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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7571 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $<span class=
We found 6104 matches on Event Comments, 1324 matches on Performance Comments, 587 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

426
15 February 1782 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. [Public Advertiser, 18 Feb., refers to the Overture to Rodelinda, which opened the performance, and to Street Bird, sung by Miss Linley, accompanied on the organ by Stanley; Oft on a plat of rising ground by Miss Prudom; Hide me from day's garish eye by Miss Linley; Horn and Morn by Reinhold.] 2nd piece: Set to Music by Handel. Tickets to be had and Places for the Boxes to be taken of Fosbrook at the Stage Door of the Theatre, at half a guinea each. Pit 5s. 1st Gallery 3s. 6d. 2ndGallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: L'allegro Ii Penseroso

Afterpiece Title: The Choice of Hercules

Music: End of Part I of oratorio concerto on the violoncello by Crosdill; End of Part II concerto on the hautboy by Parke

427
25 February 1782 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; c 5,by Richard Griffith. Prologue by Richard Tickell (see text). Author of Epilogue unknown]: With new Scenes, Dresses, and Decorations. Public Advertiser, 27 Mar. 1782: This Day is published Variety (1s 6d.). Receipts: #226 9s. 6d. (218/5/0; 7/14/6; 0/10/0)

Performances

Mainpiece Title: Variety

Afterpiece Title: The Quaker

428
07 May 1782 @ Covent Garden

Event Comment: Afterpiece [1st time; F2, by Leonard Macnally. Author of Prologue unknown.]. Public Advertiser, 14 May 1782: This Day is published Retaliation (1s.). Receipts: #121 11s. 6d. (114/14/6; 6/17/0)

Performances

Mainpiece Title: The Walloons

Afterpiece Title: Retaliation

Dance: As17811219

429
13 August 1782 @ Haymarket Theatre

Event Comment: Benefit for Wilson. 1st piece [1st time; prel I (?)]: A Tragical Tragedy, altered [probably by Richard Wilson] from Fielding's Pasquin. In the Tragedy will be introduced the Triumphal Entry of the Queen of Ignorance. 2nd piece: In 3 acts. [This play is by Thomas Baker; it is not TUNBRIDGE Wells; or, A Day's Courtship, by Thomas Rawlins, the younger.] 3rd piece [1st time; M. INT I, author unknown. Words printed complete in Public Advertiser 19 Aug. 1782]

Performances

Mainpiece Title: The Life And Death Of Common Sense

Afterpiece Title: Tunbridge Wells [recte Walks]; or, The Yeoman of Kent

Afterpiece Title: The Tobacco Box; or, The Soldier's Pledge of Love

Afterpiece Title: The Author

430
25 February 1783 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley. Author of Prologue unknown. Epilogue by John O'Keeffe (O'KeefFe, II, 301); it included a song, music by Carter, When I was a little baby, written by Hannah Cowley]: New Scenes and Dresses. Public Advertiser, 26 Jan. 1784: This Day is published A Bold Stroke for A Husband (1s. 6d.). Receipts: #199 5s. 6d. (194/13/0; 4/12/6)

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: The Quaker

431
07 March 1783 @ Drury Lane Theatre

Event Comment: Oratorio announced for Representation this Evening [L'Allegro il Penseroso, also Dryden's Ode for St. Cecilia's Day] cannot be performed on account of the Indisposition of a Principal Performer [Public Advertiser, 10 Mar.: Miss Linley]

Performances

Mainpiece Title:

432
24 March 1783 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; F 2, by William Hodson, based on The Coffee House Politician, by Henry Fielding. Prologue by the author (see text)]. Public Advertiser, 2 May 1783: This Day is published The Adventures of a Night (ix.). Receipts: #166 7s. (112/9; 52/3; 0/10; tickets not come in: 1/5)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Adventures of a Night

Performance Comment: Principal Characters by Palmer, Baddeley, Bannister Jun., Banymore, Wrighten, Parsons; Mrs Hopkins, Miss Collett, Mrs Love, Miss Phillips. [Cast from text (T. Evans, 1783), and London Chronicle, 27 Mar.: Hastings-Palmer; Diaper-Baddeley; Sprightly-Bannister Jun.; Fairlove-Barrymore; Crab-Wrighten; Capias-Burton; Morecraft-Parsons; Mrs Morecraft-Mrs Hopkins; Lucy-Miss Collett; Mrs Crab-Mrs Love; Harriet-Miss Phillips.] Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.

