SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 6104 matches on Event Comments, 1324 matches on Performance Comments, 587 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: This Night was to have been the Distress'd Mother For the Benefit of Mr & Mrs Hopkins & the Benefits being all Settled it was put off till the 24th (Hopkins). By Command of their Majesties. Receipts: #184 3s. 6d. (MacMillan)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17640501, but Myrtilla-Mrs Hippisley (playbill). Myrtilla-$Mrs Lee (Public Advertiser).

Afterpiece Title: High Life below Stairs

Dance: The Irish Lilt, as17630922

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: As17640127, but Rose-Miss Cokayne; Melinda-Mrs Stephens; Lucy-Miss Helme. The Public Advertiser lists Melinda as Mrs Dyer and as Mrs Stephens. [The former a misprint.]The former a misprint.]

Afterpiece Title: The Englishman in Paris

Cast
Role: only Buck Actor:

Dance: II: The Cudgell'd Husband, as17640502; III: A Hornpipe-Miss Pitt; IV: The Dutch Skippers-Duquesney, Miss Valois; V: A New Tambourine Dance-Duquesney

Event Comment: By Command of their Majesties. [No performance indicated in Public Advertiser. This is an advance Bill.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Citizen

Dance: I: The Sicilian Peasants, as17641001; III: A New Grand Pantomime Ballet, call'd La Femme Maitresse-Fichar, 1st appearance on English Stage, Miss Wilford, Arnauld, Miss Valois; End: New Grand Comic Ballet, Les Mattelots Provencals-Fichar, Sga Manesiere

Event Comment: Benefit for the Middlesex Hospital. [The Occasional Prologue written by Mr Lockman, published in the Public Advertiser 12 Dec.

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Upholsterer

Dance: III: Blind Man's Buff, as17641003; End: The Jealous Woodcutter, as17641101

Event Comment: Benefit for a Family in Distress. [Prologue printed in Public Advertiser.

Performances

Mainpiece Title: The Siege Of Damascus

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Queen Mab

Performance Comment: As17650408[but Grimaldi restored to playbill, but not to Public Advertiser notice].
Cast
Role: Clod Actor: Ackman

Dance: II: New Tambourine, as17640929

Event Comment: Benefit for Miss Macklin. Afterpiece: Only time this season. Send serv'ts by 3. None admitted behind Scenes. [Public Advertiser assigns Mordecai to Cushing.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-La-Mode

Dance: I: A Minuet-Duquesney, Miss Macklin; III: A Hornpipe-Miss Pitt; IV: A Tambourine, as17641015

Event Comment: Benfit for Costollo, Mrs Pitt, Mr Stede. [Public Advertiser assigns Maria to Miss Elliot.] None admitted behind Scenes. Last time of performing Mainpiece this season

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Citizen

Dance: I: A Wooden Shoe Dance-Leppie, Miss Pitt; End: (This night only) A Medley Hornpipe-Walker, from Drury Lane, Miss Pitt his scholar; End Opera: Hornpipe-Miss Pitt; End I Afterpiece: Rural Love, as17641212

Event Comment: Benefit for Mrs Baker, Mrs Lampe, Mrs Jones. Mainpiece: By Partiuclar Desire. Afterpiece: For the last time this season. None admitted behind scenes. [Public Advertiser assigns two parts (Bridget and Dame Kitely) to Mrs Baker. Questionable.

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Thomasand Sally

Dance: End: Rural Love, as17641212

Event Comment: Benefit for Smith, Watson, Cridland, Berrisford. Tickets deliver'd for This Night will be taken

Performances

Mainpiece Title: The Way Of The World

Performance Comment: As17641218, but Millamant-Mrs Palmer; Lady Wishfort-Mrs Cross (playbill). [But Public Advertiser lists Millamant-$Mrs Pritchard.]

