SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6110 matches on Event Comments, 1324 matches on Performance Comments, 587 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [Prince of Wales and Princess Amelia present.] Lord Hervey to Henry Fox, 2 Nov.: No place is full but the Opera; and Farinelli is so universally liked, that the crowds there are immense. By way of public spectacles this winter, there are no less than two Italian Operas, one French play house, and three English ones. Heidegger has computed the expense of these shows, and proves in black & white that the undertakers must receive seventy-six thousand odd hundred pounds to bear their charges, before they begin to become gainers. Ilchester, Lord Hervey and his Friends, p. 211

Performances

Mainpiece Title: Artaxerxes

Event Comment: Egmont, Diary, II, 135: Public music at the Crown and Anchor. . . Faranelli, Curona, and Mr Matheis were our singers, and we had 24 performers on instruments

Performances

Mainpiece Title: Concert

Event Comment: By Desire. [In a letter to the Daily Journal, 13 Feb., Michael Poitier thanks the public for the applause given him on 8 Feb., and refers to the earlier disturbance there occasioned by his failure to appear with Mlle Roland. He states that she was indisposed and that he sent a message to that effect to the manager.]

Performances

Mainpiece Title: The Miser

Cast
Role: Mariana Actor: Miss Hollyday

Afterpiece Title: Colombine Courtezan

Event Comment: A public concert. [See Egmont, Diary, n, 164.]

Performances

Mainpiece Title: Concert

Music: Singing by Farinelli and Cuzzoni

Event Comment: Rehearsed in public

Performances

Mainpiece Title: Saul

Event Comment: EEgmont, Diary, III, 5: I went at night to a public meeting of the vocal music club at the Crown Tavern, where the famous oratorio of Hendel, called 'The Feast of Alexander," was performed by the gentlemen of our club

Performances

Mainpiece Title: The Feast Of Alexander

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Bellmour-Gibson; the first time of his performance on a public theatre: Old Batchelor-Bridgwater; Vainlove-Ryan; Sharper-Hale; Sir Joseph-Neale; Bluff-Rosco; Barnaby-Bencraft; Setter-James; Belinda-Mrs Bellamy; Araminta-Mrs Cross; Silvia-Mrs Vincent; Lucy-Mrs Mullart; Fondlewife-Hippisley; Laetitia-Mrs Horton.

Afterpiece Title: BBy DesireThe Mock Doctor

Dance: III: A Ballet-Desse, Miss Oates; V: Grecian Sailors-Glover; End of Afterpiece: Tambourine-Miss Villeneuve, not lately arrived from Paris

Event Comment: HHeidegger gets a new leave and license to perform operas at Haymarket Theatre from 8 Dec. 41 to 30 Oct. 45.-Deutsch, Handel, p. 526, from public Record Office L. C. 5@161, p. 97

Performances

Mainpiece Title: Alexander In Persia

Event Comment: Benefit LaLauze. By Command of their Royal Highnesses the Prince and Princess of Wales. Tickets to be had and places to be taken of Page at the Stage Door. None to be admitted without printed tickets, which will also be deliver'd at the Office, and at LaLauze's lodgings, at the Widow Gwinn's, a Silk Dyer in Drury Lane, near the Castle Tavern. Servants will be allowed to keep places on the stage, which (for the better accommodation of the ladies) will be enclos'd and formed into an amphitheatre. N.B. As I had the Misfortune to break the great tendon of my leg, when dancing on the stage at the above theatre in January last, I think it highly incumbent on me to acquaint the public in general and my good friends in particular, that I am in a fair (but not speedy) way of recovery; and as Mr Rich has kindly granted me a benefit sooner than usual, towards supporting me in my unlucky situation, I take this opportunity to interest the good-natured town to dispense with my personal application, and favour me with their company as usual, which will add to the many obligations I have already received, and shall be ever acknowledged with a sincere sense of gratitude, by their most humble and obedient servant, LaLauze

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: The School Boy

Dance: LLa Provencale, as17420212; Chacone, as17411230; Tyrolean Dance, By Command, as17420206

Event Comment: Ever studious for Public Amusement, I...strayed last Week, to a place near the Haymarket in Westminster, and Temple Bar in Middlesex, call'd James's St., where at the New Theatre, a Play called the Miser, with an Entertainment called the Old Man Bit, or Harlequin Skeleton, I saw rehears'd. J. W. Gray's Inn 12 Oct.-Theatrical Clippings, Folger Library. Benefit Julian Late of Goodman's Fields Theatre. At the New Theatre in James St., near Haymarket...a Concert. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s. 6 p.m. Note, Mr Julian taken this Opportunity to acquaint his Friends, that these Performances will be done with the utmost Regularity and Decoration, most of the Performers having belong'd to the Theatres. [This customary notice about the concert, time and prices will not be included unless changed.

