covent Garden

Event Comment: Benefit for Wroughton. Public Advertiser, 20 Mar.: Tickets to be had of Wroughton at his house, Broad-court, Bow-street, Covent Garden. Receipts: #262 18s. 6d. (167/0/6; tickets: 95/18/0) (charge: #105)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Rival Knights

Afterpiece Title: The Maid of the Oaks

1270
30 March 1784 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. Public Advertiser, 24 Mar.: Tickets to be had of Miss Pope, Great Queen-street, Lincoln's-inn-fields. Receipts: #268 19s. 6d. (94/9/0; 28/3/0; 0/14/6; tickets: 145/13/0) (charge: #107 1s. 6d.)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: A Fete

Performance Comment: Scene l. A Church-yard by Moonlight. Poor ThomasDay by Barrymore, Chapman, Suett. Scene II. A Masquerade Scene. Song by Miss George, and a Scotch Reel, as17830920. Scene III. Time has not thinn'd my flowing Hair by Williames and Miss Phillips, scene the last. A Rural Prospect. Tally-ho! by Mrs Wrighten, and The Sportsmen's Return, as17840311athi .
Cast
Role: A Church Actor: yard by Moonlight. Poor ThomasDay by Barrymore, Chapman, Suett. Scene II. A Masquerade Scene. Song by Miss George, and a Scotch Reel, as17830920. Scene III. Time has not thinn'd my flowing Hair by Williames and Miss Phillips, scene the last. A Rural Prospect. Tally-ho! by Mrs Wrighten, and The Sportsmen's Return, as17840311athi .

Afterpiece Title: High Life below Stairs

1271
13 April 1784 @ Drury Lane Theatre

Event Comment: Benefit for Kemble. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. [Afterpiece in place of Who's the Dupe?, announced on playbill of 12 Apr.] Public Advertiser, 22 Mar.: Tickets to be had of Kemble, No. 25, Henrietta-street, Covent Garden. Receipts: #290 15s. (164/0/0; 11/2/0; 1/18/0; tickets: 113/15/0) (charge: #106 17s. 7d.)

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The Gentle Shepherd

1272
13 April 1784 @ Covent Garden

Event Comment: Benefit for Quick. Mainpiece: With Alterations, Never acted here. Public Advertiser, 3 Apr.: Tickets to be had of Quick, No. 99, High Holbourn. Receipts: #316 5s. (190/17; tickets: 125/8) (charge: #105)

Performances

Mainpiece Title: The Two Gentlemen Of Verona

Afterpiece Title: The Rival Knights

Afterpiece Title: Tom Thumb

Song: In Act V of mainpiece A Frightened Song by Quick

Monologue: 1784 04 13 End of mainpiece a new Occasional Address spoken by Quick, riding on an Elephant

1273
14 April 1784 @ Covent Garden

Event Comment: Benefit for Mrs Mattocks. Public Advertiser, 6 Apr.: Tickets to be had of Mrs Mattocks at her house in Charlotte-street, Rathbone Place. Receipts: #241 8s. 6d. (175/13/6; tickets: 65/15/0) (charge: #105)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Rival Knights

Afterpiece Title: Rosina

1274
15 April 1784 @ Drury Lane Theatre

Event Comment: Benefit for Brereton. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. [Afterpiece in place of Too Civil by Half, announced on playbill of 14 Apr.] Public Advertiser, 24 Mar.: Tickets to be had of Brereton, Charles-street, Covent-Garden. Receipts: #317 19s. (133/13; 12/11; 0/9; tickets: 171/6) (charge: #107 15s. 10d.)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: The Apprentice

Dance: As17840311athi

1275
16 April 1784 @ Covent Garden

Event Comment: Benefit for Aickin. Public Advertiser, 10 Apr.: Tickets to be had of Aickin at his house. No. 5, York-street, Covent Garden. Receipts: #255 0s. 6d. (161/16/6; tickets: 93/4/0) (charge: #105)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Rival Knights

Afterpiece Title: The Maid of the Oaks