Event Comment: Afterpiece: By the Author of the Register Office [Reed]. By Permission and Particular Desire. The tragedy was originally written in Italian by Sg Fonidoso Dellarundo, of Civita Vecchia, and bequeathed by him, at his Decease, to an English Gentleman, with whom he had contracted an intimate Acquaintance. It was translated into English by the celebrated Mr Rone, and (considering the difference of the idiom between the two languages) it is thought equal at last, if not superior to the original (Public Advertiser)

Event Comment: On Tuesday last died at Ealing in Middlesex at a very advanced age and much regretted by all who had the Pleasure of his Acquaintance, Henry Giffard, the Celebrated Manager of Goodman's Fields Theatre. This Gentleman was of a Genteel Family in the West of England (Public Advertiser). [Though him Garrick had come to the stage.

Event Comment: [The Public Advertiser contains an apology for mistakes in previous advertisement.

Event Comment: [Pasticcio: an opera, cantata, or other composition made up of various pieces from different authors or sources. See H. Walpole to Mann, 1 Nov. 1752, Our Operas begin tomorrow with a pasticcio full of most of my favourite songs." Grove's Dictionary, II, 688: "A species of lyric drama composed of airs, duets and other movements selected from different sources and so grouped as to provide a mixed audience with the greatest possible number of favourite airs in succession." See favorable notice 20 March in the Public Advertiser. The Westminster Magazine remarked of Oratorio season at cg: "They have not possessed so uninterrupted a flow of success, but we remember that they have experienced more barren seasons. The instrumental band is superior to that at the other house, and the vocal not at all inferior. At this house they have produced selections of musical pieces, by the most capital masters, arranged so as to form entire entertainments. In general these are very agreeable." See 20 March.] Charges: #35

Event Comment: Benefit for Woodward. Mainpiece: Never acted there. Charges #69 12s. 6d. Profit to Woodward #121 2s. 6d., plus #44 10s. from tickets (Box 178) (Account Book). The several Musical Pieces performed last night at Covent Garden, were very agreeably received by a numerous Audience. The well contrasted variety of the Compositions in which each performer exerted their [highest] excellency had the most pleasing effect. Dr Arne's elegant Serenata, as well as the Thunder Ode, composed by Mr Michael Arne, met with the greatest Applause. The Performance will be repeated on Wednesday Next (Public Advertiser). Receipts: #190 15s

Event Comment: Benefit for Reinhold (Public Advertiser). [For Mrs Reinhold playbill on 19 April, which seems to be a misprint.] Charges to Mr Reinhold #69 19s. 6d. Profit to him #30 7s., plus #98 7s. from tickets (Box 266; Pit 147; Gallery 98) (Account Book). Receipts: #100 6s. 6d

Event Comment: Benefit for Phillips. [For illumination, see comment 5 Aug., but Public Advertiser notes near 1,000 lamps."

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. [Customary footnote for subsequent bills. Only significant variations will be noted further. The Westminster Magazine this month (p. 557) remarked upon Woodward's Prologue, "in part a parody on the celebrated speech of Cato in Addison's Tragedy....He informed the audience that they had assembled their Theatrical troops against the approaching winter; and that their leaders had met in council to consider the best method of supporting their campaign; but as their forces were numerous and strong, he hoped the town would not refuse them sufficient subsidies especially...as their Gods must aat, and without money could not even raise a Devil."] Receipts: #184 4s. 6d. (Account Book)

Event Comment: [The Public Advertiser notes that the poetry of La Contessina is by Coltellini, poet to the Emperour of Russia, the Music by Gazman, Composer to the Emperour of Russia.

Event Comment: By Particular Desire (Public Advertiser). The Eighth Lecture, The School of Shakespeare, in the Apollo, the Devil's Tavern, Temple Bar, this evening,--instructive and entertaining on the tragedy of Macbeth, in which several celebrated passages of that play will be shewn to have been totally mistaken by the best actors and commentators. Previously to which will be read observations, serious and comic, in answer to correspondents. After the lecture (By Desire) the first act of Falstaff's Wedding. To Begin at Seven o'clock. Admission 2s. [Wm Kenrick's lectures.