Afterpiece Title: The Country Wife

Dance: End: The Irish Lilt, as17641011

Event Comment: Last till after the holidays. Led by Mr Holland's excellence I went to see him in Romeo, and assure you I never saw Garrick himself in that part with more pleasure. He was admirable through-out the whole play, but moreso in the last Act, where he receives the news of Juliet's death. The sudden surprise and strong passions of grief were worked up with the utmost propriety in his face--Mr Palmer and Mrs Palmer too did justice to their characters (G. F. Theatricus to the Public Advertiser, 6 Jan. 1766)

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Benvolio Actor: Ackman

Afterpiece Title: Harlequin's Invasion

Event Comment: [T+The Cobler prints a Card in the Public Advertiser commending G. F. Theatricus for his bold statement (6 Jan.) about the excellencies of seven dl actors. He takes issue with G. F. that Bensley will surpass Powell, but adds a "puff" for another new actress, Mrs Abington.

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Hermit

Cast
Role: Clown Actor: Ackman
Event Comment: By Command of their Majesties. [Sga Spagnolla had been ill and missed a number of performances. For singers and dancers see following letter.] Sir: I am one of those to whom an Oratorio or an Opera (whether Italian or English) gives exquisite delight; and am therefore glad that, as the town is now full, those entertainments will, very probably, be crowded; and thus amply repay the several managers, for the great risk they run, as to their property, as well as for the vast pains they take to amuse us; for the labour employed, on those occasions, is infinitely greater than is usually imagined. The Italian opera has suffered considerably, this season, by the inability of Sga Spagnoli to exert her musical talents, owing to a most severe cold; but as she has now recovered her voice, 'tis presumed that she will be a source of as great pleasure, among us, to persons of a musical ear, and who have a true taste for that species of dramas, as she was in her native country, where she was always heard with great applause. I myself find great charms in the entertainments, as now exhibiting at the King's Theatre: for, besides Sga Spagnoli's taste I do not perceive the least diminution in Sg Elisi's voice or action, both of which pleased us so much two or three years ago. Ciprandi appears to me a fine player as well as singer; and with regard to Sg Savoi, he is generally thought to have a pleasing voice. [Comments on competence of the Orchestra.] The principal dancers are likewise acknowledged to have considerable merit. The gracefulness and the ease of Sg Adriani are very pleasing, as is the elegant agility of Sga Fabris Monari....Sg Sodi has so often diverted us by his compositions as Ballet master that it were superfluous to bestow any encomiums on him in this place. [Long comment on agreeable performance of Sofonisba, Scenery, etc. A puff by Musidorus in Public Advertiser.

Performances

Mainpiece Title: Sofonisba

Dance: Adriani, Sga Fabris Monari

Event Comment: Mainpiece: Acted but twice these 8 years. The assertions in a pretended [Letter from] Quin that he was a bastard and--we are assured are both false; the actor having been born in Lawful matrimony and having drawn his first breath in the Parish of Covent Garden (Public Advertiser)

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: Catherine and Petruchio

Dance: End: The Village Romps, as17651019

Event Comment: Mainpiece: Acted but once these 14 years. Miss Pitt's second appearance as an actress. [N.B. The celebrated Mr Foote is in a Fair way of Recovery (Public Advertiser).

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Midas

Event Comment: letter in Public Advertiser suggests that The Managers are losing money this season, and are changing permanently to Thursday nights from Tuesday.

Performances

Mainpiece Title: Artaserse

Music: Hasse

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: As17660220, but Watkins; Strange_ (playbill). [As a servant but no such change in Public Advertiser.]
Event Comment: dialogue in The Public Advertiser, 3 March, comments on arrangement of the stage for an Assembly; dimensions are 60 feet wide, 110 feet long, and 35-40 feet high. It has been altered and enlarged recently, for the columns are new and the upper end grew narrow, says the other speaker.

Performances

Mainpiece Title: Artaserse

Event Comment: Letter in the Public Advertiser from one ag who signed herself a 'Constant Reader': "Sir: As your correspondents sometimes favour us with Theatrical Observations, permit me, though a woman, to throw in my mite, not that I aspire to the character of a Critic...the reason I take up my pen is merely for the sake of information. A few evenings ago I was at the New Comedy of the Clandestine Marriage, where, I assure you I was greatly entertained; but at the conclusion of the last act, must own was not a little surprised to find Miss Sterling so much neglected, as I was at that instant wondering what kind of Apology Sir John would make her, when behold he stands close by her without saying a word; which in my opinion concludes the play too abruptly. The author indeed has not placed her in the most excellent light; yet as a Lady, and of Character, shall I say of Fortune too, some Apology on the Gentleman's side seems naturally to arise from the incidents of the piece. But perhaps I am mistaken, which I am the more willing to imagine from the known abilities of the ingenious authors. If any of your critical correspondents should think it worth their while to set me right in that Particular, it will be esteemed a favour." (Frances Street, March 5.

