SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6104 matches on Event Comments, 1324 matches on Performance Comments, 587 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Afterpiece: By Particular Desire and for the last time this season (Public Advertiser). For Miss Macklin's benefit. Ye farce of ye two Knights was to have done, but Mr Yates not being perfect it was chang'd (Cross). Receipts: #210 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Englishman in Paris

Dance: HHornpipe-the Little Swiss

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17540112, but Don John-Bransby; Verges-Vernon; Dogberry-Yates (playbill). [Don John-$Davies (Public Advertiser).]

Afterpiece Title: Lethe

Dance: II: Masquerade Dance-; Devisse, Mad Auretti

Event Comment: Benefit for Sga Passerini. [From charges and countercharges published in great length in the Public Advertiser, it appears that Sga Frasi had earlier arranged to produce Samson at the King's on this night for her benefit. Learning that the subscribers to the opera season could enter on their own tickets on this night she decided to change nights to avoid any losses, only to find that her singers were engaged at one theatre or another on other nights. Meanwhile, Signor Passerini got permission to have this night scheduled at King's for his wife's benefit, and Sga Frasi lost out all around. Passerini asserted that the charge for renting the Great Room, Dean St. Soho was 5 guineas for a night.

Performances

Mainpiece Title: Didone

Event Comment: Benefit for Blakes. The Performance will not be interrupted by any building on the stage. Neither piece acted this season. Mainpiece: By particular desire for the first and only time of performing it this season. Tickets of Blakes at his house in Duke's Court, Bow St., Covent Garden. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Miss in Her Teens

Performance Comment: Fribble-Garrick; Capt. Loveit-Palmer; Puff-Yates; Tag-Mrs Clive; Miss Biddy-Miss Minors; Flash-Woodward (playbill) but Tag-Mrs Bennet (playbill and Public Advertiser).

Dance: IV: The Country Amusements-Devisse, Mlle Auretti

Event Comment: On Saturday next will be publish'd in The Westminster Journal, (over and above the Essay as usual) No 1 of The Theatrical Kalander. In which not only will be kept an accurate register of all the plays, farces, and Entertainments exhibited as both Theatres Royal, but the respective merits of the performances, as well as performers, will be critically and impartially considered. To be continued weekly during the season. Note This is the first thing of its kind attempted in England, and it is humbly presumed, that it will have something still more than Novelty to recommend it (Public Advertiser). [See numbers 4 May 1754 and 17 Oct. 1755 of this magazine.

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17541001, but Richard-Garrick; Catesby-Usher (playbill). Catesby-$Marr (Public Advertiser).

Afterpiece Title: The Anatomist

Event Comment: Benefit for the Lying-In Hospital for Married Women, in Brownlow Street, Long Acre. [On 18 Jan. appeared in the Public Advertiser the Occasional Epilogue]: @After this bounteous, well-intentioned play@You think I'm come to banter all away;@To mock the soft compassion in the breast,@And turn at once all charity to jest...@Tir'd of such arts, I'm now so serious grown@I mean to speak plain sentiments alone.@ [Then addressing each part of the house, with appropriate comment--and a good deal of banter--she praises marriage as an institution, and this hospital as an aid.] @Methinks I spy some amorous pairs above [to upper gallery]@Drawn here by tender flames of mutual love.@Close pack'd they sit,-and woo with secret squeeze,@With conscious elbows, sympathetic knees.@Go on my friends,-true to connubial law,@And leave to us the Women in the straw.

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Cheats of Scapin

Event Comment: [Subscription period for next season announced in the Public Advertiser.

Performances

Mainpiece Title: Siroe

Event Comment: [The Public Advertiser for 15 Feb. noted the following concerning this night's performance: Whereas several complaints, by letter and otherwise, have been lately made to the Managers of Drury Lane Theatre, of the ill Behavior of some persons in the Upper Gallery, who throw down Apples, Potatoes, and other things into the Pit.: This is therefore to assure the Ladies and Gentlemen that the Managers will take all imaginable care to discover and prosecute any person or persons, who shall, disturb, or insult them for the future. If any person will discover who it was that flung a hard piece of cheese, of near half a Pound Weight, from one of the Galleries last Tuesday Night [11 Feb.] and greatly hurt a young Lady in the Pit, shall receive Ten Guineas from Mr Pritchard, the Treasurer of the Theatre."] Receipts: #190 (Cross)

Performances

Mainpiece Title: Barbarossa

Event Comment: Benefit for Mr Havard (Cross). Last time of performing the Mainpiece this season. Tickets of Havard at his house in Broad Court, Bow St., Covent Garden, and at the Bedford Coffee House and the Stage Door. [The Public Advertiser lists Old Knowell this night as Berry.] Receipts: #190 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Englishman in Paris

Dance: III: New Comic Dance-Three Sabatinis, as17550203

Song: B$Beard particularly at the End: Rule Britannia, as17550402 Britons Strike Home in character and accompanied with a Chorus, as17550402 Concluding with: a Hornpipe-Mathews

Event Comment: A New Opera. [The first performance in England; text by Metastasio. The Musick composed by Sg Hasse (by Perez according to the Public Advertiser of 26 April).

