SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6104 matches on Event Comments, 1324 matches on Performance Comments, 587 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Afterpiece: Not acted these 14 years [not acted since 21 May 1764]. Paid Mrs Linley, Storekeeper and Inspector of Wardrobe #25. Receipts: #100 18s. 6d. (71.8.0; 28.6.6; 1.4.0)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Apprentice

Event Comment: Benefit for Mrs Sharp and Miss Wright. Paid Felsner, Button Maker, on Acct. #10 10s. Receipts: #235 5s. 6d. (42.15.0; 21.8.0; 0.10.6; tickets: 170.12.0) (charge: none listed)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: A Fete

Afterpiece Title: The Deserter

Song: Between Acts 1st piece: a song-Miss Wright

Event Comment: The last Time of the Company's Performing this Season. Tickets delivered by Mrs Bellamy will be taken. Receipts: #73 11s. (73.8; 0.3). Account-Book, 4 June: Received of Their Majesties #84. 18 June: Paid various Renters #19 14s. apiece

Performances

Mainpiece Title: Dissipation

Afterpiece Title: Robinson Crusoe

Event Comment: [Trew's 1st appearance on the stage was at this theatre, 24 Nov. 1780.] Paid Properties 4s. 4d.; Wardrobe #5; Supernumeraries #1 11s. 6d.; Guard [master carpenter] for Scene Men #11 6s. 4d. Receipts: #208 8s. (207/6/6; 1/1/6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Marriage Act

Dance: In Act I of mainpiece a Masquerade Scene incident to the Play and a Minuet by Aldridge and Miss Besford. [These were included, as here assigned, in all subsequent performances.]

Song: End of Act iv of mainpiece Juliet's Funeral Procession with the Solemn Dirge. Vocal Parts by Mattocks, Reinhold, Davies, Robson, J. Wilson, Baker, Darley, Doyle, Simpkinson; Miss Harper, Mrs Martyr, Miss Morris, Mrs Morton, Miss Stuart, Mrs Kennedy

Event Comment: Afterpiece: With a Sea Fight and Procession. Paid Hughes calling Performers #1 6s. Receipts: #171 17s. 6d. (110/17/0; 60/10/6; 0/10/0)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

Event Comment: [Mainpiece in place of The Way to Keep Him, announced on playbill of 15 Oct.] Paid Supernumeraries #9 8s.; Printer [of playbills] #10. Receipts: #72 11s. 6d. (51/15/0; 20/14/6; 0/2/0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: All the World's a Stage

Related Works
Related Work: All the World's a Stage Author(s): Isaac Jackman

Dance: End of Act II of mainpiece, as17811004; In Act III a Hornpipe as17811015

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill. The playbill retains Henderson, but on the Kemble playbill his name is deleted and a MS annotation substitutes Wroughton's.]. Account-Book, 19 Nov.: Paid Holcroft in full for his [two] Benefit Nights for Duplicity #100. Receipts: none listed (charge: #105)

Performances

Mainpiece Title: Duplicity

Afterpiece Title: The Flitch of Bacon

Event Comment: Afterpiece [1st time; mf 2, by Isaac Jackman; music by William Shield. Authors of Prologue and Epilogue unknown]. Account-Book, 1 Apr. 1782: Paid Jackman in full for the Divorce #50. Receipts: #207 3s. 6d. (186/9/0; 20/3/6; 0/11/0)