Performances

Mainpiece Title: The Clandestine Marriage

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Englishman Returned from Paris

Performance Comment: Buck-Dyer; McRuthen-Shuter; Crab-Walker; Latitat-Dunstall; Lucinda-Mrs Green (playbill). Lucinda-$Mrs Burden (Public Advertiser).

Dance: II: The Village Romps, as17651019

Entertainment: End: The Cries of London-Shuter

Event Comment: Benefit for Miss Wright. Part of Pit laid into the boxes. [Prologue and Epilogue to Falstaff's Wedding as spoken by Dodd and Mrs Pritchard printed in the Public Advertiser.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Daphne and Amintor

Dance: End: A Comic Dance -Sg Giorgi, Sga Giorgi, as17660207

Event Comment: Benefit for Perry and Stoppelaer (playbill). Benefit for Moody, Hurst and Mrs Dorman (Public Advertiser)

Performances

Mainpiece Title: Virtue Betrayed

Afterpiece Title: The Citizen

Dance: II: A Hornpipe-Miss Daw; End: The Village Romps, as17651019

Event Comment: [D$DuBellamy, as would appear from a letter to the Printer of the Public Advertiser, 20 Sept. "Being at the Opera House last week to see the Conscious Lovers and As You Like It, not to mention the various and allowed excellencies of each performer, I was most agreeably surprized at the songs, in the bills said to be sung by a Gentleman, which indeed his genteel figure and polite address, at first sight well authenticated; but for the songs, viz. If Love's a Sweet Passion,--Blow, Blow Thou Winter's Wind,--with some others I must confess I never heard the like; his voice was finely masculine, strong, sweet, clear and articulate; his manner not servilely confined to the pedantic stiffness of some, or the affectation of others; in a word he sung like a Gentleman; and the sound, as Milton elegantly expresses it, 'Floated the Wings of silence.' This is not intended (by doing justice to Mr D. B@@y) to depreciate any....I am told he has applied to Mr Beard, with what success I know not, [hopes he will be one of the new singers at Covent Garden] signed T. S."]

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Lethe

Event Comment: By desire. [The Public Advertiser lists Hallam as doubling in Nym and English Herald. Hogan lists English Herald (that night only) as Weller.] Receipts: #169 8s. 6d. (Account Book)

Performances

Mainpiece Title: King Henry V

Afterpiece Title: Coronation

Event Comment: VViscomica to the Printer of the Public Advertiser: As burlettas have been laid aside some years, and they are a species of entertainment I am particularly fond of, as there is vivacity in the music, and great humour and satire in the performance, I was much pleased with the thoughts of being as well entertained as I had heretofore been; and more so when I found I could gain admittance to so good a place for hearing, for the trifling sum of three shillings; a place in which I never dared to shew my face before, not being on a footing with the riotous company that used to be admitted there, to attend their several masters' call; a nuisance, from which I rejoice the managers have at length, after so many hints and solcitations, found out a method to deliver their audience. I remember to have seen a darkish way down a flight of steps to a dismal winding staircase, which I was told led to the footman's gallery, and, supposing that the road I was to take on this occasion, was very agreeably undeceived by being shewn up about halfway to the five shilling gallery, and by a turn through an arch introduced to a new and convenient staircase leading to this region of the gods, where I was surprised to find myself arrived before I thought I was half-way up. The managers have indeed made this place very neat and commodious, by rendering the descent much less steep, lowering and matting the benches, painting and lighting the whole place; so that I found myself as much at my ease there, as in any other part of the house, and much better situated than I had expected; likewise, by their following Mr Garrick's example, in removing the pendant lustres, and lighting after the foreign manner, you have a full view of the whole stage; by which the magnificance appears greatly increased. The performance was beyond my expectations, as I think the performers excel any in their way which have appeared in this country; but I need not expatiates upon a subject the town in general have been, or I dare say will be, as good judges of as yours, &c

Performances