SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6104 matches on Event Comments, 1324 matches on Performance Comments, 587 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mattocks. [Mrs Dawes is identified in Kentish Gazette, 19 June and 3 July 1779.] Public Advertiser, 14 Apr.: Tickets to be had of Mattocks at his house in Covent Garden

Performances

Mainpiece Title: Annette And Lubin

Afterpiece Title: Romeo and Juliet

Afterpiece Title: The Touchstone

Dance: I: As17781026, but Minuet-Dagueville, Miss Armstrong

Song: Solemn Dirge, as17781026, but Fox, Mrs _Willems

Event Comment: Benefit for Daly. Public Advertiser, 14 Apr.: Tickets to be had of Daly, No. 8, George-street, York Buildings

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Midas

Event Comment: Benefit for Bannister Jun. Public Advertiser, 10 Apr.: Tickets to be had of Bannister Jun., No. 8, Air-street, Piccadilly

Performances

Mainpiece Title: The First Part Of King Henry Iv, With The Humours Of Sir John Falstaff

Afterpiece Title: The Minor

Dance: As17790216

Event Comment: Benefit for Quick. Afterpiece: Never acted here. Public Advertiser, 17 Apr.: Tickets to be had of Quick, No. 151, Drury-lane

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: Hamlet

Afterpiece Title: Dr Last in his Chariot

Event Comment: Benefit for Aldridge. Public Advertiser, 10 Apr.: Tickets to be had of Aldridge at the Carpet Warehouse, Covent Garden Piazza

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17781017, but Macheath (for that night only)-Aldridge (1st appearance in a dramatic character); Lockit-Booth; Lucy-Mrs Morton; Mrs Slammekin-Miss Platt.

Afterpiece Title: Three Weeks after Marriage

Dance: to conclude with: Country Dance-the characters; End I: new Comic Dance-Langrish, Jackson, Miss Parish, Miss Lings; End II: a Minuet-Aldridge, Mrs Bulkley; In III: Hornpipe, as17781212; End I afterpiece: a new Pantomimical Dance, The Sports of the Green-Aldridge, Langrish, Jackson, Miss Besford, Miss Parish, Miss Valois; in which his celebrated Tambourine Dance-Aldridge

Event Comment: Benefit for Mrs Jackson. 3rd piece [1st time in London; F 2, by James Solas Dodd, based on Le Naufrage, by Joseph de laFont, and 1st acted at Smock Alley Theatre, Dublin, 1772, as The Funeral Pile. "The performers were exceedingly correct, which is unusual in benefit piece" Oulton, 1796,1,81). Prologue by the author (Town and Country Magazine, May 1779, p.270)]: With an Indian Processionv. Public Advertiser, 24 Apr.: Tickets to be had of Mrs Jackson in the Great Piazza, Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Farmer's Return from London

Afterpiece Title: Gallic Gratitude; or, The Frenchman in India

Song: In 3rd piece: the Vocal Parts-Reinhold, Miss Thornton, Mrs Wrighten

Event Comment: Benefit for Farren and Miss Sherry. Tickets delivered by Bidwell, Mrs Pulley, and for The Way of the World will be taken. Public Advertiser, 29 Apr.: Tickets to be had of Farren, No. 14, Catherine Street, Strand; of Miss Sherry, No. 2, Little Russel-street, Covent Garden. Receipts: #214 13s. (39.8.0; 15.17.6; 0.12.6; tickets: 158.15.0) (charge: #69 3s.)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Comus

Song: End IV: Tally ho!, as17790413; In afterpiece: Sweet Echo, as17790413

Event Comment: Benefit for Peile. Mainpiece: With the Triumphal Entry of Alexander into Babylonv. Public Advertiser, 22 Apr.: Tickets to be had of Peile, North-street, Westminster

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: Alexander the Great

Afterpiece Title: The Farmer's Return from London

Afterpiece Title: Midas

Event Comment: Benefit for Mrs Sharp and Mrs Brereton. Public Advertiser, 27 Apr.: Tickets to be had of Mrs Sharp, No. 10, Bow-street; of Mrs Brereton, No. 11, Tavistock-street. Receipts: #133 9s. 6d. (79.13.0; 25.0.0; 0.8.6; tickets: 28.8.0) (charge: #75 9s. 6d.)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Camp

Song: End IV: Tally ho!, as17790413

Event Comment: Benefit for Hurst and Burton. Public Advertiser, 24 Apr.: Tickets to be had of Hurst, No. 368, opposite Norfolk-street, Strand; of Burton, Duke's-court, Bow-street, Covent Garden. Receipts: #194 13s. (54.10.0; 16.5.6; 0.2.6; tickets: 123.15.0) (charge: #66 1s. 6d.)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Quaker