Performances

Mainpiece Title: King Arthur

Afterpiece Title: The Divorce

Performance Comment: Principal Characters by Palmer, Parsons, Suett, Phillimore, Griffiths, Helme, Moody; Mrs Wrighten, Mrs Hopkins, Miss Farren. [Cast from text (G. Kearsly, 1781): Sir Harry Trifle-Palmer; Qui Tarn-Parsons; Tom-Suett; Timothy-Phillimore; Sambo-Griffiths; Servant-Helme; Dennis Dogherty-Moody; Biddy-Mrs Wrighten; Mrs Annaseed-Mrs Hopkins; Lady Harriet Trifle-Miss Farren.] Prologue spoken by Palmer. Epilogue (taken from a celebrated passage in Thompson's Seasons [an abridgement of lines 1113-65 of Spring]) spoken by Miss Farren. [The Prologue was spoken, as here assigned, at all subsequent performances. The Epilogue was spoken, as here assigned, at the first 3 performances only (see17811115).] hathi. Prologue spoken by Palmer. Epilogue (taken from a celebrated passage in Thompson's Seasons [an abridgement of lines 1113-65 of Spring]) spoken by Miss Farren. [The Prologue was spoken, as here assigned, at all subsequent performances. The Epilogue was spoken, as here assigned, at the first 3 performances only (see17811115).] hathi.
Related Works
Related Work: The Divorce Author(s): Isaac Jackman

Song: As17811022

Event Comment: A revived Serious Opera; the Music by the most eminent Composers [Bertoni, Gugliclmi, Giordani, Rauzzini, Gretry, &c], under the direction of Bertoni. With entire new scenes painted by Novosielski. New Dresses and Decorations both for the Opera and Dances. The Doors to be opened at 6:00. To begin exactly at 7:00 [see 18 June 1782]. By Command of Their Majesties no Persons to be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. Upper Gallery 3s. To prevent inconvenience in getting to their carriages, the Nobility and Gentry are requested to order their servants to set down and take up with their horses' heads towards Pall-Mali. The Subscribers to the Opera are intreated to send their instructions to Jewell and Johnson at the Office in Union-court before the opening of the Theatre, when the final arrangement of the Boxes will take place, and those which are not retained will then be disposed of. Subscriptions to be paid on delivery of the tickets. Books of the Opera, with an account of the Pantomime Dance, to be had at the Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I a Pastoral Dance (composed by Simonet) by Henry, Bournonville, Raymond, Sga Crespi, Mlle Dumont; End of Act II A Divertisement Dance (composed by Noverre) by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Henry. Sga Crespi, Bournonville, &c; End of Opera a new Tragi-Pantomime Ballet (composed by Noverre), Les Amans Reunis, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Slingsby, Simonet, Henry, Bournonville, Raymond, Mlle Dumont, Sga Crespi. [Partial cast, with synopsis of action, from Morning Herald, 18 Dec: Alphonso-Gardel; Ines-Mlle Baccelli; Chief of the Island-Slingsby.]

Event Comment: [As mainpiece the playbill announces the 8th night of King Arthur and as afterpiece the 8th night of The Divorce, but they were not acted. The substitute plays are listed in the Account-Book. King Arthur, "The Eight Night," was next acted on 11 Dec; The Divorce, "The 8th Night," on 17 Dec] Account-Book, 1 Dec.: Paid Billstickers, Change of Play, 1s. 6d. Receipts: #118 4s. (82/17; 34/12; 0/15)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: All the World's a Stage

Related Works
Related Work: All the World's a Stage Author(s): Isaac Jackman

Dance: End of mainpiece The Devonshire Minuet, as17810915

Event Comment: [Mainpiece: The Carnival here and in all subsequent performances called A Carnival Masquerade.] Paid the Duke of Bedford's Rent on Acct. #200. Receipts: #145 6s. 6d. (114/0/0; 31/3/6; 0/3/0)

Performances

Mainpiece Title: The Carnival Of Venice

Afterpiece Title: The Divorce

Related Works
Related Work: The Divorce Author(s): Isaac Jackman

Dance: As17811217

Event Comment: Mainpiece: Not acted these 4 years [acted 15 Mar. 1779]. [Trew is identified by MS annotation on Kemble playbill. Afterpiece in place of The Positive Man, announced on playbill of 12 Mar.] Paid one-half years Land Tax for the Theatre #61 5s. Receipts: #167 4s. (161/14; 5/10)