Performances

Mainpiece Title: The Miser

Afterpiece Title: Mock Doctor

Event Comment: To the Publick: Ladies and Gentleman, The Play of Othello, with Dancing by Cooke, Picq, Delamain, and Les Damoiselles Anne and Janneton Auretti, &c., being to be acted for my benefit on Monday next, at the Theatre Royal in Covent Garden; and having accidentally heard that a certain person being possess'd of a great quantity of my tickets, has some thoughts of getting them up to a considerable premium, I out of meer Friendship, not at all with regard to my own interest (if you'll believe me) do privately and secretly, in this public manner, advise you, to send away to my house, the corner of Bow St. near the said theatre, where I will oblige you with what number of tickets you please, at Par, to within an Hour of the Play's beginning. I am, Ladies and Gentlemen, Your most obedient and humble servant, Tho. Chapman

Performances

Event Comment: Whereas Great Disorders were committed on Tuesday Night at the Theatre, by Numbers of persons violently forcing their way into the House, particularly into the Boxes, knocking down the door-keepers, and obliging the servants who kept places to go out, to the great prejudice of the Manager, who lost all the Money for the said Places, as they not only refus'd to pay for the Boxes, but likewise forc'd into the Pit without paying, he thinks it incumbent on him to gide Public notice That an Office will for the Future be kept at the Boxes, to prevent persons from going in the same tumultuous manner, and hopes no Gentlemen will be displeas'd in being first desir'd to take a ticket at the said Office. Last night the Play of the Rehearsal was perform'd at the Theatre Royal in Drury Lane; when, upon Mr Garrick's making a proper apology to the Town he was receiv'd with the greatest marks of Approbation; and the Play was acted with the utmost Decency and Order

Performances

Mainpiece Title: The Rehearsal

Event Comment: Benefit Leonardo Pescatore...a Serenata. Music entirely new and composed by himself, 7 p.m., 5s. Tickets at the Mews Coffee House, Charing Cross; at Pescatore's, No 2, Meard's Court, Dean St., Soho. [And a long letter by Pescatore offering to give lessons on the harsichord and wounded by public suspicion of his loyalty.

Performances

Mainpiece Title: La Forza De Lamore

Event Comment: AA Letter to Mr Garrick on his having purchased a Patent for Drury Lane Play-House published. [Written by one who subscribed himself the Plain Dealer, it pointed out the troubles in store for the young manager from grievances from subordinates, arrogance from other actors (all individualists, no unity) failure from joint managership, grievances from public, and extraordinary expense from costume. He suggests the reasons for Garrick's jumping from actor to manager are vanity and avarice. He indicates Garrick's challenge and sums up the late troubled years of management under Fleetwood and Highmore.

Performances

Event Comment: Tomorrow will be publish'd, at 1s. 6d. Irene. A Tragedy, acted at the Theatre Royal Drury Lane, by Mr Samuel Johnson, Printed for R. Dodsley in Pall Mall, and sold by M. Cooper in Paternoster Row. [In 1749 was published an Essay on Tragedy, with a Critical Examen of Mahomet and Irene (T. P. Barton@Collection, Boston Public Library).

Performances

Mainpiece Title: None

Event Comment: Benefit towards the increase of a Fund for the support of a Public Charity. Ladies send Servants by 3 O'clock. Last time of performing the Mainpiece this season

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: Damon and Phillida

Dance: J. Granier, J. Granier's Sister

Event Comment: A New Serenade. Whereas it has been advertised by mistake in the public newspapers that subscriber's tickets would not be admitted; Dr Crosa takes this opportunity to beg pardon, that it was not his intention, but that all subscriber's tickets will be received

Performances

Mainpiece Title: Peace In Europe

Event Comment: At Hickford's Room, Brewer St. Benefit for Mme Cuzzoni. Burney, II, 848-49: [Giardini's] first performance in public was at a benefit concert for Cuzzoni, May the 18th...where, as this was her third arrival in this country, and she was grown old, poor, and almost deprived of voice, by age and infirmities, there was but little company; yet, when Giardini played a solo of Martini of Milan's composition, the applause was so long and loud, that I never remember to have heard such hearty and unequivocal marks of approbation at any other musical performance

Performances

Mainpiece Title: A Concert

Event Comment: [M+Midwife, No II (at about this date) includes a Letter from Mary Midnight to David Garrick, Esq praising him as actor and even as manager, but asking why he neglects Fletcher's plays: "What is the reason that the public patience is so largely try'd, and the human understanding so shamefully insulted as it is, by a perpetual repetition of the Duke and No Duke, the Anatomist, and twenty things of like nature?" Concludes by remarking that the London Cuckolds is a scandal to virtue.] Receipts: #120 (Cross)