Event Comment: Benefit for Reddish [and his last appearance on the stage]. Tickets sold at the Doors will not be admitted. Public Advertiser, 1 May: Tickets to be had of Reddish, No. 14, near the Turnpike, Tottenham Court Road. "Poor Reddish, on the 5th of May, had a benefit, and it was resolved to try whether he could not go through the character of Posthumus. He was now infirm; in common occurrences imbecile, but to be exited by his former profession, or nothing. The late John Ireland gave an affecting detail of this attempt. He met his friend an hour before the performance began. Reddish entered the room with the step of an idiot, his eye wandering, and his whole countenance vacant. Mr Ireland congratulated him, that he was sufficiently recovered to perform his favourite Posthumus. 'Yes', said he, 'and in the garden scene I shall astonish you.' 'The garden scene! I thought you were to play Posthumus?' 'No, Sir, I play Romeo.' His friend assured him that Posthumus was the part he was to act--and he walked to the theatre, reciting Romeo all the way. When dressed for Posthumus, and in the green-room, it was still hard to undeceive him--at length he was pushed upon the stage....The instant he came in sight of the audience his recollection seemed to return; his countenance resumed meaning, his eye became lighted up, he made the modest bow of respect, and played the scene as well as he had ever done. But Romeo again met him in the green-room, and it was only the stage cue that had the power to unsettle this delusion; and that never failed to do it through the whole play. Mr Ireland thought him, on this occasion, less assuming and more natural than he had seemed in the full enjoyment of his reason" (Boaden, Kemble, I, XVI-XVII; Ireland, 58-60)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Three Weeks after Marriage

Dance: As17781024

Song: As17781024

Event Comment: Benefit for Harwood, Thompson & Miss Wright [who had 1st appeared as a singer in the oratorios, 19 Feb.]. Public Advertiser, 3 May: Tickets to be had of Harwood at Mrs Powel's, New Nelson-street; of Thompson, No.7, Great Marlborough-street; of Miss Wright, No. 136, Drury-lane. Receipts: #267 4s. (69.5.0; 19.2.6; 0.6.6; tickets: 178.10.0) (charge: #105). The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Padlock

Song: As17790503

Entertainment: End: Imitations-Bannister Jun

Event Comment: Benefit for Dumay, Harris & Holloway. [For Wright see 13 May. Mrs Sutton was from dl.] Public Advertiser, 7 May: Tickets to be had of Dumay, Sand-hill, behind the Foundling Hospital; of Harris, No. 42, Wells-street, Cavendish-square; of Holloway, Newington Butts

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Liverpool Prize

Dance: End II: Minuet-Dumay, Miss Dagueville; and the Minuet de la Cour-Holloway, Miss Besford; End I afterpiece: New Dance-Harris, Mrs Sutton (1st appearance on that stage); with a New Allemande-

Ballet: End: The Humours of Newmarket. As17790503, but Jockeys-Holloway; Ladies-Miss +Besford

Event Comment: Benefit for Wright and Butler, carpenter. Afterpiece: To conclude with the Scene of the Waterfallv, as it was originally performed. Public Advertiser, 5 May: Tickets to be had of Wright, No. 24, Bennet-street, Westminster; of Butler, next door to the Theatre. Receipts: #267 9s. 6d. (37.11.0; 13.8.6; 0.4.0; tickets: 216.6.0) (charge: #74 14s.)

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Elopement

Performance Comment: Harlequin (for that night only)-A Young Gentleman (1st appearance on any stage [unidentified]); Clown-Grimaldi (1st appearance in that character); Pantaloon-Burn; Lover-Burton; Drunken Valet-Griffiths; Scaramouch-R. Palmer; Country Girls-Mrs Colles, Miss Abrams; Colombine-Miss Collett.

Dance: End II: Hornpipe-Wright

Song: As17790503

Event Comment: [Opera in place of Enea e Lavinia, announced in Public Advertiser, 10 May.

Performances

Mainpiece Title: La Buona Figliuola

Dance: As17790429

Ballet: Annette et Lubin. As17790429

Event Comment: Benefit for Condell, Evans & Curteen, box-keepers. Tickets sold at the Doors will not be admitted. Mainpiece: On account of the additional Airs, contracted into 3 Acts. The Music by Purcell, Smith, Arne & Fisher. [Wright is identified by MS annotation on Kemble playbill. And see 8 May.] Public Advertiser, 7 May: Tickets to be had of Condell, Cross-court, Bow-street, Covent Garden; of Evans, at Bromfield's, trunk-maker, No. 118, Long-acre; of Curteen, No. 11, Temple-lane, Whitefriars