433
06 December 1783 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley. Authors of Prologue and Epilogue unknown.]. Public Advertiser, 27 May 1784: This Day is published More Ways than One (1s. 6d.). Receipts: #208 15s. (205/14/6; 3/0/6)

Performances

Mainpiece Title: More Ways Than One

Performance Comment: Principal Characters by Lewis, Quick, Edwin, Wilson, Wewitzer, Fearon, Stevens, Jones, Helme, Wroughton; Mrs Kemble, Mrs Wilson, Miss Platt, Miss Younge. [Cast from text (T. Evans, 1784): Bellair-Lewis; Doctor Feelove-Quick; Sir Marvel Mushroom-Edwin; Evergreen-Wilson; Le Gout-Wewitzer; David-Fearon; Doctor's Servant-Stevens; Stranger-Jones; Lawyer's Clerk-Thompson [see17831208]; Carlton-Wroughton; Arabella-Mrs Kemble; Miss Juvenile-Mrs Wilson; Lodging Mistress-Miss Piatt; Miss Archer-Miss Younge. Helme is unassigned.j Prologue spoken by Bonnor. Epilogue spoken by Miss Younge. [These were spoken, as here assigned, at the 1st 10 performances only (see17840115).] hathi.These were spoken, as here assigned, at the 1st 10 performances only (see17840115).] hathi.

Afterpiece Title: The Country Mad-Cap

434
14 February 1784 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Miles Peter Andrews. Prologue and Epilogue by Edward Topham (see text)]: With new Scenery and Dresses. Public Advertiser, 26 Feb. 1784: This Day at Noon will be published The Reparation (1s. 6d.). Receipts: #161 1s. (148/16/0; 11/19/6; 0/5/6)

Performances

Mainpiece Title: The Reparation

Afterpiece Title: Thomasand Sally

Dance: Afterpiece to conclude as17831104

435
08 March 1784 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; MF 2, by Harriet Horncastle Hook]: The Overture and Music entirely new, composed by Hook. Books of the Songs, &c. to be had at the Theatre. "After four Hours sitting at Hamlet, and Half an Hour more at Miss Hamoir's Ballet, we were cheered indeed by the Overture to the Double Disguise" (Public Advertiser, 11 Mar.). Morning Chronicle, 20 Mar. 1784: This Day is published The Double Disguise (1s.). Receipts: #167 12s. 6d. (116/8/0; 50/19/6; 0/5/0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Double Disguise

Dance: End of mainpiece a new Comic Ballet, The Return of the Hunters, by Mr and Miss Hamoir. [Beginning with the 3rd performance, on 11 Mar., this was entitled The Sportsmen's Return.]

Performance Comment: [Beginning with the 3rd performance, on 11 Mar., this was entitled The Sportsmen's Return.] hathi.

436
02 August 1784 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; CO 3, by Thomas Holcroft]: The Music composed by Shield. With New Scenes, Dresses, and Decorations, and a new Overture. Books of the Songs to be had at the Theatre. Public Advertiser, 18 Aug. 1784: This Day at Noon will be published The Noble Peasant (price not listed)

Performances

Mainpiece Title: The Noble Peasant

Afterpiece Title: The Guardian

437
29 October 1784 @ Covent Garden

Event Comment: Afterpiece [1st time; F 2, by Frederick Pilon. Prologue probably by the author]. Public Advertiser, 11 Nov. 1784: This Day is published Aerostation (1s.)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Aerostation; or, The Templar's Stratagem

Performance Comment: Characters by Quick, Wewitzer, Bonnor, Davies, Wilson; Miss Ranoe, Mrs Morton, Mrs Webb. [Cast from text (G. Kearsley, 1784): Quarto-Quick; Dawson-Wewitzer; Mineall-Bonnor; George Gordon-Davies; Scrip-Wilson; Mineall's Servant-Newton; Sophia Harland-Miss Ranoe; Kitty-Mrs Morton; Widow Grampus-Mrs Webb; Milliner-Mrs Poussin.] Prologue spoken by Wilson. [This was spoken, as here assigned, at the 1st 6 performances only (see17841117).] hathi. Prologue spoken by Wilson. [This was spoken, as here assigned, at the 1st 6 performances only (see17841117).] hathi.

