Event Comment: Afterpiece: With Alterations. Receipts: #51 1s. Probable attendance: boxes, 38 paid and 11 orders; pit, 108 paid and 26 orders; slips, 6 paid and 14 orders; first gallery, 148 paid and 16 orders; second gallery, 179 paid and 1 order

Event Comment: Receipts: #54 4s. Probable attendance: 58 paid and 16 orders; pit, 147 paid and 35 orders; slips, 8 paid and 7 orders; first gallery, 113 paid and 8 orders; second gallery, 96 paid and 3 orders

Event Comment: Receipts: #38 12s. 6d. Probable attendance: boxes, 17 paid and 6 orders; pit, 98 paid and 15 orders; slips, 6 paid and 7 orders; first gallery, 110 paid and 7 orders; second gallery, 101 paid

Event Comment: Receipts: #84 4s. Probable attendance: boxes, 62 paid and 13 orders; Pit, 215 paid and 12 orders; slips, 19 paid and 5 orders; first gallery, 216 paid and 1 order; second gallery, 107 paid

Event Comment: At the particular Desire of several Persons of Quality. Receipts: #37 2s. Probable attendance: boxes, 41 paid and 3 orders; pit, 96 paid and 19 orders; slips, 19 paid and 8 orders; first gallery, 64 paid and 14 orders; second gallery, 98 paid and 5 orders

Event Comment: Written by Shakespear. Receipts: #38 17s. 6d. Probable attendance: boxes, 17 paid and 4 orders; pit, 125 paid and 27 orders; slips, 9 paid and 3 orders; first gallery, 150 paid and 26 orders; second gallery, 132 paid

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by Shakespeare. Receipts: #73 4s. 6d. Probable attendance: boxes, 68 paid and 18 orders; pit, 193 paid and 17 orders; slips, 17 paid and 3 orders; first gallery, 145 paid and 7 orders; second gallery, 164 paid

Event Comment: Receipts: #59 4s. 6d. Probable attendance: boxes, 20 paid and 14 orders; pit, 150 paid and 20 orders; slips, 7 paid and 1 order; first gallery, 214 paid and 5 orders; second gallery, 155 paid

Event Comment: Receipts: #45 2s. 6d. Probable attendance: boxes, 72 paid and 10 orders; pit, 111 paid and 24 orders; slips, 5 paid and 8 orders; first gallery, 59 paid and 13 orders; second gallery, 69 paid and 2 orders

Event Comment: Written by Mr Otway. Receipts: #21 10s. Probable attendance: boxes, 25 paid and 9 orders; pit, 43 paid and 18 orders; slips, 4 paid; first gallery, 96 paid and 4 orders; second gallery, 62 paid

Event Comment: Receipts: #36 4s. 6d. Probable attendance: boxes, 26 paid and 6 orders; pit, 110 paid and 17 orders; slips, 6 paid and 2 orders; first gallery, 74 paid and 3 orders; second gallery, 97 paid

Event Comment: Receipts: #34 16s. Probable attendance; boxes, 35 paid and 8 orders; pit, 103 paid and 12 orders; slips, 2 paid and 4 orders; first gallery, 69 paid and 1 order; second gallery, 60 paid

Event Comment: Receipts: #32 6s.Probable attendance: boxes, 37 paid and 11 orders; pit, 56 paid and 21 orders; slips, 6 paid and 2 orders; first gallery, 91 paid and 3 orders; second gallery, 89 paid and 1 order

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Receipts: #100 19s. Probable attendance: boxes, 49 paid and 29 orders; pit, 259 paid and 14 orders; slips, 28 paid and 4 orders; first gallery, 252 paid and 7 orders; second gallery, 183 paid. [This is the last entry in the Harvard Manuscript which lists the receipts in various sections of the theater.