Performances

Mainpiece Title: The London Cuckolds

Performance Comment: Arabella-Mrs Ward; Doodle-James; Dashwel-Shuter; Ramble-Woodward; Townly-Palmer; Loveday-Blakes; Wiseacre-Yates; Peggy-Mrs Green; Eugenia-Mrs Mills; Engine-Mrs Cross; Jane-Mrs Havard; Aunt-Mrs James.
Cast
Role: Loveday Actor: Blakes

Afterpiece Title: The Anatomist

Dance: I: Hornpipe-Mathews, the Little Swiss; III: Running Footman's Dance, as17501020 Play to conclude with a dance call'd The City Revels-the characters of the play

Event Comment: [The theatres this night met competition from (I) an Assembly at the king's Theatre in the Haymarket, tickets 26s. each, to admit one Gentleman and two ladies. (2) another Assembly at the Five Bells Tavern, behind the New Church, in the Strand, where was opened the Temple of Taste, where will be exhibited a grand concert of Music. Also an attempt towards the Introduction of a new rational entertainment, consisting of an Occasional Prologue by a Gentleman; a panegyric on the Utility of Public Speaking, in which the Design is particularly illustrated; Propositions made from a Gentleman in the Chair, to be debated by the company, such as the Gay and Polite may be supposed to understand, and speak upon with success; to conclude with an Original Epilogue; the whole interspers'd with several grand concertos, Overtures, and Full pieces of Musick. This design, which has for its object the interest of Knowledge, Eloquence and Politeness, needs no Apology, and can be opposed by those, with whom to be at variance, is Virtue. No subject of so Sacred Nature as Religion, will be there canvass'd nor anything that can give Occasion to Indecency, or unmannerly reflection on any Undertaking or Party.-In this attempt all Men of Taste are interested, as they will have an opportunity not only of being pleased, but giving pleasure by considering every subject with candour, and reasoning upon it, with Eloquence and propriety. To this entertainment, the Ladies are likewise invited, who have an unexceptionable right to be present at all Attempts, calculated for the promotion of knowledge, and as their appearance will naturally secure polite behavior, so they may reap some advantage from the Circulation of ideas, which is such an Assembly must necessarily take place. The price of entrance-half a crown each. To begin precisely at seven. The room which is very commodious, will be elegantly illuminated. The SUBJECT for the first Night's Debate will be, "If the Custom of Portioning Daughters was entirely suppress'd, would it not be a good Expedient towards the promotion of Matrimony and the felicity of that state." It continued on four Wednesday nights. Then seems to have died.

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: Harlequin Sorcerer

Event Comment: For a Public Benefaction-Mr Garrick taken ill (Cross). [Play published at 1s. 6d.] Receipts: #140 (Cross)

Performances

Mainpiece Title: The Brothers

Event Comment: The Lord Chamberlain to the Manager of the Theatre in Covent Garden...These are strictly to charge and command you not to act any Plays, Oratorios, or any other Theatrical Performance in Passion Week for the Future on any Pretence whatsoever (Deutsch, Handel, p. 740, from Public Record Office: L.C. 5@162, pp. 2 ff.). [Deutsch cites similar ones for dl, king's and hay.

Performances

Mainpiece Title: Samson

Event Comment: Continued (by adjourment). Veniam quocumque vocaris, a properer motto for the Inquisitor than that he has chosen, being in English nothing more than, coming Sir. After the Inquiry the following questions will be debated: Whether these Argumentative Societies are useful of pernicious to the public, and if the former, Whether the superintendance of them should be given to the Inquisitor, Dr R-, or Tiddy Doll, being three gentlemen who have eloquently distinguished themselves from the Tub, Chaise, and Barrow. [Macklin was advertising at his Great Room Tit for Tat, with a trial of Sam. Smatter for a dramatic cheat and imposter.

Performances

Mainpiece Title: Writ Of Inquiry

Event Comment: Benefit towards Compleating the Additional Building of a Public Charity

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Knights

Event Comment: Benefit for Miss Macklin (Cross). Receipts: #180 (Cross). Ladies to send for tickets for the places they taken at Miss Macklin's, Russel St. next door to Tom's Coffee House. Part of Pit laid into Boxes and Amphitheatre on stage. Afterpiece: By Particular Desire. Last time of Performing till the Holidays. On seeing Miss Macklin in the character of the Mourning Bride: @Should Death (for Oh! what power can save Our tragic heroine from the grave)@At Cibber aim his dart:@Tears should forever speak my moan,@For oh! 'tis she, and she alone@Can melt the feeling heart.@Britannia spake, when Lo! a Voice@Britain be happy, and rejoice,@That, when your Cibber dies@The Gods have yet in store for thee,@A Macklin; and in her you'll see@Another Cibber rise.--Public Adveriser@

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Englishman in Paris

Dance: As17550203