438
04 November 1784 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; MF 2, by Mark Londsale. Prologue by the author {London Chronicle, 10 Nov.)]: The Overture, new Airs and Accompaniments composed by [Thomas] Linley [Sen.]. Books of the Songs to be had at the Theatre. Public Advertiser, 18 Nov. 1784: This Day is published The Spanish Rivals (1s.). Receipts: #160 2s. 6d. (104/12/0; 54/18/0; 0/12/6)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Spanish Rivals

Performance Comment: Principal Characters by Parsons, Baddeley, Barrymore, R. Palmer, Dodd; Mrs Wrighten, Miss Phillips. [Cast from text (J. Almon, 1784): Don Narcisso de Medicis-Parsons; Don Gomez-Baddeley; Don Fernandez-Barrymore; Basto-R. Palmer; Peter-Dodd; Lucett-Mrs Wrighten; Roxella-Miss Phillips.] Prologue spoken by Bannister Jun. [This was spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Bannister Jun. [This was spoken, as here assigned, at all subsequent performances.] hathi.

Song: In Act II of mainpiece a song by Miss Stageldoir

439
22 December 1784 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Prologue by the author. Epilogue by Edward Topham (see text). In 1794 this was altered by the author, and reduced to 4 acts]: With new Scenes and Dresses. Public Advertiser, 25 Jan. 1785: This Day is published The Natural Son (1s. 6d.). Receipts: #175 19s. 6d. (154/12/0; 21/0/0; 0/7/6)

Performances

Mainpiece Title: The Natural Son

Performance Comment: Principal Characters by King, Parsons, Bensley, Moody, Baddeley, Wrighten, Palmer; Miss Pope, Miss Tidswell, Miss Farren. [Cast from text (C. Dilly, 1785): Jack Hustings-King; Dumps-Parsons; Ruefull-Bensley; Major O'Flaherty-Moody; Sir Jeffery Latimer-Baddeley; David-Wrighten; Blushenly-Palmer; Mrs Phoebe Latimer-Miss Pope; Penelope-Miss Tidswell; Lady Paragon-Miss Farren.] Prologue spoken by Bannister Jun. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 9 performances only (see17840310785).] hathi. Prologue spoken by Bannister Jun. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 9 performances only (see17840310785).] hathi.

Afterpiece Title: The Gentle Shepherd

440
02 April 1785 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Leonard Macnally. Prologue by ---- Chalmers. Epilogue by ---- Norris (see text, but London Chronicle, 4 Apr., says by Thomas Morris). In 1792 this was acted at this theatre reduced to 3 acts]. Public Advertiser, 30 Apr. 1785: This Day is published Fashionable Levities (1s. 6d.)

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: The Magic Cavern

441
10 November 1785 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by Thomas Holcroft]: The Overture and the rest of the music entirely new, by Shield. With new Dresses, &c. Books of the Songs to be had at the Theatre. Public Advertiser, 22 Nov. 1785: This Day is published The Choleric Fathers (price not listed). Receipts: #240 4s. (238/3; 2/1)

Performances

Mainpiece Title: The Choleric Fathers

Afterpiece Title: Appearance is against Them

Dance: End of Act II of mainpiece The Recruiting Serjeant [performers not listed (see17851007)]; End of mainpiece new dance, The Piping Pedlar, by Byrn and Mrs Goodwin

442
14 January 1786 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by John Burgoyne, based in part on Le Pere de Famille, by Denis Diderot. Prologue by the Hon. Richard Fitzpatrick; Epilogue by the author (see text)]: With a Variety of new Scenes [by Greenwood (Daily Universal Register, 16 Jan.)], Dresses, and Decorations. Public Advertiser, 4 Feb. 1786: This Day is published The Heiress (1s. 6d.). "It rarely happens that all the characters of a piece are so well sustained" (Morning Chronicle, 16 Jan.). "We never saw a play more admirably performed in all its parts" (Gazetteer, 16 Jan.). "In point of performance the comedy had every advantage" (Morning Herald, 16 Jan.). Receipts: #226 2s. (205/10; 20/7; 0/5)