Event Comment: By Desire. Paid for 200 pens 5s.; Paid Chitty for 42 Chald. Coals #66 8s.; Paid Knight (Tinman) #22 11s.; Paid for Bugles for Eumenes' Dress by order of Mr Garrick #1 14s.; Paid for Bonfires 4 Nov. #2 2s. (Treasurer's Book). Receipts: #160 (Cross); #160 7s. 6d. (Treasurer's Book)

Event Comment: Post Season Accounts. Receiv'd from Vincent for Music Forfeits #24 8s. 4d. Expended: To Fisher for Music for Harlequin's Jubilee #26 5s. 30 May: Paid to Foulis for writing out Music #34 9s. 2 June: Paid to Shove for paper for Music #7 1s. Paid to Arnold for composing #61 19s. 15 June: Paid Kirkman for tuning Harpsichord #19 12s. Paid Simpson (hautboy) for special performances #67 4s

Event Comment: London Daily Post and General Advertiser, 1 May: Last Night The Conscious Lovers was perform'd [at GF] in Honour of the Royal Marriage, when there was a very splendid Appearance of Ladies and Gentlemen, to whom Mr Giffard had distributed Tickets. The Stage was decorated in a particular Manner with several Glass Lustres. And the Outside of the House illuminated with a great Number of Candles, a large Quantity of Liquor given to the Populace. [The Prologue is in London Daily Post and General Advertiser, 1 May; in London Daily Post and General Advertiser, 26 April, an announcement had been made that no money would be received on this night.]

Event Comment: Whereas it was first intended to lay the pit and boxes together, for the better accommodation of the ladies, who are desirous of having their places kept, the boxes will be enclosed as usual. -General Advertiser. The songs added to the farcical opera call'd the What D'Ye Call It to be performed tomorrow night at cg, were wrote some years ago by a Gentleman since deceased, whose pieces of the Lyric kind have been often admir'd by people of Taste; there is a pleasing variety in them, and they are thought to be well adapted to the several characters in which they are introduced. The Music, which is entirely new, and compos'd by Mr Lampe, is allow'd by all who have heard it, to be an agreeable mixture of humour, spirit, and harmony. -Daily Advertiser. General Advertiser, 4 April: Yesterday was a rehearsal of The What D'Ye Call It

Event Comment: Afterpiece An Historical Dramatic Piece of on act (taken from Shakespear) with a representation of the Trials of the Lords for High Treason, in the Reign of King Henry V. The Characters dress'd in the Habits of the times. With proper Scenes and Decorations. On account of the Extraordinary Scenery, &c, and to prevent any interruption in the performance, it's desired no persons will take it ill that they cannot admitted behind the Scenes.--General Advertiser. [This adaption most certainly occasioned by the trial, which began in Westminster Hall on 28 July of Lord Kilmarnock, Lord Cromarty, and Lord Balmerino for participation in the Rebellion of '45! (Hogan, Shakespeare in the Theatre, p. 199).] An Historical Dramatic Piece of one act, taken from Shakespear, will be perform'd, after a play, at Drury Lane; it will be a Representation of the trials of Lord Cambridge, Lord Scroopv, &c for High Treason, in the reign of King Henry the Fifth. The Characters are to [be] dress'd in rich antique Habits of the times.--Daily Advertiser, 31 July. Last night the Dramatick Piece call'd The Conspiracy Discover'd; or French Policy Defeated, with a representation of the Trials of the Lords for High Treason, was acted at dl, with great applause, and will be performed again tomorrow night at the desire of several persons of Distinction.--General Advertiser, 5 Aug

Event Comment: Receipts: #75 2s. 6d. Probable attendance: boxes, 113 paid and 22 orders; pit, 200 paid and 13 orders; slips, 6 orders; first gallery, 150 paid and 9 orders; second gallery, 27 paid

Event Comment: Receipts: #38 16s. Probable attendance: boxes, 32 paid and 14 orders; pit, 100 paid and 50 orders; slips, 12 orders; first gallery, 105 paid and 55 orders; second gallery, 50 paid and 11 orders

Event Comment: Receipts: #203 19s. Probable attendance: boxes and pit, 514 paid; slips, 55 paid; first gallery, 429 paid; second gallery, 191 paid