Event Comment: [Not performed.] Application having been made from very respectable authority to the proprietors of the Pantheon requesting that they would not perform the sacred oratorio of The Resurrection during Passion Week, that performance is postponed until Monday next (Public Advertiser)

Event Comment: By Permission. For this Night only. Benefit for Jacobs and Owenson. To begin at 7:00 p.m. [The Public Advertiser, 20 Sept., omits Hamilton] and Walker but adds Jacobs, Everard, and a Young Gentleman 1st time on that Stage.

Event Comment: Miss Robins made her first appearance upon the Stage in the part of the Country Girl an agreeable figure as a Woman & also in Breeches-she has a particular Cuddenish wa with her wch is not amiss in this Character, but I am afraid it will be a disadvantage to her in any other. Mr G. took great pains with her, & a long time in Training her before he brought her out he wrote & introduc'd a Song in the part and a New Prologue to introduce her & alter'd the Epilogue. all which & the Lady were very well receiv'd (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] The Songs introduced in the Comedy [mainpiece] will be printed, and given at the doors of the Theatre. [The Westminster Magazine for December remarked of Miss Robbins' performance and reception, "The first was spirited and characteristic; the latter very favorable, and in our opinion deservedly so. She is no beauty but has strong expression. Her voice is pleasing, and her articulation was extremely distinct and proper."] Receipts: #149 16s. 6d. (Treasurer's Book)

Event Comment: Benefit for Mrs Woodman, late of Covent Garden, left a Widow with five Children. By Permission of the Lord Chamberlain. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 6:00 p.m. [Public Advertiser, 21 Feb., contained a long letter concerning the small attendance on this occasion: "One of the finest Female Singers this Country has for many years produced is now, through a Series of Misfortunes as unavoidable as unforeseen, in a State of Wretchedness scarcely credible. [Her husband, a schoolteacher, died.] Alas! she had five helpless innocent to drink of the same bitter Cup, to harrow up all the Heartstrings of a Mother, and to tear her Soul unavailingly for that Support, of which she herself was depriv'd by the Death of their Father. [The expenses of the benefit performance exceeded the receipts of the house.] Calamity became heaped upon Calamity, and she is now weeping in a Prison, over her unhappy little ones, for a Sum not exceeding #50." Appeal is made for gifts to relieve her. On 23 May, Mrs Woodman released from prison, gave a Benefit Concert at the Crown and Anchor Tavern, concluding with an Occasional Musical Address to the Town called The Grateful Acknowledgment, written and the music compiled from a most eminent Master by Adam Smith, sung by Mrs Woodman.

Event Comment: [Mainpiece advertised this night with New Scenes, Dresses, and Decorations. The Public Advertiser in a column entitled Theatrical Intelligence reviews Cleonice at length, concluding: "On an improbable incident hinges the whole plot! The last Act is particularly unpleasing. Mr Barry is very aukwardly situated every Time he comes on, which seems to be merely to sermonize-Upon the whole, Cleonice appears to be that kind of play which deserves neither extravagant praise nor very severe censure. The Prologue commenced on the hacknied Subject of abusing Sentimental Comedy, and serv'd to deceive us by informing us, that we were to see an original Play. The Epilogue. was well imagined and happily express'd. It was most excellently deliver'd by Mrs Bulkley."

Event Comment: Benefit for Branson and Booth. Tickets deliver'd for Thursday the 18th will be admitted. Doors open at half past 5. To begin at half past 6 o'clock. [The Public Advertiser assigns Doctor-$Fox.

Event Comment: [Long letter in The Public Advertiser from Foote concerning Lord Chamberlin's refusal to license The Trip to Calais because of possible reflection upon the Duchess of Kingston in the Character of Lady Kitty Crocodile.

Event Comment: [The Public Advertiser contains an apology to the Duchess of Kingston from Foote, but with a hint that he may have to publish the scenes from The Trip to Calais (those in question, see 4 Aug.) unless her attacks upon him in the press cease. Her reply in the same paper suggests she will have nothing further to de with "an extortionable assassin of private reputation....I scorn to be bullied into a Purchase of your Silence."