Performances

Mainpiece Title: The Heiress

Performance Comment: Principal Characters by King, Palmer, Parsons, Baddeley, Wilson, Chaplin, Bannister Jun., Aickin, R. Palmer, Smith; Miss Pope, Mrs Crouch, Mrs Wilson, Mrs Love, Miss Tidswell, Mrs Booth, Miss Barnes, Miss Farren. [Cast from text (J. Debrett, 1786), and European Magazine, January 1786, p. 8: Sir Clement Flint-King; Lord Gayville-Palmer; Alscrip-Parsons; Chignon-Baddeley; Mr Blandish-Bannister Jun.; Mr Rightly-Aickin; Prompt-R. Palmer; Clifford-Smith; Miss Alscrip-Miss Pope; Miss Alton-Mrs Crouch; Mrs Blandish-Mrs Wilson; Tiffany-Miss Tidswell; Mrs Sagely-Mrs Booth; Waiting Maid-Miss Barnes; Lady Emily-Miss Farren.] Wilson, Chaplin, Mrs Love are unassigned. Larpent MS 578 adds, unassigned: Chairman, Servants; Country Girl, Milliner. Prologue spoken by King. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 15 performances only (see17860207).] hathi. Wilson, Chaplin, Mrs Love are unassigned. Larpent MS 578 adds, unassigned: Chairman, Servants; Country Girl, Milliner. Prologue spoken by King. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 15 performances only (see17860207).] hathi.

Afterpiece Title: The Quaker

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

Performance Comment: [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.] hathi.

443
24 January 1786 @ King's Theatre

Event Comment: A new Comic Opera [in 2 acts]; the Music entirely new by Paisiello, under the direction of [i.e. with additions by] Cherubini. Public Advertiser, 26 Jan.: "Il Marchese Tulipano was in its original state a petite piece [in 1 act] of Paisiello [entitled Le Finte Contesse; performed at this theatre on 26 Mar. 1778 as Il Marchese Villano], enlarged to the size in which it is now before us by Cherubini." By Their Majesties Command no Person can be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [same throughout season]. Subscriptions are received at Messrs. Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the Subscription Tickets. The Nobility and Gentry, Subscribers to the Opera-house, are respectfully entreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. N.B. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages they are most respectfully entreated to give positive Orders to their Servants to set down and take up with their Horses Heads towards Pall-Mall. The Doors in Market-Lane for Chairs only. All Persons claiming free Admission into this Theatre by Renters' Shares or otherwise are requested to bring their Titles to the Office every Day, from Eleven to Twelve o'clock in the Forenoon, in order that they may be registered previous to the opening of the House

Performances

Mainpiece Title: Il Marchese Tulipano

Dance: End of Act I a new Divertissement Serieux (composed by Giroux) by Vestris, Sga Carolina, the two Mlles Simonet, Duquesney Jun., Mlle Mozon, &c, and to conclude with a Grand Chaconne, [the music] composed by Sacchini; End of Opera a new Divertissement Villageois (composed by D'Egville) by Vestris, Sga Carolina, Mme Crespi, the two Mlles Simonet, Duquesney Jun., Spozzi, Mlle Mozon, &c

444
18 March 1786 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by A Lady [unidentified], based partly on L'Amitie A l'epreuve, by Charles Simon Favart and Claude Henri de Fusee de Voisenon]: The Overture and the new Music composed by Hook. Books of the Songs to be had at the Theatre. Public Advertiser, 30 Mar. 1786: This Day at Noon is published The Peruvian (1s. 6d.). [The music was printed under the title of The Fair Peruvian (S. A. & P. Thompson [1786]), which was the original title as given in the MS (Larpent 727).] Receipts: #246 8s. (242/16/6; 3/11/6)

Performances

Mainpiece Title: The Peruvian

Afterpiece Title: The Country Wife

445
18 November 1786 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Frederick Pilon. Prologue and Epilogue by the author (see text). In 1794 reduced to an afterpiece of 3 acts]. Public Advertiser, 30 Nov. 1786: This Day is published He Wou'd be a Soldier (1s. 6d.). Receipts: #246 6s. (243.5; 3.1)

Performances

Mainpiece Title: He Wou'd Be A Soldier

Performance Comment: Principal Characters-Lewis, Quick, Edwin, Aickin, Farren, Wewitzer, Fearon, Brown, Thompson, Mrs Wells, Mrs Brown, Mrs Webb, Mrs Pope. [Cast from text (G. G. J. and J. Robinson, 1786): Captain Crevelt-Lewis; Sir Oliver Oldstock-Quick; Caleb-Edwin; Colonel Talbot-Aickin; Mandeville-Farren; Count Pierpoint-Wewitzer; Wilkins-Fearon; Johnson-Brown; Amber-Thompson; Servant-Helme; Harriet-Mrs Wells; Betty-Miss Stuart; Nancy-Miss Rowson; unassigned-Mrs Brown, Mrs Webb; Prologue-Farren; Epilogue-Mrs Pope. [These were spoken, as here assigned, at the 1st 13 performances only (see17870109).]These were spoken, as here assigned, at the 1st 13 performances only (see17870109).]