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Tempest

Afterpiece Title: The Upholsterer

Dance: In: Aldridge, Miss Valois

Event Comment: Benefit for Mrs Bradshaw, Mrs Love & Mrs Johnston. Mainpiece: Not acted these 3 years. Public Advertiser, 1 May: Tickets to be had of Mrs Bradshaw, at Nichol's, baker, Bridge Street, Covent Garden; of Mrs Love, No. 36, Gerrard Street, Soho; of Mrs Johnston, No. 97, near Craven Buildings, Drury-lane. Receipts: #120 1s. 6d. (31.10.0; 20.13.0; 0.7.6; tickets: 67.11.0) (charge: #66 7s.)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Quaker

Song: As17790503

Event Comment: Benefit for Green and Ansell, box-keepers. Tickets sold at the Doors will not be admitted. Public Advertiser, 8 May: Tickets to be had of Green, the corner of Norris-street, St. James's, Haymarket; of Ansell, Davies-street, Berkeley-square

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Farmer's Return from London

Afterpiece Title: Midas

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Wood (from the Theatre Royal, York; 1st appearance in London); Justice Woodcock-Edwin; Sir William Meadows-Aickin; Hodge-Jackson [Public Advertiser: Massey]; Eustace-Lamash; Hawthorn-Bannister; Lucinda-Mrs Hitchcock; Margery-Miss Twist; Deborah Woodcock-Mrs Love; Rosetta-Miss Harper.

Afterpiece Title: Nature Will Prevail

Dance: End II: Tambourine Dance- , as17790602; End: As17790531

Event Comment: [Opera in place of Demofoonte, announced in Public Advertiser, 21 June.

Performances

Mainpiece Title: La Governante

Dance: As17790615

Event Comment: [As afterpiece Public Advertiser erroneously announces Nature Will Prevail.

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: Polly Honeycombe

Dance: WithTwo New Dances-Master and Miss Byrn. [These were danced, as here assigned, at all subsequent performances.

Performances

Mainpiece Title: A Widow And No Widow

Performance Comment: Principal Characters by Bannister, Blissett, Egan, Usher, Jackson, Kenny, Painter, R. Palmer, Edwin, Mrs Kennedy, Mrs Love, Miss Wood, Mrs Poussin, Mrs W. Palmer, Mrs Montague. [Cast from text (N. Conant, 1780, and Public Advertiser, 20 July: Macfable-Bannister; Dr Alfred-Blissett; Capt. O'Kite-Egan; Spurious-Usher; Coachman-Jackson; Jemmy Daisey-R. Palmer; Splash-Edwin; Boy-Master Hitchcock; Lucy-Mrs Kennedy; Peg Pennyworth-Mrs Love; Betty-Miss Wood; Mrs Splash-Mrs Poussin; Pin-Mrs W. Palmer; Mrs Sharp-Mrs Montague; Kenny, Painter; Prologue-Palmer. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Midas

Dance: As17790610

Performances

Mainpiece Title: The Devil Upon Two Sticks

Performance Comment: The Devil-Bannister; Sir ThomasMaxwell-Gardner; Invoice-R. Palmer; Dr Julep-Baddeley; Dr Apozem-Jackson; Dr Fingerfee-Painter; Dr O'Sassafras-Davis; Dr Broadbrim-Kenny; Dr Sligo-Egan; Macpherson-Walker; Dr Calomel-Painter [Public Advertiser: Baker]; Dr Habbakuk-Peirce; Dr Camphire-Webb; Forceps-Stevens; Printer's Devil-Master Hitchcock; Dr Last-Parsons; Margaret Maxwell-Mrs Webb; Harriet-Mrs Jewell.

Afterpiece Title: The Flitch of Bacon

Dance: As17790610

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Palmer; Aimwell-Dimond [Public Advertiser: Aickin]; Sir Charles Freeman-R. Palmer; Foigard-Egan; Sullen-Blissett; Gibbet-Gardner; Boniface-Usher; Scrub-Edwin; Dorinda-Mrs Cuyler; Cherry-Mrs Hitchcock; Lady Bountiful-Mrs Poussin; Gipsey-Miss Wood; Mrs Sullen-Miss Farren.

Afterpiece Title: The Waterman

Song: End IV: Ted Blarney-Master Edwin

Entertainment: Monologue End: Bucks have at ye all-Master Edwin

Event Comment: Tickets delivered by Kenny, Painter, Walker and Brownsmith for this Evening will be admitted. Public Advertiser, 28 Aug.: Palmer [being too much indisposed] to sustain so laborious a part as Gondibert, Albina [announced on playbill of 27 Aug.] cannot be performed

Performances

Mainpiece Title: Widow And No Widow

Afterpiece Title: The Son-in-Law