Performances

Mainpiece Title: Ezio

Dance: new Dew Dances-

Event Comment: Benefit for Ridout. No Building on Stage. [The printer of the Public Advertiser seems to have kept his form for the old notices of the cast for the mainpiece, for although changing Bayes to Shuter, with the appropriate remark about his first appearance in the character, he also lists Gentleman Usher as Shuter.

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Lottery

Dance: IItalian Peasants-Granier, Mrs Granier

Event Comment: Benefit for Jefferson, Phebe, Dennison, and Morris (Cross); for Jefferson, Dennison, Mrs Toogood, Miss Hippisley (Public Advertiser). [Cross's Phebe seems to refer to Miss Hippisley who played the part in As You Like It.] Receipts: #104 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Miss in Her Teens

Song: I: Hooly and Fairly-Beard; IV: Miss Thomas

Dance: II: A Hornpipe-the Little Swiss; V: Louvre, Minuet-Dennison, Mrs Addison

Event Comment: Last night the Prince of Wales, Prince Edward, Prince Henry, Prince Frederick, and Princess Augusta were at Covent Garden to see The Merry Wives of Windsor and The What D'ye Call It (Public Advertiser)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Devil to Pay

Dance: As17551101

Event Comment: Mainpiece: At the Desire of several Persons of Quality. A few nights ago was buried under the Tower of St Bride's, Mr Benjamin Annable, the best Ringer that was ever known in the world. Till his time Ringing was only call'd an art, but from the strength of his great genius, he married it to the Mathematics and 'tis now a science. This man in figure and ringing was like a Newton in Philosophy, a Ratcliffe in Physic, a Hardwicke in Wisdom and Law, a Handel in Music, a Shakespeare in writing and a Garrick in acting. O Rare Ben! (Public Advertiser). Receipts: #170 (Cross)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Devil to Pay

Event Comment: [W+Winston MS 8 lists the mainpiece as All for Love. But Love for Love appears in the Public Advertiser and in Rich's Register.

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Englishman Return'd from Paris

Dance: As17551101

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17551106, but Shore-Ross (Playbill); Havard (Public Advertiser); Catesby-Mozeen; Alicia-Miss Haughton.

Afterpiece Title: Catherine and Petruchio

Cast
Role: Peter Actor: Ackman

Dance: IV: New Dance-

Song: Anniversary Ode in Commemoration of Shakespeare, as17560401

Event Comment: Afterpiece: A new farce by Doctor Heffinal [sic] for his benefit. O Sad! (Cross). Tickets at Forrest Coffee House, The Bedford, and Randall's, and author's lodgings at Mew's Coffee House. To the Printer of the Public Advertiser, 24 April: Sir, Let this suffice for a general answer to all unfriendly whispers or paragraphs against the new farce to be performed tonight at Drury Lane -its author never previously Caballed, never published his sentiments of any stage performance till after the run -then neither the writer nor manager could be injured -its principal characters are Lady Protea, a coquet alarmed at the apprehension of dying amid; Lord Epigram Strainwit, a pert coxcomical witling; Dr Matho, a Virtuoso, Antiquarian, and in love; Dreadnought Broadside, a sea-officer and strenuous Antigallican. I am &c. Receipts: #90 (Cross)

Performances

Mainpiece Title: The Drummer

Afterpiece Title: The Maiden Whim; or, The Critical Minute

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Mock Doctor

Performance Comment: [The Mock Orators] The Public Advertiser list Mock Orators as the afterpiece, but gives cast for Mock Doctor: Doctor-Yates; Leander-Jefferson; Charlotte-Miss Minors; Jasper-Clough; Dorcas-Mrs Macklin.
Event Comment: By Command of his Royal Highness, the Prince of Wales (Public Advertiser). Prince of Wales & 6 ye Family (Cross). Receipts: #170 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Dance: TThe Press Gang, as17561013

Event Comment: Mainpiece: With proper Dances and Decorations (Public Advertiser). Miss Bricklayer sung Indiff. (Cross). Receipts: #150 (Cross)

Performances

Mainpiece Title: Comus

Afterpiece Title: The Anatomist

Event Comment: For the Entertainment of the Chinese Mandarin (Public Advertiser)

Performances

Mainpiece Title: The Country Lasses

Afterpiece Title: Orpheus and Eurydice

Dance: As17561216

Event Comment: This Night (tho' not so mentioned) was for Dr Hawksworth, who alter'd the play (he is just made a Dr of Law) (Cross). Last time of performing till the Holidays (Public Advertiser). Receipts: #180 (Cross)

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: Lethe

Event Comment: Both pieces By Command of His Royal Highness the Prince of Wales (Public Advertiser). [Present] Prince of Wales & 7 More (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Mercury Harlequin

Event Comment: [M+Mercury Harlequin seems to have been the afterpiece. The Public Advertiser carried the following notice under news from London: "Mr Garrick was prevented from appearing in the character of Chamont last night, by a sudden and violent Indisposition, but we hear that he is better, tho' not quite free from pain."] Receipts: #120 (Cross)

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: [Lilliput, ]Mercury Harlequin