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Tom Thumb

Event Comment: Mainpiece: As originally written by Shakespeare. Paid Properties 18s. 4d.; Mantuamaker #5 19s. 9d.; Butler, carpenter, #15; Lampmen #3 18s.; Billstickers #3 3s. Receipts: #189 14s. 6d. (147/3/0; 42/8/6; 0/3/0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Divorce

Related Works
Related Work: The Divorce Author(s): Isaac Jackman

Monologue: 1782 09 24 As 17 Sept

Event Comment: Afterpiece: Altered from Allen Ramsay. Paid Carleton's expense in stopping the sale of Tickets last season near the Box Office 13s. 6d. Receipts: #96 7s. 6d. (66/1/0; 30/4/0; 0/2/6)

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Gentle Shepherd

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, at all subsequent performances.]

Performance Comment: [This was danced, as here assigned, at all subsequent performances.] hathi.
Event Comment: Afterpiece [1st time; mf 2, by John Dent. Prologue by the author (see text)]: A new Overture and Songs by Hook. Account-Book, 19 Nov.: Paid Dent for his farce #100. Receipts: #84 17s. (53/14; 30/18; 0/5)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Too Civil by Half

Performance Comment: Principal Characters by Palmer, Baddeley, Wrightcn, Waldron, Burton, Chapman, Parsons; Mrs Hopkins, Miss Collett, Miss Phillips. [Cast from text Q. Stockdale, 1783), and Morning Post, 6 Nov.: Captain Freeman-Palmer; Butler-Baddeley; Bustle-Wrighten; Pestle-Waldron; Mortar-Burton; Lieutenant Bumper-Chapman; Sir Toby Treacle-Parsons; Lady Treacle-Mrs Hopkins; Bridget-Miss Collett; Nancy-Miss Phillips.] Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances, except on 3 and 19 May 1783.] hathi. Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances, except on 3 and 19 May 1783.] hathi.

Dance: End of Act I of mainpiece, as17820917; End of mainpiece, as17821005

Song: As17820928

Event Comment: [In afterpiece the playbill retains Miss Collett, but on the Kemble playbill a MS annotation substitutes Miss Simson.] "Since the first performance, the scene of the Physicians has been judiciously struck out [of afterpiece]" {Universal Magazine, Nov. 1782, p. 254.) Paid Pemberton for copying parts #2. 3s. 6d. Receipts: #232 0s. 6d. (207/17/0; 23/12/0; 0/11/6)

Performances

Mainpiece Title: Isabella

Afterpiece Title: Too Civil by Half

Song: Epithalamium as17821010, but performers not listed

Event Comment: Mainpiece: Not acted these 5 years [not acted since 26 Dec. 1776. Mrs Robinson, who was from the Portsmouth theatre, is identified by MS annotation on Kemble playbill]. Afterpiece [1st time; CO 2, by Frances Brooke, based on Les Moissonneurs, by Charles Simon Favart]: The new Music and overture composed, and the Selected Airs compiled [from Paxton and Sacchini], by Shield. Books of the Songs to be had at the Theatre. Account-Book, 30 June 1784: Paid Shield for composing Rosina #100. Receipts: #158 18s. 6d. (154/5/6; 4/13/0)

Performances

Mainpiece Title: King Henry The Second; Or, The Fall Of Rosamond

Performance Comment: King Henry-Aickin; Abbot-Clarice; Prince Henry-Wroughton; Salisbury-Davies; Leicester-Fearon; Verulam-Thompson; Clifford-Hull; Queen Eleanor-Mrs Hunter; Ethelinda-Mrs Morton; Rosamond-A Lady (1st appearance on this stage [Mrs Robinson]) .Mrs Robinson]) .