Afterpiece Title: Richard Coeur de Lion

446
14 April 1787 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by Edmond Malone. Epilogue by John Courtenay (see text)]: With new Dresses, Decorations, &c. Public Advertiser, 18 Dec. 1787: This Day is published Julia (1s. 6d.). Receipts: #217 2s. 6d. (201.5.0; 15.11.0; 0.6.6)

Performances

Mainpiece Title: Julia; Or, The Italian Lover

Afterpiece Title: The First Floor

447
16 May 1787 @ Haymarket Theatre

Event Comment: Mainpiece: Not performed these 5 years. In 3 acts; altered from Dryden. [Both Kemble and Moss were from the Edinburgh theatre. Address by George Colman elder (European Magazine, ibid).] Afterpiece [1st time; CO 2, by Charles Dibdin. London Chronicle, 17 May, refers to it as "from the French"]: The Musick composed by Dibdin. Books of the Songs to be had at the Theatre. Public Advertiser. 7 July: This Day is published Harvest Home (1s.). Places for the Boxes to be taken of Rice, at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s

Performances

Mainpiece Title: The Spanish Friar

Performance Comment: Dominick-Kemble; Gomez-Moss (Their 1st appearance on this stage); Alphonso-Johnson; Pedro-Chapman; Lorenzo-Williamson; Elvira-Mrs Brooks (1st appearance in that character).

Afterpiece Title: Harvest Home

Entertainment: Monologue End: Occasional Address (in character)-Young Sestini (European Magazine, July 1787, p. 63)

448
22 May 1787 @ Covent Garden

Event Comment: Artaxerxes [announced on playbill of 21 May] is obliged to be deferred on account of the Indisposition of a principal Performer. Afterpiece [1st time; C 3, by Elizabeth Inchbald. Prologue by Henry Sampson Woodfall, Jun. (see text)]: Taken from the celebrated piece called Guerre Ouverte; ou, Ruse Contre Ruse [by Antoine Jean Bourlin, dit Dumaniant]. Public Advertiser, 1 Dec. 1787: This Day is published The Midnight Hour (1s. 6d.). Receipts: #74 5s. (70.2; 4.3)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Midnight Hour

Performance Comment: Principal Characters by Lewis, Ryder, Edwin, Quick, Fearon, Thompson, Mrs Brown, Mrs Webb, Mrs Wells. [Cast from text (G. G. J. and J. Robinson, 1787): The Marquis-Lewis; Sebastian-Ryder; Nicolas-Edwin; The General-Quick; Mathias-Fearon; Ambrose-Thompson; Flora-Mrs Brown; Cecily-Mrs Webb; Julia-Mrs Wells; Prologue-Pope. [This was spoken, as here assigned, at the 1st 9 performances only (see17870615.]This was spoken, as here assigned, at the 1st 9 performances only (see17870615.]

449
04 August 1787 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; CO 3, by George Colman ynger]: With new Scenes, Dresses, and Decorations. The Overture, new Airs, and Accompaniments by Dr Arnold [partly adapted from Paisiello]. The Scenes painted by Rooker. Books of the Songs to be had at the Theatre. Public Advertiser, 5 Sept. 1787: This Day is published Inkle and Yarico (1s. 6d.)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Guardian

450
26 October 1787 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5]: Altered from Beaumont and Fletcher, by Dryden [by Thomas King. The original alteration, 1700, was by Sir John Vanbrugh, not by Dryden. The present alteration has been attributed to John Philip Kemble, but in his copy of the play, now in the Huntington Library (K-D 95), he has written "by Thomas King"]. Public Advertiser, 22 Nov. 1787: This Day is published, as now revived with material Additions, The Pilgrim (1s.). Receipts: #85 9s. 6d. (72.5.0; 13.4.6; 0.0.0)

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: All the World's a Stage

Related Works
Related Work: All the World's a Stage Author(s): Isaac Jackman

Dance: End I: a New Dance-Hamoir, Ferrere, the Miss Stageldoirs; End III: The Capricious Lovers, as17870920; End IV: another New Dance-Hamoir, Ferrere, the Miss Stageldoirs