Afterpiece Title: Rosina

Dance: End of mainpiece new Dance, composed by Harris, Damon and Musidora, by Harris, Miss Besford, and others

Event Comment: Mainpiece: Not acted these 5 years [acted 14 May 1779]. Paid Barratt, Wax Chandler, on Acct. #100. Receipts: #126 15s. 6d. (126/6/0; 0/7/0; ticket not come in: 0/2/6)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Triumph of Mirth

Dance: End of Act III of mainpiece, as17820917; End of Act IV, as17821005

Event Comment: Afterpiece: To conclude with an Exact Representation of the Procession at an Eastern Marriage. The Scenery by Richards, Carver, Hodgins, Cipriani, Catton, and others. The Music composed by [Michael] Arne. Paid Properties 19th Inst. 10s. 10d. Receipts: #261 9s. 6d. (260/4/6; r/5/0)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Choice of Harlequin; or, The Indian Chief

Dance: In Act I of mainpiece a Masquerade incident to the Play, and a Minuet by Harris and Miss Matthews

Song: End of Act iv of mainpiece Juliet's Funeral Procession, with a solemn Dirge. Vocal Parts by Bannister, Mattocks, Reinhold, Brett, Mahon, Darley, Doyle; Mrs Bannister, Mrs Johnstone, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Kennedy

Event Comment: "[Kemble] has not, and we speak charitably, any pretensions to a first or second rank in the theatre. We are sorry for this, as he seemed to labour earnestly, but in vain" (London Magazine, Oct. 1783, p. 350). Paid Music 3 nights #23 19s. Receipts: #288 12s. 6d. (287/0/0; 1/12/6)

Performances

Mainpiece Title: Othello

Performance Comment: Othello-[S.] Kemble (from the Theatre Royal, Dublin; 1st appearance on this stage); Roderigo-Bonnor; Cassio-Whitfield; Brabantio-Hull; Lodovico-Davies; Montano-Mahon; Duke-Booth; Gratiano-Fearon; Iago-Henderson; Emilia-Mrs Whitfield; Desdemona (1st time)-Miss Satchell .

Afterpiece Title: The Quaker

Event Comment: Afterpiece to include a Grand View of the Cumberland Fleet sailing for the Cup, and a song and chorus in honour of the Institution. To conclude with a Pageant, Rural and Pantomimical. Paid Danby for Chorus to 9th Inclusive #8 151. The Doors will be opened at 5:15. To begin at 6:15 [see 22 Apr. 1784]. Receipts: #187 (169/14/0; 16/15/6; 0/10/6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Triumph of Mirth; or, Harlequin's Wedding

Song: In afterpiece the vocal Parts by Chapman, Barrymore, Williames, Phillimore; Miss Field, Miss Stageldoir, Mrs Wrighten

Event Comment: Mainpiece: Not acted these 2 years. [Prologue by Nicholas Rowe.] Afterpiece [1st time; co 2, by John O'Keeffe, altered from his The Shamrock (see CG, 7 Apr. 1783); published (1st authorized) as noted above]: The selected Music by the Author of the Piece. The Overture, new Airs and Accompaniments by Shield. With New Dresses, Scenery, &c. The Words of the Songs to be had at the Theatre. Account-Book, 30 June 1784: Paid O'Keeffe for Copyright, &c. of The Poor Soldier #315. Receipts: #218 14s. (215/7; 3/7)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Poor Soldier

Song: In mainpiece To thee, O, gentle sleep by Brett

Event Comment: By Command of Their Majesties. Paid Smith for Canvas to end of last season #67 Receipts: #291 16s. (281/9/0; 9/14/6; 0/5/0; tickets not come in: 0/7/6)

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Triumph of Mirth

Song: As17831013

Event Comment: Mainpiece: Not acted these 2 years. Paid Thorley, Wax Chandler, #81 12s. Receipts: #91 13s. 6d. (65/15/0; 22/18/0; 0/15/6; tickets not come in: 2/5/0)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Comus

Event Comment: Account-Book, 13 Feb.: Paid Macklin for 4 Nights Performance #126. Receipts: #241 14s. (236/0; 5/14)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Rosina